Эдуард Лимонов «Это я — Эдичка»

Эдуард Лимонов

Это я — Эдичка

машинопись романа
с рукописными правками

Ilya Levin Collection of Eduard Limonov

Amherst Center for Russian Culture
202 Webster Hall
21 Quadrangle
Amherst, MA 01002
acrc@amherst.edu

limonka
Эдуард Лимонов — Илье Левину

November 7, 1979

Дорогой Илья*!

Книга наконец вышла и вот я посылаю Вам рукопись романа для архива.

— есть ещё рукописная тетрадь
— заметки к книге, разработка глав и прочее

Но я должен прежде посмотреть, может, что-то из этих записей я ещё могу использовать. Если нет, я Вам тетрадь пришлю, буду рад избавиться от части бумаг.

Искренне Ваш
Э. Л.

P.S. Есть ли у Вас «Эдичка»? Книгу можно выписать в «Руссике»**. Я бы Вам послал, да уж очень мало мне дали экземпляров. OK? Привет Косте, как его дела?

* Илья Левин / Ilya Levin
** «Russica Publishers» (New York)


7 ноября 2006 года у Екатерины Волковой и Эдуарда Лимонова родился сын Богдан — Богдан Эдуардович Савенко.

* * *

Amherst Center for Russian Culture:

This is a draft letter composed by E. Limonov and V. Prussakov that is repeated on the reverse side of all the pages of this manuscript.

Edward Limonov + Valentine Prussakov

We are former Soviet citizens who have left the USSR. Our profession — we are journalists.

We are protesting against the «New York Times»' systematic suppression of our articles and information.

In particular:

In November 1975, we sent to the «New York Times» an «Open Letter to Academician Sakharov» in which we criticized the views of Sakharov, a man who idealizes the West although he knows about the Western world only through books and the broadcasts of your propaganda radio stations in Russian. The letter was not printed. We had to publish it in England in the «London Times».

May 6, 1976, we requested the New York Times publish on its Op-Ed page* information (an interview and a photograph) about a counterdemonstration of a former Soviet journalist Marat Katrov which took place May 2, 1976 on the steps of the St. Thomas Church at the corner of 53rd Street and Fifth Avenue. Holding signs sayind [sying] «Stop the Demogogy [Demagogy]» and «Help Us Here,» he stood for three hours facing the 200,000 people passing along Fifth Avenue demonstrating for the emigration of Soviet Jews from the USSR, but not one American journalist «noticed him». The New York Times did not print this information either. Nor did the «Daily News».

Where is your free press, America?

Thousands of people who have left the USSR have not found here the free world they sought. We, as journalists, are writing honestly and openly about this. Why does the «New York Times» suppress our information? What political or financial circles benefit from this?

You have no free press, Americans,
just as the USSR does not!

You have made loud proclamations about us, the creative intelligentsia, who are not free in the USSR. Here we are before you, in your country. Why do you deny us the right to express our views?

You willingly print the arguments of Solzhenitsyn — of a man out of the past; he exposes the concentration camps and the Soviet regime of the Stalin period. You print the naive ideas of Sakharov and Amalrik about your world which they have never seen! But you conceal and will not publish our articles in which we write about things which many former Soviet citizens do not like about the Western world in which there is a great deal about its flaws and defects although they are different from those of Soviet society.

You are afraid of us, people who would not consent to lie in the USSR and refuse now to lie here as Maksimov and several other well-known dissidents you have bought off have done. They keep silent about your world. We will not remain silent. It is impermissible to betray the people of the USSR who are deprived of truthful information. It is also impermissible to betray people here by painting today's Soviet system in the blackest of colors so as to accentuate the good of your world.

FOR TEN YEARS YOU HAVE MADE PROCLAMATIONS ABOUT US, THE CREATIVE INTELLIGENTSIA, WHO ARE NOT FREE IN THE USSR. WE ARE NOW HERE BEFORE YOU IN YOUR COUNTRY. WHY DO YOU DENY US THE RIGHT TO EXPRESS OUR VIEWS IN THE PAGES OF YOUR ALLEGEDLY FREE PRESS.

Edward Limonov
Valentine Prussakov

Op-Ed page = Opposite the Editorial Page

limonka

It's Me — The Winslow
45 East 55th Street × 551 Madison Avenue
100 × 75.42 ft

Edward Limonov at The Winslow Hotel

Period Address Place, Event Persons
March 4–December 1976 45 East 55th Street
(at 551 Madison Avenue),
Midtown Manhattan,
New York City,
NY 10022
Hotel Winslow,
16th floor,
Room 1611

current name:
551 Madison
Edward Limonov
40.76111337983099,
-73.97306009307289

«Это я — Эдичка»

«Это я — Эдичка»

«Проходя между часом дня и тремя по Мэдисон авеню, там, где её пересекает 55-я улица, не поленитесь, задёрните голову и взгляните вверх — на немытые окна чёрного здания отеля «Винслоу». Там, на последнем — 16-м этаже, на среднем, одном из трёх балконов гостиницы сижу полуголый я. Обычно я ем щи и одновременно меня обжигает солнце, до которого я большой охотник. Щи с кислой капустой моя обычная пища, я ем их кастрюлю за кастрюлей, изо дня в день, и кроме щей почти ничего не ем. Ложка, которой я ем щи, деревянная и привезена из России. Она разукрашена золотыми, алыми и чёрными цветами».

Эдуард Лимонов
«Это я — Эдичка», 1976

«If you're walking along Madison Avenue where it cuts across 55th Street anytime between one and three, just crane your neck and look up once at the shining windows and the black wall of the Hotel Winslow. There, on the middle of three balconies on the sixteenth and last top floor of the Hotel sit I, half naked. Usually, I eat and, at the same time, get baked by the sun; I really love the sun. My usual fare is cabbage soup with sauerkraut. I eat the stuff by the panful, day after day, and hardly eat anything else. I eat it with a wooden spoon I brought from Russia. My spoon is painted all over with gold and scarlet and black flowers».

Translation by H. W. Tjalsma
«It's me—Edichka», 1977(?)
(Howard William «Bill» Chalsma)

It's Me — Eddie

«If you're walking past the corner of Madison Avenue and Fifty-fifth Street between one and three in the afternoon, take the trouble to tip back your head and look up—at the unwashed windows of the black Hotel Winslow. There on the topmost, sixteenth floor, on the centermost of the hotel's three balconies, I sit half naked. Usually I am eating shchi and at the same time working on my tan, I'm a great sun lover. Shchi, or sauerkraut soup, is my usual fare; I eat pot after pot of it, day after day, and eat almost nothing else. The spoon I eat the shchi with is wooden and was brought from Russia. It is decorated with flowers of scarlet, gold, and black».

translated from Russian by S.[Stuart] L. Campbell
«It's Me, Eddie», 1983

The 1811 Plan

Interactive 1811 Plan

The Master Plan of Manhattan 1911

A Map of the City of New York

By the Commissioners appointed by an act of the Legislature passed April 3rd 1807

To support its interactivity, the 1811 plan has been georectified. The avenues run parallel to the island, tilting to the northeast, rather than true north. The deviation from true north is close to 29 degrees. The georectification enables users to relate the 1811 plan to the city today by using the slide to transition between past and present, or by typing a modern address in the address finder.

Hot spots explain several key features of the map and are searchable by the index.

There are three original manuscript copies of the 1811 Plan. The version presented in this interactive is from the Manuscripts and Archives Division, The New York Public Library, Astor, Lenox and Tilden Foundations (MssCol 605). The map is drawn in ink on paper, wax seals are attached at the bottom, and it measures 106 x 30 7/16 inches.

Museum of the City of New York
(The Greatest Grid)

Manhattan: Madison Avenue — 55th Street

Manhattan: Madison Avenue — 55th Street

Madison Avenue, north from and including 55th Street, seen from 54th Street east of Madison Avenue. The streets have been graded, but building is only just getting under way.

On the N.E. corner of Madison Avenue and 57th Street the Madison Avenue Reformed Church, afterwards to become the Central Presbyterian Church, is nearing completion. This edifice will be demolished in 1928 (see New Fuller Building Progressive Series, 1928–29, Madison Avenue N.W. corner of 57th Street). On the N.E. corner of 57th Street stands the newly erected 1 East 57th Street, residence of Mrs. Mary Mason Jones, and the first of the block known as Marble Row. (See Fifth Avenue at N.E. corner of 57th Street, 1925, and other views). It will be demolished late in 1929. Two or three of the houses shown under construction on the north side of 57th Street, notably 17 East 57th Street (the western wing of the house with the mansard roof), will be standing in 1935.

In the background, on a line from the observer through the intersection of Madison Avenue and 56th Street, may be seen the old Arsenal in Central Park, used as a police station.

This photograph is reproduced in «Valentine's Manual» for 1923, on page 15, and credited to the collection of George S. Weston. We have taken the date as given by «Valentine's Manual». May 5, 1871.

International News Photos, Inc. MAY BE REPRODUCED. Neg. #946

The New York Public Library

Madison Avenue — 55 Street

Madison Ave. and 55th Street

Madison Avenue — 55 Street

Description: Madison Avenue. ca. 1870. Looking northwest from 55th Street. The Northwest Reformed Dutch Church (third site) is seen on the northeast corner of Madison Avenue & 57th Street. The white marble residence on the northeast corner of 57th Street was one of the block known as «Marble Row», erected in 1871. | J. Clarence Davies Street Views Scrapbook

Physical dimensions: H: 13 in, W: 18 1/4 in

File dimensions: 46.5×33.0 cm at 300 dpi

Museum of the City of New York

Madison Avenue — 55 Street

The city of New York, map

Will L. Taylor • Galt & Hoy, 1879

Will L. Taylor — The city of New York

Close-up of the Taylor Map of New York by William L. Taylor

.tiff: 844.2 MB, 12.901×22.870 px

Library of Congress

19. Ward 19.

New York City. G.W. Bromley & Co.

Atlas of the Entire City of New York

Complete in One Volume.

From Actual Surveys and Official Records by G.W. Bromley & Co., Civil Engineers.

Published by Geo. W. Bromley & E. Robinson.
82884 Nassau St.
New York
1879

.jpg: 17.2 MB, 11.742×7.029 px

David Rumsey Historical Map Collection

Allerton House Chain

The Allerton houses were club residences built and managed by James Stewart Cushman (1871–1952), a manufacturer, realty operator, tennis official and philanthropist. The first Allerton House was completed in 1913 at 302 West 22nd Street, in New York City. The Allerton House chain included six hotels in New York, one in Cleveland and one in Chicago.

Allerton club residences

James Stewart Cushman was born in New York in 1871. He descended from Thomas Cushman, who came to America in the Mayflower. His father E. Holbrook Cushman was a realty operator. He was a member of the Board of the Young Men's Christian Association. In 1939, he was elected governor of the Society of Mayflower Descendants in the State of New York. His wife Vera Scott Cushman (1876–1946) was an international vice-president of the world council of the Young Women's Christian Association (YWCA), from 1924 to 1938, and the first president of New York YWCA (1912).

The Allerton House Company was organized in 1912 by James Cushman and William Silk. It was intended to provide small residential apartments with hotel services and club-like sociability at modest prices on a weekly, monthly, or yearly basis. The buildings, noted for the quality of its architectural design and interior decoration, usually included lounges, libraries, and athletic facilities.

Allerton House chain was formed by eight club hotels with moderate prices for men and women, built from 1913 to 1926. The chain was named for another Mayflower ancestor of Cushman, Mary Allerton, daughter of Isaac Allerton, an early owner of the land on which this Allerton House was built. Mary Allerton married Thomas Cushman about 1636.

In 1915 or before, Cushman was the head of the Allerton Realty Co. and the Allerton House Co. William H. Silk was the secretary. Later, the Allerton Thirty-eighth Street Company was formed. In 1923, Silk built the Barbizon Hotel in NYC, a residential hotel and clubhouse for single women.

According to the «New York Times» (March 20, 1952), associated with Cushman was a group of financiers including George W. Perkins and Arthur Curtiss James.

The six hotels in New York of the Allerton House chain were built at

  • 302 West Twenty-Second Street (the first one),
  • 138 East Thirty-eight Street (the second one),
  • 143 East 39th Street (the third one),
  • 45 East Fifty-fifth Street (Winslow Hotel),
  • 22 East Thirty-eighth Street (Fraternity Clubs Building)

and, for women,

  • 130 East Fifty-seventh Street.

Note: in 1910, a 12-story «The Allerton» apartment house was erected on the southwest corner of Broadway and 113th Street. It was not part of the Allerton House chain. The building still exists as 600 West 113th Street.

Allerton club residences

«London Daily Mail Atlantic Edition»

By August 1918, the second Allerton House, built at 138 East Thirty-eight Street, was sold to Y.W.C.A. and it was then adapted into a women's residence.

In the 1930s, the earnings of the Allerton Corporation was in decline. It was times of the Great Depression. The Allerton club residences were converted into conventional hotels.

In 1930, the 600-room Allerton Club Hotel in Cleveland, Ohio, became part of the Knott chain. By June 1932, the Allerton club residence, at 45 East 55th Street also passed to the management of the Knott Company.

In May 1932, George Tybout Purves (1896–1951) of Graham Parsons & Co. was announced as the head of a committee in the interests of holders of Allerton New York Corporation. The committee was to press for a reorganization of the Corporation. The Allerton New York Corporation was reorganized about 1935.

In 1942, George T. Purves was the head of the Allerton Corporation. James Stewart Cushman was the president of the Longacre House Company and leased from Vincent Astor, the eight-story Club Hotel at 317 West Forty-fifth Street. It was renamed Longacre House and it was not associated with the Allerton New York Corporation. In 1943, Cushman bought the hotel. He died in 1952.

In 1958 a new hotel chain was formed under the name of Mansion Hotels and it included some of the original Allerton Houses, like the Midston House. Two hotel were sold in January 1960, the hotel at 130 East Fifty-seventh Street and the hotel at 22 East Thirty-eighth Street, to corporations controlled by David Bisgeier and Hyman I. Cohen.

Geographic Guide — Historic Buildings in NYC

It has not been possible to determine who or what the hotel The Winslow was named after. 😎 My theory, involving another passenger aboard the Mayflower, appeals to me not only because of his surname, but also because of his first name:

Edward Winslow
Edward Winslow

Edward Winslow (18 October 1595 — 8 May 1655) was a Separatist and New England political leader who traveled on the «Mayflower» in 1620. He was one of several senior leaders on the ship and also later at Plymouth Colony. Both Edward Winslow and his brother, Gilbert Winslow signed the Mayflower Compact. In Plymouth he served in a number of governmental positions such as assistant governor, three times was governor and also was the colony's agent in London. In early 1621 he had been one of several key leaders on whom Governor Bradford depended after the death of John Carver. He was the author of several important pamphlets, including Good Newes from New England and co-wrote with William Bradford the historic «Mourt's Relation», which ends with an account of the First Thanksgiving and the abundance of the New World. In 1655 he died of fever while on an English naval expedition in the Caribbean against the Spanish. He is the only original Plymouth colonist with an extant portrait painted from life. This, along with portraits of Winslow's son and daughter-in-law, and various Winslow family artifacts, are in the Pilgrim Hall Museum, in Plymouth, Massachusetts. ⟨…⟩

«Wikipedia»

The Winslow, Allerton House at 45 East 55th Street

Madison Avenue

Madison Avenue, looking north from East 54th Street, about 1950. This avenue was carved between Park Avenue and Fifth Avenue, and commissioned in 1836. Photograph by Morris Huberland (1909-2003). Source: New York Public Library.

The old Winslow Hotel, completed in 1922, is on the corner of East 55th Street. It was converted into an office building in 1982. The 575 Madison Avenue building, between East 56th and East 57th streets is under construction (completed in 1950 with 25 stories).

The Allerton House at 45 East 55th Street / 551 Madison Avenue, in Midtown Manhattan, was originally opened for men only as permanent residents. It was completed in mid-1922, when it opened its doors. It was also known as The Winslow. Since 1982, is an office building.

First Reformed Episcopal Church

1877–1920

This 17-story Allerton House for bachelors was erected on the site of the old First Reformed Episcopal Church, built in the 1870s on the northeast corner of Madison Avenue and 55th Street. The congregation left the place in November 1919, after the property was sold to the Allerton House Company. The temple was then demolished.

The fireproof building was designed by Arthur Loomis Harmon, who also designed other hotels in New York, such as the Allerton House at 145 East 39th St. and the Shelton. The building fronts 75 feet on Madison Ave. and 100 feet on the 55th Street. It was constructed with clad in dark-red brick above a 2-story base of stone, metal, and glass, with the main entrance in the south facade on 55th Street. The penthouse level is topped by a low-sloped tile roof. It had club conveniences and furnished rooms.

In 1932, the 500-room club residence passed to the management of the Knott Company and it was also opened to women.

In 1961, the Winslow Hotel was a property of the H. R. Weissberg Company, headed by Herbert R. Weissberg and operated by the Winslow Associates of New York. The Weissberg chain included the Paramount, the Brittany and the Winslow Hotels in New York, and the Baltimore and the Emerson in Baltimore.

In 1962, the Winslow Hotel was purchased by the Leader-Durst Corporation, a real state company. It had then 400 rooms, a cocktail lounge, restaurant, eight stores and offices with separate entrance.

In 1965, the 400-room Winslow Hotel was transferred to Felomer, Inc., headed by Osias Natch [Nacht].

In 1982, it was renovated and converted into an office building.

The building underwent a series of renovations between 2006 and 2016. In January 2017, Lexin Capital bought the building from Barings (formerly known as Cornerstone Real Estate Advisers). Now, the building is managed by Cushman & Wakefield.

Geographic Guide — Historic Buildings in NYC

In 1961, the Winslow Hotel was a property of the H. R. Weissberg Company, headed by Herbert R. Weissberg and operated by the Winslow Associates of New York.

Who's who in America (1958): WEISSBERG, Herbert R., hotel exec.; b. N.Y.C., Aug. 26, 1912; s. Max and Rose (Spindel) W.; student City Coll. N.Y.; children—Robert, Martin, Stevan, David. Owner Winslow Hotel, Hotel Brittany, Blue Star Motel, LaPlata, Md.; dir. Republic Savs. & Loan Assn., Washington. Home: 2 Fifth Av., N.Y.C. 2. Office: 120 E. 56th St., N.Y.C. 22.


Sarah Bernard «Heartbreak Hotel»
// «New York Magazine», July 8, 2002


«Deaths Weissberg, Herbert R.» («The New York Times», July 6, 2003): Weissberg, Herbert R. On July 3, 2003. Lived the classic American dream. One of five children born to his immigrant parents in New York's fabled Lower East Side, he slowly but relentlessly worked his way up to being a prominent New York hotelier. Along the way, he taught English to immigrants at night school and helped assemble B-29 engines during WWII. Like many businesspeople who came of age during the Great Depression, he learned his hotel trade handson, making beds, running the switchboard, showing rooms and learning from others over a nickel coffee at the Automat. At one time, he owned major hotels in Chicago, Palm Beach, New Orleans, Washington, D.C., Baltimore as well as Puerto Rico, Venezuela and Costa Rica. Since the late 1950s, his great pride and joy was the Gramercy Park Hotel, which he owned and ran with one brief interruption, for almost forty years. It was truly a family operation — countless hotel employees had worked for him long past normal retirement age and his deep affection for them went well beyond business relationships. He repeatedly refused to sell the property despite handsome offers, explaining «I have to take care of my people… where else can they find a job?» This affection was mutual. His commitment to his own family knew no bounds, especially when it came to education. Seeing his children and grandchildren graduate from prestigious schools on their way to their own versions of the American dream gave him immense joy. His wife of fifty years, Ruth Weissberg, was very much his business partner and a loving wife who, like her husband, dotted on her children and grandchildren. He is survived by Ruth, three children, seven grandchildren and one great grandchild. For his family, hundreds of former employees and all those who knew him, his death a few weeks shy of his 91st birthday is truly the passing of an era. Services Monday, July 7th, 12:45 PM at «The Riverside», 76 St and Amsterdam Ave.


Who's who in America (1960): RASOR, William Barmore, hotel exec.; b. Whitmire, S.C., Nov. 30, 1907; s. William Henry and Mary (Tidmarsh) R.; student Columbia, 1927; m. Lucille Sisk, June 12, 1934; children—William B., Richard D., Robert W. With Knott Hotels Corp., 1927—, successively credit mgr. New Weston Hotel, asst. mgr. Hotel Paramount, mgr. Winslow Hotel, Hotel Wellington, v.p. Knott Hotels Corp., 1927-54, exec. v.p., dir., 1954—. Mem. Hotel Assn. N.Y.C. (pres. 1957—). Home: Garden City Hotel, Garden City, L.I., N.Y. Office: 575 Madison Av., N.Y.C. 22, N.Y.

First Reformed Episcopal Church

The denomination known as the Reformed Episcopal Church was founded in 1873 in response to a long debate over the excessive «High Church» tendencies by the Protestant Episcopal Church and its exclusive attitude toward other denominations. George David CumminsThe Rt. Rev. Dr. George David Cummins (1822–1876), Assistant Bishop of Kentucky, had been rebuked for participating in a Communion Service at the Fifth Avenue Presbyterian Church in New York City. Subsequently, Bishop Cummins, joined by eight clergymen and twenty lay members, withdrew from the Protestant Episcopal Church and formed a new jurisdiction. Services were held in Lyric Hall, on Sixth Avenue, until May 1874, when the new society was able to secure its own church (possibly the former Church of the Resurrection, a little Gothic stone building at the corner of Madison Avenue and 47th Street). Bishop Cummins became gravely ill in 1874 and was no longer able to function as cleric. He was succeeded by the Rev. Dr. William T. Sabine, who had been rector of the Church of the Atonement at Madison Avenue and 28th Street. (Dr. Sabine became infamous while at the Atonement when, in December 1870, he refused to conduct a funeral for the actor George Holland. At the time, actors were esteemed only a little higher than prostitutes. When asked if there was someplace else where the funeral could be held, Dr. Sabine responded, «I believe there's a little church around the corner that does that sort of thing». He was referring to the Church of the Transfiguration on East 29th Street.)

In 1876, the congregation began construction on their first church building, located at 551 Madison Avenue and 55th Street. The first services were held in the basement on Sunday, April 22, 1877, and the church was expected to be completed and dedicated about the middle of May. As designed by James Stroud in the Victorian Gothic style, the building measured 66 feet by 96 feet and was built of Newark stone with rock face and Berlin stone dressing. At the corner was a square bell tower surmounted by a pyramid steeple. The interior featured an open timber roof of carved ribs sprung from corbelled columns against the walls, a ceiling that rose to a height of 63 feet, and woodwork of ash. Approximately 900 could be accomodated on the main floor, and the gallery provided seating for 200; the basement Sunday-school had space for 600 scholars. The building cost $107,000, including the organ, and the lots cost $42,500. The congregation remained at this location until November 1919, when the property was sold for $325,000 to the Allerton House Company, who then razed the church and erected a seventeen-story apartment hotel for bachelors. Services were held in a leased building while the congregation determined the type of new building they would need for the future. <…>

The New York City Chapter of the American Guild of Organists

Organ in church at 551 Madison Avenue

Organ in church at 551 Madison Avenue.

First Reformed Episcopal Church

The First Reformed Episcopal Church (formally Saint Alban's Anglican Church: The First Reformed Episcopal Church) is a congregation of the Reformed Episcopal Church in New York City. Incorporated by REC founder George David Cummins in March 1874, it was among the first newly established REC congregations after the REC's 1873 schism from the Episcopal Church in a dispute over Tractarianism. During First REC's history, it has held services at several locations throughout Midtown Manhattan, first at Madison Avenue and East 55th Street, then in multiple facilities on East 50th Street, and most recently at Tudor City.

First_Reformed_Episcopal_Church

An artist's rendering, c. 1876, of the plan for the First Reformed Episcopal Church.

History of the congregation

Amid a long-running dispute within the Episcopal Church about high church tendencies associated with the Oxford Movement versus low church evangelicalism, Kentucky bishop Cummins participated in an ecumenical service of Holy Communion at the Fifth Avenue Presbyterian Church. Rebuked by church leadership, Cummins and several other clergy and laity unilaterally withdrew from the Episcopal Church to form the Reformed Episcopal Church. They began holding church meetings in Lyric Hall in late 1873 and organized the congregation as the First Reformed Episcopal Church in March 1874. Not long after, Cummins became seriously ill, dying in 1876. He was succeeded as rector of First REC by former Episcopal priest and future REC bishop William T. Sabine.

Under Sabine's leadership, in 1876, the congregation began construction on a new church building at 551 Madison Avenue, on the northwest corner of East 55th Street. The Gothic Revival building was dedicated in 1877. The congregation remained at this site until 1919, when it sold the building to a developer that demolished the church and built a hotel on the site. From 1919 to 1921, the church met in rented space until purchasing the former Beekman Hill Methodist Episcopal Church, built in 1873 and located at 317 East 50th Street.

The late 1920s saw the 50th Street building falling into poor condition. Without sufficient funds to restore it, First REC leased the site to the Labor Holding Corporation. This company then built a 12-story, income-generating apartment building that included spaces on its lower floors for the church's nave and other activities. The new apartment building was erected in 1931 and the church space on the ground floor was dedicated in September of that year.

In 2003, Matthew P. Harrington began a two-decade rectorate. After his arrival, an audit of the congregation's books revealed «widespread misappropriation». A lawsuit was filed against the former vestry members, and as a result of the investigation, in 2007, the church's volunteer treasurer was convicted of theft after stealing more than $400,000 from the church's collections over a five-year period. In 2019, the congregation vacated its space at 317 East 50th Street, leasing it to a school, putting the space up for sale and relocating to rented space at Tudor City. It donated its pipe organ—a Schantz instrument with three manuals, 37 registers, 26 stops and 31 ranks—to the Daughters of Mary, Mother of Our Savior.

Architecture

Madison Avenue

The Madison Avenue church was built in a Victorian Gothic Revival style, 66 feet wide and 96 feet long. It was faced with Newark stone and dressed with Berlin stone. The southeast corner of the church featured a square bell tower topped with a pyramidal steeple.

The interior of the church was characterized by an open-timbered roof with carved ribs resting on corbels against the walls. The interior woodwork was made of ash. The main floor of the nave offered seating for 900 worshipers, with an additional 200 seats in the gallery. The Sunday school in the basement could accommodate 600. ⟨…⟩

Rectors

Since 1874, the rectors of First REC have included four current or future presiding bishops of the REC:

  1. George David Cummins (1874)
  2. William Tufnell Sabine (1874–1908)
  3. Charles Hamilton Coon (1908–1909)
  4. William Du Bose Stevens (1909–1918)
  5. Percy Thomas Edrop (1919–1923)
  6. ⟨…⟩

Website: saintalbansnyc.org

«Wikipedia»

* * *

The First Reformed Episcopal Church of New York was put under way by Bishob Cummins yesterday. In response to his invitation, 100 persons remained after his sermon at Steinway Hall, for the purpose of organizing themselves into a church of the new sect. The Bishop announced that two churches in Philadelphia and one in Brooklyn were speedily to be added to his charge.

«The Chicago Daily Tribune», Vol.27, No.177, February 16, 1874

First Reformed Episcopal Church

[Full text is unavailable for this digitized archive article. Subscribers may view the full text of this article in its original form through TimesMachine.]

«The New York Times», March 11, 1874

City and Suburban News

Bishop Cummins will administer the rite of confirmation at the First Reformed Episcopal Church, corner of Madison avenue and Forty-seventh street, next Sunday at 10:30 A.M. This society recently purchased three lots, comprising an area 75 by 100 feet, on the north-east corner of Madison avenue and Fifty-fifth street, upon which it is proposed to erect a church during the coming Summer.

«The New York Times», Vol.25, No.7.682, April 28, 1876

Religious Miscellany

The First Reformed Episcopal Church, of New York City, is out of debt, and has a total income for the last year of over $20,000, of which over $7,000 have been for benevolent purposes, including over $3,000 toward the Sustentation Fund. This church has received over fifty or sixty new members during the year, and secured about $40,000 toward the Building Fund. They already possess a desirable site for the erection of the new church building.

«The Chicago Daily Tribune», Vol.30, July 2, 1876

New Church

Application has been filed for the erection of the First Reformed Episcopal Church at Madison Avenue and Fifty-fifth street, New York. The building will be 75 feet high, two stories, 66 feet wide, and 100 feet long. It will be built of brown stone, and will cost about $50,000.

«The American Architect and Building News», Vol.1, No.29, July 15, 1876

Religious Miscellany

The new church edifice of the First Reformed Episcopal Church, the Rev. Dr. Sabine's, to be erected at Madison avenue and Fifty-ninth street, New York, will be 66 by 90 feet. It will be of Newark brown stone, rock face, with trimmings of a lighter tint of Berlin (Ohio) stone. At the corner will be a square tower, with a pointed roof, rising to a height of 145 feet. Within, the church will have an open timber roof, the ribs springing from columns against the wall. All the wood work will be of ash. The large windows will be of colored cathedral glass, and the plan of decoration makes the whole room a mass of rich coloring. The seating capacity of the church will be about 1,000. The Sunday-school room in the basement will seat 500. The whole cost will be about $70,000.

«The Chicago Daily Tribune», Vol.31, August 6, 1876

* * *

Religious News

The corner-stone of the First Reformed Episcopal Church of New York, Madison Ave., cor. 55th Street, was laid with appropriate service by Bishop Wm. R. Nicholson, D.D., on Tuesday P.M., Oct. 10th. Addresses were made by Dr. Ludlow, of the Reformed Church; Rev. E.H. Corey, Methodist; Dr. Robinson, Presbyterian; Bishop Fallows, Chicago; Mr. Hepworth, Independent, and Rev. W.T. Sabine, the pastor of the church. Bishop Cummins was warmly remembered in the prayers and addresses. The church is to be a neat and cheerful affair, capable of seating about a thousand persons. Mr. Sabine and his people have every encouragement in their new field.

«The Christian Union», Vol.14, No.16, October 18, 1876

William R. Nicholson
Reformed Episcopal

The corner-stone of the First Reformed Episcopal Church of New York, Madison Ave., was laid with appropriate services by Bishop Wm.R. Nicholson, D.D., Oct. 10th. Addresses were made by Dr. Ludlow, of the Reformed Church; Rev. E.H. Corey, Methodist; Dr. Robinson, Presbyterian; Bishop Fallows, Chicago; Mr. Hepworth, Independent, and Rev. W.T. Sabine, the pastor of the Church. Bishop Cummins was warmly remembered in the prayers and addresses. The church is to be a neat and cheerful affair, capable of seating about a thousand persons.

«Zion's Herald», Vol.53, No.43, October 26, 1876

read more…
A Church Debt Paid

Congratulatory services in the First Reformed Episcopal Church.

The First Reformed Episcopal Church of New-York was organized by Bishop Cummins, in Steinway Hall, in 1874. It was not long before he… [View Full Article in Timesmachine]

«The New York Times», February 16, 1880

Died In the Service

We regret to record the death of one of the members of the Board of Managers of the American Tract Society, Rev. William Du Bose Stevens, D.D. When the United States entered into the war, Dr. Stevens was rector of the First Reformed Episcopal Church at Madison Avenue and Fifty-fifth Street, New York City. On August 17th of this year he sailed as a Red Cross Chaplain attached to the Expeditionary Force under General Pershing. On September 29th he died and was buried from the Church of the Holy Trinity in Paris on October 1st.

Dr. Stevens was elected as a member of the Board of Managers in the year 1915. He had shown a warm interest in the welfare of the Society, and we shall miss his aid in the work to which he gave his loyal and sympathetic support.

«The American messenger», Vol.76, No.11, November 1918

1877?

First_Reformed_Episcopal_Church

First Reformed Episcopal Church, 55th Street and Madison Avenue
Dated: ca. 1876
File dimensions: 35,5×29,2 cm at 300dpi

Museum of the City of New York

First_Reformed_Episcopal_Church

«King's Handbook of New York City»

Moses King

«King's Handbook of New York City:
An Outline History and Description of the American Metropolis;
with over one thousand illustrations»
// Boston, Massachusetts: «Moses King», 1893,
hardcover, IV+1008 p.

⟨…⟩

The First Reformed Episcopal Church, at Madison Avenue and East 55th Street, is the only church of that denomination in the city. It is a handsome stone structure, with a large and simply decorated auditorium. It was built in 1876, soon after the formation of the Reformed Episcopal Church, which was organized by a number of Episcopal clergymen and laymen, under the leadership of Bishop G.D. Cummins, who objected to what they considered the Romanizing tendencies of the Prayer Book. Rev. Dr. William T. Sabine, a former Episcopal clergyman, is in charge of the parish.

⟨…⟩

The First Reformed Episcopal Church

First Reformed Episcopal Church,
Madison Avenue and East 55th Street

Magowan Loses His Money

Accuses Keeper of Tenderloin Resort of Robbing Him. Latter Alleges That the Ex-Mayor Just Threw Thousand Dollar Bills Away.

Frank A. Magowan, ex-mayor of Trenton, N.J., caused the arrest today of Simon Buttner, proprietor of a Tenderloin resort known as the Hotel Winslow, on the charge that while in Buttner's place and in Buttner's presence, he was robbed of $2,600.

Magowan claims that he entered the Winslow and asked for a cigar. He was told to step behind a screen, and alleges that there Buttner held a revolver to his head, rifled his clothes of jewelry and $2,600 in cash and ordered him out of the place, telling him he would be killed if he ever came back.

According to the story told by counsel for Buttner, Magowan went to the Hotel Winslow on Saturday night, January 14, and after being there a short time began to flourish $1,000 bills.

He gave considerable money away to those about him and paid liberally for food and drink. He went to bed in the hotel about 11 o'clock and slept until 1 o'clock Sunday afternoon, when he went away, returning at 11 o'clock. That night he again flourished considerable money and spent it lavishly. He remained that night at the hotel, leaving late the following morning.

On Tuesday of last week Buttner received a letter from Magowan demanding the return of money of which, he asserted, he had been robbed in the Hotel Winslow in Buttner's presence. Magowan does not admit that he wrote the letter, but refers all inquirers to his attorney. Buttner denies the allegations in Magowan's complaint.

«The Evening Star», January 24, 1899

Buttner's Barkeeper Held

Mott Decides the «Hotel Winslow» License Does Not Cover All the Buildings in the Neighborhood.

As a result of the raid Sunday night by Capt. Price and Detectives O'Donnell, Tompkins and Zimmerman upon the Broadway Garden, owned by Simon Buttner, Eugene H. Cummings was held in $1,000 bail for trial on a charge of violating the Excise law. Benjamin Klein, a waiter, and three women also arrested were discharged by Magistrate Mott in Jefferson Market Court yesterday.

Buttner's place is divided into three sections. Facing Broadway is the «chop suey». Immediately back of that and facing Sixth avenue is the «Hotel Winslow», Nos. 524–526 Sixth avenue. Adjoining the «Hotel Winslow» is an annex, No.528 Sixth avenue. This has been the bone of contention. Buttner claims that his license covering what was the Broadway Garden, which includes what is now the «chop suey» and the «Hotel Winslow», is elastic enough to cover the selling of liquors in the annex next the «Hotel Winslow». Capt. Price denies this, and it was for selling drinks in the annex that Cummings was arrested and locked up.

Magistrate Mott gave a decision in favor of Capt. Price, and held Cummings for trial.

«The Morning Telegraph», January 31, 1899

«A history of the formation and growth of the Reformed Episcopal Church, 1873–1902»

Mrs. Annie Darling Price

«A history of the formation and growth of the Reformed Episcopal Church, 1873–1902»
// Philadelphia: «James M. Armstrong, Printer and Publisher», 1902,
hardcover, VIII+312 p.

⟨…⟩ On October 10th, 1876, the corner-stone of the First Reformed Episcopal Church, New York City, was laid. In these exercises, Bishop Nicholson and others participated. ⟨…⟩

Palmer apartment house

read more…
East 55th Street at southeast corner of Madison Avenue. Palmer apartment house

Dated: ca.1910

File dimensions: 45,2x57,3 cm at 300 dpi

East 55th Street at southeast corner of Madison Avenue

Museum of the City of New York

East 55th Street at southeast corner of Madison Avenue
East 55th Street and Madison Avenue, southeast corner. Palmer apartment house

Dated: ca.1910

File dimensions: 37,1x46,5 cm at 300 dpi

East 55th Street and Madison Avenue, southeast corner

Museum of the City of New York

East 55th Street and Madison Avenue, southeast corner

Hotel to Replace Church

Private reality sales

Another 16-story apartment hotel project will be launched shortly as the result of a deal just closed. The First Reformed Episcopal Church sold its property, comprising a plot 75x100 at the northeast corner of Madison avenue and 55th street, to the Allerton House Company, comprising James H. Cushman and William H. Silk, who plan to improve the corner with a 16-story apartment hotel. The church valued the realty at $325,000, and sold it through Frederick Southack & Alwyn Ball, Jr., its agents, through William B. May & Co., acting for the purchasers. The church, of which the Rev. W.D. Stevens is rector, has made no arrangement to re-establish elsewhere, but a meeting will be held in the near future to determine upon a new location. Title is expected to pass to the new owners in ninety days.

«Real Estate Record and Builders Guide», May 10, 1919

Hotel to Replace Church

Church to be Razed

First Reformed Episcopal Home Sold for Apartment Site.

$850,000 Bachelor Hotel for Corner of 55th St. and Madison Av.

The First Reformed Episcopal Church, at Madison Avenue and Fifty-fifth Street, built in 1876, is to be torn down. The Supreme Court has just ratified the covenant of sale. A large apartment hotel will occupy the corner.

The congregation will retain possession of the building until November. It will not abandon the neighborhood. A building in the vicinity will be leased, and the activities of the parish will be reorganized along broader lines than at present. The sale of the First Church property will net the organization something in excess of $300,000. The principal will be left unimpaired until it has been decided just what kind of a building will best fit the needs of the parish, and what would be the most advantageous location.

The First Church is the mother church of the Reformed Episcopal communion. Its first pastor was the Right Rev. George David Cummins, formerly Assistant Bishop of the Protestant Episcopal Diocese of Kentucky. He was the leader of the revolt against the High Church tendencies of the Protestant Episcopal Church.

He was succeeded in the rectorship by the Rev. William T. Sabine, D. D., afterward Bishop. The Rev. Dr. Charles Hamilton Coon, D. D., was Bishop Sabine's successor. He served only a few months and then died.

The last rector was the Rev. Dr. William Du Bose Stevens, who died in France while serving as a Red Cross Chaplain.

«The New York Times», June 29, 1919

Madison Av. Church to go

$850,000 Bachelor Hotel for Corner of 55th St. and Madison Av.

$850,000 Bachelor Hotel for Corner of 55th St. and Madison Av.

The last religious services to be conducted in the First Reformed Episcopal Church, northeast corner Fifty-fifth Street and Madison Avenue, will be held the first Sunday in November. Soon after that date the building will be razed, and on the site will be erected by the Allerton House Company a seventeen-story structure for use as an apartment hotel for bachelors.

The site, which is 100 feet deep with a frontage of seventy-five feet in Madison Avenue, was purchased by the church authorities in 1874 for $45,000. It is understood the price at which it was sold to the Allerton House Company, of which James S. Cushman is President and William H. Silk is Treasurer, was about $325,000.

Demolition of the church building will be started the day after the last services are held. Construction of the new building, to be known as Allerton Fifty-fifth Street House, will begin as soon as the old structure is razed.

This building will be a seventeen-story apartment hotel, will contain 560 rooms and will be confined entirely to providing homes for men. The building was planned by Arthur Loomis Harmon. Materials to be used in the construction will be red brick with a sparing use of stone in the entrance columns and base courses, and Spanish tile for the higher roofs. The cost is estimated at $850,000.

«The New York Times», Sept. 21, 1919

Farewell Services in Old Church

The congregation of the old First Reformed Episcopal Church, at Madison Avenue and Fifty-first Street, will begin tomorrow three days of farewell services. The church building, the only one of that denomination in Manhattan, will soon make way for an apartment hotel. The church has engaged the auditorium of the Y.W.C.A. at Lexington Avenue and Fifty-third Street for its morning service. Bishop Robert L. Rudolph will celebrate communion at 11 o'clock, and the afternoon service will be preached by the Rev. William A. Freemantle of Philadelphia.

«The New York Times», November 1, 1919

Rare New York City Porcelain Street Sign.
Madison Ave & E. 55th Street. C1920

For sale is a very rare New York City porcelain enamel street sign. Very rarely do Madison Ave NYC street signs come up for sale. From the estate of Native New Yorkers who long ago moved to Florida. Location: Madison Ave & E. 55th Street. Year: circa 1915–1920. Condition: Overall very good for age. Age expected wear. Small nicks and chips along edges. One dime size chip on one side above «AVE». (see picture) Measures 21 7/8" wide x 11 3/4" tall. Madison Avenue is a north-south avenue in the borough of Manhattan in New York City, United States, that carries northbound one-way traffic. ⟨…⟩

Porcelain Street Sign
Porcelain Street Sign

«WorthPoint»

Church in New Home

First Reformed Episcopal Dedicates Building Bought From Methodists.

317 East 50th Street

317 East 50th Street (1921–1930)

The new home of the First Reformed Episcopal Church, Fiftieth Street, east of Second Avenue, was dedicated yesterday morning. The building and site were bought from the Beekman Hill Methodist Congregation, which merged last week with the East Sixty-first Methodist Church.

The initial service included three baptisms, a celebration of the Holy Communion and a sermon by the Rev. Percy T. Edrop, the rector. The Trustees of the church, entering through the east doorway, marched to the chancel rail followed by the clergy, and assumed formal possession of the property. Then the key was delivered to the rector by Edward C. Best, senior warden. Dr. Edrop preached on «The Place of the Church in the City».

The Rev. Dr. George Adams, who was pastor of the Beekman Hill Church, becomes associate pastor with Dr. Edrop.

«The New York Times», February 21, 1921

A Little Old Farmhouse

Remodeled. 7 rooms, bath, running water, fireplace, furnace; big piazza; thoroughly comfortable, unpretentious. Summer home or all-year farm; at Hillsdale, N.Y., 3 hours Harlem Division; woods, hiils [hills]; 94 acres; barn, zarage. chicken houses; fruits. $6,500.

Hitchcock, 45 East 55th St., N.Y. City.

«The Outlook», June 1, 1921

Allerton House

There is a reason why business executives recommend Allerton House.

It is a great satisfaction for them to know that the man upon whom they place responsibility is living in an atmosphere of refinement, yet safely within his income.

Allerton Houses

45 East 55th St.
143 East 39th St.
302 West 22nd St.

New York City

«The Christian Science Monitor», Vol.XIII, No.173, June 14, 1921

Allerton Houses

A Club-Residence for Business Men

To the ambitious business man with a definite standard of living, the Allerton House group offers a combination of advantages that include the service and appointments of the modern hotel at a fraction of hotel cost, with the good fellowship of the select club.

Allerton Houses

45 East 55th St.
143 East 39th St.
302 West 22d St.

The facilities of the 39th Street Allerton House include a well-equipped gymnasium under the personal supervision of the Athletic Director of New York's foremost university.

«The New York Times», Vol.LXX, No.23.199, July 31, 1921

Allerton Houses

Environment and Its Relation to Business Success

The man who lives comfortably, works well.

The man who lives economically, saves.

He is on the road to success.

That is why you will find «success» men at the Allerton House—men who recognize the value of happy living environment as applied to their work.

Every comfort of home. Every service of the modern hotel. Every feature of the modern club. At but a fraction of hotel cost.

Allerton Houses

143 East 39th St.
45 East 55th St.

New York City

«The New York Times», Vol.LXXI, No.23.348, Dezember 27, 1921

Allerton Houses

What Is Comfort?

You can't be comfortable in the best appointed living quarters if they take your last penny. There is no comfort of mind in that. But with like conveniences at a price you can well afford — that is the kind of comfort that keeps you on the success road. Such comfort as this you will find at

Allerton Houses

45 East 55th St.
143 East 39th St.
302 West 22d St.

The Allerton Country Club for Allerton residents and their friends will open on June first. Every facility of the high-priced club without the exorbitant dues. Membership list now open.

«The New York Times», Vol.LXXI, No.23.437, March 26, 1922

Allerton Houses

Allerton House for Men

The rates in the newest of the Allerton group, a 17-story fireproof building, just completed, containing apartment, club conveniences, are from $9.50 to $18.50 per week for permanent residents only. 143 East 39th St., 45 East 55th St.

«The New York Times», Vol.LXXI, No.23.458, April 16, 1922

Allerton House for Men

* * *

The Winslow Hotel

Club House • Above: Town House Club, New York City. Starrett & Van Vleck, Architects.

Office Building • Left: Robertson-Cole Building, New York City. F.H. Dewey & Company, Architects.

Hotel • Right: Allerton Hotel, New York City. Arthur Loomis Harmon, Architect.

For Every Type of Building

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Elevator Door Hardware

R-W Ideal elevator door hardware includes easy-running, long-wearing hangers for every type of door, as well as automatic, self-locking door closers and checks. Doors so equipped close swiftly and silently before the car leaves the floor, thus doing away with accidents and damage suits resulting from doors left open by careless operators. If you do not have a copy of our latest catalog, write today for Catalog D-21.

Richards-Wilcox Mfg. Co.
A Hanger for any Door that Slides.
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Richards-Wilcox Canadian Co. Ltd.
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We have engineers at our various branches who will gladly co-operate with the architectural profession in the selection of elevator door hardware.

House doors equipped with R-W Vanishing Door Hardware are a genuine economy. They are space-savers, noiseless, and perfect in operation.

«The American Architect», Vol.121, No.2.393, May 10, 1922


«Ты узнаешь её из тысячи —
по словам, по глазам, по голосу.
Её образ на сердце высечен
ароматами гладиолуса…»
© П.Ж., 2003

30% And Success

Your boss will tell you that you are on the wrong track if you are paying more than 30% of your income for living accommodations. It is by just such practical economy that he became boss—he saved as he went along.

Allerton Houses success men are doing the same thing—living well and saving. They have every comfort of home, plus the advantages of club surroundings.

Allerton Houses

143 East 39th Street
45 East 55th Street
302 West 22d Street
130 East 57th Street
(A new 18-Story Building now under construction)

New York City

«Cornell Alumni News», Vol.XXIV, No.33, May 25, 1922

Allerton Houses

What the Boss Thinks

The boss may not say much—but he keeps his eye on the man whose living standard is in keeping with his working standard. A man with the right living surroundings can do better work and assume new responsibilities to far better advantage than the man whose living quarters are not what they should be. Hundreds of Allerton success men know that. They live better than the average man—and for less. They are good men to know.

Allerton Houses

45 East 55th St.
143 East 39th St.
302 West 22d St.

The Allerton Country Club for Allerton residents and their friends now open. Every facility of the high-priced club without the exorbitant dues for members only.

«The New York Times», Vol.LXXI, No.23.535, July 2, 1922

Allerton Houses

Where and How

Where a man lives determines largely how he lives. Men with a real aim in life find no profit in living surroundings that tax their patience, hours and finances. That is why men of big calibre and bright future make Allerton House their home. They have every comfort—and at a marked saving.

Allerton Houses

45 East 55th St.
143 East 39th St.
302 East 22d St.

The Allerton Country Club for Allerton residents and their friends now open. Every facility of the high-priced club without the exorbitant dues for members only.

«The New York Times», Vol.LXXI, No.23.549, July 16, 1922

Allerton Houses

Where and How

Where a man lives determines largely how he lives. Men with a real aim in life find no profit in living surroundings that tax their patience, hours and finances. That is why men of big calibre and bright future make Allerton House their home. They have every comfort—and at a marked saving.

Allerton Houses

45 East 55th St.
143 East 39th St.
302 East 22d St.

The Allerton Country Club for Allerton residents and their friends now open. Every facility of the high-priced club without the exorbitant dues for members only.

«The New York Times», Vol.LXXI, No.23.563, July 30, 1922

Allerton Houses

The Success Stamp

A peep into the foyer of Allerton House after dinner discloses up-and-doing men in all works of commercial and professional life. Every appointment and service of the modern hotel or club is theirs—without the usual heavy expense. They have something left over to show for their working efforts on every budget day. They are unquestionably and indelibly marked with the success stamp.

Allerton Houses

45 East 55th St.
143 East 39th St.
302 West 22d St.

«The New York Times», Vol.LXXI, No.23.577, August 13, 1922

Allerton Houses

Prestige

Sane living is a great prestige builder. It enables a man to make a good appearance and at the same time to prepare himself for his «success» day.

Allerton men are acquiring new prestige daily. They have living quarters they are proud of. They meet the kind of men they are glad to know. They have comforts usually associated with the fine hotel or city club.

Yet the cost is well within their means. They are Success Men, and regarded as such by their associates.

The Allerton Houses

143 East 39th Street
302 West 22d Street
45 East 55th Street
130 East 57th Street

New York City

«The New York Times», August 21, 1922

The Allerton Houses

At Home In the Big City

Men who live at an Allerton Club Residence are really at home. Every home comfort is theirs. Every refined service belongs to them. The men with whom they live are men they are proud to know. Under one roof they have every facility and feature of the modern city club, without the exorbitant cost.

Allerton Club Residences

45 East 55th St.
143 East 39th St.
302 West 22d St.
130 East 57th St.

«The New York Times», Vol.LXXI, No.23.591, August 27, 1922

Allerton Club Residences

Good Company

Another feature of an Allerton Club Residence is the class of men that a man finds there. Men with high ideals and the spirit of achievement. Men who are doing big things. If a man is known by the company he keeps, then Allerton men are rightly called success men.

Allerton Club Residences

45 East 55th St.
143 East 39th St.
302 West 22d St.
130 East 57th St.

«The New York Times», Vol.LXXI, No.23.592, August 28, 1922

Allerton Club Residences

A New Meaning

The Allerton Club Residences have given a new meaning to «Bachelor Apartment». Here gentlemen in all walks of professional life live amid wholesome surroundings at prices they can easily afford. It may be some promising lawyer, a well-known medical man, a clergyman, or a rising young business man. All rub shoulders here—all living decently and well, yet well within their means. Hence this new significant meaning to «Bachelor Apartment».

Allerton Club Residences

45 East 55th St.
143 East 39th St.
302 West 22d St.
130 East 57th St.

«The New York Times», Vol.LXXI, No.23.598, September 3, 1922

Allerton Club Residences

Allerton House, For Men

The rates in the newest of the Allerton group, a 17 story fireproof building, just completed, containing apartments, club conveniences, are from $9.50 to $18.50 per week for permanent residence only. 143 E. 39th St., 45 E. 55th St.

«The New York Times», Vol.72, No.23.678, November 22, 1922

Allerton House, For Men

If only for the prestige of it…

If only for the prestige of it — to say nothing of the saving in it — or the better living in every way—you'll be glad to be an Allerton man.

Allerton Houses

45 East 55th St.
302 West 22d St.
143 East 39th St.
130 East 57th St.

The Dining Room of the new Allerton House 57th Street and Lexington Avenue is now open.

«The New York Times», Vol.LXXII, No.23.692, December 6, 1922

Allerton Houses

Arthur Loomis Harmon

Arthur Loomis Harmon (July 13, 1878 — October 17, 1958) was an American architect. He is most famous as the design partner of the firm «Shreve, Lamb and Harmon».

Arthur Loomis Harmon

Biography

He was born in Chicago in 1878 and graduated from Columbia University's School of Architecture in 1901. From 1902 to 1911, he practiced with the architectural firm of «McKim, Mead & White». Later, he partnered with the firm of Wallis & Goodwillie before joining Shreve and Lamb to form «Shreve, Lamb & Harmon». He was elected into the National Academy of Design as an Associate member in 1935 and became a full Academician in 1944.

He died on October 17, 1958, in White Plains, New York.

Projects

With the firm, he designed many landmarks that still stand today. Among them are: 740 Park Avenue, the Empire State Building, and 3 Park Avenue.

Personally, he also designed several buildings of relative fame, namely the Jerusalem International YMCA, Allerton 39th Street House, Shelton Hotel (currently the New York Marriott East Side), and Warburton House.

«Wikipedia»


For some reason, The Winslow Hotel somehow didn't find its way into this article.

Arthur Harmon, Architect, Dead

Consultant on Big Housing Projects Helped to Design Empire State Building.

Arthur Loomis Harmon, a distinguished architect in this city for more than a quarter of a century, died yesterday in the Osborn Nursing Home at White Plains after a long illness. He was 80 years old.

Often identified with the Empire State Building, Mr. Harmon was sometimes embarrassed by the honor, for there were other claims to recognition he felt were more thoroughly his own.

Arthur Loomis Harmon

AI restoration by Meta.

He joined the firm of Shreve & Lamb when it was actively at work on plans for the great building and shared in a medal awarded to the architects of the project. But he never regarded it as his monument.

Mr. Harmon was in charge of construction work on the Metropolitan Museum of Art for McKim, Mead & White, architects, in 1911.

For his design of the Shelton Hotel on Lexington Avenue he received medals from the Architectural League of New York and the American Institute of Architects.

Battle monuments at Tours, Cantigny and Somme-Py in France were his work, together with the Young Men's Christian Association headquarters in Jerusalem, the Juilliard School of Music on Claremont Avenue and a number of buildings for the Kent School in Connecticut and for Connecticut College.

Headed New York Chapter

Mr. Harmon was responsible for the design of the Seamen's Y.M.C.A. in this city, Olin Hall of Chemical Engineering at Cornell University and The New York Times addition on West Forty-fourth Street.

He was also a consultant for the Parkchester, Stuyvesant Town and Peter Cooper Village housing projects.

Active for many years in architectural education and professional societies, Mr. Harmon was president of the New York Chapter, American Institute of Architects, from 1937 through 1939.

He was president of the Architectural League of New York in 1933–35, and a Fellow of the American Institute, and an Academician of the National Academy of Design.

«What this city needs, in particular, is more open areas, more sky and less architecture, transient as well as permanent»,

Mr. Harmon wrote eleven years ago.

In 1955 he dwelt on the unadorned aspect of modern design thus:

«The contemporary manner has some way to go. When ornament again comes into use it will be a sign perhaps that «contemporary» does not signify contempt for, after which we may make some progress».

An Associate of Firm

Mr. Harmon was born in Chicago. He studied at the Art Institute in Chicago and graduated in 1901 from the Columbia University School of Architecture.

The next year Mr. Harmon entered the office of McKim, Mead & White as a designer, remaining there until 1911.

He was an associate of the firm of Wallis & Goodwillie for the next two years, and practiced under his own name from 1913 to 1929.

He then joined Shreve & Lamb, the name of the firm being changed to Shreve, Lamb & Harmon. In 1943 the word «Associates» was added.

Mr. Harmon lived in semiretirement in recent years, spending most of his time at his home, 383 Grasslands Road, White Plains, and in Nantucket, Mass.

Earlier this year, however, he served on the national jury for the Reynolds Metal Company annual award for outstanding examples of aluminum structures.

He had had long years of experience in serving on juries of this nature.

Mr. Harmon was a member of the American Institute of Architects, the Architectural League of New York and the Century Association.

Surviving are his widow, the former Anne Hallock; a son, Hallock of New York; a brother, Hubert of Canton, Ill., and two grandsons.

An elder son, Lieut. Col. David Harmon, was killed in Germany during the final days of World War II.

«The New York Times», October 18, 1958

Old Winslow Hotel 551 Madison Avenue

Built in 1921, renovated and turned to office building in 1982.
Depicted in russian writer Eduard Limonov's works, particularly «It's Me, Eddie» (1976)

Old Winslow Hotel

mid-1980s

194-foot, 17-story office building completed in 1922 as the Winslow Hotel. Designed by Arthur Loomis Harmon, it was renovated and converted to an office building in 1982. It is clad in dark-red brick above a 2-story base of stone, metal, and glass. The piers at the base are rusticated grey granite. Most of the ground floor is taken up by metal-and-glass storefronts, with the building's main entrance near the east end of the south facade on 55th Street, with glass doors below a green glass canopy. The 2nd floor has large tripartite windows.

The upper floors have brick piers and thinner intermediate piers between the windows in each bay. There are patterns of protruding bricks on the main piers and vertical rows of protruding bricks in the intermediate piers. Black glass spandrel panels separate the floor levels at each bay. The west facade has three bays of three windows each, and the south facade has end bays with three windows and a wider middle section that spans seven windows. There are setbacks between the piers, above the 15th floor; a corbel table marks the setbacks. The piers extend another floor to corbels and stone caps at the next floor, with another corbel table and stone cornice along the 16th floor, except for at the middle bay on the south facade, which extends up to the top floor, with another corbeled cornice. This penthouse level is topped by a low-sloped tile roof, and the northwest, southwest, and southeast corners all have smaller, pyramidal roofs.

The ground floor is occupied by Robert Marc eyewear, Allen Edmonds dress shoes, Allen Edmonds Leather goods, and Gregory's Coffee, with a Connect One Bank branch on the 2nd floor.

551madisonavenue.com

Koordinaten: 40°45'39"N 73°58'22"W

«Wikimapia», 2007+2023

Old Winslow Hotel

The Allerton Houses

by Arthur Loomis Harmon

In New York there are many single men and a comparatively larger number of single women, without family ties in the city, engaged in studies, in the professions, and in commercial pursuits.

A considerable proportion of them coming from smaller communities have to form for themselves entirely new social environments, and modern business organizations, especially financial institutions, take a keen interest in the question of the environment of their employees.

Until recently the housing demands of this body of our population, comprising a considerable proportion of the youth of the city, have had to be met by rooming-houses, boarding-houses, or the regulation transient hotel. Boarding-houses have their distinct limitations, both economic and sociological. On the economic side, not many rooms can be rented in proportion to the area of the plot and ground rentals, and taxes in New York City are not ills which can be overcome by suggestion. Food and service also must be considered.

Sociological limitations are inherent, and we all have in our minds a number of happy communities, particularly when the members are drawn from common sources and are of similar tastes, age, and sex. Those were days when it was your friend's right and privilege to come into your quarters at 3 A.M., drop his suitcase across your recumbent form and sit on it. You might protest, but it did not occur to you to reproach him.

But for the most part there has been too great a diversity of types, ages, and temperament confined in too small a space. Propinquity has prevented as many marriages as it has produced. Hotel accommodations in good transient hotels are more expensive than they are domestic.

The Allerton Idea

There has been this problem in living accommodations, and the Allerton Houses were developed to meet the need. Large enough to insure a low rental and personal freedom to their members, small enough and club-like enough in their planning and handling to foster a community spirit, the success of this group of houses is the best evidence of the wisdom and energy of its originators, who have introduced a distinct form into the varied life of a great city.

In the design of what we call commercial structures, economic problems become the architect's prime consideration, dictating the choice of materials and the character of his design. The success of a design must be measured not only by its outward harmonies but also by its harmony with the financial conditions of the building as a whole.

The architect is, therefore, between the devil tempting him to ignore the business interests of his client and the deep sea of forgetfulness that his task is something more than the satisfaction of these business interests alone.

Up to a certain point business and pleasure, so to speak, go hand in hand. That is to say, there is a certain earning power in good design and embellishment. Unfortunately, it accords strictly with the usage of the building. In a factory it is considered nil. In a hotel it is much greater than in a loft building.

The façade of a tall building divides naturally into a base, of one or more stories, a shaft, and a crown or capital, of one or more stories. The base is near the eye, and from the business point of view the natural place to spend money for expensive material and enrichment. It seems to me that this is somewhat overestimated and frequently overdone to the detriment of the building as a whole. An inexpensive shaft is more or less an economic necessity.

The crowning of the building demands artistically some expenditure. If it does not require it for business reasons, it is usually considered by the owner as a waste of money and a concession to architectural foolishness. With few exceptions there are always necessary compromises between owner and architect in such matters. The architect is too prone to look upon his client as a Philistine, even though he sometimes takes from him the lone piece of embellishment on which he relied for effect, his one pet ewe lamb.

The purpose of the Allerton Houses is to give a better grade of living accommodations at a low cost, to raise the standard but not the price. This means the elimination of all non-essentials and extravagance in construction. An honest attempt has been made to meet these requirements in the design of these buildings and conform to the economic necessities.

In the matter of exteriors, most of the expense of both base and capital has been done away with. The shafts are of a quite inexpensive red brick and spring almost from the sidewalk. Accepting the limitations of material, there has seemed no choice but to use North Italian details or invent them. Fortunately, the architect prefers the North Italian. Whether you like these facades or not, you must admit that they cannot be accused of increasing the prices of the rooms within.

The handling of the brick surfaces is an attempt to give interest to these surfaces and character to the material. The brick are laid as irregularly as the deadly mechanical perfection of the modern mason will permit. That is very little. There are apparently no little irregularities in the rectitude of his daily existence. One of them told the architect that he would do it that way, but «he would be damned if he would admit working on it». To-day, with jobs plentiful, he would probably leave the scaffold. The deep-raked joint which is practical in this porous brick is a considerable help in obtaining surface texture.

In the 39th Street and 55th Street houses, the second floors are occupied by bedrooms over a low entrance floor, and the lounges are, of necessity, in the rear. No opportunity was given for expressing these lounge spaces on the exterior. In the 39th Street house, the roof-garden above helps to make up for this. In the 55th Street house, the low arcade across the lobby and arched windows of the solarium above help to give character. In the case of the 57th Street house, however, two higher public floors, joined by the open well in the lobby, make it possible to obtain an effect with large arches through both floors.

The attempt has been made in each of these buildings by restraining the projection on the street facade and carrying some suggestions of their treatment around the other faces, and by enclosing tanks, elevator machines, etc., in a central penthouse, to produce the effect of a tower complete on all sides, built «four-square to the winds». The appearance of height has been fostered by the accenting of vertical lines and the elimination of all horizontal ones. We accept too easily the surveyor's plot plan as final. It is not a virtue that at 150 or 300 feet in the air a building should declare to the observer: «This is my street facade, but this wall is on the lot line—it would be affected of me to conceal the fact».

The interiors of the various public rooms are Renaissance in character, Italian, or closely akin to it. The lounge of the 39th Street house is probably the most successful, perhaps because it is the most completely finished. In the design of these rooms, the desire has been to avoid a large or rich hotel effect and to accent the club and domestic characteristics of the houses.

In general, the scheme of the bedroom floors is small but complete rooms, a certain per cent to share baths and toilets with the adjoining rooms, the remainder to use those located in the corridor in small convenient groups. Each room has its own lavatory, and in the public groups, toilet and bath facilities are kept separate. In planning such a structure, the typical floor is, of course, the important factor. It is repeated a great many times and is the source of revenue of the enterprise. The layout of the lower and upper floors must be determined within such limitations as the best interests of this plan permit.

The main artery of this body of bedroom floors is the elevator group, of which the rooms may be said to be the capillaries, and the windows the pores in the skin. The number of rooms per floor is in direct relation to the perimeter of this skin of wall surface. The amount of wall surface depends upon the minimum depth practicable for a wing of the building and the maximum amount of space which can profitably be thrown into the courts. This analogy could be carried further and to the other floors but might lead to embarrassing questions.

The Winslow

Stairs are necessary as fire-escapes, but, except for those on the main floors, of no importance for daily use. Stairs and elevators and public-toilet spaces are naturally set in unlighted portions not available for rooms.

An increase in the amount of lot area does not of itself mean more rooms nor does an increase in room area of itself mean more available space. Room areas are not large, and it is essential that each room have necessary wall space for furniture. There is in each room at least one window and two doors, also a lavatory, so that the introduction of an additional door to a bathroom or another window in a corner room may present complications.

The Plans

In all cases the restaurants have been laid out in such a way as to permit the room being used for self-service or for waiter service, with the self-service space acting as a serving pantry. One elevator is arranged for both public and service use, and connected with linen-rooms, baggage-rooms, kitchens, etc. The 57th Street house shows a room area only slightly larger than that in the 55th Street house, but the relation of this to the total cube is, for the reasons given elsewhere, not quite as good. The 39th Street house, owing to its location, is not complicated by the necessity to introduce stores on the ground floor. The basement is occupied by boiler-room, trunk storage, kitchen, billiard-room, etc. The first floor has a women's reception-room. On the right of the entrance is a small restaurant; on the left, elevators and office; in the center, with a lounge across the rear, running through two stories, with a low library and a writing-room opening from it. In this building the desk is behind the elevators.

Above this are thirteen and half floors of bedrooms, in all about 400 rooms. By varying the roof levels, the roof-garden is reached by a half flight down from the solarium. A gymnasium balances in the rear wing, the roof-garden in the south. A low story below the solarium provides offices, etc., for the gymnasium. The roof-garden is enclosed with a colonnade and arches to offer a screen against the pressure of the open space and sky, and to break the vista into a series of picturesque effects. The roof level is raised above the street, to give planting spaces level with the walks. The boiler-flue is brought out through the iron lantern.

In the 55th Street house there is a basement and a subbasement containing the same features as in the 39th Street house, and basement storage for the stores which the location on Madison Avenue demands. These stores occupy the second as well as the first floor along the avenue.

On the first floor the front is occupied by a large lobby with the elevators, the desk at one end, and the mail-boxes and shopping service at the other. Height is obtained in the lounge by lowering the floor level. There is a small library off the lounge and a writing-room in a gallery above. In this, as in all cases, the service entrance is in close proximity to the office. That portion of the second floor not occupied by shops is a bedroom floor. There are above the second floor fourteen floors of bedrooms arranged much as in the 39th Street house, with a total of about 450 rooms. The roof contains a solarium and roof-garden, and also the restaurant and kitchen.

read more…
An Allerton House for Women

In the Allerton 57th Street house, the basement and subbasement contain, in addition to the requirements of the 55th Street house, a large kitchen and a guests' laundry.

The main features of the first floor are two shops on 57th Street, a restaurant on Lexington Avenue, a central lobby, office, and reception-room. All these spaces are larger than in the others. In addition, the entire second floor is given over to a lounge, forming a gallery around the lobby below, smaller sitting-rooms, parlors, and a second restaurant over the one below and a private dining-room.

On the bedroom floors the rooms are about the same size as in the other, but the closets are much larger; showers have to give way to bathtubs—not entirely, however, as one or two have been retained—a testimony to the influence of women's college gymnasiums. There are almost 500 rooms in this building. The roof floor has, in addition to the usual roof-garden and solarium, a large room which can be used for dances or meetings, with facilities for serving refreshments. There are also music-rooms in the penthouse.

Women have so often said: «Why don't they build an Allerton House for women?» The one at 57th Street is for women, and its plans contain some of the answers. Superficially the plan is about the same as for the men's houses, but on the bedroom floor, closets must be larger and bathtubs used rather than showers. The chief difference is in the public spaces. Women want to feel at home where they live. Men are apt to feel at home somewhere else.

In the men's hotels the reception-room may be restricted.

In a women's hotel the lounges must be bigger, so must the restaurant, and there must be a number of smaller sitting-rooms and parlors. The woman guest should have opportunity to receive and entertain as nearly as possible as she would in her own home. In short, women take up more room around a hotel than do men. The public space in the 57th Street house is about double what it is in the others, and public space is a charge which must be carried by room rentals.

A Public Service

The organizers of the Allerton House Corporation have been guided by wise counsel, an evident understanding of special needs in these congested times, and a realization that old ways of living for many men and women of refinement were becoming intolerable, if not impossible. The hotels for men have offered comfortable and attractive quarters combined with something of a club atmosphere, and they have been successful from the beginning. The newest Allerton House is for women only, and it promises to be not only a popular and most desirable home for business women but as well a center of important civic interests.

The Vassar Club has taken a floor and the Church League has also leased extensive quarters.

The president of the Allerton Corporation is James S. Cushman, and associated with him are many well-known men and women interested in civic welfare and the improvement of living conditions.

Among these are: Arthur Curtis James, Mrs. Willard Straight, Mrs. Elon Hooker.

William H. Silk is secretary and treasurer.

— Editor.

New Method of Measuring Sand Makes Concrete More Reliable

The reliability of concrete construction is likely to be increased, and the cost in some cases reduced, by the application of a newly developed method of measuring sand, which is now being tested at the Bureau of Standards of the Department of Commerce. The method has been termed the «inundation method», and consists of measuring sand in a container which has been partly filled with water before the sand is put in, so that when the sand is in, the water is up to the top and the sand completely soaked.

The volume occupied by a given amount of sand when shoveled into a measuring device varies with the moisture content of the sand, the difference in measured volume between dry. and moist sand being usually from 10 to 15 per cent, and occasionally running as high as 50 per cent. But it is found that if the sand is completely soaked, or «inundated», uniform measuring results can be obtained no matter how much the original moisture content may have varied.

In making concrete, the proportions of cement, sand, stone, and water are so chosen as to get the required strength and workability with a minimum of cement, since the cement is the chief factor in the cost. Inaccurate measurement of the sand may result in too large a proportion of sand, in which case the concrete is too weak; or in too small a proportion of sand, and hence a concrete too rich in cement.

But this rich concrete is not necessarily stronger than the concrete the contractor intended to make, for the sand has brought in some water in addition to that which is added on purpose; and if this extra water is not allowed for and the amount of water added correspondingly decreased, the concrete will contain too much water. It will be sloppy, and when set will not be dense enough to give the necessary strength. The contractor, therefore, is merely wasting cement and doing good to no one.

It is hoped that with the inundation method it may be possible to specify concrete by the strength required rather than by arbitrary proportions. The contractor can then find the proportions of the materials he is using that will give the requisite strength, and can adhere closely to these proportions. The result will be a concrete whose proportions are more nearly what they were intended to be, and with which a lower factor of safety can be used.

Chicago's «Own Your Home» Exposition

An Architectural Committee representing the architects of Chicago has been appointed by Alfred Granger, president of the Illinois Chapter of The American Institute of Architects, to co-operate with the Chicago Real Estate Board in staging Chicago's Third Annual «Own Your Home» Exposition at the Coliseum, March 24 to 31, 1923, under the auspices of the Chicago Real Estate Board. Robert C. Spencer, Jr., has been named chairman of this committee and the following members appointed: R.S. DeGolyer, Charles H. Hammond, J.C. Llewellyn, Elmo C. Lowe, F.W. Puckey. This committee in co-operation with another committee to be appointed by F.E. Davidson, president of the Illinois Society of Architects, will submit, for the consideration of the Committee of Administration of the Exposition, plans for a five-room bungalow which will be built in the center of the Coliseum floor as the feature attraction of the exposition.

The New Bronze Traffic Towers on Fifth Avenue, New York

The regulation of traffic, particularly on Fifth-Avenue, is one of New York's greatest problems. A new idea for controlling the traffic by the use of an interchangeable colored-light system was proposed in 1920 by Special Deputy Police Commissioner John A. Harris.

Towers constructed of steel and wood to demonstrate the feasibility of the lighting-signal system were erected, and, during the two years of operation, found to be more practical than any other traffic-regulating system known. It was found that while the number of vehicles passing on Fifth Avenue increased fourfold since the temporary towers were erected, yet they were handled with much less difficulty and confusion than before.

The Fifth Avenue Association objected to the unsightly structures erected along the avenue, but, realizing their practical value, decided to replace them with artistic, monumental bronze towers.

The congestion of thoroughfare and the practical requirements had to be taken into consideration in creating the shape and form of the towers. The most essential problem was to occupy the least possible space and to leave the view unobstructed.

A commission appointed by the Fifth Avenue Association selected the John Polachek Bronze and Iron Co., of Long Island City, intrusting it with the execution of the new bronze towers, from a design prepared by Mr. J.H. Freedlander.

The construction of the towers was a very unusual and rather difficult problem, but was carried out in a most painstaking, ingenious, and artistic manner. The various mechanical apparatuses, such as synchronized clocks, bell-striking devices, different signal-lights, telephones, heaters, etc., connected by a mass of wires to the Edison Co., Western Union, and the New York Telephone Co. systems, are skillfully concealed within the construction.

To place on a public thoroughfare for a utilitarian purpose structures of such artistic craftsmanship is of importance to the entire city. The unconscious effects of the beautiful on the minds of the public is a substantial contribution to better citizenship. This was understood by the Greeks and Romans, and their attainments in the arts have been a beacon light to all later peoples. To understand the beautiful is to create a love for the beautiful, to widen the boundaries of human pride, enjoyment, and accomplishment. A substantial contribution to the sum total of good taste in any community justifies the most careful thought and effort of its leaders. With a wider recognition of this fact, we shall find those charged with the administration of our communities insisting that artistic symmetry be combined with utility in the development of every public improvement.

«Architecture», Vol.XLVII, No.2, February 1923

The Lawyer

Many well-known lawyers reside at Allerton House. They find there an atmosphere conducive to the professional man's well-being. Every feature of the modern resident club is their's — at moderate cost.

Allerton Houses

45 East 55th Street
143 East 39th Street
302 West 22nd Street

«The New York Times», July 25, 1923

Allerton Houses

Allerton Club Residences

New York — Chicago — Cleveland

ALLERTON MEN are regarded as particular in their choice of residence, selective in the matter of associates, appreciative of the better things in life, while mindful of the kind of economy that makes for success.

The comfortable club-like surroundings and appointments of Allerton Houses appeal particularly to business and professional men.

Rates: $10 to $20 per room per week. Allerton facilities include a well equipped gymnasium under the personal supervision of the Medical and Physical Director of New York's foremost University.

Owning and Operating Fraternity Clubs Building, 22 East 38th Street

James Stewart Cushman
President

William Harton Silk
Secretary and Managing Director

The Williams Printing Company, New York

  • 45 East 55th Street New York
  • 130 East 57th Street (Exclusively for Women) New York
  • 143 East 59th Street New York
  • 302 West 22nd Street New York
  • New Fraternity Clubs Building 22 East 38th Street New York
  • Chester Ave & East 13th Street Cleveland (Under Construction)
  • Huron Street & Michigan Avenue Chicago (Under Construction)
Allerton Club Residences

«Time», Vol.I, No.24, August 13, 1923

Allerton Club Residences

Allerton Club Residences are monuments to the best ideals of refinement and distinction.

Collegiate atmosphere, the conveniences of ultra-modern equipment and the service of well-trained attendants attract university men from every section of the nation.

Their service accords with the ideals without taxing the means of college men.

Rates $2 per day
With Bath $3 per day

Fraternity Clubs Building
Madison Avenue — 38th Street

The new seventeen story University Club residence devoted exclusively to college men. Roof Garden, Oyster Bar, Squash Court, Grille, Valet, Club Rooms, Lounges.

Rates: $11 to $25 per week
$2.50 per day upward

Supervision
Board of governors fraternity clubs

Management
Allerton House Company

James Stewart Cushman
President

William Harton Silk
Managing Director

  • 45 East 55th Street New York
  • 130 East 57th Street (Exclusively for Women) New York
  • 143 East 59th Street New York
  • 302 West 22nd Street New York
  • New Fraternity Clubs Building 22 East 38th Street New York
  • Huron Street & Michigan Avenue Chicago

«Southern Textile Bulletin», Vol.27, No.4, September 25, 1924

Allerton Club Residences

«Southern Textile Bulletin», Vol.27, No.12, November 20, 1924

«Southern Textile Bulletin», Vol.27, No.16, December 18, 1924

«Southern Textile Bulletin», Vol.27, No.22, January 25, 1925

Allerton Club Residences

Allerton Club Residences are monuments to the best ideals of refinement and distinction.

Collegiate atmosphere, the conveniences of ultra-modern equipment and the service of well-trained attendants attract university men from every section of the nation.

Their service accords with the ideals without taxing the means of college men.

Rates $2 per day
With Bath $3 per day

Fraternity Clubs Building
Madison Avenue — 38th Street

The new seventeen story University Club residence devoted exclusively to college men. Roof Garden, Oyster Bar, Squash Court, Grille, Valet, Club Rooms, Lounges.

Rates: $11 to $25 per week
$2.50 per day upward

Supervision
Board of governors fraternity clubs

Management
Allerton House Company

James Stewart Cushman
President

William Harton Silk
Managing Director

  • 45 East 55th Street New York
  • 130 East 57th Street (Exclusively for Women) New York
  • 143 East 59th Street New York
  • 302 West 22nd Street New York
  • New Fraternity Clubs Building 22 East 38th Street New York
  • Huron Street & Michigan Avenue Chicago

«Contractor's and Engineer's Monthly», Vol.IX, No.5, November, 2024

Allerton Club Residences

«Contractor's and Engineer's Monthly», Vol.IX, No.6, December, 1924

«Contractor's and Engineer's Monthly», Vol.X, No.1, January, 1925

Allerton Club Residences

Squash courts
Clubrooms
Lounges
Library
Exercise rooms

Rates, $10 to $20 weekly
Transient rates, $2.50 up

Applications for residence invited

New York
143 East 39th St.
45 East 55th St.
22 East 38th St.

Chicago
Michigan Avenue and Huron Street

«Normal Instructor and Primary Plans», April 1925

Allerton Club Residences

Agency man with Experience Youth Initiative

Looking for a wider opportunity with manufacturer or agency. At present is contact man with a leading agency working on important accounts.

Has a background of seasoned experience in plan, production, copy and merchandising. Intimate knowledge of toilet goods and automotive accessory fields. Possesses initiative, tact and judgment. Knows how to handle and develop business.

College graduate: 34. Address Room 1002, 45 East 55th St., N.Y. City

«Printers' Ink», Vol.CXXXVIII, No.12, March 24, 1927

Allerton Club Residences

Allerton Club Residences

«A year ago, this climb would have winded me».
«What put you in shape—cut down the heavy smoking?
«No—where I live, the gym is so handy, a man has no excuse for not keeping fit.
«Where's that?
«At The Allerton».

Allerton Club Residences: New York — Chicago — Cleveland • Rates: $12 to $22 a week • No initiation fees • No dues

James S. Cushman President • William H. Silk Managing Director

«The Technology Review», April 1927

Allerton Club Residences*

Allerton Club Residences

«A full house beats 3-of-a-kind, doesn't it?»
«In poker, yes—but
no poker hand can equal these three».
«What are they?»
«Allerton Club Residences, in New York, Chicago and Cleveland».

*The Allerton System, known throughout the country today, was born of a great need. It has solved the problems of men and women of refinement who were formerly forced to forego the living atmosphere their standards prompted but incomes prohibited. Allerton facilities compare favorably with the finer hotels and clubs. Allerton service is well epitomized in the phrase «You live in nine rooms—pay for one».

In all Allerton Club Residences are spacious lounges, reading rooms, restaurants, exercise rooms and showers. In some, squash, handball, tennis courts, gymnasia, roof gardens, swimming pools, and in addition separate accommodations for women guests.

All Allerton Club Residences are centrally and conveniently located. While not at all undemocratic, residents are selected with extreme care. Rates: $12 to $22 a week. No initiation fees. No dues. James S. Cushman, President. William H. Silk, Managing Director.

New York — 45 East 55th St.
New York — 130 East 57th St.†
New York — 143 East 39th St.
New York — 22 East 38th St.
New York — 302 West 22nd St.
Chicago — Huron St. & Michigan Ave.
Cleveland — Chester Ave. & East 13th St.

†Exclusively for women

«The Saturday Evening Post», Vol.199, No.46, May 14, 1927

Made to your measure

A young man you can develop quickly to be a consistent producer of fresh, vigorous copy that rings true, and snappy layouts that get the ad seen and read. Age 26; single; Christian Scientist. Address Box 1526, 45 East 55th St., New York.

«Printers' Ink», Vol.CXLI, No.1, October 6, 1927

Pavilions in the Air

Zoning laws are not alone responsible for the interesting and original character developed in the architecture of New York during the past ten years. The desire and necessity of concealing roof tanks and the tops of elevator shafts have led to a variety of successful solutions of this problem. These illustrations are from photographs of the architectural towers and roof structures on some of the recently completed commercial and hotel buildings in New York. This interesting group of «pavilions in the air» tell their own story and require no explanation. Few of the hurrying throngs down in the canyon-like streets ever have time or interest to look up in the air to discover these often well designed architectural screens which conceal important parts of the mechanical and plumbing equipment of tall buildings. It is hoped that this group of illustrations may have suggestion and inspirational value.

The Winslow

Allerton House, Madison Avenue at 55th Street
Arthur Loomis Harmon, architect

«The Architectural Forum» in two parts, January 1928
(part one: «Architectural Design»)

Allerton Club Residences

Allerton Club Residences

«A full house beats 3-of-a-kind, doesn't it?»

«In poker, yes—but no poker hand can equal these three».

«What are they?»

«Allerton Club Residences, in New York, Chicago and Cleveland».

Allerton Club Residences

Executive Offices — 285 Madison Ave., New York

New York — 45 E. 55th St.
New York — 143 E. 39th St.
New York — 130 E. 57th St.*
New York — 22 E. 38th St.
New York — 302 West 22nd Street
Chicago — Huron Street and Michigan Avenue
Cleveland — Chester Avenue and East 13th Street

* Exclusively for women

«Time», Vol.11, No.14, April 2, 1928

Allerton Club Residences

«Coming home» to the Allerton means coming home to the comfort of club life and the companionship of men you would choose as your friends.

Rates $12 to $22 per week

Allerton Club Residences

22 East 38th Street
302 West 22nd Street
143 East 39th Street
45 East 55th Street
130 East 57th Street*
* (exclusively for women)

New York

«The New Yok Times», April 20, 1928

Allerton Club Residences

Allerton Club Residences

The Allerton points with pride to a growth and expansion which could only have been achieved by its unusual service, congenial atmosphere plus the care exercised in the selection of residents.

Rates $12 to $22 per week

Allerton Club Residences

22 East 38th Street
302 West 22nd Street
143 East 39th Street
45 East 55th Street
130 East 57th Street*
* (exclusively for women)

New York

«The New York Times», May 28, 1928

Allerton Club Residences

Allerton Club Residences

Allerton Club Residences

«Mead must be pretty well fixed to have the city residence he described—gym, pool and all that».

«You or I could have the same, if we were single like Mead».

«Where?»

«At The Allerton».

Allerton Club Residences

Executive Offices — 285 Madison Ave., New York

New York — 45 E. 55th St.
New York — 143 E. 39th St.
New York — 130 E. 57th St.*
New York — 22 E. 38th St.
New York — 302 West 22nd Street
Chicago — Huron Street and Michigan Avenue
Cleveland — Chester Avenue and East 13th Street

* Exclusively for women

No Initiation Fees. No Dues. Rates $12 to $22 a Week.

Transients: $2.50, $3.00, $3.50.

«The New Yorker», Vol.4, No.18, Juni 23, 1928

Allerton Club Residences

Allerton Club Residences

«Mead must be pretty well fixed to have the city residence he described—gym, pool and all that».

«You or I could have the same, if we were single like Mead».

«Where?»

«At The Allerton».

Allerton Club Residences

Executive Offices — 285 Madison Ave., New York

New York — 45 E. 55th St.
New York — 143 E. 39th St.
New York — 130 E. 57th St.*
New York — 22 E. 38th St.
New York — 302 West 22nd Street
Chicago — Huron Street and Michigan Avenue
Cleveland — Chester Avenue and East 13th Street

* Exclusively for women

No Initiation Fees. No Dues. Rates $12 to $22 a Week.

Transients: $2.50, $3.00, $3.50.

«Time», Vol.11, No.26, Juni 25, 1928

While You Wife's Away

«Stay-at-home» husbands can enjoy life and be free from all household cares at The Allerton — New York's club residence. Good meals, comfortable beds, reading rooms and lounges. Convenient locations.

$12 to $22 per week

Allerton Club Residences

22 East 38th Street
302 West 22nd Street
143 East 39th Street
45 East 55th Street
130 East 57th Street*
* (exclusively for women)

New York

«The New York Times», July 17, 1928

Allerton Club Residences

Allerton Club Residences

A brisk few minutes in the exercise room at The Allerton, followed by a hot and cold shower, will put a new spring into your step and give you an extra zest for the day's work.

Take advantage of these and other good things at The Allerton. Move in today!

Rates $12 to $22 per week

Allerton Club Residences

22 East 38th Street
302 West 22nd Street
143 East 39th Street
45 East 55th Street
130 East 57th Street*
* (exclusively for women)

New York

«The New York Times», August 7, 1928

Allerton Club Residences

«Variety Obituaries. 1905–1928»

«Variety Obituaries. 1905–1928»
/ an eleven-volume set
// New York + London: «Garland Publishing, Inc.», 1988
hardcover, 648 p.
ISBN: 0-8240-0835-9

August 8, 1928

Harry J. Taylor, Suicide

Harry J. Taylor, 45, 45 East 55th street, well known automobile salesman along Broadway, committed suicide in his room by shooting himself through the head with a revolver.

A maid found Taylor. From personal papers the police established his identity.

He had been employed until about a week ago by the Moon automobile Co., 1806 Broadway. He resigned without giving any reason. Ill health is believed to have been the cause.

Allerton Club Residences

Allerton Club Residences

«After you leave here, you'll be a stranger in a strange land».

«Nothing like it. I'll have plenty of companions».

«Stopping at a club?»

«Just the same—but without fees or dues. I'm going to The Allerton».

Allerton Club Residences

Executive Offices — 285 Madison Ave., New York

New York — 45 E. 55th St.
New York — 143 E. 39th St.
New York — 130 E. 57th St.*
New York — 22 E. 38th St.
New York — 302 West 22nd Street
Chicago — Huron Street and Michigan Avenue
Cleveland — Chester Avenue and East 13th Street

* Exclusively for women

No Initiation Fees. No Dues. Rates $12 to $22 a Week.

Transients: $2.50, $3.00, $3.50.

«The New Yorker», Vol.4, No.30, September 15, 1928

Allerton Club Residences

Allerton Club Residences

«After you leave here, you'll be a stranger in a strange land».

«Nothing like it. I'll have plenty of companions».

«Stopping at a club?»

«Just the same—but without fees or dues. I'm going to The Allerton».

Allerton Club Residences

Executive Offices — 285 Madison Ave., New York

New York — 45 E. 55th St.
New York — 143 E. 39th St.
New York — 130 E. 57th St.*
New York — 22 E. 38th St.
New York — 302 West 22nd Street
Chicago — Huron Street and Michigan Avenue
Cleveland — Chester Avenue and East 13th Street

* Exclusively for women

No Initiation Fees. No Dues. Rates $12 to $22 a Week.

Transients: $2.50, $3.00, $3.50.

«Time», Vol.12, No.12, September 17, 1928


«Time», Vol.12, No.17, September 22, 1928

Allerton Club Residences

Residence at any Allerton House means… the standards of living and associations expected at any fine club — except expense.

Rates $12 to $22 per week

Allerton Club Residences

22 East 38th Street
302 West 22nd Street
143 East 39th Street
45 East 55th Street
130 East 57th Street*
* (exclusively for women)

New York

«The New York Times», September 24, 1928

Allerton Club Residences

Allerton House

Club residence for men, conveniently located, affording every comfort, with the surroundings and service of the select club lounge, library, billiards, squash courts and handball courts; rates $12 to $20 per week, according to location; for approved residents only; transients $2.50 to $3 a day.

For information telephone Plaza 6800.

22 East 38th St.
143 East 39th St.
45 East 55th St.
And 130 East 57th St., for women only.

New York. Chicago. Cleveland.

«The New York Times», Vol.LXXVIII, No.25.983, March 15, 1929

Allerton House

Allerton Houses

Residence at any Allerton House means… the standards of living and associations expected at any fine club — except expense.

Rates $12 to $20 per week

Allerton Houses

22 East 38th St.
302 West 22nd St.
143 East 39th St.
45 East 55th St.
130 East 57th St.*
* (exclusively for women)

New York

«The New York Times», Vol.LXXVIII, No.26.001, April 2, 1929

Allerton Houses

Allerton Houses

The Allerton is democratic but… it is selective in personnel of residents.

Rates $12 to $20 per week

Allerton Houses

22 East 38th St.
45 East 55th St.
302 West 22nd St.
143 East 39th St.
*130 East 56th St.
*(exclusively for women)

New York

«The New York Times», Vol.LXXVIII, No.26.024, April 25, 1929

Allerton Houses

Allerton Houses

A cold shower after a hot workout, in the exercise room, on a brisk spring morning. You'll want an extra egg for breakfast!

Rates $12 to $20 per week

Allerton Houses

22 East 38th St.
45 East 55th St.
302 West 22nd St.
143 East 39th St.
*130 East 57th St.
*(exclusively for women)

New York

«The New York Times», Vol.LXXVIII, No.26.031, May 2, 1929

Allerton Houses

Madison avenue, 1929

Madison avenue

Madison Avenue — 52nd Street
Photographer: Percy Loomis Sperr
Date Created: 1929

The New York Public Library

Madison avenue

[The Winslow isn't visible… don't bother squinting.]

Allerton Houses

Allerton Houses

«A year ago that swim would have winded me».

«What put you in shape—cut down the heavy smoking?»

«No—where I live, the gym is so handy, a man has no excuse for not keeping fit».

«Where's that?»

«At The Allerton».

Allerton Houses

Executive Offices — 285 Madison Ave., New York

New York — 45 E. 55th St.
New York — 143 E. 39th St.
New York — 130 E. 57th St.*
New York — 22 E. 38th St.
New York — 302 West 22nd Street
Chicago — Huron Street and Michigan Avenue
Cleveland — Chester Avenue and East 13th Street

* Exclusively for women

No Initiation Fees. No Dues. Rates $12 to $20 a Week.

Transients : $2.50, $3.00.

«The New Yorker», Vol.5, No.30, September 14, 1929

Allerton Houses

Residence for Men

Conveniently located, affording every comfort, with the surroundings and service of the select club; lounge, library, billiards, squash courts and handball courts.

Rents 12 to $20 per week

according to location; for approved residents only;

Transients $2.50 to $3.50 per day

For Information Telephone Plaza 6800

143 East 39th St.
22 East 38th St.
45 East 55th St.
and 130 East 57th St., for women only

New York Chicago Cleveland

«The New York Times», Vol.LXXIX, No.26.203, October 21, 1929

Allerton Houses

Allerton Club

Residence for Men

Conveniently located, affording every comfort, with the surroundings and service of the select club; lounge, library, billiards, squash courts and handball courts.

302 West 22nd St.
22 East 38th St.
143 East 39th St.
45 East 55th St.
and 130 East 57th St. for women only

New York Chicago Cleveland

«The New York Times», Vol.LXXIX, No.26.233, November 20, 1929

Allerton Club

Allerton House

Chicago
Huron & Michigan Avenue
W.W.Dwyer, Mgr.

Cleveland
Chester Ave. & East 13th St.
Fred Joyce, Mgr.

Transient Rate $2.50 — $3.50 daily

Allerton Club Residences are the realization of an ideal for men and women of refinement. So admirably have they lent themselves to the particular requirements of the discerning that they are now numbered among the handsomest structures of America's greatest cities.

Affording every convenience of the modern hotel or club, without the excessive cost, they mark a new era in the matter of select living for people of discrimination.

Allerton facilities include well equipped gymnasiums and squash courts.

New York Allerton Houses
club residence for men

143 East 39th St.
22 East 38th St.
45 East 55th St.
and
130 East 57th St.
for women only

«The American City», Vol.XLI, No.6, December 1929

Allerton House

The Winslow, 1930

Hotel Weylin

Manhattan: Madison Avenue — 53rd Street
Photographer: Percy Loomis Sperr
Date Created: 1930

The New York Public Library

The Winslow Hotel

PostCards

The Winslow.
Vintage postcard by Lumitone, about 1930

dimensions: 142×90 mm

The Winslow

Madison Ave. at 55th St. • THE WINSLOW • New York City

The Winslow

THE WINSLOW, Madison Avenue at 55th Street, New York. A residential hotel for men and women located in one of New York's desirable East Side sections. Club features. For permanent and transient guests.

The Winslow

Madison Ave. at 55th St. • THE WINSLOW • New York City

The Winslow

Mes chers papa et maman, Je suis maintenant pour 3 ou 4 jours au 13e étage de ce coquet immeuble encore plein des saveurs de mon magnifique tour aux Bermudes. J'ai encore dû passer 1 jour à Ellis Island à mon retour quoique voyageant en 1re sur un bateau de luxe, ils vont quand même un peu fort et je la trouvais mauvaise. New York est maintenant très intéressant et je regrette d'être obligé de quitter si vite l'Amérique qui me plaît maintenant. Je vous embrasse. [signature illisible]

Monsieur et Madame Charmot
Grand Hôtel de Clairvivre
Clairvivre
Dordogne
France

MAY 12
1937
GRAND CENT. ANNEX. N.Y. 3

The Winslow
The Winslow

Madison Ave. at 55th St. • THE WINSLOW • New York City

The Winslow

Ce 10.3.41

Ma chère Thérèse,

Voici la photo de l'hôtel où nous habitons. Tout cet immeuble n'est pas très haut, seulement 17 étages. Ces hautes maisons sont très impressionnantes pour les européens, mais on s'y fait très vite. Pour mon goût personnel, New York manque d'arbres et de terrasses de café, cela donne un aspect froid à cette immense et belle ville. Ce qui fut le plus beau fut l'arrivée de nuit alors que N. York était encore tout éclairé, ce qui est remarquable ici.

Nous avons pensé fort et ferme à vous tous depuis notre départ et à vous en particulier. Je suis maintenant très d'accord, monsieur est resté jeune et très actif, nous n'habitons plus à l'hôtel…

Melli Thérèse Vorini
chez M.G.Glathe ??? Grasse (A.M.)
S.Raisson Brébant allée de la gare Beausoleil
France

The Winslow

Madison Ave. at 55th St. • THE WINSLOW • New York City

The Winslow

My address in N.Y.C.

Dear Alyce,
I haven't written to you for so long that I hardly know what to say. Of course I realize that you will not answer this card but it will show you nevertheless that I think of you now & then. Don't you remember our telephone chats while you were home in your little bed? Believe me, I do and I have often hoped that I would come back to Berlin just to be good to you. Why not drop me a letter telling me all about yourself and that you wish that I opened up with you a few years ago. How grand everything would have been.

Sam Hall

Well, my name it is Sam Hall, Sam Hall.
Yes, my name it is Sam Hall, it is Sam Hall.
My name it is Sam Hall and I hate you, one and all…
and I hate you, one and all.
Damn your eyes!
© traditional English folk song

— Я ебал вас всех, ебаные в рот суки!
Идите вы все на хуй!— шепчу я.
© «Это я — Эдичка», 1976

Eight large hotels added to Knott Chain

The Atterton Club Group and Hotel Paramount Incladed in Transaction.

The entire group of Allerton Club Hotels and the Paramount Hotel were taken under the management of the Knott Hotels Corporation yesterday, it was announced by William J. Knott.

The transaction added eight hotels and 4,100 rooms to the Knott system, giving it a total of thirty-three hotels and 11,450 rooms.

While the new hotels will not officially go under Knott management until May 1, contracts were signed yesterday, and the Knott operating staff actually has taken charge. The negotiations had been conducted for some time by E. K. Gordon, manager of the extension division of the Knott organization, of which David H. Knott, former Sheriff of New York County, is chairman of the board, and representatives of the Allerton company and of the Paramount company.

These eight hotels were neither bought nor leased.

The Allerton company was represented by James S. Cushman, president of the Allerton companies, and the Paramount by I. Zimmer, president, and Frank Locker, treasurer of the 235 West Forty-sixth Company, owners of the 700-room hotel in Forty-sixth Street west of Broadway. The Allerton group brings into the Knott chain seven additional hotels, five of which are in New York. One, the largest, a 1,000-room hotel, is in Chicago, and one of 550 rooms is in Cleveland. The New York hotels are at 302 West Twenty-second Street, a club residence for men; 22 East Thirty-eighth Street, better known as the Fraternities Club Building and housing a number of Greek letter fraternity clubs and alumni clubs; 143 East Thirty-ninth Street, for men; 45 East Fifty-fifth Street, for men, and 132 East Fifty-seventh Street, for women.

Of the 3,425 additional guest rooms in the Allerton houses, 1,875 are in New York. The Chicago hotel is at 701 North Michigan Avenue, and the Cleveland hotel at Chester Avenue and Thirteenth Street. The Paramount was opened in June, 1928.

With yesterday's additions, the Knott chain now numbers twenty-five hotels in metropolitan New York and nine in other cities.

Officers of the Knott Corporation, which controls the chain, are: William J. Knott, president; James E. Knott, vice president and general manager; W. W. Wyckoff, secretary; William R. Lautenbacher, treasurer, and Walter W. Lee, assistant treasurer.

Governor Alfred E. Smith is a member of the board of directors. Other directors are: Judge George W. Olvany, John W. Dilliard, Gerald P. O'Neill, manager of the Pittsburgher, who recently succeeded Lieut. Gov. Herbert H. Lehman of New York; David H. Knott, William J. Knott and James E. Knott.

«The New York Times», April 17, 1930

Alfred Stieglitz

The Alfred Stieglitz Collection

Alfred Stieglitz

Alfred Stieglitz
Signed Photograph:
«From My Window at An American Place, North»
Price: $16,500

Manhattan Rare Book Company


Wikipedia: Alfred Stieglitz (January 1, 1864 — July 13, 1946)

Alfred Stieglitz
From My Window at An American Place, North, 1931
Alfred Stieglitz

[The Winslow is visible… if you squint.]

Alfred Stieglitz

[The Winslow is visible… if you squint.]

From My Window at An American Place, North, 1931
Alfred Stieglitz

[The Winslow is visible… if you squint.]

Art Institute of Chicago

Madison Avenue

Louis Lozowick

1931 / printed 1972, lithograph on paper, image: 32.7×22.5 cm

Louis Lozowick «Madison Avenue»

Smithsonian American Art Museum

Louis Lozowick «Madison Avenue»

1929

Wikipedia: Louis Lozowick (December 10, 1892 — September 9, 1973)

déjà vu

Empire State Building

Эскиз обложки Дениса Изотова (2025)
vs. руферы Vanya Beerkus (Иван Кузнецов) + Angela Nikolau (Анджела Николау) (1 июля 2026 года)

Allerton Club Residences

Since their beginning ALLERTON RESIDENCES have been proverbially popular with men who sough and demanded every comfort and convenience at a moderate rate . . . . . $2.00 daily; $10.00 weekly and up.

Allerton Club Residences

45 East 55th St.
143 East 39th St.

When in New York remember the Allertons

«The Marine Corps Gazette», Vol.XVI, No.1, May 1931

Allerton Club Residences

The Winslow, 1932

The Winslow

Hotel Winslow, detail.
Photographer: Carl Van Vechten
Dated: April 21, 1932
File dimensions: 43,8×29,4 cm at 300dpi

The Winslow

Hotel Winslow, detail.
Photographer: Carl Van Vechten
Dated: April 21, 1932
File dimensions: 29,2×43,7 cm at 300dpi

Museum of the City of New York


Wikipedia: Carl Van Vechten (June 17, 1880 — December 21, 1964)

Truman Capote

The Winslow (April 21, 1932) + Truman Capote (March 30, 1948)
© Carl Van Vechten

read more…

Wikipedia: The Blue Angel (New York nightclub): The Blue Angel, also known as the Blue Angel Supper Club, was a New York City nightclub founded in April 1943 and closed in 1964. It was located at 152 East 55th Street between Lexington and Third Avenue.

Truman_Capote at the Blue Angel

Gemini:

Декоративные элементы в виде бараньих голов (букраниев) с крыльями, украшающие колонны и фасад бывшего отеля «The Winslow» (изначально — «Allerton House» на 45 East 55th Street, построенного в 1921–1922 годах по проекту известного архитектора Артура Лумиса Хармона), несут в себе глубокий пласт классической архитектурной символики.

Для этого здания архитектор выбрал стиль северного итальянского Возрождения (Ренессанса), который активно заимствовал образы из античности. Вот в чем кроется разгадка этого декоративного ансамбля:

1. Баранья голова (Букраний / Эгипан)

В классической архитектуре изображение черепа или головы быка, овна или козла называется букранием (от греч. boukranion — бычий череп).

Античные истоки: Изначально в Древней Греции и Риме головы жертвенных животных вывешивали на фризах храмов после ритуалов. Со временем этот образ перекочевал в мрамор и лепнину, став символом благочестия, освящения пространства и триумфа.

Символика овна (барана): Овен в античной традиции неразрывно связан с богом Зевсом-Амоном (в египетской и греко-римской мифологии), а также с Гермесом (Меркурием) — покровителем путешественников, торговли и гостеприимства. Для отеля, принимающего постояльцев, фигура Меркурия и его атрибуты подходят идеально. Баран также олицетворяет мужскую силу, упорство и лидерство.

2. Крылья позади голов

Крылья, расположенные за головами баранов, усиливают символику и добавляют мифологический подтекст:

Вестники и защита: В римской мифологии крылья — главный атрибут Меркурия (его крылатые сандалии и шлем) и Виктории (богини победы). Сочетание барана и крыльев отсылает к Крылатому Овну из древнегреческих мифов — тому самому, который уберёг детей царя Афаманта и чье золотое руно стало символом благоденствия, богатства и высшего покровительства.

Апотропный символ (оберег): В архитектуре Ренессанса крылатые зооморфные головы на колоннах у главного входа служили «стражами». Они призваны оберегать дом и его обитателей (в данном случае — постояльцев отеля) от невзгод и злых сил.

3. Контекст здания: «Клубный дом» для амбициозных мужчин

Интересен и сам контекст постройки. Здание строилось сетью «Allerton House» как клубный жилой отель для холостяков — молодых, амбициозных специалистов, приезжавших покорять Нью-Йорк.

Архитектор Артур Лумис Хармон (который позже спроектировал легендарный Empire State Building) намеренно использовал суровую, но элегантную эстетику Возрождения.

Бараньи головы на шести колоннах при входе транслировали гостям и жильцам правильные для того времени ценности: упорство в достижении целей (символ барана), стремление ввысь к успеху (крылья) и безопасность под надежной защитой.

бурятские овцы

Enjoy Club Life at a One-room Rental

New York City

Enjoy CLUB LIFE at a One-room Rental

For the short stay as well as permanently, the Allerton Houses provide genuine homelike living… full hotel service… in the convenient and desirable East Side section.

Rest, reading and game rooms, lounges, and excellent dining rooms at your disposal.

From $2 daily
$10 to $22 weekly
No initiation fees—No dues

OPEN TO ALL

George A. Richards
Managing Director

Allerton Club Residences for men

143 East 39th Street (Gym.)
45 East 55th Street (Madison Ave.)
22 East 38th Street (Madison Ave.) (Gym.)

«The Christian Science Monitor», Vol.XXIV, No.89, March 11, 1932

Allerton Club Residences for men

New York City views

Creator: Arnold Genthe

Date Created: between 1931 and 1938 [1932].

Madison avenue

[The Winslow isn't visible… don't bother squinting.]

Library of Congress


Wikipedia: Arnold Genthe (January 8, 1869 — August 9, 1942)

America's cities—SLOAN equipped

New York City (Midtown Section)

Numbers Indicate Prominent SLOAN Installations

  1. Vincent Astor Apts.
  2. 1 Gracie Sq. Apts.
  3. 7 Gracie Sq. Apts.
  4. N.Y. Hospital — Cornell Medical Ctre.
  5. Rockefeller Institute
  6. Squibb Building
  7. New York Trust Co. Bldg.
  8. Hotel Winslow
  9. Ritz Towers
  10. 515 Madison Ave. Bldg.
  11. Drake Hotel
  12. 509 Madison Ave. Bldg.
  13. 501 Madison Ave. Bldg.
  14. Columbia Broadcasting System
  15. Empire Trust Building
  16. Ambassador Hotel
  17. 18 East 48th St. Bldg.
  18. Straus Building
  19. Fred F. French Bldg.
  20. Ruppert Building
  21. 500 Fifth Ave. Bldg.
  22. Waldorf-Astoria Hotel
  23. 300 E. 57th St. Apts.
  24. Shelton Hotel
  25. N.Y. Central Office Bldg.
  26. Biltmore Hotel
  27. 466 Lexington Ave. Bldg.
  28. Graybar Building
  29. 14 Sutton Place Bldg.
  30. 1 Sutton Place Bldg.
  31. River House
  32. Pan Hellenic Club
  33. 2 Beekman Pl. Apts.
  34. Chrysler Building
  35. Lincoln Building
  36. Lefcourt — Colonial Bldg.
  37. Chanin Building
  38. 10 East 40th St. Bldg.
  39. 22 East 40th St. Bldg.
  40. Architects' Building
  41. 369 Lexington Ave. Bldg.
  42. 370 Lexington Ave. Bldg.
  43. Bartholemew Bldg.
  44. 250 East 43rd St.
  45. Daily News Bldg.
  46. Tudor City Apts.
  47. Empire State Building
  48. McAlpin Hotel
  49. Marbridge Building
  50. Central Hanover Bank Bldg.
  51. Herald Square Bldg.
  52. American Radiator Bldg.
  53. 65 W. 39th St. Building
  54. 1400 Broadway Building
  55. 1410 Broadway Building
  56. Salmon Towers
  57. 33 W. 42nd St. Bldg.
  58. Stern Department Store
  59. 55 W. 42nd St. Bldg.
  60. 1440 Broadway Bldg.
  61. Continental Building
  62. 1441 Broadway Building
  63. 570 Seventh Avenue Bldg.
  64. Paramount Building
  65. Herald-Tribune Bldg.
  66. 545 Eighth Avenue Bldg.
  67. Lebros Building
  68. 552 Eighth Avenue Bldg.
  69. 520 Eighth Avenue Bldg.
  70. 315 W. 36th St. Bldg.
  71. Garment Workers' Arcade
  72. 519 Eighth Avenue Bldg.
  73. 505 Eighth Avenue Bldg.
  74. 494 Eighth Avenue Bldg.
  75. 254 West 35th St. Bldg.
  76. 240 West 35th St. Bldg.
  77. 224 West 35th St. Bldg.
  78. 216 West 35th St. Bldg.
  79. 498 — 7th Ave. South Bldg.
  80. 491 — 7th Ave. Bldg.
  81. Pennsylvania Bldg.
  82. Nelson Towers
  83. Pennlin Building
  84. R.H.Macy's Store
  85. 421 — 7th Ave. Bldg.
  86. Pennsylvania Hotel
  87. Equitable Life Assur. Bldg.
  88. Penn Terminal Bldg.
  89. Governor Clinton Hotel
  90. 363 — 7th Ave. Bldg.
  91. 350 — 7th Ave. Bldg.
  92. Greeley Square Bldg.
  93. Greeley Arcade Bldg.
  94. 345 — 7th Ave. Bldg.

Sloan Valve Co. • Chicago

«Domestic Engineering», Vol.142, No.1, July 1933

America's cities—SLOAN equipped

Dentist Ends Life by Gas

S.S. Sobel Uses Anesthetic Mask to Commit Suicide.

Samuel S. Sobel, 43 years old, a dentist, committed suicide yesterday in his fourth-floor offices at 1,280 Lexington Avenue. His body was in his dentist's chair, the face covered with the mask with which he had anesthetized patients. Nitrous oxide — laughing gas — was escaping from the shield.

Dr. Sobel was discovered when his brothers, Herman and David, lace embroidery manufacturers at 491 Broadway, forced the door of his office. The dentist had been absent for two days from his home in the Winslow Hotel, Fifty-fifth Street and Madison Avenue.

«The New York Times», July 13, 1933

Editor's Wife Leaps 15 Stories to Death

Mrs. E. de F. Winslow of Bronxville Plunges From Hotel Roosevelt Window.

Mrs. Rosalie D. Winslow of 80 Summit Avenue, Bronxville, mother of two children and wife of E. de Forest Winslow, an engineering editor of 110 East Forty-second Street, plunged to her death yesterday afternoon from the fifteenth floor of the Hotel Roosevelt to the Madison Avenue sidewalk.

She had registered there alone without baggage the night before and had parked her automobile in a near-by garage.

The body narrowly missed a woman pedestrian, who notified a policeman at the next corner. Detective Irving Fray called Mr. Winslow at his office. At the station house the husband, who appeared with his secretary, identified the belongings of the dead woman as those of his wife.

He said he and Mrs. Winslow had played a round of golf together Sunday afternoon and that she had left the house in the family automobile and did not return. The couple had been married for about thirteen years. The children are Rosalie, 11 years old, and de Forest, 8. A year ago Mrs. Winslow resigned from the Bronxville Woman's Club. She was 34 years old.

According to witnesses in near-by office buildings, Mrs. Winslow reclined for some time on a balustrade outside the fifteenth-floor window. Harold Kostich of 123 Sycamore Avenue, Plainfield, N.J., who was across the street in an office, called to her just a moment before she rolled over the edge.

In the room the police found only Mrs. Winslow's coat and purse, a half-filled bottle said to contain sleeping tablets. In a note she asked that the children be told and added that no one but herself was responsible for her act.

«The New York Times», September 19, 1933

Countess de Littberg

Collapses in Elevator in the Winslow Hotel and Dies.

Countess de Littberg, 55 years old, formerly of Austria, recently a singing teacher, collapsed last night in an elevator at the Winslow Hotel, 45 East Fifty-fifth Street, where she had been living for a year or more, and died soon afterward in her room. Dr. Cione of City Hospital said. heart disease caused her death.

Countess de Littberg had planned to meet her son, Theodore, of 303 East Fifty-third Street, last night, her son said. She had been living in modest circumstances, according to Detective Rudolph McLaughlin of the East Fifty-first Street station.

«The New York Times», July 11, 1934

Dies in 14-Story Fall at Hotel

Plunging down the elevator shaft, after stepping through the open door on the fourteenth floor of the Hotel Winslow, 45 East Fifty-fifth Street, Demito Blanco, 28 years old, a waiter, was killed early yesterday morning when he struck the top of the elevator car at the bottom of the shaft with such force that he crashed through the roof. Blanco lived at 328 West Fifty-seventh Street.

«The New York Times», May 31, 1935

Edgar S. Gorrell Collection — Correspondence, 1936

January 16th, 1936.

Colonel Edgar S. Gorrell,
Air Transport Association of America,
Chicago, Ill.

My dear Colonel Gorrell;

You may recall having met me when I was connected with the National Surety Company, at which time I handled some claims against Stutz Motor Car Co. You probably know that the National Surety Company was taken over by the New York State Insurance Commissioner more than two years ago and their Credit Insurance Department discontinued. I left their employ more than a year ago and, while I am employed at present, am interested in making a change.

I have read in the New York Times the announcement that you have been made President of the Air Transport Association of America and I should like very much to be associated with you in some capacity.

I am especially equipped for responsible work in matters involving questions of credits, collections and financing. For several years I was assistant to the Vice President of the National Surety Company, in charge of the entire Credit Insurance Department, handling all phases of the work, and was directly in charge of their nine collection departments in the United States and Canada. For more than five years I was in charge of credit insurance underwriting, passing on applications for credit insurance coverage in all lines of business, including policies ranging from small coverage up to $ 300,000.00 coverage. I was solely responsible for the management of the collection departments, including expense of operation, personnel and organization. I have served on many creditors' committees, involving large amounts, and have been Chairman of some committees. I have handled many large claims against manufacturing firms of all kinds, including a number of motor car companies and firms in the automotive equipment line, one of the later lot of claims being some $ 400,000.00 against Studebaker.

I am an attorney, having been admitted to the bar in Missouri in 1915 and in Illinois in 1923. My first experience in business was in the Credit and Collection Department of a large hardware jobbing house.

I shall be pleased to hear from you if there is any prospect of becoming connected with your organization.

With very kind regards, I am

Very truly yours,
T. M. Garrison.

Mr. T. M. Garrison,
c/o Hotel Winslow,
45 E. 55th Street,
New York City, N.Y.
Phone: PLaza 3-6800.

T.M.Garrison to Edgar S.Gorrell

Wikipedia: Edgar Staley Gorrell (February 3, 1891 — March 5, 1945)

RCA Building, Rockefeller Center — 1936

Aerial view of Midtown Manhattan

Photograph shows the Rockefeller Center with the RCA Building in the center of the picture, looking north from near 48th Street, New York City. Photo dated February 3, 1936. Source: Records of the Army Air Forces, National Archives at College Park, MD.

The RCA Building (now 30 Rockefeller Plaza), located between West 49th and W50th streets in Midtown Manhattan, was built between 1931 and 1933. It was designed by Reinhard & Hofmeister, Corbett Harrison & MacMurray and Hood & Fouilhou. In 1986, General Electric incorporated RCA.

The 1 Rockefeller Plaza office building, located between 48th and 49th streets, began to be constructed in the same year of 1936 and it was completed in 1937.

«Geographic Guide»


The Winslow Hotel can be seen in the upper right-hand corner of the image.

General View Looking South from 32 East 57th Street

Photographer: Berenice Abbott

Description: Looking south from the Bignou Gallery on the 18th floor of 32 East 57th Street. The slender tower at the center is 444 Madison Avenue, to the right are the spires of St. Patricks Cathedral and to the right of that is Rockefeller Center.

Dated: January 27, 1937

File dimensions: 37,0×46,5 cm at 300 dpi

The Winslow Hotel

Museum of the City of New York

Berenice Abbott

Wikipedia: Berenice Abbott (July 17, 1898 — December 9, 1991)

Mint Julep

Authentic as a Southern Colonel's mustache, smooth as his accent, and priced as low as the odds on a Derby favorite.

  • Vanderbilt Bar
    Park Avenue at 34th Street
  • Weston Court Bar
    Madison Avenue at 50th Street
  • Winslow Bar
    Madison Avenue at 55th Street
  • Blackstone Bar
    50 East 58th Street
  • Shelton Bar
    Lexington Avenue at 49th Street
«Esquire», July 1937

«Esquire», July 1937

Poetry Markets

Voices, 45 East 55th St., New York City. May to November, Vinalhaven, Maine. Harold Vinal, Editor. Issued quarterly; 50c a copy; $2.00 a year. «This is a magazine of poetry only. We report on manuscripts at once and do not make any payment».

«Writer's Digest», September 1937

«Voices», No.95, 1938

Published quarterly by E. L. Vinal: Publication office, 73 Main Street, Brattleboro, Vermont: Editorial offices, 45 East 55th Street, New York, N.Y. Summer address, May to November, Vinal Haven, Me.; Printed by Stephen Daye Press, Brattleboro, Vermont. Entered as second-class matter at the postoffice at Brattleboro, Vermont, under the act of March 3, 1879.

Copy, 50 cents; The Year, $2.00

Harold Vinal (1891–1965)

Harold Vinal was born in Vinalhaven to George and Evie Lane Vinal. Until he was 30 years old he was widely known as a pianist and teacher. Having an epiphany, he experienced, «a second and mystical birth». He became a poet and subsequently founded, «Voices», a long distinguished magazine of poetry. Vinal later became secretary of the Poet Society of America and a member of the Craftsman Group. Many of his poems are about the sea and Vinalhaven. Perhaps his most famous poem (at least locally), is Hurricane, a long narrative poem about the then abandoned granite quarry on nearby Hurricane Island. Vinal lived in a house on Lane's Island known as the Moors. Upon retirement he moved to a house on Roun the Mountain Road. He died at age 73 in a his beloved island home.

New York City Avenues — 1937

Aerial view of Midtown Manhattan

Aerial view of Midtown Manhattan showing buildings of the Rockefeller Center, Central Park and some of the New York City main avenues running south-north in Manhattan, including Fifth Avenue, Sixth Avenue, Madison Avenue and Park Avenue. Photo dated 1937. Source: National Guard Bureau, Records of the Army Air Forces.

From the late 19th century and early 20th century, this area grew rapidly. A great number of luxury hotels and apartment buildings were constructed in he area. Central Park became New York's main leisure location. The Rockefeller Center buildings were built in the 1930s. The 36-story 1 Rockefeller Plaza building was completed in 1937 (year of the photo above).

«Geographic Guide»

Noyes Rhythm Dance

The Study of Rhythmic Expression is the specialty of Noyes Rhythm Dance

Summer school camp at Cobalt, Conn.

Write Valeria Ladd, Hotel Winslow, 45., E. 55th St., N.Y.C.

She kicked up her heels and had a wonderful time.

«Health and Physical Education», Vol.IX, No.4, April 1938,

Эдуард Лимонов

Noyes Rhythm Dance

She kicked up her heels and had a wonderful time at the Noyes Rhythm Dance

Summer school camp at Cobalt, Conn.

Write Valeria Ladd, Hotel Winslow, 45., E. 55th St., N.Y.C.

«Health and Physical Education», Vol.IX, No.4, April 1938,

Эдуард Лимонов

Jean Charlot. Correspondence with Zohmah. 1938

Jean Charlot to Zohmah 1938
read…
June 27, 1938
Jean Charlot to Zohmah 1938

The Winslow
45 East 55th Street
New York

Zohmah dear,
I arrive Saturday. Will be at [The Winslow] a week or two while I look for apartment. I saw one on 57th St. East which seems O.K.

I went to Chicago with Dorothy on the Rocket. It was the streamlinedest train I had been on. From Chicago to N.Y. I was air-conditioned.

I saw Blanche Saturday. Will see Charles to-day. They do not seem ready to hear reason.

To-day I was planning to get Mrs Perry. I want to give her a good time if I can.

I wrote a foreword for

Jean Charlot to Zohmah 1938

Jean Slater's show —

Will tell you more when I get settled a little.

Your watercolor boy is x x x.

Do give my love to Rue and Owen.

And to you too.

Jean

Best adress: c/o Blanche 105 E. 57

July 4, 1938
Jean Charlot to Zohmah 1938

Charlot
The Winslow
45 East 55th Street
New York

Miss Z. Day
737 N.Edgemont
Los Angeles
Cal.

Jean Charlot to Zohmah 1938
Jean Charlot to Zohmah 1938

The Winslow
45 East 55th Street
New York

Zohmah dear,
I haven't found an apartment yet. So I cannot start working.

Yesterday Sunday I had a nice time with Mrs Perry. We went to see the new Museum — the Cloisters with a lot of medieval stuff. Then had dinner at her house with her sister.

I got a kind of estimate on the book, not finished yet but will be lower than K.

N.Y. is a little crowded and noisy after L.A. It will take some time to get accustomed.

I have a hunch that you are not writing me anymore. I

Jean Charlot to Zohmah 1938

hope it is not true. After a dozen letters of mine unanswered I will think it may be true. Then I'll have to write to Prudence to get news.

How is your job and how do you go to work and do you have the money you need. Is your Dad happy now that you work. Who lives in the house now.

x x x
Jean

c/o B.B. 106 E. 57.
is better address

Wikipedia: Jean Charlot (February 8, 1898 – March 20, 1979)

Literary services

POETRY CRITICISM. Criticism of poems and book manuscripts of poetry by editor of Poetry magazine. Also, personally by appointment. For rates write Harold Vinal, 45 East 55th Street, New York City.

«The Saturday Review of Literature»,
Vol.XIX, No.11, January 7, 1939

Markets For Manuscript Sales

Verse magazines

Voices45 East 55th St., New York, N.Y. Quarterly. $2.00 yr. Harold Vinal, Editor. Poetry of a mature and carefully wrought type, the best work of contemporary poets. High standards. Very little free verse used. No payment.

«The Writer», Vol.52, No.3, March 1939

Hotel Winslow Fire

⟨…⟩

Church and Theatre

The Hotel Winslow was purchased by Stearns in July, 1936, and was operated largely as a room house, taking some transients. The Patterson is largely given over to light housekeeping apartments and single rooms.

The Hotel Winslow was rebuilt from what was once the First Baptist church, built in 1856 and used by that congregation until 1911. When the First Baptist and Second Baptist societies united the property was sold to William A. Davenport.

In 1913 the former church housed the Bijou theatre, and it was used for that purpose until 1916, when W.E. Benson, who had bought it, converted it into a business block and rooming house.

Reports that water had leaked into an electric line manhole junction were denied by the Western Massachusetts Electric company. Officials said the manhole had been opened to shut off current into the building, and some water was found, but no lines would be interrupted.

Telephone repairmen had one line operating from the Winslow hotel switchboard this morning.

Illuminating gas from a broken pipe flared for some time under the laundry, firemen said. One official of the Greenfield Gas Light company said the main leading into the building was shut off at 7:40. He said he did not know when the main had broken.

⟨…⟩

«Greenfield Recorder Gazette», May 2, 1939


Hotel Winslow, Main Street at Wells Street, Greenfield, Massachusetts

The Winslow Building

Hotel Winslow

Single from $1.75 per day

You'll make your New York World's Fair budget go farther and buy more… in hotel comfort and convenience of location…

Write for booklet «W»

Hotel WINSLOW
45 East 55th St., New York City
A Knott Hotel

«The Atlanta Constitution», Vol.LXXII, No.32, July 14, 1939

Allerton Club Residences

Knott Hotels

Knott Hotels

«The Atlanta Constitution», Vol. LXXII, No.53, August 4, 1939

Chrysler Building, August 23, 1939

A view of the spire of the Chrysler Building looking toward the northeast with Central Park in the background.

Print Size:

8×10 inch — $60
11×14 inch — $120
16×20 inch — $180
20×24 inch — $300
30×40 inch — $450

Chrysler Building, August 23, 1939

UCLA Geography Aerial Archives

Arthur Loomis Harmon «The Winslow»

© That's all Folks!

«Atten-shun!»

Pack your duffle and proceed with all dispatch to The Winslow… the convenient, comfortable, economical New York hotel with the smart address.

From $10 weekly
Daily — $1.75
Single Occupancy

The popular cocktail bar is the afternoon rendezvous of the Gothamite who knows his way around town.

Hotel Winslow

45 East 55th St., New York, N.Y.
A KNOTT Hotel • PLaza 3-6800

«National Guardsman», December 1939

Hotel Winslow

551–553 Madison Avenue

Title: 1940s Tax Department photographs

Start Date: 1939
End Date: 1941

Description: Block 1291 Lot 21

551–553 Madison Avenue

NYC Department of Records and Information Services (DORIS)

555 Madison Avenue

Title: 1940s Tax Department photographs

Start Date: 1939
End Date: 1941

Description: Block 1291 Lot 55

555 Madison Avenue

NYC Department of Records and Information Services (DORIS)

555 Madison Avenue

Title: 1940s Tax Department photographs

Start Date: 1939
End Date: 1941

Description: Block 1291 Lot 55

555 Madison Avenue

NYC Department of Records and Information Services (DORIS)

578–590 Madison Avenue

Title: 1940s Tax Department photographs

Start Date: 1939
End Date: 1941

Description: Block 1292 Lot 56

Rights: The NYC Municipal Library and Archives does not authorize any use of third-party copyright material. Researchers/patrons are responsible to ensure that copyright is not infringed. The prospective user and/or their publisher have the sole responsibility for observing literary property rights, personal property rights, libel, unwarranted invasion of privacy and any infringement of the U.S. Copyright Code. Patrons must obtain permissions for the reproduction of copies, whether they are protected by copyright or are out of copyright, for publication and commercial use. For use information, contact research@records.nyc.gov.

578–590 Madison Avenue

NYC Department of Records and Information Services (DORIS)

IBM Building
International Business Machines Co.
1937
590 Madison Ave. N.Y.C.

urbanarchive.org


Manhattan: unidentified* apartment building or hotel on the northwest corner of 56th Street and Madison Avenue, undated.
590 Madison Ave. N.Y.C.

urbanarchive.org

* The Lost Essex Hotel


590 Madison Avenue. IBM Building, general view
Dezember 14, 1945

collections.mcny.org

* * *

The Winslow
The Winslow

Winslow Hotel New York City 1940 to Paris, France Returned No Service, Scott C24

This cover was sent from New York, N.Y. to Paris, France in 1940 franked by a 30-cent dull blue Winged Globe Transatlantic Air Mail issue of 1939, Scott C24. The stamp is tied to the cover by a Sutton Station duplex with a barred elliptical killer.Manuscript «Air Mail / Transatlantic Clipper». The green corner card reads: «The Winslow, 45 East 55th Street, New York, N.Y». Purple Handstamps: «Return to Sender / Service Suspended» and another in French («Retour…»). Opened by lifting, the backflap is un-sealed and intact. No contents.The back has a printed notice regarding hotel mail, return addresses, and the Dead Letter Office. A «Buy Defense Savings Bonds and Stamps» New York, N.Y. 1941 slogan machine cancel verso as an arrival marking upon the cover's return. The cover in the scan is the one you will receive. Light lines in images are SCANNER ARTIFACT!

«WorthPoint»

The Winslow

USA 1940 airmail cover NEW YORK to BASEL Switzerland The Winslow hotel

«Delcampe»

Gina Van de Veer

Lyric Soprano

Opera — Concert — Radio

Fern Helscher, Hotel Winslow, 45 East 55th St., N.Y.C.

«Musical Courier» (Review of the World's Music), Vol.CXXIII, No.8, April 15, 1941

Gina Van de Veer
Fern Helscher Dies at 73

Press Agent for Ted Shawn

Fern Helscher, well‐known dance publicity woman in the nineteen‐thirties and forties, died yesterday on a flight to New York after a three‐week tour of West Africa and the Indian. Ocean islands with friends. She was 73 years old. Miss Helscher had been under treatment for cancer in recent months.

In 1933, Ted Shawn hired Miss Helscher as press agent and booking manager for his new company, Ted Shawn and His Men Dancers. In that role, she booked the company's famous series of 1,000 one‐night performances across the country.

After World War II, Miss Helscher was a press agent for the José Limón Dance Company.

«The New York Times», March 4, 1974

Gina Van de Veer

Gina Van de Veer

Knott Hotels

A Group of Exceptional Hotels Ideally Located for Washingtonians Moving to New York.

All of these popular hotels are convenient to the Federal Department now in process of being moved to New York City, either within short walking distance or via the city's rapid transit or bus systems.

They offer a wide choice of location, ranging from the very center of metropolitan life at Broadway and 34th Street, to the nearest and one of the most attractive suburban hotels on Long Island.

Their rates meet every requirement as to one's personal budget, depending on the type of accommodations desired and the location of the hotel selected.

The famous Knott standard of service prevails in the following New York hotels

⟨…⟩

Hotel Winslow
Madison Avenue at 55th Street

A large modern hotel in the exclusive Madison Avenue district between Fifth and Park Avenues. Ideally suited both in arrangement and rates for the younger groups New York-bound. Excellent cuisine in dining room and roof-garden.

⟨…⟩

For Free Illustrated Map of New York City, for Special Weekly or Monthly Rates and other details apply direct to any of above Hotels or to the address below

James K. Guthrie, Washington Representative
National 4749 | 302 Bond Building | Washington, D.C.

«The Washington Post», No.23.810, August 24, 1941

Knott Hotels

* * *

Dining out? Go up to the roof of the Hotel Winslow, 45 E. 55th St. Good food, well served, 85c.

«Grapevine»
(Employees' Benefit Association oft the American Museum of Natural History),
Vol.4, No.2, Flag Day* 1942

Эдуард Лимонов

* 14.06.1942

Letter to Leonard Cheshire from Helen O'Grady

45 East 55th Street.
New York. N.Y.
March 2. 1944.

Dear Wing Commander Cheshire,

It was most kind of you to write when my brother W.O.2 Brian de Courcy O'Grady was reported missing. I apologise for not thanking you before this, but the thought that I might hear good news at any time, if I were just to ignore the first report, has kept me from writing.

I have not by any means given up hope that he is safe somewhere, and shall continue to look forward to hearing further news from you.

In the meantime, thank you again for your very kind note.

Sincerely.
Helen de Courcy O'Grady

Helen de Courcy O'Grady
Helen de Courcy O'Grady

International Bomber Command Centre Digital Archive

Letters to The Christian Science Monitor

A Book on Amelia Earhart

To «The Christian Science Monitor»:

I am at work on a biography of Amelia Earhart, with emphasis on her emergence as one of the small aristocracy of aviation pioneers.

AE's appealing personality and her deeply moving example directly inspired many individuals, mature as well as youthful. Many incidents of contact between her and those drawn by her fame have undoubtedly eluded the printed word. I would appreciate hearing by letter from anyone who cares to tell me of a contact with AE, or who will allow me to see the originals or exact copies of any letters written by AE, which illustrate facets of her character and career, and the breadth of her warm human sympathies and interests.

Janet Mabie
45 East 55th Street,
New York City

«The Christian Science Monitor», Vol.XXXVI, No.193, July 14, 1944

Resourceful man available

Are you seeking a man possessing the ability of Executive, Salesman, Advertising, together with that of a competent Hotel Manager? One who is dependable, resourceful, capable, and who may prove a valuable aid in your present or post-War activities? If so, a personal interview would be appreciated. Please write A.A.K.O'M., Suite 1102, 45 East 55th Street, N.Y. 22, N.Y., or Phone Plaza 3-6800.

«The Christian Science Monitor», Vol.XXXVI, No.197, July 19, 1944

Records Related to Amelia Earhart

Janet Mabie

45 East 55th Street New York City
25 March, 1945

The Honourable Franklin D. Roosevelt,
The White House,
Washington, D.C..

My dear Mr. President:

I am in process of writing a biography of Amelia Earhart. By way of being assigned by The Christian Science Monitor to cover her, I saw her continuously through the approximately nine years of her public life.

Approaching the subject in terms of character and personality rather than events, I am deliberately avoiding ground hitherto covered as much as I can, and having marvelous luck in finding sources of new light on someone I feel was one of the great people.

This week I had invaluable conversations with Mr. Bernard Baruch and Mr. Gene Vidal. I feel I should apologize for writing you in the preoccupied period between Yalta and the San Francisco Conference, to say nothing of the war itself. But unfortunately I am trapped by the deadline of the mss., only six weeks off, and must do it now or not at all. Both men seemed to feel you would understand this, considering the subject.

I know you perceived and admired a special quality in AE, and the things she stood for and accomplished. I know that after she disappeared you bore a personal hand in the search, moreover drawing on an unparalleled naval experience to, yourself, direct the details. Yet you will appreciate why that would be a dull way for me to handle it, just to say that you did, and let it go at that. To do justice to the facts it would be very moving I think to show that The President personally helped with the search, and the actual steps, the atmosphere of personal concern, the experienced attention spared by a phenomenally busy man. If I could tell the story as it happened from hour to hour and day to day it would be maximum human interest. Parenthetically I am just back from California where I went to talk with AE's mother. I don't think she knows how, and how much, you helped, and it would touch and gratify her if it were part of the book. She is gallant about losing AE, and cherishes special evidences of admiration for her.

And so, for a book designed as a testament of admiration, I can't resist taking the liberty of asking you direct, if some way can be worked out. I would like to ask to see you but have a feeling that is too much. Mr. Vidal is wonderful about recalling the day-to-day circumstances. But if I could possibly have some of it from you? In any case, both he and Mr. Baruch encourage me to make the try.

Respectfully yours,
Janet Mabie

Janet Mabie

www.archives.gov/…

Anna Roosevelt Boettiger

THE WHITE HOUSE
WASHINGTON

March 26, 1945

Memorandum for Miss Tully:

The attached speaks for itself. Perhaps you know enough about whatever Father did to help in the search for Amelia Earhart to give the lady the information without bothering Father. Otherwise, if you want me to answer it and will give me whatever information you do have, I will be glad to answer it.

A.R.B.

Anna Roosevelt Boettiger

The U.S. National Archives and Records Administration

Janet Mabie Clapp; An Author, Was 68
read more…

Mrs. Janet Mabie Clapp of 55 East End Avenue, author and former Boston newspaper woman, died Wednesday in the Riverdale Nursing Home. She was 68 years old.

Known professionally as Janet Mabie. She began on The Bridgeport Herald and became a feature writer for The Christian Science Monitor, covering important stories in the Nineteen Twenties and Thirties. She was a frequent guest of President Herbert Hoover in the White House.

Miss Mabie wrote several books with Amelia Earhart, the flier, and was associated in writing with Hedda Hopper, J.C. Penney, and Dr. De Forest Jarvis, author of «Folk Medicine».

She was the author of «Heaven on Earth», published by Harper & Bros., reminiscences of her childhood in Northfield, Mass., and «The Years Beyond, The Story of Northfield, D.L. Moody and the Schools». She edited «I Was A Monk: The Autobiography of John Tettemer».

Surviving are a son, Kenneth E. Clapp of Wellesley Hills, Mass.; a brother, the Rev. Harry Mabie, a retired Baptist clergyman of Cincinnati, and four grandchildren.

5 Houses Resold on Lexington Ave.

Investor Gets 95th Street Cornet, Hotel Winslow on Madison Ave. Sold

⟨…⟩ Title to the seventeen-story Hotel Winslow at 551–53 Madison Avenue, northeast corner of Fifty-fifth Street, was given by the Allerton Fifty-fifth Street Corporation, Lewis P. Cramer, president, to the Park Madison Hotel Company, of 439 Madison Avenue. The property is assessed at $1,285,000 and was sold for a consideration of $800,000, according to revenue stamps on the deed. ⟨…⟩

«The New York Times», August 4, 1945

$525,000 Loan on Hotel

New Financing for Winslow, at Madison Ave. and 55th St.

[Full text is unavailable for this digitized archive article.]

«The New York Times», August 10, 1945

Pistol Owner Held in Cousin's Suicide

Charged with ownership of a German Lueger pistol with which his cousin had committed suicide, Daniel Jan Rueb, a recently discharged Netherlands Army officer, was arrested yesterday for violation of the Sullivan Law and later was paroled in the custody of the Dutch Consul here until his trial on Dec. 10.

Rueb was taken into Felony Court after the body of his cousin, Christoffel Rueb, was found in a room on the eleventh floor of the Hotel Winslow, 44 East Fifty-fifth Street. The room was registered in Daniel Rueb's name. Christoffel Rueb, who was described as employed by a Rotterdam bank, had shot himself through the right temple, leaving a note written in Dutch saying he «could not go on any more».

The former Netherlands officer told police he and his cousin and a sister-in-law, Mrs. Marion Rueb of 315 East Sixty-eighth Street, had been drinking the previous night at Mrs. Rueb's apartment. He said he decided to take Christoffel to the hotel room, where he spent the night while Daniel Rueb occupied a room at the Sixty-eighth Street address.

G. Van Sweriden, acting Netherlands Consul in New York, appeared before Magistrate Francis X. Masterson in behalf of Rueb.

«The New York Times», December 7, 1945

Souvenir Seized As Suicide Gun

The City's collection of war souvenir pistols today was swelled by the addition of an alleged suicide gun—a German Luger, the property of Daniel Rueb of the Hotel Winslow, 45 E. 55th St., who was arrested for possessing it. The dead man is his cousin.

Rueb Wednesday night exchanged apartments with his cousin, Christoffel Rueb, of 314 E, 68th, a former member of the banking commission of Rotterdam. Yesterday Christoffel's body was found by Daniel, lying across the bed. Police said he had shot himself in the right temple with the souvenir gun.

«PM», December 7, 1945

Killed in 17-Story Plunge

John L. McLaughlin, 38 years old, of 5525 Enright Avenue, St. Louis, Mo., was killed when he jumped or fell from the seventeenth floor of the Hotel Winslow, 45 East Fifty-fifth Street, at 1:35 o'clock this morning. The body struck the rear of an automobile parked in Madison Avenue, damaging the car but not injuring two men in the front seat. Mr. McLaughlin had been registered at the hotel since June.

«The New York Times», September 7, 1946

Loss of Job Blamed in Man's Death Leap

John M. McLaughlin, 35, former hotel steward, leaped to his death from the roof of the 17-story Hotel Winslow in mid-Manhattan today, police reporters, after telling a woman companion he was determined to end his life because he had lost his job.

«Los Angeles Times», September 8, 1946

Hotel Steward Leaps 17 Stories

New York, Sept. 7 (AP)—John L. McLaughlin, 35-year-old former hotel steward, leaped to his death from the roof of the 17-story Hotel Winslow in Mid-Manhattan today, police reported, after telling a woman companion he was determined to end his life because he had lost his Job.

The hotel, police said listed McLaughlin's home as St. Louis, Mo. He had lived at the hotel for the last year.

McLaughlin's body struck the fear of an automobile which was pulling up to the entrance of the hotel.

«Buffalo Courier-Express», September 8, 1946

Ex-St. Louisan leaps to death in New York

Dies in Plunge

John McLaughlan Plunges From Roof of 17-Story Hotel.

John L. McLaughlin, a former St. Louis resident, leaped to his death early today from the roof of the 17-story Hotel Winslow in New York after telling a woman companion that he was despondent because he had lost his job, New York police said.

McLaughlin's body struck the rear of an automobile which was pulling up to the entrance of the hotel at Madison avenue and Fifty-fifth street.

His aunt, Mrs. A. M. Lightholder, 5525 Enright avenue, with whom he lived, said she knew no reason for suicide. He had gone to New York to establish himself and find residence for his wife, Mrs. Carletta McLaughlin, Louisville, Ky., she said.

McLaughlin, who was 35 years old, had served in the First Armored Division in France and was discharged in June, 1945. He went to New York to join the personnel department of the Associated Press, his aunt said.

«St. Louis Post-Dispatch», Vol.99, No.2, September 9, 1946

Marriages

DIANE SHARFE, '46x, Newark, N.J., former WAC surgical technician, now attending The New School of Social Research, Dramatic Workshop (New York City), to EDWIN NAGEL, '43, Brooklyn, former Navy officer, now vice president, Iamco, Inc., an import and export concern doing business in South America and China, Oct. 6, 1946. Following a honeymoon spent in Cuba the Nagels are at home at Hotel Winslow, New York City. Best man: HOWARD BRAUNSTEIN, '43, Syracuse, N.Y.

«The Ohio Alumnus», November 1946

Financier Killed By Cab

W.O. Strahler Hit While Walking Across Park Avenue.

William O. Strahler, vice president and a director of the Panhandle Producing and Refining Company, Inc., 63 Wall Street, was killed at 6:55 o'clock last night when he was struck by a taxicab while crossing Park Avenue, north of East Fifty-fifth Street. Mr. Strahler, who lived here at the Winslow Hotel, 45 West [East] Fifty-fifth Street, according to the police, and maintained a winter home at 3714 Harlano Street, Coral Gables, Fla., was struck after he apparently had stepped into the street between two parked cars, according to the police of the East Fifty-first Street station. The driver of the cab, Francis H. Thompson, 55 years old, of 605 West 177th Street, was booked at the station house on a charge of vehicular homicide. Mr. Strahler also was president and a director of the Panhandle Trading Company, Inc., of this city, and of the Norfolk International Company of Havana, Cuba.

«The New York Times», February 7, 1947

Gitz Rice is dead; wrote war songs

Composer of «Keep Your Head Down, Fritzie Boy» and «Old Pal of Mine», Was 56

Gitz Rice, who wrote two of the memorable songs of the first World War, «Dear Old Pal of Mine» and «Keep Your Head Down, Fritzie Boy», died yesterday afternoon in his home at the Hotel Winslow, 45 East Fifty-fifth Street. He was 56 years old. Born in New Glasgow, N.S., and educated at the Montreal High School, Feller Institute at Grand Ligne, Que., and the conservatory of music at McGill University, Mr. Rice did not turn to song writing until he joined the Canadian Army. He went overseas as a private with the First Canadian Contingent and came back as a lieutenant. Gitz RiceAfter two and a half years' service he was gassed and invalided home. He reported for duty with the British and Canadian Recruiting Mission and in that capacity sang and played songs he had composed in billets. One of the songs was a popular version of a traditional French tune, «Mademoiselle From Armentieres». In 1918 he appeared here in «Getting Together» at the Lyric Theatre, in which several of his war songs had been incorporated. The singing of these selections invariably «stopped» the show. He Mr. Rice was the co-author with B. C. Hillian of «Princess Virtue», a musical comedy presented at the Central Theatre in 1921, and with Werner Janssen he wrote the music for a revue, «Nic-Nax», played at the Cort in 1926. also was a principal in that show. During a long career as a vaudeville headliner, Mr. Rice appeared with Frank Fay, Irene Bordoni, Blanche Ring and the late Florence Moore. He toured for several years from coast to coast with a vaudeville company of his own, billed as «Gitz Rice and His Royal Northwest Mounted Police». During the first World War, while on sick leave in London, he wrote songs for Gertrude Lawrence and Beatrice Lillie. Among his compositions were «I Want to Go Home», «Mother, I Love You», «Under the Roof Where Laughter Rings», «Because You're Here», «Tramp, Tramp, Tramp Along Together», «By My Fireside», «Waiting for You», «Cherry Blossom Land» and «I Have Forgotten You». Several of his songs were published in England and France. Mr. Rice had made his home in New York since 1919. He was a member of the American Society of Composers, Authors and Publishers and the Lambs. He leaves his wife, the former: Ruby Wilson; a son, Lieut. (j.g.) Gitz Wilson Rice of the United States Navy, and a daughter, Mrs. Walter I. Lillie of Rochester, Minn.

«The New York Times», October 17, 1947

Keep Your Head Down Fritzie Boy

Gitz Rice

[verse 1]
Over in the trenches,
Up to their eyes in clay,
Billy and Jack and Jimmie and Joe
 are singing all the day,
When they see a German,
Sticking up his snout,
They give him a chance
 to get out of France
  when they all shout!

[chorus]
«Keep your head down, Fritzie Boy,
Keep your head down, Fritzie Boy.
Last night in the pale moonlight,
I saw you, I saw you,
You were fixing your barb'd wire,
When we opened «rapid fire!»
If you want to see your «Vater in the Vaterland»
Keep your head down, Fritzie Boy».

[verse 2]
Soon the Boche got wiser,
Hearing this ev'ry night,
He sent us a bunch of Rifle Grenades
 to give us all a fright,
But he couldn't stop us,
We let out a roar,
«We'll give you your fill
 of old Kaiser Bill and this war!»

1918


Wikipedia: Gitz Rice (March 5, 1891 — October 16, 1947)

57 East 55th Street

57 East 55th Street. Erdman residence

Creator: Wurts Bros.

Dated: ca. 1910

File dimensions: 44,9×57,1 cm at 300 dpi

57 East 55th Street. Erdman residence

Museum of the City of New York

57 East 55th Street. Erdman residence
Manhattan: 55th Street (East) — Madison Avenue

Date Created: 1911

The Martin Erdmann Mansion

The New York Public Library


…with the First Reformed Episcopal Church visible in the background, which would later be demolished to make way for the Winslow Hotel.

The Martin Erdmann Mansion

The Martin Erdmann Mansion

The American Institute of Physics on E. 55th Street, NYC

Emilio Segrè Visual Archives • Physics Today Collection

The American Institute of Physics

American Institute of Physics


…with the Winslow Hotel in the background

The AIP building on E. 55th Street (view toward Madison Avenue)

Emilio Segrè Visual Archives • Physics Today Collection

The American Institute of Physics

American Institute of Physics


…with the Winslow Hotel in the background

Friars Club Proposed for Landmark Status

by Christopher Gray

To most owners, landmark designation is no joke. Repairs must be at a high level, time is spent in review, major changes are barred — that's nothing to laugh at. Now it looks as if the 1909 town house of the Friars Club, at 57 East 55th Street, may come before the Landmarks Preservation Commission. Will the Friars be happy if their monastery is protected, or would the commissioners get the next roast?

read more…

Around 1900 the carpet of old brownstones flanking Fifth Avenue was rewoven as entirely new town houses went up. William Earl Dodge Stokes, the eccentric developer who built the Ansonia, had McKim, Mead & White design the chaste palazzo-style house at 4 East 54th Street. Minnie Young, a widow, built the remarkable granite-front house at 19 East 54th Street. And the banker Harvey Fisk had Raleigh Gildersleeve create the wide Tudor fantasy at 12 East 53rd Street.

Another of these fresh householders was the investment banker Martin Erdmann, a retired partner at Speyer & Company. In 1908 he hired Taylor & Levi to design the ebullient German Renaissance house at 57 East 55th. The Erdmann house rudely shouldered aside its creaky neighbors and pushed right out to the building line, its light-color stone shaming their gloomy brownstone, its frantic strapwork, intricate downspouts and 25-foot-high gable reproaching the dowdy row houses.

Friars Club

In 1909 the magazine Architecture seemed amused at the impudence of the architects' work; «as outré and unsuited to its surroundings» as it was, «its sheer cleverness cannot be denied». And the magazine allowed as how the design would probably wake up the profession, otherwise «lulled to sleep by monotonous repetitions of classic forms».

Erdmann didn't marry. He collected mezzotints and went to the opera, but otherwise flew well under the radar. He did not play the ponies, drive fast cars or get in trouble with the upstairs maids.

Indeed, he had plenty of those, the staff without whom the well-to-do are hostages to their mansions. They were usually seven or eight in number, many recent immigrants who might be expected to cling to their jobs. But the censuses for 1910, 1920, 1925 and 1930 list a total 32 servants at No. 57 for the four different counts, and only one of those remained from one census to the next. That was Irish-born Sarah McCarthy, who arrived in the United States in 1924 and appears in the 1925 and 1930 censuses. With that kind of turnover, small wonder the rich were always complaining about the «servant problem».

While Mr. Erdmann was struggling with what might really be called the employer problem, the Friars Club, founded in 1904, was about to build a striking Gothic-style clubhouse on West 48th Street, completed in 1916 and now demolished. The members called it the monastery, but they were hardly a bunch of monks. Rather, the club was for men in the theater business, actors, writers and directors.

The 1930s were grim times for the Friars, into receivership in 1932 for nonpayment of a $1,130 butter and egg bill, and forced to vacate the West 48th Street monastery soon after. Meanwhile, back on East 55th Street Mr. Erdmann seems to have remained in comfortable circumstances, leaving $5 million when he died in 1937, after which his house went into other hands. In 1957, the Friars Club bought the old Erdmann house; Phil Silvers and Red Buttons were on the board at that time.

Over the years, Midtown's town house period gradually ground to dust, leaving only a few isolated examples. The Friars stayed put, refining the annual roast to piquantly obscene outrage, like the fabled but not really all that funny «Aristocrats» joke, which varies but frequently involves a family and all sorts of activities not normally referred to in a section devoted to real estate, but was, unsurprisingly, told at a sendup of Hugh Hefner in 2001.

Friars Club

The proposed rezoning of Midtown East to allow for greater density has created a stir in preservation circles, provoking various organizations to propose landmark designation for a dozen or so structures, including the Friars Club. The Landmarks Preservation Commission says it is considering the matter, but Barry Dougherty, a club spokesman, says it hasn't heard of the proposal, and has taken no position.

That doesn't mean others have not. Although the preservation organizations are pretty well lined up behind a raft of new designations, they are countered by a group of real estate, business and construction organizations called Midtown 21C: Coalition for a Globally Competitive New York, which has issued a report critical of them. Indeed, it cannot find any buildings worth designating in the area.

«Icons, Placeholders and Leftovers: Midtown East Report» advances some novel rationales against landmark designation. The Minnie Young house, which is across the street from the Stokes house, is «pleasant» but is «now isolated and lacks the context that would enhance its value». The Friars Club «was designed by an architect of minor interest», but because the air rights have been sold, is «unlikely to be redeveloped regardless of whether or not it is landmarked».

Other possible designations are questioned because of new windows, routine repairs or even because the original materials are «no longer available». Many existing landmarks could not pass that test.

The Stokes, Young and Erdmann mansions are in a section of the report called «Leftovers and Anomalies», which they, and a surviving handful of town houses, certainly are. The question drawn is whether being an anomalous leftover is what makes a landmark, or what unmakes it.

«The New York Times», September 12, 2013

Frank Edward Lorson against United States of America

In the United States Court of Appeals fort he District of Columbia
No.9709
Frank Edward Lorson, Appellant, against United States of America, Appellee
May 3, 1948

⟨…⟩

Civil Action No.17971
December 4, 1942

⟨…⟩

Q. Did you attend him at the time of his death, Doctor?

A. I was called too late. Apparently I was out and I returned to the Winslow and found him lying in a little room where a telephone booth is, and he was dead.

Q. That was on February 21, 1942. What was the cause of death, Doctor? I believe you signed the death certificate.

A. Coronary thrombosis. In my opinion he had either had a second attack, as many patients do, sometimes a third and a fourth, and it is often a subsequent attack that kills a patient.

. . . . . . . .

Q. I hand you here, Doctor, a statement, a 2-page statement, dated April 29, 1942, on the letterhead of the New York Post Graduate Medical School and Hospital, 303 East 20th Street, New York City, Hospital Division, Record Department, identified J17092—I suppose that is a file number?

A. Yes.

Q.

«Addressed to: Veterans Administration, Washington, D.C. Regarding Harry B. Lorson (XC-3034739). Address: Winslow Hotel, 45 East 55th Street, New York, N.Y. Admitted: December 7, 1936. Discharged: February 27, 1937. Condition: Improved. Diagnosis: Hypertensive cardiovascular disease; arteriosclerotic heart disease; coronary thrombosis; arteriosclerotic. Treatment Medical».

Under «Remarks» it shows:

«History on admission: A one to two year history of known hypertension (185 systolies) with precordial pain sometimes following exertion, always and only relieved by rest. At 8:30 a.m. yesterday while in bed, after an evening of apples and beer patient developed severe precordial pain radiating to the left shoulder, arm and neck. Two hours later the doctor was called, gave medication without relief, followed by two doses of pantopan gr. 1/6 M.S.»

— what does «M.S.» mean, Doctor?

⟨…⟩

Lorson v. United States, 172 F.2d 261 (D.C. Cir. 1948)

Letter from Marie Seton
to Ronald and Helene Moody,
addressed from New York

Letter from Marie Seton to Ronald and Helene Moody

My dear Ronald + Helene

We received the sculpture yesterday from the Harmon together with a letter for the customs.

Our boat the BATORY, Gdynia-America Line docks at Southampton April 16th in the morning. The exact hour is not known here, but Helene should be there by when the ship arrives. The Gdynia-America has an office in London, so please call them for details of pier number etc. Perhaps they will know the day before docking time. The ship will be in Southampton about 3 hours. In any event come early

Letter from Marie Seton to Ronald and Helene Moody

enough so you won't miss the ship.

The steamship company here says the passengers for London usually take the 11 am train for London; if you are there by 8 am it should be time enough. You may have to wait but that is better than missing us.

With love
Marie

7 April 1949


Wikipedia: Marie Seton (March 20, 1910 — February 17, 1985)

Wikipedia: Ronald Moody (August 12, 1900 — February 6, 1984)

Madison Avenue. New York, NY

Madison Avenue

Names: Huberland, Morris, 1909–2003 (Photographer)
Date Created: 1940–1979 (Approximate)

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. «Madison Avenue. New York, NY» The New York Public Library Digital Collections. 1940–1979.

The New York Public Library

The Winslow Hotel

Импровизация на тему узоров на фасаде отеля The Winslow:

«It's Me — Eddie»

Busy New York City street

United States — circa 1950s: Busy New York City street.

Size: 2.122×1.663 px — 300 dpi — 1 MB

The Winslow Hotel

[The Winslow is visible… if you squint.]

«Getty Images»

People crossing city street

United States — circa 1950s: People crossing city street.

Size: 3.929×3.115 px — 300 dpi — 4 MB

The Winslow Hotel

[The Winslow is visible… if you squint.]

«Getty Images»

Madison Avenue

Madison Avenue in New York City, near the junction with East 55th Street, circa 1950. The Bermuda Shop is on the left, and the Milton Schepps jewellery store on the right. A bus carries an advertisement for Sugar Free Diet-Rite Cola. (Photo by George Marks)

Size: 6.844×5.444 px — 300 dpi — 13 MB

The Winslow Hotel

«Getty Images»

1960s Photo 556 Madison Ave French Book NYC New York City
556 Madison Avenue

«LiveAuctioneers»


USA-New York-Fashion-French-Shop

Exterior view of the French millinery shop "Nicole de Paris" in the late 1940s in Manhattan, New York City. (Photo by Eric Schwab)

USA-New York-Fashion-French-Shop

«Getty»

USA-New York-Fashion-French-Shop

The Winslow Hotel is visible in the upper right corner.


Looking northwest from 55 Street, Madison Avenue

February 18, 1948

Looking northwest from 55 Street, Madison Avenue

[The Winslow isn't visible… don't bother squinting.]

Looking north toward 55 Street, Madison Avenue

February 18, 1948

Looking north toward 55 Street, Madison Avenue

[The Winslow is visible… if you squint.]

Looking south from 56 Street, Madison Avenue

February 18, 1948

Looking south from 56 Street, Madison Avenue

[The Winslow is visible… if you squint.]

NYC Department of Records and Information Services (DORIS)


28 East 55th Street, south west corner Madison Avenue

Author: Irving Underhill

Dated: 1946

File dimensions: 36,6x46,5 cm at 300 dpi

28 East 55th Street, south west corner Madison Avenue

Museum of the City of New York

28 East 55th Street, south west corner Madison Avenue

Date Created/Published: 1962 Feb.

55th St. location [55th and Madison]. View I

55th St. location [55th and Madison]. View III

Library of Congress

Hotels and Resorts, Places to Stay

New York City

Hotel Winslow on fashionable Madison Ave. at 55th St. — near midtown shopping and business districts, Radio City, Central Park. Ideal for teachers who want to live smartly but economically. Inexpensive, excellent luncheons and dinners in our cocktail lounge. Singles from $2.50, from $15.00 weekly. Pamphlet. John D. Gibbons, Manager… another fine Knott Hotel.

«The Instructor», June 1950

Mrs. Gibbons Inherits Estate Of Husband

New York — Mrs. Katherine Gibbons of 152 Morsemere Avenue, Yonkers. will inherit the estate left by her husband, John D. Gibbons of the Hotel Winslow, 45 East 55th Street, New York, of which he was manager. His will was filed for probate in Surrogates Court Friday. He died June 18 leaving property estimated at $2,679.

«The Herald Statesman» (Yonkers), September 5, 1950

If you are coming to NEW YORK this summer…

Find out now about the Hotel Winslow. Here you can live comfortably but economically, right in the heart of New York's midtown area—a 4-minute walk from Radio City!

Take advantage of these minimum rates at the Winslow: per day from $2.75 and $3.00 — per week from $16.00 and $17.50. Enjoy inexpensive luncheons or dinners, also our 17th floor sundeck.

Now is the time to make your summer plans. Write or call Mr. Gordon N. Taylor, Manager, for further information and reservations. Ask for booklet «C».

Hotel Winslow
Madison Ave. & 55th St.

Tel. PLaza 3-6800

a Knott Hotel

«The Spectator» (Hamilton College), Vol.IV, No.27, May 25, 1951

Allerton Club Residences

German Officials Arrive

Two members of the West German Parliament and five German agricultural officials arrived at the New York International Airport, Idlewild Queens, yesterday. They will study the development of American agricultural policy and legislation with a view to increasing agricultural production in Germany. The visitors, whose trip was arranged by the Economic Cooperation Administration, will stay at the Winslow Hotel before leaving for Washington tomorrow.

«The New York Times», August 18, 1951

John J. Kennedy

John J. Kennedy, Far Eastern division manager of R.K.O. Radio Pictures, Inc., died yesterday of a heart attack in his apartment at the Winslow Hotel. His age was 52. Mr. Kennedy was graduated from Boston College and the Harvard School of Business Administration. He joined the Film Booking Office, predecessor of R.K.O. Radio, as a booker in Cleveland in 1926. He entered the company's foreign department in 1941.

«The New York Times», October 12, 1951

Prize Quartet

by Bruce Bliven and Geoffrey T. Hellman

On tour and at home, the Quartetto Italiano balances grueling schedules, modest instruments, and close quarters with unflappable charm.

The Quartetto Italiano, or Italian Quartet, which won resounding acclaim on its recent American tour («The finest string quartet, unquestionably, that our century has known… Perfection is the only word to describe this playing, perfection of a kind and degree that no quartet lover living, and no quartet player, has heard before», Virgil Thomson wrote in the «Herald Tribune» after its Town Hall debut early in November, and a couple of weeks later the Vancouver, British Columbia, «Sun» remarked, «No chamber-music program has surpassed or even attained the high standard of this organization»), has returned to Italy, but we called on its members, or three of them, at the Hotel Winslow a few days before they sailed and just before their third, and final, Manhattan concert (two encores, twelve curtain calls, innumerable «Bravo!»s). We had a talk with Paolo Borciani, the first violinist, whose English is pleasant, and exchanged smiles with Miss Elisa Pegreffi, the second violinist, and Piero Farulli, the violist, whose smiles are pleasant. Mr. Borciani and Miss Pegreffi are short, dark, and slim; Mr. Farulli is tall, dark, and plump. Miss Pegreffi was born in Genoa in 1922; Mr. Borciani was born in Reggio Emilia, near Bologna, in 1922; Mr. Farulli was born in Florence in 1920. Mr. Franco Rossi, the cellist, who was out Christmas shopping at the time of our visit, was born in Venice in 1921, and is tall and blond. He, we were later informed by a man who had attended all three of the foursome's Manhattan concerts, is the only one who smiled during the barrage of curtain calls; the three others maintained professional poker faces.

«Quartetto Italiano»

All right. Mr. Borciani, whose father gives violin lessons, started at the age of five; Miss Pegreffi, whose father was a violist, began at eight; Messrs. Rossi and Farulli, who come of non-musical families, took up their instruments at the ages of ten and eleven, respectively. They had all met in their teens, before the war, and immediately after it, at Borciani's suggestion, they teamed up. Their first big-city concert—in Milan, in the fall of 1945— was an immense success, and this was followed by triumphs in Venice, Florence, Vienna, Salzburg, Aix, Stockholm, Copenhagen, Paris, London, and Edinburgh. «Everyone in the quartet is good, and we are of the same sensibility and work very hard», Mr. Borciani told us. «We have made many festivals and like to play chamber music. My original idea was to be a lawyer—I took a four year law course at the University of Bologna—but I preferred to make this life. The viola and the cello have wives, and Miss Pegreffi and I are singles». Mr. B. stated that on Continental tours he and Farulli travelled in their Fiats, taking Mrs. Farulli and Miss Pegreffi with them, but the cellist and his wife went by train. «Mr. Rossi has no car», he said, «and the cello is too big for one anyway». We inquired whether Miss Pegreffi could drive, and he said no but she could turn on the headlights and work the arrow indicating turns to left and right in masterly fashion.

We asked Mr. Borciani if his team's instruments were anything special, and he said they were not. «My violin changed its voice in San Antonio, Texas», he remarked, «and Mr. Rembert Wurlitzer sent me another one, in time for our concert in Shreveport, Louisiana. We are sometimes tired, but so far, nothing serious. We take a rest from each other for two months every summer, and then meet for six or seven weeks' practice before the fall and winter tours. We like to find a nice place, such as Cortina or Capri, and live there and practice five hours a day. We came here just to let people know us, and will come back next October. People in America do not know very well about artists who are only living in Europe».

The Quartet has a strenuous winter season ahead of it—thirteen concerts in Holland in twelve days, twenty appearances in Sweden in twenty-four days, twenty concerts in Germany in twenty-two days, and so on. «We will sleep in a different city every night until the end of May», Mr. Borciani said, with composure. «When we play in our home towns, our parents come to hear us. Last winter, we were in Egypt. Alexandria isn't so bad, but the traffic in Cairo is terrible—worse than in New York. So many cars, such terrible drivers, not enough policemen, all the drivers shrieking—you can hardly cross the street on foot».

«The New Yorker», December 29, 1951


Wikipedia: Quartetto Italiano (1945–1980)

Knott Hotels

visit these fine hotels
of character, comfort, convenience

In New York

Hotel New Weston
Madison Avenue at 50th Street
A smart East Side address close to fashionable shops, theatres, and Radio City. Famous for its delicious French cuisine.

Hotel Wellington
Seventh Avenue at 55th Street
A short walk from the City's favorite visiting spots—Times Square, Radio City, Broadway theatres, Central Park. Subway at the door.

Hotel Fairfax
116 East 51st Street

Hotel Brittany
55 East 10th Street

Hotel Winslow
Madison Avenue at 55th Street

Hotel Holley
33 Washington Square West

Hotel Pickwick Arms
230 East 51st Street

Hotel Paris
West End Avenue at 97th Street

Knott Hotels in Other Cities

DeWitt Clinton
Albany, N.Y.

Powers
Rochester, N.Y.

Hendrick Hudson
Troy, N.Y.

Carlton
Binghamton, N.Y.

Robert Treat
Newark, N.J.

Stacy-Trent
Trenton, N. J.

Alexander Hamilton
Paterson, N.J.

Garden City
Garden City, L.I., N.Y.

Pittsburgher
Pittsburgh, Pa.

Congressional
Washington, D.C.

Haverford
Haverford, Pa.

Vermont
Burlington, Vt.

Reservations can be made by TELETYPE without charge between all KNOTT Hotels.

Boston Office
Tel. Lafayette 3-2208

Philadelphia Office
Tel. Kingsley 6-1100

Knott Hotels in New York

«American Mercury», Vol.LXXV, No.345, September 1952


«American Mercury», Vol.LXXV, No.346, October 1952

«American Mercury», Vol.LXXV, No.347, Novermer 1952

«American Mercury», Vol.LXXVI, No.349, January 1953

Mrs. James G. Blake

Mrs. Abi Butler Blake, a pioneer contract-bridge teacher here, died yesterday in her home, 545 West 111th Street, after a brief illness. Her age was 80. She was the widow of James G. Blake, former owner of the Schuyler Hotel. Mrs. Blake, who was born in Wilkes-Barre, Pa., operated her first bridge studio in the Winslow Hotel. She retired five years ago. Surviving are a son, Edmund B. of Morristown, N.J.; a daughter, Mrs. William Revelle, and a sister, Mrs. S. Van Nest of Princeton, N.J.

«The New York Times», November 10, 1952

[Manhattan cityscape featuring the 30 Rockefeller Plaza skyscraper]

Creator(s): Rizzuto, Angelo, 1906–1967, photographer

Date Created/Published: November 1952

Medium: 21×26 cm

Summary: Photograph shows an aerial view of the Manhattan cityscape. The skyscraper at 30 Rockefeller Plaza, formerly known as the RCA building, is featured. Central park is visible in the background.

Angelo Antonio Rizzuto

Library of Congress


Wikipedia: Angelo Antonio Rizzuto (December 19, 1906 — July 15, 1967)

Anthony Angel [Angelo Antonio Rizzuto]

Anthony Angel [Angelo Antonio Rizzuto]

Missing Woman Is Located

Miss Eleanor Smith, 41 years old, who was reported missing on Wednesday from her room in the Winslow Hotel, 45 East Fifty-fifth Street, has been in Bellevue Hospital since then, the police of the East Fifty-first Street Station reported yesterday. She was admitted to the hospital on her own application and has been a patient in the psychiatric division, they said.

«The New York Times», February 22, 1953

D.C. Woman's Sister Is Found in Hospital

by the Associated Press

New York. Feb. 21.—Miss Eleanor Smith, 41, who disappeared from the Hotel Winslow Wednesday while packing for atrip to her home town of Pomeroy, Ohio, was located today in Bellevue Hospital.

Miss Smith was being assisted in her packing by a friend when she suddenly left the room and was not seen again. Her disappearance was reported by her sister, Miss Florence Smith, of Washington, D.C., who is secretary to Representative Gwinn, of New York.

Bellevue Hospital authorities said that Miss Smith apparently went directly from the hotel where she lived to the hospital and had herself admitted.

She has been a patient in the hospital's psychiatric division since her admission.

«The Sunday Star», February 22, 1953

Son of D.C. Couple Dies in Hotel Plunge

Alvin Barton Barber, jr., 30, member of a socially prominent Washington family, plunged to his death early today from the ninth-floor window of a New York hotel.

The Associated Press reported that police said Mr. Barber jumped or fell from the Hotel Winslow.

His parents, Col. and Mrs. Alvin B. Barber of 3504 Macomb street N.W., had gone to New York to visit him. Col. Barber, now transportation consultant in the Office of Defense Mobilization, was for 25 years manager of the transportation and communications department of the United States Chamber of Commerce.

The AP reported that young Barber and his parents checked into the hotel in New York yesterday. The fatal plunge occurred shortly after the family had retired to their rooms.In addition to his parents, he is survived by his sister, Mrs. Samuel Clark, who lives in Massachusetts, and two brothers, Caesar Barber, who teaches at Amherst College, and Godfrey E. Barber, a Budget Bureau official who lives at 1301 North Fort Myer drive, Arlington, Va.

«The Evening Star», 101st Year, No.184, July 3, 1953

Hotel Winslow

Special Permanent Rates from $17.50 Weekly

Transient rooms also available.

Hotel Winslow
Madison Ave. & 55th St.

Ralph Hamrick, Mgr.
New York, N.Y.

«Variety», Vol.192, No.13, December 2, 1953

Allerton Club Residences

Deaths in Nation

⟨…⟩ NEW YORK — John Thomas Clark, 68, of the Winslow Hotel, here, a retired businessman and author of a widely distributed reference book on the Bible, of a heart attack in Brooklyn. ⟨…⟩

«The Atlanta Constitution», Vol.LXXXVI, No.233, March 18, 1954

Author, Publisher Diesi

John T. Clark, 68,— Was Student I and Indexer of the Bible.

John Thomas Clark, of the Winslow Hotel, a retired business man and author of a widely distributed reference book on the Bible, died of a heart attack Monday night in the Central Branch of the Young Men's Christian Association, 55 Hanson Place, Brooklyn. His age was 68.

Mr. Clark was born in Ellenwood, Ga. The earlier part of his life was spent in business, and he was president of the American Hat Company of Atlanta when he retired in 1932 and came to New York.

An assiduous student of the Bible, Mr. Clark devised «Stepping Stones», a chronological cross-index to the St. James version. In 1941, he established his own publishing office, the Green-tree Press, to issue this work.

Surviving are his widow, Georgiana; three sisters and a brother, all of Georgia.

«The New York Times», March 18, 1954

Jacques Seligmann & Co. records, Museum Correspondence: Amsterdam, Holland, Rijksmuseum, 1951–1977

March 18, 1955

Dear Dr. van Schendel,

As per your request I take great pleasure in sending you herein photographs and data on the following paintings and sculpture:

Fontainebleau, School of, «Lot et ses Filles»
Fontainebleau, School of, «Le Festin des Dieux» or «The Approach of the Deluge»
Germain Pilon, attributed to, Pair of Maquettes in Wood for a Monument

and I have also added:

von Aachen «Fortuna»

though I know you have already a print of it in Amsterdam, but you may like to have a complete record of the works of art you saw at my galleries. You will find also included a photostat of the print relating to the Festin des Dieux. You will notice (from the data enclosed) that I consider this print refers to a painting of later date.

Both Mrs. Seligman and I are greatly disappointed not to have the privilege of having Mrs. van Schendel and you at our home and do hope we shall make up for this when we meet in Amsterdam this spring. Should you still have a few moments when you return to New York from Canada, I would enjoy having the opportunity of seeing you here again, as meanwhile I have thought of a couple of works of art which you might wish to include in your exhibition in view of its extended scope. I am particularly referring to a gold enamel necklace of the 16th century. With best regards,

Sincerely yours,
Germain Seligman

Dr. Arthur van Schendel
Hotel Winslow
45 East 55th Street
New York, New York
(Rijksmuseum, Amsterdam)

Germain Seligman to Arthur van Schende

Wikipedia: Germain Seligman (February 25, 1893 — March 27, 1978)

Wikipedia: Arthur François Emile van Schendel (May 18, 1910 — February 6, 1979)

«Видишь суслика? — Нет. — И я не вижу. А он есть» © 2000

Hotel Winslow — 200m — Hotel Ambassador (R.I.P.)

Эдуард Лимонов

Marilyn Monroe leans over the balcony of the Ambassador Hotel in March 1955 in New York City, New York.

© Ed Feingersh

Похожий на кота

⟨…⟩ С французским названием книги вышла некоторая заминка. Точнее, большая, поскольку минут сорок мы все трое ничего путного не могли придумать, сколько ни ходили по библиотеке, ни звенели ледышками в стаканах виски, а я и Повэр протирали очки.

Повэр стоял у большого окна, я подошёл к книгам и внезапно остановился глазами на большом coffee-table-издании биографии Мэрилин Монро под названием «Джентльмены предпочитают блондинок».

— О,— сказал я,— можно назвать книгу «Я предпочитаю негров!» — и расхохотался, хотя название звучало разнузданно и принесло в будущем мне массу неприятностей.

— А что, хорошо,— сказал Рамзэй.

— Нужно уточнить, кто «я»,— сказал Повэр.

— Как кто, протагонист книги.

— Читатель должен сразу знать, кто этот протагонист. К примеру, «Русский поэт предпочитает негров».

— Ну, это звучит как название статьи,— возразил я.

Через некоторое время мы сошлись на том, что книга будет называться «Русский поэт предпочитает больших негров».

Я был тогда настолько легкомысленен, да и аморален, конечно же, у меня и в мыслях не было, что судьба занесёт меня когда-либо ещё в пуританскую Россию, что я стану заниматься политикой. Я и ухом не повёл. Да, собственно, так всё и должно было быть. Стигмат на мне я нанёс себе сам. «Всё вокруг героя превращается в трагедию»,— сообщил первым Ницше. ⟨…⟩

«Книга мёртвых 3: Кладбища» • 2014–2015 гг.

«Dylan Thomas in America»

John Malcolm Brinnin

«Dylan Thomas in America: An Intimate Journal»
// Boston+Toronto: «Little, Brown and Company», 1955,
hardcover + dust jacket, 304 p.

July, 1951 — June, 1952
«Dylan Thomas in America: An Intimate Journal»

⟨…⟩ It was my plan, readily agreed to by Dylan and Caitlin, to take them into the country for a couple of days — to Millbrook, New York, where we would stay with my friend Rollie McKenna, the photographer, and where we could at leisure go over details of the new reading tour. But first we had to have a drink to welcome Caitlin to America; we converged on the bar of the Winslow Hotel, on Madison Avenue. Through all of this Caitlin was almost totally silent. When she did speak, she said she felt dizzy, and I sensed that she was a little frightened. Dylan seemed in bright-eyed good health, chuckling and beaming, in spite of his having been seasick for nearly three days. Toward Caitlin he was sensitively deferential and solicitous in a way I had not previously observed. Aware, perhaps, of her lack of ease in being shunted so swiftly into America and into a group of strangers who were Dylan's friends, he showed every sign that his first thoughts were of her. It was the only time I had ever seen them together when the amenities of a husband-and-wife relationship were apparent. While his open concern for her to be happy in what she saw and in whom she met was almost childishly intense, this attitude showed him in a most attractive new light. My experience in Laugharne had led me, at times, to face their coming to America with dread. It was a relief now to see them so transformed, and I hoped for the best.

Caitlin's first question as we sat in the darkly mirrored light of the Winslow Bar was, «Is this a posh bar?» We could only say no, not really, that we had chosen it because it was convenient and uncrowded. For the rest of the hour she was content simply to listen to the conversation which, once the wave of welcome had passed over, became rather spiritless. ⟨…⟩

Hound
…Christmas beauty-list

⟨…⟩

Permanent Christmas coiffure, by Mr. Harold. He believes in strong curls under the loose curls at the back, so there are no wispy ends and the hair hugs the nape of your neck. The rest is soft, waves gently at the forehead. Harold in the Winslow Hotel, 45 East 55th Street, New York 22.

⟨…⟩

«Vogue», December 1955

Permanent Christmas coiffure by Mr.Harold

New York Beat

⟨…⟩

Singer Othella Dallas set fire to her bed at New York's Winslow Hotel when she lit a match to search for a $700 topaz ring she received from a Cuban admirer.

⟨…⟩

«Jet», Vol.9, No.20, March 22, 1956

Othella Dallas
Othella Dallas

Knott Chain sells the Winslow Hotel

The Winslow Hotel, at the northeast corner of Madison Avenue and Fifty-fifth Street, was sold yesterday by the Knott Hotels chain to Herbert R. Weissberg, hotel operator and investor. Mr. Weissberg also owns the Brittany Hotel and has leaseholds on the Shelton, Bolivar and Franconia Hotels here, as well as fee ownership of the Greystone and Monterey Hotels. The Winslow is seventeen stories high, fireproof, and has 430 rooms, a roof garden, three stores, five offices, a restaurant and a bar. It fronts 100 feet on Fifty-fifth Street and 70.5 feet on Madison Avenue. The Knott Hotels chain had owned the Winslow since 1945 through a subsidiary, Park Madison Hotel, Inc. Before 1945, the Knott interests operated the hotel for the previous owner. Mr. Weissberg purchased the hotel yesterday through Winslow Hotel, Inc. The broker in the transaction was Ira E. Goldstein, vice president of L. V. Hoffman Real Estate, Inc.

«The New York Times», July 4, 1956

Weissberg Former Lessee

Herbert R. Weissberg, who on Tuesday acquired title to the Hotel Winslow from the Knott Hotels chain, is a former lease-holder of the Bolivar, Franconia and Shelton hotels, and former fee owner of the Greystone and Monterey hotels. In reporting Mr. Weissberg's acquisition of the Winslow in these columns yesterday, it was inadvertently stated that he presently holds the leases and owns the fees of the other hotels.

«The New York Times», July 5, 1956

Miss Alice Putnam, a Retired Actress

Miss Alice Putnam, a retired actress, died Saturday in her apartment in the Winslow Hotel after a long illness.

Miss Putnam was born in Houlton, Me., a daughter of Capt. Black Hawk Putnam of the Union Army and Jerusha Snell Putnam. On her mother's side she was a descendant of Gov. Edward Winslow of the Plymouth Colony. She attended school in Boston.

The actress became interested in the theatre while on a visit to London, where a cousin, Fay Davis, was leading lady to Sir George Alexander at the St. James Theatre, Miss Putnam returned to the United States at the turn of the century and played in stock. Later she acted in productions of David Belasco and supported such stars as Doris Keene, Laura Hope Crews and Effie Shannon.

In the early Nineteen Twenties Miss Putnam moved to Paris, where she had many friends in artistic circles. She returned to the United States in 1940.

«The New York Times», January 28, 1957

Letter from Katherine Anne Porter to Kay Boyle, May 13, 1957

Katherine Anne Porter

Roxbury Road, Southbury Connecticut 13th May 1957

Dear Kay: I have been rather praying you might give me your telephone number, for it has been beyond me to write letters, even the shortest most necessary notes. I am very much exhausted and this book, so near the end, has become almost an intolerable burden. I am leaving it and going up to New York tomorrow for about ten days; I shall take advantage of several things going on in the National Institute of Arts and Letters, the Yaddo meeting, other things that may sound dull but I shall see people I like and rest from «this solitary, sedentary trade—»

I shall be at the Winslow Hotel at Madison Avenue and 55th Street, and if you should happen to be in New York during that time, please call me, or let me know where to call you. I do so dearly hope you are recovered in health, and I hope to see you, either there or here after I come back.

Yours

Digital Collections at University of Maryland Libraries

Letter from Katherine Anne Porter to Kay Boyle

Wikipedia: Katherine Anne Porter (May 15, 1890 — September 18, 1980)

Wikipedia: Kay Boyle (February 19, 1902 — December 27, 1992)

Man, 70, Dies in Plunge Here

A 70-year-old man fell or jumped to his death last night from his room on the sixteenth floor of the Winslow Hotel, 45 East Fifty-fifth Street, at Madison Avenue. The police reported he had been identified as Walter Freiystedt of 41 East Sixty-seventh Street. He landed on the roof of a three-story extension in the rear of the hotel and crashed through a skylight into an empty dining room.

«The New York Times», June 3, 1957

The Step Ladder
— quarterly journal of the bookfellows

⟨…⟩

Fanny Ventadour
c/o L. N. Jennings
45 East 55th Street
New York, New York

Deep south

Along the levee where the river
murky brown
like hurried morning coffee
hastens down to sea,
there used to be banks of sand
left like dregs throughout the years;

wasted land covered with brush
and willows,
not of the weeping kind but pale
with fears of floods
that rush like malaperts upsetting cups
and cherished plans for spring.

Here the early fogs hang like wet wash
heavily, and eerie the long vowel sounds
from boats
vie with sharp «e»
and strident «i» of ferry whistles
and the siren at the beer factory;

bebop harmony of smell, fermented beermash
caramel; a treble running carelessly
on sonorous bass of burning leaves
from bonfires lit like offerings
in front of shacks
along the Texas and Pacific tracks,
while the river,
the murky brown Mississippi river,
hurries down.

⟨…⟩

«The Step Ladder», Vol.41, No.1, Summer 1957

«The Step Ladder»

⟩ c/o L. N. Jennings

Leslie Nelson Jennings 🤔

The Abbells Sell Paramount Hotel

Operator of Winslow and Brittany Is New Owner — The Remington Leased Lease Deal Reported

The twenty-two-story Paramount Hotel, at 235 West Forty-sixth Street, has been purchased by Herbert R. Weissberg, hotel operator. The interest of Joseph Kell in the original contract of purchase was also acquired by Mr. Weissberg. The hotel, which was recently renovated at a cost of $1,000,000, was acquired from the Abbell hotel group, consisting of Joseph J. Abbell, the estate of Maxwell Abbell, and their associates. Maxwell Abbell was a lawyer and hotel investor who died last summer. The Paramount occupies a plot 150 by 100 feet and contains 610 rooms, seven stores, coffee shop and cocktail lounge. It also contains the Diamond Horseshoe, a night club formerly operated by Billy Rose. The club is now unoccupied and is being leased to a cabaret owner, according to Joseph C. Budner of Budner & Budner, attorneys, who represented Mr. Weissberg. Mr. Weissberg, who owns and operates the Winslow Hotel at Fifty-fifth Street and Madison Avenue and the Brittany Hotel in Greenwich Village, insured title to the Paramount Hotel with the Title Guarantee and Trust Company.

⟨…⟩

«The New York Times», October 7, 1957

Prelude to a Gracious Bowoff; Nigerian's 64G Dilemma and Decision

The «$64,000 Question» expert on the Bible, former Nigerian tribesman Theophilus Ade Aderomnu—emcee Hal March and the execs called him by his middle name for obvious reasons—could have gone for the $128,000 plateau and, even if missing, would not have been denied the $64,000 he first won. Which is what made his exit from the show last week somewhat more gracious since, even despite his self-confessed mental inequanimity, he stood to lose nothing. However, in a sincere, composed speechlet he touched on «the recent newspaper publicity» without going into details about his marital affairs and the like.

INS' Jack Lotto sprung the Chicago marriage, which came on top of an abortive reconciliation attempt with the first wife by a New York judge. Eventually, the show's impresarios, Harry Fleischmann and Steve Carlin, discovered a couple of other «mild fibs».

For a good portion of the Tuesday afternoon preceding the show's regular 10 p.m. CBS slot, he couldn't be found. Mert Koplin, producer of the show, finally smoked Ade out at the Winslow Hotel, Madison Ave. and 54th [55] St., where the packagers usually put up their guests, after the Nigerian Bible expert had refused phone calls. It was not until 20 minutes before show time that he showed up at the studio and Aderomnu took March aside and told of his decision to quit because he felt he «would make a fool of myself in my present condition; I have caused you and all my friends on this show enough embarrassment». This caused the CBS and the packagers to do a quick revise on the format, permitting Ade to exit before it actually started rolling.

Aderomnu can keep about half of his 64G and is registered for the Roosevelt Medical School, Chicago. Efforts are being made to get him into Northwestern Univ. to attend certain preparatory classes which have been suggested before he starts his medical studies next year.

The triple scars on each jowl, in rather regular symmetry, are heritages of a tribal custom. The oldest son of the tribal chief experienced this baptism by saber.

Carlin states that Ade «impressed us all with his basic dignity and we were all enchanted by him». When a missionary first exposed Ade to the Bible at the age of eight that was all the reading he had and he «just knows it backwards».

«Variety», Vol.209, No.4, December 25, 1957

«Breakfast at Tiffany's»

Truman Capote

«Breakfast at Tiffany's:
A Short Novel and Three Stories»
// New York: «Random House», 1958,
hardcover + dust jacket, 179 p.

⟨…⟩ «You're a bore. Get up from there,» Holly said, stretching on a pair of gloves. The remnants of the party were waiting at the door, and when the bore didn't budge Holly cast me an apologetic glance. «Be an angel, would you, Fred? Put her in a taxi. She lives at the Winslow».

«Don't. Live Barbizon. Regent 4-5700. Ask for Mag Wildwood».

«You are an angel, Fred». ⟨…⟩

Truman Capote «Breakfast at Tiffany's»

Office Expanded in Canada House

⟨…⟩

Hotel Restaurant Taken Richard and Kenneth Seretsky, restaurant operators, have leased the restaurant and bar at the Winslow Hotel, Madison Avenue and Fifty-fifth Street. The Seretskys also operate Hutton's Ad Lib and The Avenue restaurants. The Winslow Hotel Corporation, of which Herbert R. Weissberg is president, was the lessor. Hyman Wolfe was the broker.

«The New York Times», September 2, 1958

Jacques Seligmann & Co. records, Correspondence: London, England, University of London, Courtauld Institute of Art, 1936–1976

16th March, 1959.

Germain Seligman, Esq.
5 East 57th Street,
New York 22, N.Y.

Dear Mr. Seligman,

Thank you very much for your letter, written in a blizzard which, I hope, is now abating.

I am arriving in New York on March 28th and shall be there till about the middle of April. I shall be staying at the Winslow Hotel on Madison Avenue.

I look forward very much to meeting you again and also to seeing your new undefined acquisition.

Yours sincerely,
Blunt.

Anthony Blunt to Germain Seligman

Wikipedia: Germain Seligman (February 25, 1893 — March 27, 1978)

Wikipedia: Anthony Blunt (September 26, 1907 — March 26, 1983)

Jacques Seligmann & Co. records, Correspondence: London, England, University of London, Courtauld Institute of Art, 1936–1976

March 27, 1959

Dear Sir Anthony:

These lines will welcome you to New York after, I hope, a pleasant flight.

Mrs. Seligman has requested me to inquire whether Lady Blunt and you could give us the pleasure of joining us for luncheon; and I am wondering if Thursday, April 2nd on Saturday, the 4th would be convenient, as we would so much enjoy having you both at our home.

I am rushing this note so that I may have a «priority» on the number of engagements which will shortly be crowding your brief stay over here.

And as my regards my latest acquisition which I am particularly anxious to show you, could you put me down among your earliest calls.

Looking forward to seeing you soon,

Sincerely yours,
Germain Seligman

Sir Anthony Blunt
c/o Hotel Winslow
Madison Avenue at 55th Street
New York, New York

P.S. Unless I hear from you in the meantime, I will call you up Monday morning around 9:00 A.M.. For your information, our home address is 875 Fifth Avenue (between 68th and 69th Street, telephone TR 9-3678). My office telephone is PL 3-0250.

Germain Seligman to Anthony Blunt

Wikipedia: Germain Seligman (February 25, 1893 — March 27, 1978)

Wikipedia: Anthony Blunt (September 26, 1907 — March 26, 1983)

[Bird's-eye view of 5th Avenue in Midtown Manhattan]

Creator(s): Rizzuto, Angelo, 1906–1967, photographer

Date Created/Published: July 1959

Medium: 21×26 cm

Summary: Photograph shows the New York Public Library on 42nd St. and 5th Ave., sign for «Knox Hats», and «500 Fifth Avenue» on left side of the street, Midtown Manhattan, New York City.

Angelo Antonio Rizzuto

Library of Congress


Wikipedia: Angelo Antonio Rizzuto (December 19, 1906 — July 15, 1967)

Hotel Winslow

New York

Hotel Winslow

East Side

Madison Ave.
at 55th St.

Smart
Midtown
Location

One block from Fifth Avenue's famous shopping area. Near theatres, Radio City, restaurants, cafes, business and cultural centers. Newly decorated rooms with private bath. Free radios. Air-conditioning and TV available.

Daily rates
from $6.50 single
from $8.50 double

Write for descriptive brochure.

«Sponsor», July 4, 1959

Hotel Winslow

August 1, 1959 + September 12, 1959

Draft Rockefeller

The Winslow

Central Press Association
June 3, 1960
Reference dept.

1960 Press Photo Huge «Draft Rockefeller» Sign at Hotel Winslow, New York (12.25×9.5 inches) • NXP1233625-6/3-NEW YORK: Passers-by stop to view a huge «Draft Rockefeller» sign that had just been erected at the Hotel Winslow at 55th St. and Madison Avenue here 6/3. Hotel is headquarters für the «Draft Rockefeller» movement, organization set up by people in 41 states. New York's Gov. Nelson Rockefeller, their would-be «draftee», has said that he would be available if drafted das Republican Presidential candidate. UPI TELEPHOTO

The Winslow
The Winslow

A visual fantasy by DALL·E via ChatGPT (OpenAI):
the bison's head was transformed into an angel's head.

🦬🐏🦬🐏🦬🐏

Rockefeller Draft to be Pressed Soon

Draft Rocky in '60

A committee to draft Governor Rockefeller for the Republican Presidential nomination announced yesterday that headquarters would be set up in forty-one cities within ten days. The announcement was made by Jack Barnes, a public relations man who is the national chairman of the group, the Draft Rockefeller Campaign Committee. The New York headquarters for the movement was opened last night in the Winslow Hotel, 45 East Fifty-fifth Street. Mr. Barnes said his group was a «grass-roots movement» formed without the Governor's knowledge. He said political leaders of the Republican party had not been consulted. Bernard Newman, New York County Republican leader, said he knew nothing about the committee or its members. Robert L. McManus, press secretary to Governor Rockefeller, said last night: «Formation of the Draft Rockefeller headquarters was undertaken without the knowledge, authorization or consent of Governor Rockefeller or of anyone associated with him».

«The New York Times», June 7, 1960

Convention Due to Get Rockefeller's Name

New York, June 6 (AP) Jack Barnes, publicist and chairman of a «Draft-Rockefeller» group, predicted tonight that Gov. Nelson Rockefeller's name will be placed in nomination for President at the Republican Convention.

Barnes, who earlier today announced that his «National Draft-Rockefeller Committee» would operate in 41 cities, said the group already has unofficial support of an unspecified number of convention delegates.

He said it had not been decided who would put Rockefeller's name in nomination but it will «definitely be done».

I'm on the Rockefeller Team

A Rockefeller spokesman denied the Governor had anything to do with the draft committee.

Barnes, who has worked for the Governor in the past, declined to identify other members of the group.

He said Rockefeller and other Republican leaders had not been consulted.

He described the committee as a grass roots movement, and said prominent members might be named later this week.

He also declined to say who is supporting the group financially, although conceding that «we're pretty well financed».

The New York headquarters at the Hotel Winslow—a block east of Rockefeller's Manhattan office—consists of the hotel manager's office, the entire lounge, and more than 10 suites. Barnes said a few hundred volunteers were expected to go to work this week and the operation will cost about $1,500 a month.

«The Washington Post», June 7, 1960

* * *

«National Draft Rockefeller Campaign Committee»

Doors open on the «National Draft Rockefeller Campaign Committee» headquarters at the Winslow Hotel on New York City's E. 55th St. Stuart Jackson, center, executive vice president of the committee, said Manhattan office is first of 41 that will open in major U.S. cities this week.—AP Photo.

«The Citizen Register», June 8, 1960

Nelson Rockefeller

Nelson Rockefeller at convention, press conference in July 1960. (AP Photo)

Rockefeller drive begun by new group

Draft Rocky in '60

A week-end Crusade for Rockefeller was started here last night by the newest of the Draft Rockefeller groups to appear on the political scene. The newcomers, who moved into the Belmont Plaza Hotel about ten days ago, appear to be much better financed than the Draft Rockefeller group that has been operating at the Winslow Hotel since early June. The chairman of the new group is Amos J. Peaslee Jr., a former assistant United States attorney. Volunteers were asked to collect signatures over the week-end to petitions calling on delegates to the Republican National Convention to nominate Governor Rockefeller for President. They were also asked to send telegrams to the delegates in Chicago asking the same thing. The workers were given mimeographed song-sheets with the words of a campaign song called «Rock for Rockefeller (and Roll to Victory)». The lyric was credited to Joan Javits, daughter of New York's Republican Senator Jacob K. Javits. Fifteen pickets walked outside the Nixon headquarters at 11 East Forty-second Street, carrying signs that read «We Want Rocky» and «We Want a Convention, Not a Coronation». The group planned to continue picketing from 10 A.M. to 10 P.M. today.

«The New York Times», July 23, 1960

New Skyscraper for Madison Ave.

32-Story Office Building to Be Erected on Plot at 55th and 56th Streets.

A thirty-two-story office building will be constructed at the southeast corner of Madison Avenue and Fifty-sixth. To be known as 555 Madison Avenue, it will represent an investment of about $7,000,000, including the cost of the land.

The sponsor of the project is the Mid-City Realty Corporation, of which M. Michael Kulukundis is president. The plans have been drawn by John Kokkins, architect, in association with Morris Lapidus, Kornblath, Harle & Liebman, New York and Florida architects. Mr. Kokkins, also of New York, is vice president of the corporation sponsoring the development.

The site takes in 555 to 563 Madison Avenue, 50 to 56 East Fifty-sixth Street and 51 to 55 East Fifty-fifth Street. The building will be L-shaped and will surround the seventeen-story Winslow Hotel at the northeast corner of Madison Avenue and Fifty-fifth Street. The land fronts 125 feet on the avenue, 121 feet on Fifty-sixth Street and 56 feet on Fifty-fifth Street. It is now being cleared of several store and office structures.

Construction is scheduled to start this month, with completion set for the fall of 1961.

The building will contain 300,000 square feet of office space, with provision for stores on the Madison Avenue side. Mr. Kokkins said the space might include banking quarters.

The building will have a tower and only two offsets on the Madison Avenue frontage. It will be all glass, in an unusual tinted brown color with bronze-tinted spandrils and antique bronze anodized aluminum.

«The New York Times», June 17, 1960

Babcock & Kogan

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«Advertising Age», Vol.31, No.31, August 1, 1960

Babcock & Kogan

Thai Prince

by Geoffrey T. Hellman

A Bangkok curator-prince escorts Thai antiquities to the Met, correcting Hollywood myths about «The King and I» along the way.

⟨…⟩

We dropped in on the Metropolitan Museum of Art's current «Art Treasures of Thailand» exhibition about a week ago, while it was being set up, and had a chat with its installateur, Prince Subhadradis Diskul, chief curator of the National Museum of Bangkok, from which most of the show's three hundred treasures were obtained. «The exhibit was first shown at Indiana University», said the Prince, a scholarly-looking black-haired, gray-flannel-trousered man of thirty-seven. «We've just brought it from there. After it closes in New York, in late February, it will travel to Boston, Toledo, Los Angeles, Seattle, San Francisco, and Honolulu. It's the first time our museum has ever sent such a large show out of the country—or, for that matter, out of the museum». He went on to say that his institution is housed in the old Palace of the Prince Successor, and that most of its contents, once the private collection of the King, were put on public view in 1926 by his own father, Prince Damrong, an archeologist and historian. «He was a half brother of King Chulalongkorn, or Rama the Fifth», Prince Diskul said, «and a son of King Mongkut, or Rama the Fourth, the King of «Anna and the King of Siam» and «The King and I», who was so unfortunately misrepresented both in the two films and on the stage. My grandfather never burned anyone alive, as the films stated; far from being a lewd man, he spent nearly twenty years in a monastery before ascending the throne, in 1851; he was a serious ruler who Westernized our country; he never fell in love with Mrs. Anna Leonowens, the English governess he imported for his children; and, contrary to Rodgers and Hammerstein, she left Siam before he died and was succeeded by his son. The movie version of «The King and I» was forbidden in Bangkok, but I saw it in Tokyo».

Turning to less controversial matters, the Prince directed our attention to a number of stone Buddhas dating from the sixth century; various animal and human figures in stucco and terra cotta; seventy or eighty bronze images, pedestals, utensils, and so on; and a great variety of jewelry, ceramics, wooden sculpture, paintings, silks, and illuminated manuscripts. «Maternity dolls», he said of three tiny ceramic figures, all of which had been decapitated. «They were given to pregnant women who were thought to be threatened by evil spirits, and the dolls' heads were broken to fool the demons».

«Eh?» we said.

«If an evil spirit sees that a mother is dead, he doesn't bother the mother or the child», the Prince said. «Look at this lacquered book cabinet, decorated with a tree bearing women. Observe the hermits who are plucking the women from the boughs in order to consume them. That's because the women were thought to wither after a week, and the hermits wanted to get them while they were fresh». He advised us that this astonishing object came, astonishingly, from a monastery, and that he himself came from Bangkok, where he graduated from Chulalongkorn University (named after his uncle) and presently, after five years of art studies in Paris and London, joined the National Museum, which is run by his government's Department of Fine Arts. «We don't have enough room to show our material», he said, striking a curatorial note familiar to us. «We charge a fee on weekdays and are open to the public free on Sundays. I help show visitors around, and I will conduct guided tours here at the Metropolitan. I'm also giving some lectures here and at Asia House».

We asked Prince Diskul whether he has any brothers and sisters, and he said yes, quite a few. «Polygamy prevailed in my father's day», he went on. «He was sixty-one when I was born, and I was brought up by my aunt, Princess Abhantri, in her palace. Our present King—Bhumibol, or Rama the Ninth—is a cousin of mine in various ways. I don't share his enthusiasm for jazz».

The Prince, who is staying at the Hotel Winslow, has one wife, and one infant daughter, in Bangkok.

⟨…⟩

His present visit is his second; he spent four months here in 1957, at the invitation of the State Department, inspecting Oriental art in American cities. «I'm very fond of Chinatown and of your opera», he said. «Its singing is as good as the Paris Opera's and its scenery is even better. I've just seen «My Fair Lady»; I couldn't get in when I was here before. I met Yul Brynner in Hollywood that time—he was making «The Buccaneer»—and I also met Cecil B. deMille. I suggested a film on Angkor Wat to him, and he said, «It's a date. I'll meet you there», but then he died».

We asked the Prince whether he had taken issue with Yul Brynner on «The King and I», and he said, «It was too late. He'd finished with it».

«Any chance of your becoming King?» we asked as we left.

«None», he said, with a jolly laugh. «I'd have to kill hundreds of people first».

«The New Yorker», January 14, 1961


Wikipedia: Subhadradis Diskul (November 23, 1923 — November 6, 2003)

Securities and Exchange Commission News Digest

Washington 25, D.C. • For Release: August 29, 1961

A brief summary of financial proposals filed with and actions by the S.E.C.

⟨…⟩

H. R. WEISSBERG FILES FOR STOCK OFFERING. H. R. Weissberg Corporation, 680 Fifth Avenue, New York, filed a registration statement (File 2-18783) with the SEC on August 28th seeking registration of 250,000 shares of Class A common stock, to be offered for public sale through underwriters headed by Toster, Singer & Co. The public offering price and underwriting terms are to be supplied by amendment. The registration statement also includes 7,500 Class B common shares to be sold to the underwriters at $1 per share and 2,500 Class B shares sold to certain employees and business associates of the company at $1 per share.

The company was organized under Delaware law in October 1960. It is engaged in the hotel and general real estate business. The company began active operations in January 1961 after having acquired 100% of the Capital Units of all partners and stockholders in the partnerships and corporations which were the subject of an Exchange offer in exchange for 1,234,493 shares of the Class A common stock of the company. The properties so acquired are as follows: Lord Baltimore, (fee) Baltimore, Md; Gramercy Park Hotel, (operating fee) New York; Paramount Hotel, (fee) New York; Montmartre Hotel, (99yr ground lease) Miami Beach, Fla.; Hotel Brittany, (fee) New York; and the Winslow Hotel, (fee) New York. Since its inception in January 1961, and subsequent to the consummation of the Exchange Offer, the company acquired the following properties: Western Hills Hotel, (operating fee) Fort Worth, Texas; Emerson Hotel, (fee and operating leasehold) Baltimore; and Lord Baltimore Hotel, (leasehold) Baltimore. Of the net proceeds from the stock sale, $1,360,000 has been allocated towards repayment of bank loans and interim financing for the acquisition of the Emerson Hotel, and the balance will be added to general funds to be used for corporate purposes.

In addition to certain indebtedness, the company has outstanding 1,380,493 Class A and 83,500 Class B common shares, of which Herbert R. Weissberg, president and board chairman, owns 17.89% and 49%, respectively, and management officials as a group 25.57% and 86.46%, respectively.

⟨…⟩

Weissberg Forms Unit

Hotel Concern Organizes a Securities Company

The formation of the Weissberg Securities Corporation has been announced by the H. R. Weissberg Corporation, a hotel organization. The new unit will underwrite the acquisition of shopping centers, industrial plants, office buildings and other real estate throughout the country. Herbert R. Weissberg, president of the parent company said the securities division was intended to provide ready financing for new purchases and expand the parent concern's activities. The corporation owns and operates the Gramercy Park, Paramount, Brittany and Winslow Hotels here, as well as hotels in leading cities throughout the country. It plans to increase its hotel activities.

«The New York Times», February 9, 1962

Plunge Kills Importer

Grosvenor Nicholas Victim in Fall at East Side Hotel.

A 49-year-old man fell or jumped to his death yesterday from the Winslow Hotel, at Madison Avenue and Fifty-fifth Street. The victim was Grosvenor Nicholas of 21 East Sixty-second Street, a liquor importer associated with Nicholas & Co. He was not registered at the hotel. His body struck the Fifty-fifth Street sidewalk at 11:25 A.M. after falling either from the roof or a window.

Mr. Nicholas' wife, Katherine. said he had left their apartment an hour earlier to take a walk. She said he had been under treatment for a nervous disorder.

«The New York Times», February 19, 1962

14-Story Plunge Kills New Yorker

Socially prominent Grosvenor Nicholas Jr. plunged to his death yesterday from the roof of the 14-story Hotel Winslow.

His wife said Nicholas had left their E. 62nd St. apartment about an hour before the fatal plunge, saying he was going for a walk.

Nicholas, 49, who lived on a trust fund left by his late father, had been treated at a hospital Saturday for a long-standing nervous condition.

« The Herald Statesman, Yonkers, N.Y.», February 19, 1962

Securities and Exchange Commission News Digest

Washington 25, D.C. • For Release: April 18, 1962

A brief summary of financial proposals filed with and actions by the S.E.C.

⟨…⟩

DIPLOMAT ORLEANS ASSOCIATES FILES FOR OFFERING. Diplomat Orleans Associates, 565 Fifth Avenue, New York, filed a registration statement (File 2-20251) with the SEC on April 17th seeking registration of $1,580,000 of limited partnership interests in Associates, to be offered for public sale at $10,000 per interest. The offering will be made on an all or none basis by Weissberg Securities Corporation, which will receive $80,000 for expenses and commissions.

Associates is a limited partnership organized under New York law in March 1962 with Nathan P. Baker and Sidney Gespass as general partners and as original limited partners. It was formed to acquire for investment title to five shopping centers in New Orleans and the leasehold estate with respect to the Diplomat Motor Hotel, Washington, D. C. In March title to the shopping centers waS conveyed to a nominee of the partnership by H. G. Hill Stores Realty Co., Inc., a non-affiliated person. The transfer of the title resulted from the acquisition of a January 1962 contract to purchase the shopping centers by the partnership from Winslow Hotel, Inc. an affiliated person. The purchase price of $1,425,000 was paid to Winslow Hotel by delivery of a promissory note in that amount, and said note will be repaid to Winslow Hotel as follows: $700,000 to be obtained by a first mortgage loan on the shopping centers and $725,000 from the net proceeds of the sale of partnership interests. In April the partnership contracted to purchase from H. R. Weissberg Corporation, a Delaware company (of which the underwriter and Winslow Hotel are wholly-owned subsidiaries and Baker is an officer and director and Gespass is an officer), the leasehold estate affecting the Diplomat Motor Hotel for a purchase price of $795,000 in cash, to be paid from the net proceeds of this offering. The prospectus states that, assuming the consummation of said transactions, the aggregate gross profit to H. R. Weissberg Corp. will be $620,000. Baker and Gespass have each contributed $5,000 in cash to the capital of the partnership as general partners and an additional $5,000 each as original limited partners.

⟨…⟩

1960s

Straßenszene in der Madison Ave in New York City

New York City, NY, USA, 1962. Straßenszene in New York City. Außerdem: Fußgänger, Gebäude, Autos und Straßenverkehr.

The Winslow
Neu York Stadt, Straßenszene, 1964

Neu York Stadt, Straßenszene, 1964

The Winslow

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1962 oder 1964?

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⟨…⟩ | Customer Service

Hotel acquired on Madison ave.

Leader-Durst, in First Deal Here, Gets the Winslow.

The Winslow Hotel at 551-53 Madison Avenue, northeast corner of Fifty-fifth Street, has been purchased by the Leader-Durst Corporation, a real estate company. The seventeen-story building with penthouses was sold by the H. R. Weissberg Company for more than $2,400,000, of which $1,000,000 was in cash and the balance on a first mortgage.

The building, which fronts seventy-five feet on the avenue and 100 feet on the street, contains 400 rooms, a cocktail lounge, restaurant, eight stores and offices that have a separate entrance. It was bought subject to a net lease held by Winslow Associates of New York, operator of the hotel for the last few years.

The hotel is the first New York property of Leader-Durst, which now has seventeen holdings in this country and Canada, including apartments, office buildings, shopping centers and industrial plants.

⟨…⟩

«The New York Times», August 29, 1962

Mrs. William Durant

Mrs. Annie Cotton Durant, the widow of William West Durant, former president of the Adirondacks Railroad and a developer of the Adirondacks, died Saturday in Doctors Hospital. Her age was 88. She lived at the Winslow Hotel on Madison Avenue at 55th Street. Mrs. Durant's husband, who died in 1934, once owned half a million acres in the Adirondacks and built camps for Alfred Gwynne Vanderbilt, J. P. Morgan and Collis P. Huntington. Mrs. Durant leaves a sister, Mrs. D. A. Mitchell of Gananoque, Ont.

«The New York Times», September 17, 1962

Bollmann Map New York

Title: New York
Date depicted: 1962
Date issued: 1962
Cartographer: Hermann Bollmann
Paper, 33¾×42½ inches
Private collection

Bird's-eye views of American cities like the Galt-Hoy Map of Manhattan (see p. 142) were popular during the second half of the nineteenth century, but this technique of delineating cities declined in the twentieth century. The time and research necessary to create such maps became impractical as cities became more complex. During the 1960s and 1970s, this kind of pictorial map was revived with the appearance of two remarkable maps of Manhattan. In 1962, German cartographer Hermann Bollmann published an ambitious pictorial map of midtown Manhattan, and in 1974, Curt Anderson issued an isometric map of a smaller section of the city.

Bollmann was a German graphic artist who was inspired to make picture maps after World War II as an effective way to delineate the towns devastated by war. His success led to more and more sophisticated maps, culminating in this isometric perspective of midtown Manhattan. By that time, Bollmann and his crew were depending heavily on ground and air photographs. Bollmann's map of midtown was based on some sixty-seven thousand photographs, seventeen thousand of which were aerial shots systematically taken from a camera specially designed for the purpose; fifty thousand others were taken from the ground. Once all of the data had been gathered, each building was hand-drawn to a scale of 1:4,800, until, block by block, entire sections of the city were recreated in exact detail.

At the time the Bollmann Map was created, half the skyscrapers (buildings of fifty stories or more) in the world were located in Manhattan, and these great edifices dominate the map. The landmark buildings are shown in meticulous detail and in three dimensions: Rockefeller Center, the Pan Am Building (now known as the Met Life Building), the New York Hilton, and the Empire State Building. At the opposite end of the scale, lampposts, statues, and individual windows are all clearly shown.

The presence of so many high buildings close together created certain logistical problems for Bollmann's draftsmen. Exaggeration was sometimes employed to show the buildings to the best advantage. Streets were significantly widened out of proportion so that structures would not seem cramped together, and the heights of the buildings were increased. Vanishing point perspective was not employed in an effort to have all the buildings drawn to the same scale.

Bollmann has earned a reputation for being a truly artistic cartographer and has used his elaborate techniques to create pictorial maps of various cities around the world. He created his New York City map for the 1964 World's Fair. The map on exhibition there was huge, but there have been reprints on a smaller scale. The example reproduced here was issued as part of Bollmann's multilingual guidebook to the city.

Paul E. Cohen + Robert T. Augustyn
«Manhattan in maps, 1527–1995»
// New York: «Rizolli», 1997,
hardcover + dust jacket, 164 p.,
ISBN: 0-8478-2052-1

«Confessions of an Advertising Man»

David Ogilvy

«Confessions of an Advertising Man»
// New York: «Atheneum», 1963,
hardcover + dust jacket, X+172 p.

⟨…⟩ Research had revealed that our greatest single obstacle lay in the fact that Europeans had an exaggerated concept of the cost of visiting the U.S.A. We decided to attack the problem head-on. Instead of saying in a bland, innocuous way that you can tour America «for less than you suppose», we gave a specific figure: £35 a week. This was arrived at after careful verification. For example, before deciding on a reasonable minimum price for a hotel room in New York, we sent one of our copywriters to check the beds at the Hotel Winslow, which charges six dollars a night; she found them satisfactory. But our critics took the position that £35 a week was far too low. ⟨…⟩

«Confessions of an Advertising Man»

Wikipedia: David Ogilvy (23 June 1911 — 21 July 1999)

«Only You, Dick Darling!»

Merle Miller + Evan Rhodes

«Only You, Dick Darling!
or How to Write One Television Script
and Make $50,000,000.
A True-Life Adventure»
// New York: «William Sloane Associates», 1964,
hardcover + dustjacket, 350 p.

⟨…⟩ I looked east to Madison Avenue and the glazed brick towers of the Winslow Hotel, where I had stayed when I first came to New York. I was then not quite seventeen and determined to remake New York City and the world in my own image and to write more and better novels than Balzac.

I was positive that within my lifetime Madison Avenue would be renamed Miller Boulevard and that Rodin would sculpt my poet's features.

I turned from the view of the Winslow and walked to the mirror that had been smuggled out of George C. Tilyou's Fun House at Coney Island. ⟨…⟩

«Only You, Dick Darling!»

«Complete Guide to New York City»

Andrew Hepburn

«Complete Guide to New York City» // Garden City, New York: «Doubleday & Company, inc.», 1964, paperback, 192 p.

⟨…⟩

Madison Avenue

CWinslow Hotel, on the northeast corner of 55th Street. The hotel has 17 floors and 451 rooms, offers both transient and residential accommodations in the medium price range.

⟨…⟩

Hotels

Winslow, 45 E. 55th St., at Madison Ave. (PLaza 3-6800). Transient and residential; 17 floors, 450 rooms. Single, $8 up; double, $13 up. Cocktail lounge and dining room. Limited meeting or banquet facilities.

⟨…⟩

News of realty: buildings traded

Apartment House and Hotel Figure in Exchange Here.

The transfer of ownership of two major Manhattan properties through a trade exchange rather than an outright sale has been negotiated by Abbott & Adams, brokers. Felomer, Inc., headed by Osias Nacht, traded the 17-story apartment house at 750 Park Avenue, southwest corner of 72nd Street, for the 17-story Winslow Hotel at 551 Madison Avenue, northeast corner of 5 Street. Both properties had the same amount of equity or cash investment, $625,000, and nearly the same amount of mortgage indebtedness, about $1.1 million for 750 Park Avenue, and about $1 million, plus a second mortgage of $350,000, for the hotel. The 400-room hotel had been owned by the Leader-Durst Winslow Company, headed by Joseph Durst, and controlled by the Prudential Real Estate Trust. Leader-Durst Winslow on competing the trade then sold the apartment house to Julius Korein and Isaac Kaplan through L. V. Hoffman & Co. and Herbert Charles & Co., co-brokers. Herbert Charles has been appointed the apartment building's managing agent. Trading real estate is more common in the West and Southwest than in the New York area. It was developed after the 16th Amendment took effect in 1913 and an income tax was imposed on individuals, trusts and corporations. The major incentive in effecting a trade is that property owners may avoid the payment of the Federal capital-gains tax on the profit from the sale of the property.

⟨…⟩

«The New York Times», October 19, 1965

CD Workers Get Real Workout Due To Power Failure

New York (AP)

The power blackout put Civil Defense workers through one of their biggest tests since World War II. They directed traffic, rescued people from stranded elevators and broadcast progress reports.

Robert E. Condon, Civil Defense chief for New York City, was just about to leave for a Wings Club dinner, when the lights began to flicker at 5:27 p.m. Tuesday.

He waited, learned the extent of the power failure and within an hour had mobilized a majority of the 200,000 volunteers in his unit.

Many other people simply walked into Civil Defense headquarters and offered their services. A number of doctors were given first aid kits and ordered to stand by for any calls for medical assistance.

Three workers went to the Hotel Winslow and pulled a 90-year-old woman and four other persons from a stalled elevator.

Others directed traffic, helped persons cross the street or sought rides for those unable to get home.

* * *

Civil Defense trucks equipped with generators sped to hospitals and police and fire stations to help supply emergency lighting.

One mobile communications vehicle provided illumination for three City Hall rooms where officials were meeting on the blackout.

«This was our biggest test since World War II and our people responded magnificently», said Condon. He also praised the general public for cooperating and taking the situation calmly.

A vital part in the agency's work was handled by some 700 warning posts scattered throughout the country.

Within two to five minutes after the power failure developed, a Civil Defense spokesman said in Washington, all of the posts were in business, some with emergency power.

* * *

The setup includes radio stations, highway police headquarters and other government agencies.

The government's emergency action notification system, the broadcast network that replaced Conelrad, was not used. It was set up to go into operation only in cases of a nationwide alert.

«Pottstown Mercury», Vol.35, No.38, November 11, 1965

Where Were You When the Lights Went Out?

by Ed Wilcox

It was five years ago tomorrow that New York was left in the dark of the Big Blackout… a night when the city learned a bit more about itself and each of us lived his own personal chapter of what has already become a legend.

⟨…⟩ At the Hotel Winslow at 55th and Madison a 91-year-old guest, Mrs. Edgar Moyes, spent a nervous hour trapped In an elevator between the third and fourth floors before three unsung heroes of the evening — a high school boy, a sailor on leave and a writer — lifted her through the rooftop trapdoor to safety. ⟨…⟩

«Sunday News», November 8, 1970

Woman Saved in Attempt To Jump From Hotel Roof

One of two patrolmen diverted the attention yesterday of a young woman who threatened to jump 12 stories from a roof and she was seized and brought to safety.

The woman, identified by the police as Diane Mitchell, «in her 20s» of the Hotel Winslow, 45 East 55th Street at Madison Avenue, climbed from a hotel window to the 12th story set-back shortly after 1 P.M.

Patrolman Michael DeFeo of Emergency Squad 1 began talking to her and offered her a cigarette. As the woman reached for it, Patrolman Vincent Hogan of the East 51st Street station house, who was about four feet away on the other side, seized her.

The woman, who wore slacks, had in her possession a note indicating she planned suicide, the police reported. She was taken to Bellevue Hospital for observation. She refused to give further information about herself.

The woman registered in the hotel on July 19 and gave a Los Angeles address.

«The New York Times», August 10, 1967


⟩ to jump 12 stories from a roof

17

Policemen Deny Accepting Gifts

by Homer Bigart

Hearings for 10 on Alleged Gratuities Adjourned

Ten policemen pleaded not guilty at a hearing yesterday to charges of violating Police Department rules by accepting Christmas gratuities.

The departmental hearing at Police Headquarters grew out of an investigation that began a year ago when a little black book was found in the subway. The book contained a list of 134 East Side bars, restaurants, stores, hotels and other establishments that allegedly offered cash gifts to the police.

The hearing was adjourned until Feb. 8 when Deputy Commissioner Aloysius J. Melia, in charge of trials, will entertain motions and fix a date for trial. The 10 defendants face possible dismissal from the force if convicted. They were represented by Robert Eliasberg, a lawyer for the Patrolmen's Benevolent Association.

Under the new state penal code, which went into effect last September 1, anyone who offers a gratuity to a civil servant for performing public duties that the civil servant is required to do is guilty of a Class A misdemeanor and can be fined $1,000 and jailed for a year.

⟨…⟩ Sgt. Daniel J. Messina, 40, was charged with receiving Christmas gratuities in December, 1964, and December, 1965, from Murray Silverman, manager of the Cafe Winslow, 45 East 55th Street. ⟨…⟩

«The New York Times», January 30, 1968

«The Cannibals»

Keefe Brasselle

«The Cannibals:
A Novel About Television's Savage Chieftains»
// New York: «Bartholomew House Ltd.», 1968,
hardcover + dust jacket, 510 p.

⟨…⟩

The last few weeks had been a sheer hell of politics and crises. This was one of the worst. I was sitting at my desk staring at the phone which I had just hung up after talking to Morry Weinstein.

Finally I grabbed the private.

As soon as the quiet voice answered, I said coldly, «I want to see you».

«Any time you want», he said lightly.

«As soon as possible». He could take that quiet voice and stick it up his ass. «I want to meet right now where we'll be alone. The alternate bar, on Madison Avenue». Click.

I picked up a dart and threw it with every bit of power in me. It missed the bull's-eye, but stuck three quarters of an inch into the board.

I headed out of my office past Vera, saying nothing.

«Shall I know where you're going?» she asked.

She never got the answer. I went downstairs and started to get into the car. Then I changed my mind, slammed the back door, and got into the front seat instead, next to George.

«Take me to the bar on Madison Avenue».

Not a word was spoken for two blocks. Finally George asked, concerned, «Something up, pal?»

«Yeah, something's up». But I just stared straight ahead. Nothing must mar my concentration.

Within minutes I was walking into the Winslow Hotel. Jonathan was waiting for me, sitting at one of the deuce tables in a far corner. We were alone, except for a few stragglers at the stand-up bar.

We ordered vodka martinis. In a few moments the waiter set them down. Jonathan picked up his glass. I pushed mine aside.

«Forget «The Bridge», forget Tom Brady, and forget that miserable cocksucker out on the Coast who's your great friend». I narrowed down and stared him straight in the eye. «I want to know why you broke my word to Morry Weinstein. Nobody breaks my word. Why?»

⟨…⟩

«The Cannibals»

Wikipedia: Keefe Brasselle (February 7, 1923 — July 7, 1981)

Jonathan J. Bingham ⟩ Wikipedia: James T. Aubrey (December 14, 1918 — September 3, 1994)

«Fake!»

Clifford Irving

«Fake!
The Story of Elmyr de Hory the Greatest Art Forger of Our Time»
// New York: «McGraw-Hill Book Company», 1969,
hardcover + dust jacket, 244 p.

⟨…⟩ That's when I made the decision that I can't stay with this man any more. We'd been together six months. After all, I hadn't signed a contract, I'd never intended it to be a lifelong partnership. I was getting more and more nostalgic for Europe, and we'd often talked, the three of us, about going there together. Réal thought he knew a way that for about $2.000, through a lawyer he'd once worked for in Toronto, he could get me a Canadian passport. I said okay. I would somehow come up with the money. Fernand, of course, meant for us to do business together over there in Europe. We went back to New York together and they went up to Toronto to see if they could arrange things. All I had to do was to find the $2.000, which, naturally, I didn't have at the time.

«Fake!»

I checked into the Winslow Hotel on East 55th Street, sat down in my little room and quickly put together a small collection of things: some Degas pastels, a Renoir watercolor and a group of various drawings. It took me about three days—it was all work I had done before, I knew the subjects so well I didn't even have to look at the books any more to get what you might call «inspiration». In one sense, perhaps unconsciously, I was even copying my own earlier fakes—that is, without having them in front of me to refer to, except that I could see them in my mind's eye. It's something every artist does, of course: going over old subjects from a fresh point of view. I did it at the time so that I could work fast, because I had to sell fast.

⟨…⟩

In New York he stayed again at the Winslow Hotel and made his final decision. He was tired of looking over his shoulder for the FBI and the vigilantes. He would return to Europe.

He told Fernand and Réal that he had sold «a few small drawings» in Texas; and now he had the money to pay for the Canadian passport. Pleased, they flew back to Ottawa. Elmyr shipped the Corvette from New York to Paris, and his luggage with it—except for one cabin trunk which he left in storage at the Winslow Hotel. It contained, as a kind of farsighted American insurance policy, the unsold Cézanne watercolor and a number of drawings. He had no idea that it would be Fernand Legros, not himself, who would be the beneficiary.

⟨…⟩

If anything, Fernand Legros was a gambler, and a daring one. He guessed that Elmyr had been telling the truth about all except his personal whereabouts and his financial situation. He hurried back to his hotel in Saint-Germain-des-Prés and placed a long-distance telephone call, in the name of Elmyr de Hory, to the Winslow Hotel in New York. He demanded to know if his trunk was still safely stored away in the hotel baggage room. The management, after a rapid inquiry, replied, «Of course».

In that case, Fernand explained, a young man named Fernand Legros, bearing proper identification and a letter of introduction from him, Elmyr de Hory, would be picking it up within the week.

Two days later, with a one-way ticket and $100 of borrowed money, Fernand was on an Air France jet bound for New York.

Checking into the Winslow Hotel, he produced a paper with what seemed certainly an authentic signature of Mr. Elmyr de Hory. The trunk was brought up to Fernand's room. The padlock presented no problem to a man who had traveled three thousand miles to deal with it. The contents, a modest treasure of twentieth-century French drawings and watercolors, spilled out on the bed—and Fernand Legros was ready to launch himself in what was to be perhaps the zaniest career, and certainly the most profitable swindling enterprise, in the history of art.

⟨…⟩

It took him a further five years to find out. Toward the end of his relationship with Fernand and Réal, when things were in a very bad state indeed, he and Réal met in a Madrid hotel suite to discuss strategy. Réal quit the room for a few minutes to make a telephone call. As was customary among the three partners when any one of them left his luggage unguarded in the presence of any of the others, Elmyr dove for the briefcase on the bed and began rifling its contents. Before Réal returned he had discovered a set of photographs and Kodachrome transparences, as well as a 1965 catalog from the Galeria de Arte Solarium of São Paulo, Brazil; all reproduced one of the three Modigliani drawings shown to him by Pfannstiel and several other paintings that had been left behind, safely stored for his old age, he had reckoned, in the trunk in the Winslow Hotel.

⟨…⟩

While Fernand was in Paris setting himself up in business with the contents of the Winslow trunk, Elmyr was doing a little business of his own. His good intentions—to begin life again, to live as a painter of his own work and obliterate his past existence as a forger—turned out to be intentions and no more. They vanished with his bank account. He had discovered that even in the enlightened, cultured Europe of the 1960s, he couldn't make a living from his own painting. After the show in Milan he made the rounds of the Rome galleries, but they were interested only in commercial work or abstract art. The latter would have been a completely false move on Elmyr's part, and he was determined to paint no more palm trees and pink poodles. Once again, naturally, he was nearly broke; life in a city like Rome, wining and dining with the upper classes and buying drinks for young men on the Via Veneto, was not cheap. It was a familiar dilemma and he wasted no time dangling painfully from its horns. With his by now customary sigh, he bought a fresh set of art books, French paper, canvas, ink, pastels, watercolors and the correct oils, and set to work in his studio. He had hardly lost his touch; if anything, it had improved. After a month's labor he had a collection of some twenty-five Renoir and Degas pastels, Chagall and Derain watercolors and Matisse drawings.

«Fake!»

⟨…⟩

Fernand, of course, had by then parlayed the contents of the Winslow trunk into a burgeoning business and a steadily growing reputation as an art dealer specializing in French Post-Impressionist masterpieces. He had always had some wit, and now he had added a cultivated charm to his arsenal of weapons. Nor had his years in America been wasted; he had become a devotee and now a specialist of the hard sell. Through his connections in the homosexual establishment of Paris he was able to meet a good many dealers and collectors—the rest was a question of coming up with the goods. This, somehow, he always managed to do, snaring this and that on consignment and occasionally offering things even before he had been commissioned to do so. With the profit from the Winslow trunk he had also bought three genuine Dufy watercolors from a Dr. Alexandre Roudinesco, who had been a close friend of and physician to both Dufy and Vlaminck. Queried some years later, Dr. Roudinesco said: «I didn't want to part with them, but he was a terribly persistent young man. He kept pestering me and in the end I was worn out and agreed».

⟨…⟩

Elmyr browsed through galleries and museums and bought some Dufy portfolios at secondhand bookstores. Still, he hung back; he painted nothing while he was in Paris. Fernand already knew that whatever Elmyr did he could undoubtedly sell, since he had foisted off the entire contents of the Winslow trunk with no trouble whatsoever. But he tried not to press too much. «I was the goose that would eventually lay all the golden eggs», Elmyr realized later, «and he didn't want to kill it».

⟨…⟩

Whatever Elmyr had taught him in America about selling, Fernand had now added some refinements to the business that smacked of his own brand of genius. He soon moved from the rue de la Pompe to a small but more elegant apartment in the Avenue de Suffren. The first batch of Dufys were sold for an average of $8.000 each, and soon the walls in the Avenue de Suffren were covered as well with Derains, Vlamincks and three large Matisse oils. He also had a real Vlaminck and a fine genuine Renoir oil. Thanks to the Winslow trunk, Fernand was already known in New York and Paris as a courtier, a private art dealer, and now that he was once again in active business with Elmyr he swiftly became, in that stylish world of art buyers and dealers, mildly famous—or infamous—as both a personality and a get-rich-quick young businessman. ⟨…⟩

Policeman Averts Peril in Steam Blast

by Alfred E. Clark

A traffic patrolman acted quickly yesterday afternoon to save motorists and pedes trians from possible death or serious injury when a 16‐inch steam trunkline exploded at 55th Street and Madison Avenue.

The policeman, Joseph Jamieson of Safety Unit B, who has been handling heavy traf fic on the East Side for 13 years, was on duty at 2:30 P.M. at 57th and Madison when he saw steam spurting from a manhole.

He ran a block south and noticed that «the manhole covers in the gutter were rumbling». Fearing an explo sion, he ran toward 55th Street, warning pedestrians to turn around and walk south. At the intersection he stopped northbound vehicular traffic and then also cut off traffic that was moving west along 55th.

Patrolman Jamison, who is 46 years old and has an award for excellent police duty, telephoned from a near by store to summon emer gency units from the Police and Fire Departments. About 10 minutes later, with a muf fled roar, the central area of the intersection at 55th Street went up, spraying dirt and rocks in all directions.

Deputy Fire Chief Anthony Costa said that when fire apparatus arrived, «hot steam was shooting hundreds of feet straight up in the air».

No injuries were reported, even though the sandy and rocky debris covered hun dreds of feet along Madison Avenue and on 55th Street.

At the southwest corner, a 37‐story glass‐enclosed build ing, to be known as Finland House, is under construction. Workers there reported that none of the glass had been cracked or damaged by the explosion. Directly opposite, at the Winslow Hotel, a spokesman said that no win dows had been damaged.

Two large holes were blasted in the pavement, one about 6 by 10 feet and the other about 5 feet square, Dense clouds of steam issued from the holes as crews from the Consolidated Edison Cam sought to isolate the break by shutting valves in the area.

According to Assistant Chief Inspector Fred Kowsky of the Police Department, the steam must have taken about 15 minutes to build up pres sure, after the main ruptured; before breaking through the pavement. A spokesman for Con Edison said workmen would have to dig out the hole to determine what had caused the break.

Hugh O'Connor, manager of the Mark Cross store at Fifth Avenue and 55th Street, said steam was escaping be fore 2 P.M.

Then Mr. O'Connor said, «something caved in. With that the steam shot up, tak ing a good part of the street with it, until it was like snow ing—only it was sand».

«The New York Times», May 2, 1970

«The Card Castle»

Matty Simmons

«The Card Castle»
// New York: «G.P.Putman's Sons», 1970,
hardcover + dust jacket, 252 p.

⟨…⟩

I kept an eye on Eddie for the next hour. He had a half-dozen Scotches, talked, with much handwaving and laughing, with Jan and Linda Haveron and her husband, a tall, chalk-faced, sour-looking man who was supposed to be the most difficult business tycoon alive, and at one point even stopped to talk to Dan Merlin whom he'd apparently known from Casa Mañana — Dan being a well-known man-about-cafés. Finally I walked over to him. «Enough of this bullshit», I said. «We have to talk».

«The Card Castle»

He laughed and put an arm around my shoulder. «I knew you didn't invite me here to show me off, although I think the broads here like the idea of having a real live hood around. Whadda yah want?»

«Come on», I said. I waved to Phil, and we walked toward the bedroom. A big blonde stepped in front of us and put a hand out to Eddie. «Eddie,» she sighed, «how've you been?»

The black eyes danced a greeting. «Hey, baby. How you?»

The blonde didn't want to let him leave. «Eddie, why haven't you called me?»

«I'll call you, baby. I really will. I'll call you tomorrow». As we stepped through the crowd, he leaned over to me. «Who the hell was the broad?» he asked.

«I think her husband's in the record business», I said.

«Yeah», he nodded. «Now I remember. The Winslow Hotel».

⟨…⟩

«Self-Interviews»

James Dickey

«Self-Interviews»
// Garden City, New York: «Doubleday & Company», 1970,
hardcover + dust jacket, 190 p.

⟨…⟩ So I left the University and went to New York to become a businessman of whatever kind it's possible to become at the age of thirty-three. This was in April 1956. But when I went to New York, I had acceptances in my pocket from «Poetry» magazine—which had taken «The Father's Body»—and also from the «Hudson Review». I had those to sustain me. I was hired by McCann-Erickson and began to work on the Coca-Cola account. I did some work on the Eddie Fisher show, called «Coke Time». But on weekends I wrote in the hotel room, the Winslow Hotel—I was known at the advertising agency as the «Winslow Boy». I had one of those little bitty rooms where you can stand in the middle and touch all four walls without raising your arms. ⟨…⟩

«Self-Interviews»

«The Fabulous Frauds»

Lawrence Jeppson

«The Fabulous Frauds:
Fascinating Tales of Great Art Forgeries»
// New York: «Weybright and Talley», 1970,
hardcover + dust jacket, 338 p.

⟨…⟩ Besides, to remain in the United States was risky for him. He had peddled a mountain of fakes from coast to coast, had been denounced in California and New York, and was being sought, he supposed, by the F.B.I. He had no such worries in Europe, from which he had been so long absent—but he had no passport. Lessard thought that a lawyer whom he knew in Canada might remedy this lack for $2,000. The three men went to New York together, and Legros and Lessard continued on to Ottawa to see what could be done when and if de Hory could raise the $2,000.

«The Fabulous Frauds: Fascinating Tales of Great Art Forgeries»

While staying at the Winslow Hotel and working on a new collection of fakes, de Hory heard that a good friend, the Princess of Prussia, was in San Antonio; by the time he arrived there, however, she had flown to London. Desperate, de Hory struck up acquaintance with a dealer, who gave a showing of the things that he had hoped to sell to the Princess. A cattle rancher and his wife took an interest in some Degas pastels and a Renoir; two days later de Hory left San Antonio with $30,000. He bought a Corvette in Chicago and had it shipped to him in Paris. He left a Cézanne watercolor and some drawings in a steamer trunk at the Winslow in New York and went to Niagara Falls, where he walked across the border like any tourist. He found Legros and Lessard and gave them $2,000 and plane tickets to Paris in exchange for the passport, which was in the name of Joseph Boutin. When he arrived in Europe, he made no move to renew the partnership, and he later said that he had avoided Legros for nearly a year.

De Hory managed to promote another one-man show of his own works, this time in Milan's Galeria Monte Napoleone in February 1960. Quite possibly he had to use some of his $30,000 to persuade the gallery owner to risk showing an un-known. Only four landscapes were sold.

Legros reportedly found de Hory that summer and proposed that they work together again. De Hory declined, but in the conversation he carelessly revealed that he had left the Cézanne watercolor in storage at the Winslow. As soon as they parted, Legros borrowed money for a one-way ticket to New York, and within forty-eight hours he was airborne. He produced a letter apparently signed by de Hory asking the hotel to give him the trunk. The contents were Fernand Legros's ticket to big-time art fraud. ⟨…⟩

Body of Man, 65, Is Found In Closet of East Side Hotel

A retired 65‐year‐old man was found dead yesterday in the East Side hotel where he had lived for the last 3½ years.

The police said the body of Charles Alexander was found by the bell captain in an 18th floor closet at the Hotel Winslow, 45 East 55th Street. Mr. Alexander had a room on the 16th floor but he was known to frequent the hotel's roof garden on the 18th floor.

Residents of the hotel last remembered seeing Mr. Alexander on Friday. No money was found either on his body or in his room, the police said.

The police said there was an injury to the back of Mr. Alexander's head, but the precise cause of his death will not be known until the Medical Examiner's office completes its investigation.

Detectives at the East 51st Street station, who are investigating the case, said that the death had not yet been classified, as a homicide or otherwise.

«The New York Times», November 30, 1970


⟩ the hotel's roof garden on the 18th floor

17th

Otto Lehmann, Opera Coach; Conducted at City Center

Otto Lehmann, musicologist, conductor and opera coach, died yesterday in Roosevelt Hospital of a stroke. He was 65 years old and lived at the Winslow Hotel, Madison Avenue and 55th Street.

Mr. Lehmann was born in Munich. He studied at the Uni versity of Munich and had been a director of the Munich Opera. A refugee, he came to the United States before World, War II.

He had been a conductor of the New York City Center Opera and the Hartford Opera Company, and taught at the Manhattan School of Music. There are no immediate sur vivors.

«The New York Times», April 30, 1971

Leslie Nelson Jennings, 81, Poet and Editor, Is Dead

Leslie Nelson Jennings, poet and former co‐editor with the, late Harold Vinal of the poetry magazine Voices, died Monday in St. Petersburg, Fla., where he was spending the winter. He was 81 years old and lived at the Hotel Winslow, Madison Avenue at 55th Street.

Mr. Jennings was born in Ware, Mass., and grew up in San Franciico. He contributed poetry to the New Yorker mag azine in its early years and to The New York Times editorial page for many years. Two col lections of his verse were pub lished: «Mill Talk and Other Poems» (1947) and «Footsteps of Departure» (1964).

There are no immediate sur vivors.

«The New York Times», March 30, 1972

Lost Harbor

by Leslie Nelson Jennings

for George Sterling

I

The love of life that captained him could brook
No laggard helm adversive to the gale;
He knew the fleetness of the wind, the look
Of decks aslant under a cloud of sail.
So, when the sea came sucking at the seams,
And mutiny like some dark plague began
Muttering through the turmoil of his dreams,
He sought a harbor where the slow tides ran.

There is a point of no return, where ships
May ride at anchor for a little space.
And then, some starless night, the cable slips,
Leaving an eddy at the mooring place…
Gulls, veer no longer. Sailor, rest your oar.
No tangled wreckage will be washed ashore.

II

So the black vulture slowly shut his wings,
Hovered and fell. We saw a shadow touch
Those lower levels where the small bird sings,
And in the silence we remembered much.
How two had sat and banqueted before
Under the beak and talon, how they slipped,
Self-exiled, through the enigmatic door,
The bread unbroken and the wine unsipped.

Aldebaran still hangs aloft his red
Beacon among the stars. Perhaps you share
More intimately now the old dispute,
Whether there be another table spread,
Or only fable and a broken air,
Vexing the mind, of Orpheus and his lute.

1927

Leslie Nelson Jennings

Grimsby is Unhurt in Icepick Assault

An apparently disturbed young woman attempted to stab Roger Grimsby, an anchorman on WABC‐TV's «Eyewitness News» show, with an icepick shortly after 7 o'clock last night on West 66th Street.

Mr. Grimsby, who was not injured, said he was walking to his newsroom on the block between Central Park West and Columbus Avenue with Douglas Johnson, another newscaster, when he heard footsteps quicken behind him.

The 45‐year‐old newscaster said he wheeled to see an icepick «coming down at me». He said he moved aside and the woman's fist hit him on the shoulder.

He said he and Mr. Johnson, with the help of Geraldo Rivera, another WABC newscaster, and a television security guard who had been walking behind the woman, took her across the street and, with the help of another man on the street, disarmed her.

Mr. Grimsby said the woman, identified by the police as Leslie Darwick, 24 years old, of 45 East 55th Street, had accused him and Bill Beutel, another WABC‐TV anchorman, of saying unkind things about her on the air. Mr. Grimsby called this «a fantasy».

Mr. Grimsby said the same woman had kicked Mr. Beutel in the groin on the West 66th Street block several months ago, accusing Mr. Beutel of having referred to her as a hippopotamus. Mr. Grimsby said Mr. Beutel had declined to prefer charges.

The woman was booked at the West 82nd Street station house on charges of attempted murder and possession of a deadly weapon. In addition to the ice pick, the police found a table knife in her purse.

«The New York Times», December 28, 1973


Wikipedia: Roger Olin Grimsby (September 23, 1928 — June 23, 1995)

Roger Grimsby

Eddie + Betty
I hope your news is good news

Television newsman attacked by woman

New York (UPI) — Television newsman Roger Grimsby was attacked by a young woman with an ice pick Thursday night as he was leaving the WABC-TV studios. The newscaster escaped injury and his assailant was subdued and later charged with attempted murder.

Grimsby had left the studio after completing his «Eyewitness News» show and was walking along West 66th Street and heard footsteps behind him. When «all of a sudden they quickened», Grimsby said he wheeled around, caught the woman's wrist and deflected the ice pick.

Fellow newsman Doug Johnson, who was walking with Grimsby, helped herd the woman across the street, where they pinned her to a car until newsman Geraldo Rivera and an ABC security guard, several paces behind, caught up and helped disarm her. A National Guardsman who witnessed the incident also helped subdue the woman until police arrived.

According to Grimsby, the woman, Leslie Darwick, 24, shouted obscenities at him and accused him of defaming her character on television.

«Lompoc Record», No.205, December 28, 1973

Special filing problems

Simon A. Duchan + Robert A. Schultheis

Special filing problems (Learning activity package 3)
/ Teacher's Edition. Solutions
// Cincinnati, Ohio: «South-Western Publishing Co.», 1974,
paperback, IV+172p.,
ISBN: 0-538-28053-0

Special filing problems

«Memoirs»

Tennessee Williams

«Memoirs»
// Garden City, New York: «Doubleday & Company, Inc.», 1975,
hardcover + dust jacket, XX+266 p.,
ISBN: 0-385-00573-3

⟨…⟩ I had been introduced to two lovers in 1939 by Harold Vinal, editor of «Voices». He was living at the Hotel Winslow on Madison, he had a tiny room with a double-decker bunk and he had invited me over, having published a sequence of my lyrics.

He invited me to meet a pair of «delightful Georgia boys» who were living on Fifty-second Street in conditions close to starvation.

The prospect pleased me so off we went to West Fifty-second, the block of it known in those days as «Tin Pan Alley». The street floor din was frightful but «the boys» had a sparsely furnished room on the second floor, it was a walk-up.

I had no sooner seen one of these boys, with his great dreamy eyes and willowy figure, than I thought, Baby this one's for you. ⟨…⟩

Tennessee Williams «Memoirs»

Wikipedia: Tennessee Williams (March 26, 1911 — February 25, 1983)

Tennessee Williams «Memoiren»
/ Übersetzer: Kai Molvig
// Frankfurt am Main: «S.Fischer Verlag», 1977,
Gebunden, 328 S.,
ISBN: 3-10-092205-0

⟨…⟩ Harold Vinal, Herausgeber von Voices, der auch einen schmalen Gedichtband von mir publiziert hatte, lebte im Jahre 1939 im Hotel «Winslow» am Madison Square in einem winzigen Zimmer mit einem doppelstöckigen Bett.

Eines Tages forderte er mich auf, zu ihm zu kommen, und fragte mich dann, ob ich Lust habe, zwei «entzückende Jungs» aus Georgia kennenzulernen, die in der Fifty-second Street in äußerst bedrängten Verhältnissen lebten, wie er sagte.

Bei der Aussicht, zwei «entzückende Jungs» kennenzulernen, war ich sofort bereit, und wir machten uns auf den Weg zur West Fifty-second Street, zu dem großen Block, der damals unter dem Namen «Tin Pan Alley» bekannt war. Der Lärm zu ebener Erde war entsetzlich; die «Jungs» hatten ein spärlich möbliertes Zimmer im ersten Stock ohne Fahrstuhl.

Kaum hatte ich den einen der beiden jungen Männer, gerten-schlank und mit verträumten Augen, erblickt, als ich dachte: Baby, der ist was für dich. ⟨…⟩

The Winslow 1976

Эдуард Лимонов на террасе The Winslow Hotel

Эдуард Лимонов на террасе «The Winslow Hotel», 17-й этаж.

Эдуард Лимонов на террасе The Winslow Hotel
Эдуард Лимонов на террасе The Winslow Hotel
Эдуард Лимонов на террасе The Winslow Hotel

За спиной Лимонова — The Berkshire Hotel

The Berkshire

The Berkshire
Madison avenue at 52nd Street

York The 24‐Hour Beauty Part

by John Leonard

It is 2 o'clock in the morning. A cab pulls up at the corner of 55th and Madison. A young woman gets out and disappears into the Hotel Winslow. Four hours later, she reappears. The doorman has arranged for another cab to be waiting. She dissolves, like aspirin, into the watery dawn.

Wrong is the conclusion you have probably jumped to. She didn't perform a service. She purchased one. She was teased, stripped, cut, waxed, lashed, scalped, nailed, frosted and blow‐dried. She may also have been playing backgammon.

In the watches of the night, she had a need. There was a place to go for it, like a bar or a delicatessen or a filling station or a coin‐operated icecube machine. Since her need was to be beautiful, she went to Larry Mathews's 24‐hour beauty parlor on the second floor of the Hotel Winslow.

⟨…⟩

In this town, at 2 o'clock in the morning you can't get into most churches, but electrolysis and pedicures are a cinch.

Larry Mathews says he is the father of the 24‐hour beauty parlor. Beauty has always been his business. On being discharged from the Army with a camera, he set up shop as a studio photographer specializing in publicity stills for aspiring starlets. Before he snapped, he liked to work on their eyes and mouths, which led him into theatrical makeup and cosmetics. Considering his clientele — showgirls at the Copa and the Latin Quarter — a 24‐hour beauty parlor was a natural.

He opened his first in 1953 in the Great Northern Hotel. (Hotels are nice for all‐night beauty parlors because women can taxi to and from them down mean streets, and there's someone officially protective in the lobby. Before long, he was engineering the images of the nightcrawlers and early birds of the TV talk shows, not to mention Eleanor Roosevelt, Marilyn Monroe and Jacqueline Susann.

As of two years ago he was the William Randolph Hearst of after‐hours body styling, with a chain of 131 salons from New York to Miami to Las Vegas to Hollywood. Then, except for the Madison Avenue shop, he sold out.

Mt. Mathews aspires to being a kind of Johnny Appleseed of beauty secrets: Get them out of the salon and into the home. The Hotel Winslow, he said the other morning as the place filled up with business‐women getting a treatment before they went to work, is his «laboratory».

Beauty is too expensive: «No haircut is worth $50. Every month you have to cut it again. It's ridiculous to spend $35 to have your legs waxed. It's even more ridiculous to spend $100 for an ounce of perfume. A woman's lucky if she finds two essences in her whole life that work with her body oils. If she finds them, are they supposed to be so expensive that she dabs them on only for special occasions? If my wife spent $100 for an ounce of perfume, I'd have to shoot her».

He hasn't shot her because she wears Simila. Mr. Mathews is the American distributor of Simila, a line of «French fragrence copies» developed in Switzerland by Gabriel and Francois Fabiani. The Fabianis spent six years learning to duplicate the fragrances of Chapel, Arpege, Joy, Shalimar and Bal a Versailles. The perfume industry sued them, and lost.

«They don't own the essence», says Mr. Mathews. «They own the label. You don't wear the label. You wear the smell. A smell's not a Gucci belt. Why pay for the label, the bottling and the advertising? With Simile, you can smell like Chanel for $10 an ounce».

He has his own line of cosmetics, which is soon to go, along with the fragrance copies, into Larry Mathews Cosmetics Centers — mirrored modules, or beauty booths — in 800 department stores and shopping centers. The first such module is scheduled to open in Gimbels this fall. He expects to sell $1 million worth of Simile alone by Christmas.

And then there is Hair Off. On the morning he talked to a reporter, Mr. Mathews was also filming a television commercial for Hair Off, a do it yourself depilation kit he developed by accident.

«We were trying to build a machine that wouldn't burn women during waxing», he says. «We stumbled onto Hair Off. It's going out to every country in the world. We're sending it to 100,000 hairdressers».

On body hair, Mr. Mathews is eloquent. «Women shouldn't shave», he says. «You shave and you're growing a beard all over your body. You're making stubble for yourself. For Hair Off, all you need to know is which way your hair grows, then rub it in. It tears out the roots. It keeps you smooth for 12 weeks. And even if you neglect yourself for another month after that, all you've got is baby fuzz, not stubble».

Mr. Mathews surveyed his salon, the backgammon tables and the portraits of beautiful women on the walls. «Pampering», he says, «is what it's all about». Starting at 3 o'clock every afternoon, he serves cocktails. «But the beauty business is a serious business. I'm sort of a surgeon. Not looking good is like a cancer. There's a lot of pain in not being beautiful. Many women want to commit suicide because of their looks. That's serious. The beauty salons of the future will all be attached to health clubs».

Perhaps. But perhaps, for once, Mr. Mathews is insufficiently ambitious. Why not put all of our anxieties into a single basket, a kind of convention center or supermarket of the self? There would be a beauty parlor, a health club, a gym, confessional stalls, cells for meditation and sensitivity training, rumpus room for piano lessons and primal‐screaming and speed‐reading and shorthand and sex therapy and Berlitz.

We would creep in, as silent as a bruise, to be made up, made happy. To be sad is anti‐American. Our mission, since the Enlightenment, has been to look better, feel better, do better, be better, every day in every way. That's why, like Mr. Mathews, we keep hustling.

«The New York Times», August 16, 1976

Larry Mathews, a 24-Hour Hairdresser, Dies at 86

by Douglas Martin

Larry Mathews, who earned a reputation as New York's most wide-awake hairdresser by opening what seems to have been the city's first 24-hour beauty parlor to serve insomniacs, talk-show guests, showgirls and other working women, died on Tuesday in Aventura, Fla. He was 86.

His family announced his death.

⟨…⟩

Mr. Mathews served the nocturnal need of those seeking teasing, frosting, cutting, waxing, eyebrow enhancement, nail coloring, blow-drying and more. Clients — who he said included Jacqueline Susann, Eleanor Roosevelt and Marilyn Monroe — were invited to play backgammon or sip a cocktail as their appearances became more pleasing.

The beautification enterprise belonged to an era when, at least in memory, more places seemed to be open much later in New York, if not all night. At 4 a.m., you could down a cheeseburger at the Brasserie in the Seagram Building, take a Turkish bath at Luxor Baths, shoot a game of pool at McGirr's Billiard Academy. You could buy a coconut at a Ninth Street fruit stand or a potted palm on Lexington Avenue.

As Mr. Mathews saw it, his all-hours beauty parlors (he eventually had dozens) fulfilled an urgent demand.

«I'm sort of like a surgeon», he said in an interview with The New York Times in 1976. «Not looking good is like a cancer. There's a lot of pain in not being beautiful».

At his peak in the early 1970s, Mr. Mathews had expanded his after-hours cosmetology concept across the nation to 131 salons, from Miami to Las Vegas to Hollywood. He sold the chain in 1974.

His commitment to convenience was shown by regularly sending a limousine to pick up a woman's wig in the morning so his staff could set it and comb it, then deliver it in time for an evening engagement.

His beauty ventures also included a line of copies of famous French fragrances like Chanel and Joy. The perfume industry sued and lost.

By accident, when Mr. Mathews was trying to build a machine that would not burn women during waxing, he developed a cream for painless depilation. Called Hair Off, it became a staple in beauty parlors and later was sold for home use.

Mr. Mathews could wax eloquent on the subject of body hair.

«Women shouldn't shave», he said to The Times. «You shave and you're growing a beard all over your body. You're making stubble for yourself».

Hair Off, by contrast, left only baby fuzz, he promised.

Mr. Mathews learned some photography in the Army and after his discharge set up shop as a studio photographer, specializing in publicity stills for aspiring starlets. Before he snapped the photographs, he liked to work on their eyes and mouths, which led him into theatrical makeup and cosmetics.

His clientele was showgirls at the Copacabana and the Latin Quarter, so a 24-hour beauty salon seemed a logical step. He opened his first in 1953 in the Great Northern Hotel on West 57th Street near Carnegie Hall, enabling him to cater to show-business people. He reasoned that a hotel was a nice location for all-night beauty parlors because there was someone protective in the lobby.

All his stylists were men who specialized in the exotic coiffures the Broadway-type customers requested. Free makeup consultations were available on the first visit if women wanted them.

Despite having many well-off customers, Mr. Mathews was provocatively populist when it came to the sacred cows of the beauty business.

«No haircut is worth $50», he told The Times. «Every month you have to have it cut again. It's ridiculous to spend $35 to have your legs waxed. It's even more ridiculous to spend $100 for an ounce of perfume».

His solution to the perfume question was his line of copies of French fragrances, developed in Switzerland and sold for $10 an ounce. As for hair, he said in an interview with The Times in 1961 that wearing wigs could cut a woman's beauty bill by 40 percent. He said they remained set for as long as three months.

Asked who would buy them, he answered, «About half the regulars at the Copacabana».

Mr. Mathews is survived by his daughter, B. Ryan, and three grandchildren.

John Leonard, in the 1976 «About New York» column in which Mr. Mathews was interviewed, summed up his achievement as a beauty magnate.

«In this town, at 2 o'clock in the morning», he wrote, «you can't get into most churches, but electrolysis and pedicures are a cinch».

«The New York Times», August 5, 2007

The Winslow Hotel

Just a step, or two, from what you want to do (and where you want to be) in mid-town Manhattan,

NEW YORK CITY

and at most reasonable rates
• $18 single • $24 double
212-PL 3-6800

Maduon Avenue & 55th Street
New York, New York 10022

«The Warrensburg-Lake George News», August 19, 1976

The Winslow Hotel

Woman Found Dead In Elevator Shaft

New York (UPI) — The body of the elderly night manager of a midtown Manhattan hotel was found at the bottom of the hotel's elevator shaft Monday, police reported.

Police said Erna Katz, 72, of Manhattan was found dead at the bottom of the elevator shaft of the St. Winslow Hotel. They said she apparently had fallen to her death.

«Buffalo Courier-Express», August 31, 1976

«Misfortune and failure hover invisibly over our hotel. During the time I have lived here two older women have thrown themselves out the window. One of them, a Frenchwoman I was told, with a face that still preserved traces of beauty, had always paced the corridor inconsolably; she threw herself from her fourteenth-floor window into the courtyard, the light-well. In addition to these two victims God very recently took the proprietress, or rather the mother of the proprietor, who is a huge, elephantine Jew in a yarmulke, I met him once at a party given by my American girl friend Roseanne. The proprietor's mother, like all old women, loved to give orders at the hotel, although the proprietor of our dirty little establishment owns forty-five other buildings in New York. Why she enjoyed hanging around all day and pointing out things for the hotel employees to do I don't know. Perhaps she was a sadist. Recently she disappeared. They found her later that day, a crumpled and mutilated corpse in the elevator shaft. The devil lives alongside us. Having seen a lot of films about exorcists, I am beginning to think it's the devil. From my window I can see the St. Regis Sheraton. I think about that hotel with envy. And, without prospect, dream of moving there if I get rich».

Edward Limonov

Edward Limonov
«It's Me, Eddie: a Fictional Memoir»
1976

«Stealing from the rich»

David McClintick

«Stealing from the rich:
the story of the swindle of the century»
// New York: «M. Evans and Company», 1977,
hardcover + dust jacket, 336 p.,
ISBN-13: 978-0-87131-240-9

⟨…⟩ The first meeting was just a brief encounter on the hospital grounds. But Fitzgerald and Trippet soon got to know each other better, and it didn't take Trippet long to grasp that despite Fitzgerald's personal problems, he was a very able man.

«Stealing from the rich»

The two lost touch. Harry Fitzgerald was in and out of other alcoholism facilities in subsequent months. His wife divorced him in Mexico. Trippet heard he had died. But the two men met again by chance on a blustery day in New York City in front of the Winslow Hotel, at Fifty-fifth Street and Madison Avenue. Trippet did a double-take. «I thought you were dead».

«Almost but not quite», Fitzgerald said. He had been released from a treatment facility but still was having difficulty controlling his drinking and was out of work and nearly penniless. He was living on what he could make washing dishes and sweeping out Alcoholics Anonymous meeting halls, where he spent part of each day.

Trippet, in New York completing the sale of $870,000 in Home-Stake interests, was feeling benevolent. He asked Fitzgerald if he would be interested in selling oil-drilling investments. Fitzgerald, who had had considerable oil business experience, said he was interested and would contact Trippet soon. Fitzgerald would always remember that meeting in front of the Winslow as a turning point in his life.

⟨…⟩

Fitzgerald gave Trippet a handwritten letter of resignation in June.

My mental and physical condition have deteriorated to such an extent that I can't even begin to continue… You have been my loyal friend and have probably done more for me than anyone I know… Don't worry about me. (Remember I've been to the Winslow.) As long as I'm breathing I'll stay warm on a full stomach and so will Mary Anne and the children.

(The Winslow was the New York hotel where Trippet had found Fitzgerald unemployed and broke and had offered him work with Home-Stake.) ⟨…⟩

Durst Organization estate files 11078295

Creator: Seymour B. Durst, 1913–1995
Creator: Durst Organization
Title: Durst Organization estate files
Date [bulk]: 1949-1988

⟨…⟩

Scope and Contents
Photographs included

551–53 Madison Ave., New York, NY (The Winslow Hotel, Madison & 55th aka 45 E. 55 St.), 1978, box 20

⟨…⟩

Avery Architectural and Fine Arts Library

from: Avery Drawings & Archives ⟨avery-drawings@columbia.edu⟩
to: "jewsejka@gmail.com" ⟨jewsejka@gmail.com⟩
date: 31 Jul 2026, 18:34
subject: Re: Request for access to photograph of The Winslow Hotel (1978)

Dear Alexey,

I'm following up from Avery Drawings & Archives in response to your inquiry.

Thank you for your patience while I closely reviewed these materials for The Winslow Hotel in our collection of Durst Organization estate files. Unfortunately, there are no photographs included with these materials, which are miscellaneous records related to the hotel's estate. We do not appear to have any other collection materials related to this hotel.

Apologies that we could not be of more assistance. We wish you the best with your continued research.

Best,
Jennifer Helminski
Drawings & Archives | Avery Architectural & Fine Arts Library

Hair Care

Manhattan

Larry Matthews 24-Hour Beauty Salon

45 East 55th St., in the Winslow Hotel

246-6100

Sundays 9 A.M. to 5 P.M. All other days, 24 hours of head-to-toe beauty care.

«New York», June 19, 1978

Larry Matthews 24-Hour Beauty Salon

City by Moonlight — The Gallant Spirit

by Dick Schapp • with The Herald Tribune Staff
New York, «Herald Tribune», Thursday, November 11, 1965

«Expanding Horizons»
// New York: «Harcourt Brace Jovanovich, Inc.», 1979,
hardcover, XVI+528 p.,
ISBN: 0-15-331793-0

…In the cockpit of his TWA airliner coming into Kennedy Airport from Pittsburgh, Capt. William Brown began his approach to runway 4-right. «Captain», said his copilot, «the runway lights are starting to dim».

On an elevator leaving the lobby of the Winslow Hotel, on Madison Ave., a 91-year-old woman, Mrs. Edgar Moyes, began to relax for the ride up. Before the car reached the second floor, it rocked to a halt. …

And in the Independent «D» train, moving southward out of the 50th St. Station, Gabriel Rosenthal began to read his evening newspaper. Suddenly, the car lurched to a stop.

Everywhere, lights flickered, died, glowed again and died. Television screens sputtered, then went blank. And electric clocks stood still.

The time was 5:28 p.m. EST, November 9, 1965.

The brightest city in the world had gone dark.

There was, incredibly, almost no panic, no chaos; only, at first, understandable nervousness, then a remarkable demonstration of … cooperation among New Yorkers. …

30 Million

At first, people everywhere suspected that it was only … their house or their neighborhood, but then, as they took to the streets, … they began to realize the enormity of the situation. Quickly, most people learned that the whole city—except Staten Island—had gone dark, a weird darkness cut by the headlights of cars … and the sudden glares of flashlights and the glow of an almost full moon.

Within minutes after the power failed, Times Square was filled with people, remarkably well-mannered, remarkably well-behaved. The traffic in the area moved carefully, but smoothly. Slowly, word filtered through the crowd about the power failures elsewhere, in Boston, in Toronto, in Buffalo, spreading over 80,000 square miles, touching at least parts of eight states plus Canada, affecting perhaps 30 million people. …

Friendship

Even in the trapped subway cars, as on the streets and in offices, spirit was high and new friendships sprang up by chance. …

With the subways stopped, with streets frequently clogged, with the commuter trains to Long Island, Connecticut and Westchester idled, the city, of course, was jammed with people. Hotel rooms in Midtown disappeared early. The restaurants that stayed open did terrific business in sandwiches and uncooked meals. They all operated by candlelight, and even the 10-cent coffee spots looked, in the eerie glow, like French cafes. Rent-a-car outlets did the best business they could—considering that they couldn't operate elevators to bring down cars garaged above street level. …

It was cold on the streets, 46 degrees when the power failed, 34 before it resumed. But people who could wander, by car or by foot, saw a fascinating city, lit by the moon: saw the Statue of Liberty's torch burning in the harbor and saw the bright shore lights of New Jersey and Staten Island, which still had most of their power.

Everything about the whole black evening had a touch of the unreal, but the most stunning aspect, and the most pleasant, was the almost unbelievably impressive behavior of the people of New York. … An overwhelming majority of New Yorkers were calm, were helpful, were considerate and were law-abiding. …

Trapped

The 91-year-old woman who was trapped in the elevator at the Winslow Hotel was rescued, for instance, by volunteers. Robert Joyner, a sailor from Alabama on leave in New York, joined a 17-year-old high school student, Thomas Carmichael, and a 25-year-old writer, Howard Junker, in rescuing Mrs. Moyes and four other persons from the stuck elevator. …

Throughout the city, people were helping out any way they could. Countless drivers picked up stranded persons and, without charge, dropped them off around Manhattan and the other boroughs.

At 7:30 p.m., three teenage shipping clerks took over the direction of traffic at Seventh Ave. and 40th St., a busy intersection. «Have you been deputized or are you just public-spirited?» one was asked.

«Public-spirited, I guess», said Michael Miller. «We saw this traffic piling up, and we figured instead of just watching we ought to do something. …»

«Marsden Hartley»

Barbara Haskell

«Marsden Hartley»
// New York: Whitney Museum of American Art,
in association with «New York University Press», 1980,
hardcover + dustjacket, 224 p.,
ISBN: 0-8147-3405-7

⟨…⟩

1941

Spring. Returns to New York City in March and lives in Hotel Winslow, where he stays when in New York during the next three years. Begins to be represented by the Macbeth Gallery.

⟨…⟩

«Marsden Hartley»

Wikipedia: Marsden Hartley (January 4, 1877 — September 2, 1943)

New York. Map of Midtown Manhattan

New York. Map of Midtown Manhattan

Author: Constantine Anderson

Date: 1981

Short Title: New York. Map of Midtown Manhattan.

Publisher: Anderson Isometric Maps

Publisher Location: New York

Type: Separate Map

Obj Height cm: 94
Obj Width cm: 61

City: New York (N.Y.)
Region: Manhattan

Subject: Pictorial map

Full Title: New York. Map of Midtown Manhattan in Detailed Axonometric Projection.

«Davin Rumsey Map Collection»

The Winslow

The Winslow Hotel

«Top of the fifties» in renovation

When Charles H. Shaw and Frederick DeMatteis bought the Winslow Hotel at 551 Madison Avenue at 55th Street in 1978, they were convinced it was a rare location that could support commercial or residential uses and they did not have precise plans.

Mr. Shaw, whose development company is based in Chicago, and Mr. DeMatteis, the chairman of the DeMatteis Organization of Elmont, L.I., are partners in sdveral other Manhattan projects, including the 54-story Museum of Modern Art tower, a mixed-use project on West 53d Street.

Their first plan was to upgrade the hotel, but Mr. Shaw said their analysis showed that its limited ground floor space was inadequate for a luxury hotel. Mr. Shaw said they considered converting to apartments, but that yield in relation to costs was nat as attractive as a conversion to offices. They decided to renovate.

Noticing a resemblance between the Winslow, built several decades ago, and the A.T.&T. building under construction across the avenue, they decided to make a conscious reference to it. The A.T.&T. building, designed by Philip Johnson and John Burgee, has stirred up considerable comment over its broken pediment.

According to Edward V. Giannasca, the architect for the renovation of 551 Madison Avenue, the major change to the 17-story building's masonry facade is that its window openings will be enlarged and linked vertically, within the existing masonry piers. Its Mediterranean tile shingle roof remains.

Mr. Shaw said he expected to open the 110,000-square-foot building, which will be known as «Top of the Fifties», in about 12 months. The total development cost of the project is about $25 million.

«The New York Times», July 5, 1981

Edward V. Giannasca

Edward V. Giannasca

«…Edward V. Giannasca, the architect for the renovation of 551 Madison Avenue»

Upper-End residential developer

by Diane Henry

⟨…⟩

He [Mr. Shaw] moved to Chicago in 1968, to build the Lake Point Tower, then renewed his interest in New York in 1975, at a time, he said, when «everyone was saying New York was on the verge of bankrupcy».

«I felt people who said New York's days were over were wrong», he said. «I didn't know precisely where or what, but I knew I wanted to do a project in New York. I just thought they were wrong».

He moved very cautiously in such an environment. After four years of looking, he started buying in 1979. First he bought the Winslow Hotel at 551 Madison Avenue, at 55th Street, followed by three other Manhattan ventures: the Museum Tower, another condominium building at 40 East 94th Street, and an apartment building at 90th Street and Third Avenue.

Continental Bank of Illinois is Mr. Shaw's principal source of financing. Mr. Shaw said he has known his partner, Mr. DeMatteis, for 20 years, so long that Mr. Shaw does not recall exactly where or when they first met. The Winslow renovation is scheduled for completion next year.

⟨…⟩

«The New York Times», January 13, 1982

City Adding 3,500 Hotel Rooms

Travel from abroad has declined and hotel occupancy has slipped, butt he momentum of new hotel construction in Manhattan is continuing as w ork proceeds on seven new or totally reconstructed hotels.

⟨…⟩

They will add 3,500 rooms to the largest inventory of hotel rooms of any city in the country — about 77,000 in Manhattan and 97,800 in all five boroughs. And they are geared to a spectrum of visitors to the city — the foreign and domestic business traveler, the convention-goer and the tourist.

The current crop of buildings comes in the wake of the completion of such major facilities as the Grand Hyatt, the Helmsley Palace, the Parker Meridien, the United Nations Plaza, the Milford Plaza and the Vista International within the last two years. Three of the seven new projects are the work of foreign hotel groups, suggesting the ongoing attraction of the city for foreign investment as well as for foreign visitors and tourists.

These are the new projects:

* The Ritz-Carlton, a luxury-class hotel with 260 rooms, built in the shell of the old Navarro Hotel at 112 Central Park South. It opened for guests Oct. 1. The owner is John B. Coleman, who also owns the Tremont and the Whitehall in Chicago and has developed the Ritz-Carlton Washington in the old Fairfax Hotel there.

* The as-yet unnamed tower that Novotel, the French chain, is building on top of an existing four-story commercial building on the west side of Broadway between 51st Street and 52d Street. Lindy's restaurant was once a Broadway landmark on the site. Novotel is planning 480 rooms in a building with 30 floors, with a shuttle elevator to the main lobby on the fourth floor. The name Novotel Broadway is under consideration, a spokesman said. A Jan. 15, 1984, opening is planned.

* The Nova-Park Gotham, in the former Gotham Hotel on Fifth Avenue at 55th Street. It is in the midst of reconstruction as a luxuryclass facility with 255 rooms and suites. The owner is the Nova-Park Group, a Swiss concern with hotels in Switzerland, Paris and the Middle East. The opening is expected in the early spring of next year.

* The reconstruction of the former Alrae Hotel at 37 East 64th Street, between Madison and Park Avenues, a 161-room 16-story luxuryclass hotel to be owned and operated by Trusthouse Forte, the British chain. It is to open early in 1984.

* The Barbizon Hotel on 68th Street east of Lexington Avenue, still in the process of a floor-by-floor rehabilitation, although some renovated floors have already opened. The work is to be completed by January, with 360 refurbished rooms and penthouse suites, plus new public facilities. The building was formerly the Barbizon Hotel for Women. David Teitelbaum is the developer.

* The United Nations Plaza Tower under construction on the north side of 44th Street west of First Avenue. It will be an apartment hotel from the 29th through the 40th floors of a mixed-use office and hotel building. The United Nations Development Corporation is the developer. The hotel will have 198 rooms for transients, 115 of them suites. The opening is scheduled for next May.

* The 50-story luxury convention hotel known to New Yorkers as the Portman hotel, but as yet unnamed, on the west side of Broadway between 45th and 46th Streets. The Marriott Hotel Corporation is building it in partnership with John Portman, the Atlanta architect and developer, and will operate it. Plans call for 1,980 rooms, a 1,500-seat legitimate theater and a revolving rooftop restaurant. The completion target is April 1985.

One notable characteristic of these projects taken together is that they are directed toward a spectrum of the market for hotel rooms in the city.

The Ritz-Carlton and the Alrae reconstruction by Trusthouse Forte are described by hotel consultants as luxury-class facilities whose typical guest is the international or American corporate executive traveler. The Ritz-Carlton is designed to create the «ambience of an elegant English country house», said Mr. Coleman. Its lobby has a marble floor and pine paneling.

The Nova-Park Gotham will also be a high-tariff luxury hotel, but it will have far more facilities — six restaurants and 10 bars, some of which will offer entertainment, plus a rooftop pool and health club. The hotel intends to make «a special bid for local people who won't necessarily be guests of the hotel», said Christian F. Schunack, the general manager.

Luxury hotels in the current market seek rates of about $150 to $200 a night, hotel specialists say. At the Ritz-Carlton, as an example, single rooms are obtainable for $125, $145 and $185 a night, and doubles for $145, $165 and $205. The rate schedules for the hotels with future opening have not been set, but at the Marriott-Portman hotel, single-room rates are likely to average between $140 and $160, a Marriott official said.

At the Nova-Park Gotham rates for single rooms will range between $170 and $210. A presidential suite is to be offered at $1,700 a night.

The Novotel hotel, on the other hand, is described as a «firstclass commercial hotel» catering to corporate accounts, tourists and people in the theater business. Although there is no rate schedule, a spokesman said the rents would be about $100 a room.

The Barbizon caters to the middle-income traveler seeking accommodations on the East Side. From an urban development standpoint, the most significant project is the Marriott-Portman hotel near Times Square. Along with the new convention center being constructed in the West 30's at the Hudson River, it is expected to be a galvanizing force for Midtown West. Another major phase in the midtown West resurgence is the ambitious 42d Street redevelopment program. A 500-room hotel is part of the plan.

Other hotel projects are in various stages of discussion or planning. Among these are a conversion of the old police headquarters building on Centre Street between Broome and Grand Streets, another hotel at Kennedy International Airport and a 350- to 500-room hotel on 125th Street in Harlem.

The city had more than four million visitors in each of the last two years, according to the New York Convention & Visitors Bureau. The new convention center, more accurately described as an exposition center, puts the city in a position to attract as many as 75 expositions, compared with 40 or 50 a year that have used the smaller New York Coliseum. The bureau foresees more than five million visitors a year after the center opens.

As new hotels are built, old ones disappear, so there is not necessarily a net gain in rooms from year to year. Figures kept by Stephen W. Brener, a hotel consultant, suggest that that there has been a steady decline in the inventory since World War II, from 122,400 in 1945 to 97,800 in 1981. The year 1980 was the only one that has shown a net gain in rooms, he said.

In 1981 alone, by Mr. Brener's count, the city lost 3,200 rooms, some of them in hotels that will come back into use when reconstruction is finished. These hotels include the Biltmore, the Gotham, the Abbey Victoria and the Winslow.

⟨…⟩

The closings reflect the unending flux of civic life. Some locations become less suitable for visitors, or land becomes more valuable for other purposes. The Biltmore is becoming an office building. The Abbey Victoria site is being used by Equitable Life for an addition. The 550-room Piccadilly is being demolished as part of the Marriott-Portman hotel site.

In years past, when West 34th Street declined in popularity with visitors, the McAlpin on Broadway became an apartment house and the New Yorker closed as a tourist hotel. In Times Square, the Astor closed in the 1960's when the site was taken for an office building.

As for occupancy, figures for Manhattan only compiled by the firm of Pannell Kerr Forster & Company show occupancy down in the first six months of this year to 68.3 percent from 72.9 percent last year. The slide has been downward since 1979, an exceptional occupancy year at 81.4 percent.

«Faced with dropping occupancy, hoteliers may be forced to offer travelers more package deals», Mr. Brener said. «At the same time, we can expect the first-class luxury establisments to continue to seek average rates around $150 per room and more».

Another analysis, by the firm of Laventhol & Horwath, shows occupancy rates in their seventh consecutive month of decline. Laventhal puts July occupancy at 64.7 percent, or 1.9 percent below the year-earlier month. There has been an across-the-board decline in travel, both American and foreign.

Smaller cities have been particularly hurt by airline deregulation, Mr. Brener said. Flights to such cities are more expensive and less frequent, and their convention business in many cases has suffered.

«The New York Times», November 7, 1982

«Stieglitz: A Memoir / Biography»

Sue Davidson Lowe

«Stieglitz: A Memoir / Biography»
// New York: «Farrar Straus Giroux», 1983,
hardcover + dust jacket, 456 p.,
ISBN: 0-374-26990-4

«Stieglitz: A Memoir / Biography»

⟨…⟩ Failing in health, and deeply depressed since the fall drowning of both young men in his Nova Scotia host family, Hartley's near hysteria and lack of direction might have gained Alfred's sympathy had it not been for the hostility that accompanied them. Hartley had written for his catalogue that he was hoping for a prodigal's welcome from «patient and forgiving Maine», but he was still seething over the critical roasting the year before of his German landscapes for which, paranoiacally, he held Alfred responsible. Why else would Alfred's advice to return to his roots have been echoed in the press? By the time his show was over, his squabbles with Alfred had become so hot and his words so vituperative that both were ready to call it quits. Justifiable or not, Alfred's anger spurred him to give Dorothy a scathing letter he had written Hartley after their first falling-out in 1923 for inclusion (without naming Hartley) in the first issue of her impending magazine, «Twice A Year». Obviously, he felt that the gross insensitivity, ingratitude, and destructiveness he had attributed to the artist fifteen years earlier was still an accurate assessment. Obviously, too, he was relieved when Hartley was taken on by another gallery.

Nevertheless, in 1941, they made up again. Hartley, in residence for the next three winters at the Hotel Winslow, a few blocks away, took to visiting The Place almost every day. Without the contentions over exhibitions and money that their earlier relationship had suffered, he and Alfred were able at last to achieve a certain quiet companionability. ⟨…⟩

MoMA's Santa

by Shawn G. Kennedy

Space has been at a premium at the Museum of Modern Art ever since it began its four-year, $40 million expansion and renovation program. Galleries and administrative offices have been reshuffled, last year the museum was forced to reduce the size of its gift shop, and for a time it seemed that there might not be room for the annual Christmas store this year.

Earlier this month, however, the museum's holiday shop opened, not in the West 54th Street building but on Madison Avenue at 55th Street in space donated by that building's owner. The eleventh-hour Santa was Charles A. Shaw, developer of the Museum Tower condominium, who recently finished renovating 551 Madison, once the Winslow Hotel and now an office building known as the Mellon Financial Center.

«We were really in a tight spot for space», said James Snyder, an administrator at the museum, «and since we do well at Christmas, we did not was to lose the time and we are particularlly grateful to be in that location». He added that the development company had agreed to allow the museum to use the 1,500-square-foot ground floor retail space in the building if a lease was not signed before the shop was to open.

Sesgewick Mead, a spokesman for Mr. Shaw said that if the museum had been a traditional tenant, the space would have leased for about $200 a square foot. «We have a close relationship with the museum we were happy to do it», he said, «and the arrangement has worked well for us by helping to promote the retail space».

The Christmas shop will be open until the end of the year.

«The New York Times», December 4, 1983


MoMA • 11 West 53 Street, Manhattan

«My Life with Dalí»

Amanda Lear

«My Life with Dalí»
// London: «Virgin Books», 1985,
paperback, 302 p.,
ISBN: 978-0-86369-095-2

⟨…⟩ I left for New York, several days later, where for the second time I was to present the collection of Mary Quant. After a few days in Puerto Rico, where I had gone to acquire a light suntan, I arrived in freezing New York City on January the sixth. I checked into the Winslow Hotel, on the corner of 55th Street and Madison Avenue, only fifty yards from the St. Regis where Dali was staying. The evening of my arrival he took me to dinner at El Morocco.

«Persistence of Memory: A Personal Biography of Salvador Dalí»

⟨…⟩

What fart was this? I wondered, as Dali took my arm and propelled me through the lobby, past the window-displays of Chinese antiques, to the King Cole bar. There he stopped to show me the mural which covered the entire wall:

«This is the story of a fart. You see the two guards looking at one another behind the King's back; the one on the right is pretending that nothing has happened. Actually he has just farted and the other has caught wind of it. Isn't that a wonderful picture? New York is full of things like that, just waiting to be discovered, you'll see. I am so happy to have you close to me, in your little Winslow (he pronounced it Weenslove). Are you free for dinner this evening? I shall introduce you to the film producer, Darryl Zanuck. He is threatening to buy one of my canvases, so we will dine with him at Trader Vic's. Gala loathes him and refuses to come».

⟨…⟩

We had lunch at the Lutèce, as arranged. Gala found Deering quite pleasant, but no more than that, while Dali pointed out his bad complexion; all in all he thought he was nothing out of the ordinary. Nevertheless, I'd spent the night with him at the Winslow after an evening at the Salvation discothèque. He was sweet and vulnerable and had an aura of being alone in the world. He reminded me of Tara [Tara Browne]. ⟨…⟩

«Manhattan trivia: the ultimate challenge»

Val Ginter

«Manhattan trivia: the ultimate challenge»
// Boston, Massachusetts: «Quinlan Press», 1985,
paperback, 194 p.,
ISBN: 0-933341-05-9

⟨…⟩

Skyscrapers and brownstones

⟨…⟩

75. The Winslow Hotel. It was too small to be renovated as a hotel, so it was turned into a luxury office building.

⟨…⟩

«Manhattan trivia: the ultimate challenge»

~1985

Эдуард Лимонов

New York City

Midtown Manhattan's unique skyscrapers rise above the city.

Note the rectangular top of the Citicorp Building on the left; while the Chippendale pediment of the AT&T tower is visible in the center of the view.

Photo by Bart Barlow

Pub. by Manhattan Post Card Co., Inc.
71-03 80th Street, Glendale, N.Y. 11385

© MPC

Made in Italy


dimensions: 150×104 mm

«Maxwell»

Joe Haines

«Maxwell»
// London: «Macdonald & Co», 1988,
hardcover + dust jacket, X+526 p.,
ISBN: 0-356-17172-8

⟨…⟩

Detlev Raymond, a former member of the Hitler Youth, who was appointed in the spring of 1946 to be trainee-editor of «Der Berliner», the British military government newspaper for the British sector of Berlin, says that Maxwell's bark is worse than his bite. He might readily be regarded as an expert, having frequently been threatened with being shot by a Maxwell who brutally «confided» to him that he had won his Military Cross for conquering and shooting a number of Germans just like him. Maxwell, at the age of 22 and with the rank of captain in the British army, was the press officer — effectively the censor — of Berlin's post-war democratic press. He was thus in charge of «Der Berliner».

After being bellowed at by Maxwell on his first day in charge for taking an «illegal» hot bath — such luxuries being reserved for British officers — Raymond recounts:

On the second day of this experience — that's what I called it at the time — he bellowed again in my direction «Stuelpnagel, I want you to sell 20,000 cigarettes on the black market, and sell them to the Russians — they pay better. So you will proceed to Leipzig in the Soviet zone of occupation…» At which point I was already fresh enough to interrupt him to say: «Sir, my name is D.J. Raymond and I have been hired by this paper to learn the finer points of putting together a democratically-oriented newspaper, and nowhere does it say in my book that I should sell black market cigarettes to the Russians or go to Leipzig». «Now, you shut up and listen to what I have to tell you», he retorted. «Number one, this here is a democratic institution where I make all the rules and, number two, Leipzig has the only factory intact able to provide us with photographic emulsion to publish this goddamn newspaper. Now you go to Leipzig».

This, said Raymond, was his introduction to a practising democracy, but somehow it made Maxwellian sense and saved the paper. And far from being on the wrong end of a firing squad devised by Maxwell, Raymond was later employed by him in Britain and the United States until he was encouraged by Maxwell to start up his own business.

But before he did so he was involved with him in an incredibly boyish act of mischief in New York in the mid-1950s. Raymond said that Maxwell was not popular in some of the best hostelries in Manhattan because of his habits of choking the switchboard with incoming overseas telephone calls, regularly returning sandwiches he had ordered on the grounds that they were made of cardboard, throwing business correspondence out of the window and scattering newspapers in the corridors. So when Maxwell failed to get a suite in one of his regular hotels he asked Raymond to book him into the Winslow on 55th Street and Madison. Raymond takes up the story:

I said to him «Bob, the Winslow isn't really your type of place. They haven't fixed the rooms in years, the plumbing leaks and, most important, they have switchboard service only until midnight» … to which he replied «Never mind, when will you learn to do what you are told and not always start arguing like a Jewish grandmother?»

The next morning Raymond was denounced by Maxwell for booking him into a flea-pit and told he would be fired (which he wasn't). Maxwell said to him:

I would not have wished on Hitler to have stayed here. Let's put our heads together and think up a good solid lesson we can teach them.

The «good solid lesson» was implemented after Maxwell visited the National Institute of Health where a strain of large fleas was being bred. He acquired a small box full of them — several thousand in all — arranged to check out of the hotel and then released the fleas into the lift shaft. In the early hours of the morning, it is said, the other guests in the Winslow had to be evacuated.

⟨…⟩

«Maxwell»

Wikipedia: Joe Haines (journalist) (January 29, 1928 — February 19, 2025)

Wikipedia: Robert Maxwell (June 10, 1923 — November 5, 1991)

Winslow History («Facebook», 14.08.2024): Does anyone have a Photo of Robert Maxwell on Winslow Market Square when he was elected MP for Buckingham.

Paul Bown: No photo but I was at the pre election hustings when he was speaking at Winslow Market Square.

Patricia Armstrong: We heckled him when he came to our Village. I'll give him one shout out. He knew our Politics but when our dad died he wrote a handwritten letter to my mum. Expressing his sadness at him dying. Dad was only 45.

Steve Robinson: I remember him stood on a box spouting rubbish outside the Green Man in Mursley when I was a kid. Sorry, didn't own a camera then🤷🏻‍♂️


Wikipedia: Winslow, Buckinghamshire

«Bad Dates»

Carole Markin

«Bad Dates:
Celebrities (And Other Talented Types) Reveal Their Worst Nights Out»
// New York: «A Citadel Press Book»
(Carol Publishing Group), 1990,
paperback, 256 p.
ISBN: 0-8065-1158-3

David Brown

David Brown, in partnership with Richard D. Zanuck, produced films such as «Jaws», «The Sting», «The Verdict», «Cocoon» and «Sugarland Express». For years, Brown and Zanuck headed film production at 20th Century-Fox, and later at Warner Brothers. He continues to produce plays, films and TV series.

I was a lonely young man in New York at a time when men outnumbered women. It was before the war. And I was taken by a romantic phrase that I read in the personal ad section of «Saturday Review of Literature». «Girl with windswept hair who loves Mozart, horseback riding, long walks in the country, and wine, seeks man with equal sensitivity and romantic interests. Svelte, sensuous, exceedingly young, nineteen-inch waist, great legs». A knockout.

«Bad Dates»

In the late thirties, we were all on the lookout for sexual adventures. The sexual revolution hadn't taken place and this ad looked like the realization of a great fantasy. Especially to a humble «Women's Wear Daily» reporter, just out of college, with no money and one suit. I was living at the Winslow Hotel at 55th Street and Madison Avenue, paying, I think eight or nine dollars a week for a single room so small that if you opened the door, you fell over the bed. It wasn't the kind of place where one could bring even a woman who wrote this type of ad. As soon as she saw the place, my intentions would be obvious.

Undaunted, I answered the ad.

At the appointed hour, I waited for my date outside the French restaurant I had chosen on West 55th Street. The moment I saw her coming, I panicked. She was twice my size, three times my width and much older than I was. «Wait, I just remembered something», I said to her. «This restaurant has been cited for giving its customers ptomaine poisoning. Let's go somewhere else».

I could ill afford it, but we got into a taxicab and I took her to a restaurant in the farthest reaches of Brooklyn, somewhere no one I knew would see me. I thought, What am I doing with this giant? She could have been all of thirty, but to me, at twenty-one, she was «mother».

The cab ride almost wiped me out; there were no credit cards in those days. By ordering only tea on the pretext of not being hungry, I managed to pay the check. She was a nice woman, but her description of herself would have caused her to be indicted for deceptive advertising!

I never brought up the discrepancy. It would have been ungallant. I simply made small talk with a very large woman.

Today I cringe at the thought of my behavior. If I were to do it all again, I would never be so rude as to hustle her out of a restaurant. Secondly, I would request a photo.

After lunch, I took her home, said it was wonderful.

She telephoned me once. I said, «Look, I'm being transferred to Cleveland». That was the end of it. I didn't break her heart and she certainly didn't break mine.

As a result of this experience, I never answered another personal ad. I still read them, however.

«Tennessee Williams: the last stage»

A Personal Memoir by Bruce Smith

«Costly performances:
Tennessee Williams: the last stage»
// New York: «Paragon House», 1990,
hardcover + dust jacket, 262 p.,
ISBN: 1-55778-175-3

«⟨…⟩ When she heard I had a new male friend, she of course assumed that you were another boyfriend, with no credentials, to be blown off at her whim. She does work against all my relationships with men, I am aware of that. But I deflated her expectations just a bit by telling her that you were in business and had had a successful publishing background. She says she's most interested to meet you, but I can tell she holds out little hope for me in any regard. Oh, one more consideration, baby. The one thing she does try to do that can only meet with universal approbation is to try to stop my drinking. We'll stop for our pre-luncheon cocktails elsewhere before we present ourselves at lunch. There, you will witness me nurse a single glass of wine throughout the ordeal».

As we walked through Manhattan for our «ordeal», Tennessee had an unusually brisk and determined air about him. We stopped, as he had said we would, for pre-luncheon cocktails in a dark little lounge in the Hotel Winslow.

As we settled at the bar, Tennessee said, «Judy Garland used to drink here. She thought no one could see her. Ha, ha! Perhaps we will be more fortunate». ⟨…⟩

«Tennessee Williams: the last stage»

Wikipedia: Tennessee Williams (March 26, 1911 — February 25, 1983)

Becomes the Fief Of an Often Imperious Master

by Alessandra Stanley

The new owner of The Daily News took a moment out of a hectic, fax-filled hour last week to reflect on his overall management style and business philosophy.

⟨…⟩

In the 1950's, his reputation for tying up hotel switchboards and making unappeasable demands on the staff made him unwelcome in some of New York's best hotels. On one occasion, unable to reserve a room at the hotel of his choice, he ended up at the Winslow Hotel on Madison Avenue, which he promptly denounced as a «flea-pit». To make his point, he released 1,000 fleas in the hotel elevator shaft.

⟨…⟩

«The New York Times», March 17, 1991

«Crimes and victims»

Frank Smyth

«Crimes and victims»
// Leicester: Blitz Editions, 1992,
hardcover + dust jacket, 80 p..
ISBN: 1-85605-115-3

⟨…⟩

Elmyr de Hory. Art for Money's Sake

Unable to make a living as a straight artist, Elmyr de Hory turned his talent for pastiche to financial gain. His forged Picassos and Matisses were sold to rich collectors worldwide, yet he himself became the victim of unscrupulous dealers.

⟨…⟩

New partners

By now, Elmyr's forgeries were coming back to haunt him. In Detroit he had found one of his Matisses hanging in the French collection of the art museum. Every book or art magazine he picked up seemed to have a reproduction of his work, sold at auction or hanging in some millionaire's mansion.

«Crimes and victims»

As for his own work, nobody wanted it. He was fifty-two. Deeply depressed, he attempted suicide, but was discovered still alive. And then Legros returned.

He drove Elmyr to Florida to recuperate. But they had no money, and Legros had no intention of taking a job. So Elmyr pulled himself together, produced three lithographs, insisted on Legros taking a bath, shaving and putting on one of his old suits, and sent him out to sell. The partnership was to last, on and off, for nine years.

The deal was that Legros would take 40 per cent of whatever he could sell, while Elmyr would get 60 per cent. But he soon noticed that, while he could afford only to stay in a second-rate hotel, Legros and a Canadian beach-bum called Réal Lessard would be at the best in town. If Elmyr attempted to sell a work on his own initiative, or if he questioned the percentage he was getting, Legros would fly into a wild rage.

After six months, Elmyr decided that the time had come to break with the other two and return to Europe. In October 1959, after a leisurely tour of the Riviera visiting old friends, he arrived in Rome. And there he decided to stay. He took up painting again and, under the name of Joseph Boutin, had a modest success with a one-man show in Milan.

Then one day in 1960, as he sat taking his morning coffee at a little café in Paris, a familiar grubby figure emerged from the Métro and crossed the street to his table. Legros had found him again.

Asked if he had anything for Legros to sell, Elmyr explained that he had decided to give up forgery. All that he had left was in storage in his trunk at the Hotel Winslow in New York. Legros took his leave after a few minutes — but he went straight away to a telephone and called New York in Elmyr's name, announcing that a young man named Fernand Legros would call for the trunk within a week. Then, borrowing some money, he took the first available flight. It was five years later that Elmyr discovered what he had done.

He returned to Rome, but all his good intentions came to naught. He couldn't make a living selling his own paintings.

[?] so he set to work once again. Within a month he had a small collection of Renoir and Degas pastels, Chagall and Derain watercolours and some Matisse drawings. He set off in the Corvette, selling in Switzerland, Germany and Holland. In London he sold the car, and once again, thought about settling down.

⟨…⟩


Wikipedia: Elmyr de Hory (April 14, 1906 — December 11, 1976)

«Marsden Hartley»

Townsend Ludington

«Marsden Hartley: the biography of an American artist»
// Boston: «Little, Brown and Company», 1992,
hardcover + dust jacket, 326 p.,
ISBN: 978-0-316-53537-3

⟨…⟩ He missed his young friend, who during the previous winter and spring had sometimes joined him for dinner near the Hotel Winslow, where Hartley had a small room. Occasionally they had strolled back to the hotel after dinner and continued their discussions for several hours. Hartley had enjoyed his role as sage, and now he remembered «all the dear times we had together and how happy I was with you close to me».

Although a local doctor had told him that he should remain quiet, he expected to paint some and to complete a book of poems and another volume he was writing about the circus. ⟨…⟩

«Marsden Hartley»

Wikipedia: Marsden Hartley (January 4, 1877 — September 2, 1943)

«Charles Burchfield's journals»

Charles Ephraim Burchfield

«Charles Burchfield's journals: the poetry of place»
/ edited by J. Benjamin Townsend
// Albany, New York: «State University of New York Press», 1993,
hardcover + dust jacket, XXVI+738 p.
ISBN: 0-7914-0991-0

⟨…⟩

Gardenville
May 31, 1941

Returned this evening from New York…

I got to New York early Thursday morning [May 29]. I went at once to the Winslow21, then called Frank. He scolded me for coming after all, then said, «I guess I'm glad you did come»—Watkins22 who had spent the night with him, told me afterwards that he said the same thing to him…

The funeral was to be at Peggy's church, on 55th and 1st Ave.…

«Charles Burchfield's journals»

I watched and listened to the long-drawn out Catholic service with mixed feelings—it seemed boring and endless and pagan on one hand; yet on the other, there were elements about it that were impressive, and awe-inspiring—the responsive singing from the rear of church for example was very solemn and powerful in its emotion.

It was over at length, and we left for the cemetery… It was a beautiful cemetery, park-like and vast in extent. The radiance of June…

Afterwards, Frank had us all to lunch at a roadside restaurant.

Then back to the apartment. All left but John Clancy… John told an incident about Jewell (The Times Critic)23 that while seemingly out of place, is nevertheless worth telling, (and it drew such a chuckle from Frank that perhaps it was most appropriate after all).—The incident took place in Sweden, where a number of American critics were attending some sort of convention. They all stayed at the same hotel; it seems that in Sweden, there are no private baths, but one large one on each floor. When a guest is ready for a bath, he telephones word down to the desk and his hour [is] appointed. For Swedes, a big strapping woman comes in and gives the guest a thorough scrubbing and slapping. However, when the guests are American or European, the women are not supposed to appear. In some manner when Jewell's turn came for his bath, the information that he was American did not seep thru. Consequently, when he arrived at the bath, clad in his pajamas, he was amazed at the appearance of the bather, in this instance an unusually powerful woman. His horror can only be guessed at when she proceeded forthwith to remove his pajamas. Jewell, however, fought like a wild man; but to no avail. She stripped him and gave him the usual bath, scrubbing vigorously & slapping, the while he still struggled. Finished with the job, she slapped the soles of his feet vigorously and tossed him into the bathtub.

Anderson24 said when he appeared at lunch he still looked white & shaken.

All left before dinner, and Frank & I were alone except for the maid, Anne.

It was a trying evening. It was not only my feeling for Frank—I was myself oppressed—from the time I received the news, I kept seeing Peggy in all manner of places—in the gallery, walking along the street, sitting at a table in the Winslow dining room, by the radio in her apartment—or sending Frank & I [sic] to a movie with a smile. The apartment was full of the emptiness of her absence. It seemed impossible that she would not appear at any moment.

⟨…⟩


21 Hotel Winslow, New York City, where CEB stayed.

22 Franklin Watkins (1894–1972), American artist, associated with the Rehn gallery.

23 Edward Alden Jewell (1888–1947), art critic of the «New York Times».

24 Unidentified.

«Knowing When to Stop: A Memoir»

Ned Rorem

«Knowing When to Stop: A Memoir»
// New York: «Simon & Schuster», 1994,
hardcover + dust jacket, 608 p.,
ISBN: 0-671-72872-5

⟨…⟩ Paul Bowles himself I would see soon again. Forays up to New York grew more frequent, sometimes legitimate, sometimes not. With Shirley we made several six-hour round trips to cover the complete sequence of Beethoven's piano music offered, with snorting bravura, by Artur Schnabel at Carnegie Hall. (In preparation for these events I relearned all of the thirty-two sonatas, even as in the spring I had tackled all of Schumann. Tackled, not thrown.) On my own I went there mainly to cruise, bedding about, catch as catch can. I've no remembrance of how the days were spent beyond using the shining private washrooms of the Winslow bar on Lexington [?] for my personal toilet (I didn't yet shave much, still don't), and subsisting on milkshakes and apples. ⟨…⟩

«Knowing When to Stop: A Memoir»

«The foremost guide to Uncle Sam collectibles»

Gerald E. Czulewicz Sr.

«The foremost guide to Uncle Sam collectibles»
// Paducah, KY: «Collector Books», 1995,
paperback, 272 p.,
ISBN: 0-89145-650-3

⟨…⟩

PETRUCCELLI, Antonio Designer/illustrator born in Fort Lee, NJ, in 1907, later residing in Mt. Tabro, NJ. Studied: M.M.White. Exhibited: Corona Mundi, New York, 1925 (prize), 1926 (prize); Art Alliance of America for International Press Exchange, Cologne, 1927 (prize); American Society of Control of Cancer, 1928 (prize); Johnson and Faulkner, New York, 1933 (prize); House Beautiful Cover Competition, 1928 (prize), 1929 (prize), 1931 (prize), 1933 (prize). Work: Mural decorator, Hotel Winslow, New York. Designer: Covers for «New Yorker», «Collier's», «Today», and «Fortune» between 1932 and 1937. See plate 226.

⟨…⟩

Antonio Petruccelli

Antonio Petruccelli
September 27, 1907 — November 11, 1994

«Being Direct»

Lester Wunderman

«Being Direct: Making Advertising Pay»
// New York: «Random House», 1996,
hardcover + dust jacket, 308 p.,
ISBN: 0-394-54063-8

⟨…⟩ Maxwell Sackheim & Company was then located just across the street from the Hotel Winslow. I registered there, taking the least expensive room at $30 a day. It contained a single bed, two chairs, a small desk, a bathroom, and, most important, a telephone.

It was Wednesday afternoon, August 20, the first day of my new life. Irving, Ed, and Harry joined me in my «office» at the Winslow. Our combined assets were about $60,000. We had no real office, no company, no credit, and no clients. And we would have to live on our capital until we had some income. ⟨…⟩

«Being Direct»

«The oldest gay couple in America»

Gean Harwood

«The oldest gay couple in America:
A 70-Year Journey Through Same-Sex America»
// Secaucus, New Jersey: «Birch Lane Press», 1997,
hardcover + dust jacket, 304 p.,
ISBN: 978-1-55972-426-5

⟨…⟩ Nevertheless, I still felt bitter about having to abandon Paul, and this was not improved by a phone call from Paul's sister, Phyllis. She asked me to meet her at the Hotel Winslow, where she shared a room with another young woman. I had known from the very beginning of my friendship with Paul that Phyllis would have relished a romantic attachment with me. I had no wish to become a part of some cockeyed family triangle, and the whole thing had been much too awkward for me to even acknowledge. Because my feelings were centered totally on Paul, I never encouraged any of Phyllis's overtures, even though they were obvious. On the other hand, I never knew if she was aware of my relationship with Paul, if she felt any jealousy, or exactly how she rationalized my indifference. This time I had no idea why Phyllis wanted to see me, but the prospect of more complications made me apprehensive. I dreaded the thought of having to deal with some emotional showdown. ⟨…⟩

«The oldest gay couple in America»

«Finding God on the A Train»

Rick Hamlin

«Finding God on the A Train: A Journey into Prayer»
// San Francisco: «HarperSanFrancisco», 1997,
hardcover + dust jacket, 152 p.,
ISBN: 0-06-063596-7

⟨…⟩

Chapter 16

In New York my «day job» was a night job at the now defunct Hotel Winslow. I was a desk clerk on the four-to-midnight shift. At that time the hotel had only thirty permanent residents, all of whom the owners were trying to relocate. The structure was being transformed into an office building. My job was mindless and boring. I sat for hours underneath a few bald lightbulbs, distributing packages and mail to a handful of elderly residents who believed against the evidence that they could stay on in the aging building, one tenant to a floor. I had long hours to myself, to study scripts, write letters, and chat on the phone to friends. The hotel residents, in threadbare coats and moth-eaten hats, would linger in the empty lobby, sitting on the rattling radiators and making polite conversation as though their world weren't crumbling around them.

«Finding God on the A Train»

As most actors' «money jobs» went, it could have been worse. I found plenty of time to memorize scenes for my acting class, learn music, and read through three different daily newspapers. From the front desk I watched the drama of everyday life pass through the shabby lobby: a Russian expatriate cinematographer looking in vain for some news from home, an impoverished French diplomat's wife waiting for an inheritance that never seemed to come, a middle-aged Belgian «nurse» who did more lucrative business at night as a call girl, a Cuban refugee always rushing to Saint Patrick's Cathedral with her rosary beads in hand, and friends of mine who stopped and friends of mine who stopped by on their way home from their more conventional nine-to-five jobs.

One of those friends was a college chum who worked in publishing. She was compiling a calendar of quotations—a provocative quote a day—and to earn some extra money I dutifully retyped the manuscript. She was at a transition point in her career and in her life. She knew she could get a job that earned her more than her publishing salary, or she could earn a lot less and take a risk by doing what she really wanted to do, which was to be a freelance writer. She'd recently forgone the Talbot sweaters and khaki skirts of college days; now, with hair flamboyantly hennaed red, she dressed in Bohemian black or outrageous purple. She rolled her eyes at the motley crew assembled in the lobby and issued sharp, opinionated views on the New York cultural scene. Of course, I advised her on her job quandary. «You should be a writer», I told her. Easy for me to say.

«How do I make money in the meantime?» she asked, ever practical.

«I'm sure I could get you a job here at the hotel», I said. So she left her publishing job and took over the 8:00 a.m. shift, working on her manuscripts at the front desk. I usually came early for my 4:00 p.m. shift, or she lingered, so that we could talk. She was great fun to talk to. Witty, clever, she had strong opinions about everything. Moreover, she gave me the feeling that the things I said were witty and clever too. In the gossip and banter, sometimes subjects of great seriousness would suddenly emerge. I thought it odd one afternoon when she bit her lip, avoided my gaze—perhaps afraid that I would be censorious—and announced, «You'll never know what a difference you've made in my life». ⟨…⟩

from: Rick Hamlin ⟨frederickwrighthamlin@gmail.com⟩
to: Alexey Evseev ⟨jewsejka@gmail.com⟩
date: 5 Jul 2026, 19:23
subject: Re: A Question About Hotel Winslow

Thx for getting in touch. Sounds like a wonderful project. I was at the Winslow in 1980… so probably not the same time as Limonov, unless he was there at the end. There were only a couple dozen full-time residents left by then, and the new owners of the hotel offered them money to move. The longer the resident held out the more money they got. There was a German woman who was in charge of cleaning. The long-time residents knew each other well, and they'd linger in the lobby at times to chat. I rarely saw their rooms, only if they had some problem. Like their keys didn't work. We had duplicate keys at the front desk. There was also a phone operator who made it possible for them to call outside the hotel from their house phones. She was let go, too. I don't remember any mural. Any fancy mural would have been sold. The bar was all gone by then.

There were a number of international residents so Limonov would have been right at home.

Sorry this is probably not too much help. Congrats on the book. It sounds like fascinating research. There not as many Russians in NYC back then. Things changed in the late 80s and 90s. Lots more Russians, still are. Can hear Russian in our neighborhood — Washington Heights — all the time.

best, rick

An Orphan Asylum and a Fifth Avenue «Farmhouse»

by Christopher Gray

⟨…⟩

The Old Winslow Hotel

Q. I would like to know more about the history of the old Hotel Winslow, at the northeast corner of Madison Avenue and 55th Street. I remember having had a pleasant lunch on a sunny day in the 1940's in the hotel's open-air roof restaurant… (P.G. Thyrre, Ardsley, N.Y.)

A. Built in 1921, this was originally one of the Allerton Houses, a chain of moderately priced hotels for white-collar workers begun in 1916 by James S. Cushman.

The chain grew to at least five buildings in New York, the others at 302 West 22d, 22 East 38th and 143 East 39th Streets and, for women, 130 East 57th Street. The 39th Street, 55th Street and 57th Street buildings were designed by Arthur Loomis Harmon in a Northern Italian style marked by varied brickwork, inset stone trim and rooftop arcades. Harmon, writing in the magazine «Architecture» in 1923, noted that he had problems getting just the effect he wanted, noting that «the brick was laid as irregularly as the deadly mechanical perfection of the modern mason will permit».

He also took special care to have some decoration carried around to the lot line walls and with decorative enclosures for the rooftop water tanks. Inside, the Allerton Houses had club-type lounges, gyms and laundries; in the 1920's rooms rented for one to two dollars a day.

Cushman, a member of the Society of Mayflower Descendants, was a grandson of Don Alonzo Cushman, an active real estate developer in Chelsea; he named the hotel chain for a Mayflower ancestor, Mary Allerton. But in the 1930's the Allerton corporation faltered, and the buildings were converted to conventional hotels.

The 55th Street Allerton House was converted into offices in 1982, when the architect Edward V. Giannasca inserted vertical strips of reflective glass. But he retained some of the original masonry elements as piers in what was considered a conscious reference to the AT&T building, under construction across the street at the time.

⟨…⟩

«The New York Times», August 31, 1997

High-Rise Wall Breaks Loose, Raining Debris On Shoppers

by David M. Halbfinger

A section of a Madison Avenue office tower's side wall suddenly peeled off yesterday, raining debris on holiday shoppers and tourists, snapping a hanging work platform in two and dangling a ton of bricks from a torn safety net.

read more…

A man and a 3-year-old girl were only slightly injured, but neighboring buildings were evacuated and several blocks were closed to traffic into the night. Hundreds of passers-by gawked while firefighters and construction workers struggled to lower the gently swaying platform and overloaded net.

Mayor Rudolph W. Giuliani said that officials hoped to have the streets reopened to traffic by the start of business this morning. The accident took place at 540 Madison Avenue, between 54th and 55th Streets in midtown Manhattan.

«Madison Avenue, at least certain areas of Madison Avenue, are not safe right now», Mr. Giuliani said. Holding one of the bricks, which he said weighed about two pounds, the Mayor said that the safety net «wasn't adequate enough, but at least it did enough of its job to protect people's lives».

The authorities said the accident began when a section of the building's 33d-floor side wall, facing a building to the south, suddenly broke loose around 12:44 P.M. The falling bricks were caught in black safety netting, which sagged and slammed into a work platform, which in turn bent at the middle as debris spilled to the street.

Andrew Terzis, a jewelry store owner who lives and works at 534 Madison Avenue, said he saw debris falling on parked cars and on the street.

«I ran out of my shop and saw people running», Mr. Terzis said. «I'm from Lebanon. You see people running in Beirut, not in New York. It was panic. People were taking cover in the entrance to our store. They were screaming and running like crazy. I looked up, I saw the scaffold twisted in two, dangling by just one foot of aluminum».

In the mayhem, Sabrina Fano, 3, of New Jersey, who was visiting the city with her parents, was struck and cut under her left eye by ricocheting debris. She was taken to Lenox Hill Hospital. A 74-year-old German tourist cut his nose when he tripped and fell while looking up at the falling bricks. He refused medical attention.

About half an hour after the initial shower of bricks, the platform snapped in two, and another wave of debris rained down on the street.

According to city officials and owners of the buildings next to the tower, about five months ago construction workers started punching holes in the brick wall and installing windows on every floor.

The building's owner, the Macklowe Organization, did not respond to phone messages left at its office.

Ted Birkhahn, a spokesman for the Department of Buildings, said that in November, an architect or engineer working for the owner inspected the tower's facade and found that the exterior brickwork was «pulling, or bulging» away from a middle layer of brick in the cavity between the exterior and interior masonry.

After hanging safety nets and a work platform, contractors also laid padding and protective planking on the rooftops of the shorter buildings next door.

«They said they were required to put up the scaffolding», said Robert Siegel, the manager of 538 Madison Avenue. «But they told me that if anything fell, the nets would catch it».

From the street, the planking atop one building's water tank could be seen late yesterday, shattered by falling debris.

«The New York Times», December 8, 1997

On Madison, a Crumbling Wall Is Scrambling Lives

by David W. Chen

It was quiet once again yesterday on Madison Avenue between 54th and 55th Streets.

read more…

Quiet, because no customers were sliding their feet into the brown leather shoes at Johnston & Murphy. The store was closed. Quiet, because no one was petting the teddy bears at the Vermont Teddy Bear Company, which had also been shuttered. And quiet, because no one was flipping burgers at Burger Heaven.

While drivers and pedestrians in midtown Manhattan struggled to cope with the mess created by bricks raining down from 540 Madison Avenue, a 39-story office building, there was a much more personal element to the disruption. An actress who lived in a nearby building said she was in her nightgown on Sunday when she was evacuated, and has not been allowed to return to pick up additional clothing. A business owner said his plans to retire had been thrown into jeopardy. And merchants said they were losing business at a critical time.

«This is a disaster», said Peter J. Morrell, the chairman of Morrell & Company, a wine retailer at 535 Madison that he said was losing about $100,000 a day in sales. «This is like the Grinch who stole Christmas».

For many, the worst part of the situation was that no one knew when things would return to normal. While other Manhattan stores were enjoying the fruits of a booming economy and the surge in tourism, Sunday's accident was a painful reminder of how fate can interrupt at the most unexpected of times.

«It's a calamity», said the owner of a leather-goods store, Hides in Shape, who would identify himself only as V. Kurdian. He said that while his business, which is just north of the cordoned-off area, was still open, he had suffered a 90 percent drop in sales. «This is worse than mid-February, and that is our deadest month».

Usually, of course, December ranks as the height of the retail season. And for many of the businesses on Madison Avenue, the holiday season had started out promisingly: the Vermont Teddy Bear Company, for instance, on Saturday recorded its busiest business day since Valentine's Day.

But at 12:44 P.M. Sunday, a section of the south wall of 540 Madison came loose, showering debris on holiday shoppers and dropping graphite-colored bricks into a safety net. The net then sagged and collapsed into a work platform, sending more debris to the street. Two people were injured in the accident, neither of them seriously.

Yesterday, workers constructed a steel beam that was supposed to be wedged under the weak portion of the wall. But late yesterday, officials decided that the wedging method was not feasible. So a new tack was planned for dawn today: lowering workers down the side of the wall to insert wooden planks as a temporary shoring device.

As a result, city officials said that Madison Avenue would not be reopened today, and possibly not tomorrow, depending on how the work goes and the weather conditions.

Left closed to vehicular and pedestrian traffic was the part of the avenue between 53d and 55th Streets, while 54th Street was closed to traffic for about one block. All stores within that area were closed as well.

As of late yesterday, tenants who had been evacuated from several smaller buildings south of 540 Madison — including 538, 536, 534 and 532 Madison — had not been allowed to return to any of those buildings.

Yesterday, Mayor Rudolph W. Giuliani urged patience. «I understand and sympathize tremendously with the businesses there», he said. «But the people working on this are working on it as fast as possible. What we should do is make sure they get it done safely, because what we don't want is for people to do it too fast and not make sure all the bricks are secure».

In the meantime, economic misery has become a common denominator on one of Manhattan's swankiest blocks.

Frederick Kahn, a dentist with an office at 538 Madison, pleaded with emergency officials to let him back in his offices for five minutes — just five minutes — to retrieve his appointment book and Rolodex. No luck.

«They said, «If we give you five minutes, we'll have to give everyone five minutes»», Dr. Kahn said yesterday from his home. «And they said, «We're afraid to send an emergency person in with you, because we might have two dead instead of one»».

It was the same story with Barbara Spiegel, an actress who is one of a handful of people who live on the block. She was wearing her nightgown on Sunday afternoon when fire officials came to her top-floor apartment at 534 Madison and told her she had to leave, and she was still wearing it yesterday.

She decided to go to the home of a friend; other residents of the block were staying in hotels, with the costs to be paid by the Macklowe Organization, the owner of 540 Madison Avenue.

Stores in the surrounding area felt the impact. Some, like Schumer's Wine & Liquors, on East 54th Street between Madison and Park Avenues, could not get deliveries because of the traffic barriers. Others, like the restaurant Bice on East 54th Street between Madison and Fifth Avenues, saw a 50 percent drop in business because of the traffic barriers and a lack of walk-in business. At Parviz Nemati Oriental Rugs on the corner of 53d Street, where prices for rugs and tapestries start at $20,000, Mr. Nemati, the owner, was anxious. His lease runs out at month's end, he said, and he had intended to liquidate the store's holdings to raise $2 million, then retire. But yesterday, he was not sure.

«People call from all over the country, and they say, «Oh we are afraid to come in»», said Mr. Nemati, who did not receive his first customer of the day until 4:30 P.M. If the street remains closed for much longer, he said, «I don't know if I can retire».

And there were the customers.

Mary Goldstein, who manages a restaurant, gets her hair done twice a week at Le Rebelle, at 532 Madison. But last night, Ms. Goldstein confronted blue police barriers and was told that the salon was closed. She approached a reporter.

«I was hoping you were a hairdresser and you were going to save me», she said. When told otherwise, she quietly turned away and left the area.

«The New York Times», December 10, 1997

Madison the Cat Is Safe!
Oh, the Avenue's O.K., Too

by James Barron

Yesterday was a good day for Madison the cat and Madison the avenue. One was reunited with his owner, examined by a veterinarian and found to be fine.

The other was reopened to traffic.

For the first time since loose bricks from a high-rise building rained down on Madison Avenue last Sunday, nearby stores were allowed to open and cars and buses were finally permitted on a two-block stretch between 53d and 55th Streets. The avenue had been closed all week while construction crews worked to shore up the damaged facade and until the city finished putting up a tunnel-like scaffold between 54th and 55th to protect cars and buses in case any more bricks fell from the high-rise.

Madison the tabby

via ChatGPT

And after a 10-minute rescue mission, Madison the tabby was freed from his owner's apartment at 536 Madison Avenue, a couple of doors down from the brick-shedding high rise. Mike Tietje of the American Society for the Prevention of Cruelty to Animals and three employees of the city's Office of Emergency Management climbed the stairs to the top-floor apartment where Madison spent the week by himself.

His owner, Tim Curran, 27, a bartender and unemployed Wall Street stock trader who was forced to leave his apartment on Sunday because of the precarious situation, spent the week in a nearby hotel, worrying.

«If they want to come to you fast, they will», Mr. Tietje said, and Madison did. «It came out of the closet in the rear room. It started to run around us. It was scared because it didn't know us».

Shortly after Mr. Tietje carried Madison to safety, stores across from the damaged high-rise reopened for the first time since the bricks pelted the street. Mayor Rudolph W. Giuliani went shopping, buying $71 worth of wine and stopping in cosmetics and candy shops. Officials said that buildings on the other side of the street would be allowed to reopen soon, probably tomorrow.

That was a relief to tenants like Dr. Frederick Kahn, a dentist at 538 Madison Avenue. The emergency workers who accompanied Mr. Tietje to free Madison retrieved Dr. Kahn's appointment book yesterday.

Next door, crews continued to shore up the damaged high-rise. William G. Nagle, a deputy director of the Office of Emergency Management, said bracing and structural supports had been put in. After construction workers discovered that the weakened wall was in worse condition than had been believed, work crews were ordered to reinforce it with wooden planks and steel rods.

By nightfall, traffic had been allowed back on the closed-off section of the avenue. Workers had put up waist-high barriers between 53d and 54th Streets, forming a pair of traffic funnels leading to the mini-tunnel covering the avenue between 54th and 55th.

«A building that was as high as this one, with bricks falling off, they had to make sure it was secure» before allowing traffic on the street below, the Mayor said.

City officials said on Monday that water damage to the building, accumulated from years of neglect, probably caused the damage. Mr. Giuliani said yesterday that he had also asked the city's Department of Investigation to look into the accident.

For Mr. Curran, yesterday marked the end of a week of worrying over the fate of his beloved cat. As Mr. Tietje rescued Madison, Mr. Curran waited with emergency workers on the street and heard the good news over a walkie-talkie: «We have the cat. We have the cat». Mr. Tietje wrapped Madison in a blue blanket and carried him down the stairs.

Then it was off to a familiar place: A.S.P.C.A. headquarters on East 92d Street, where Mr. Curran adopted him about four years ago.

He weighed in at 16.9 pounds, about the same as before his week alone in Mr. Curran's apartment. After a checkup, Madison's condition was described in five words Mr. Curran was happy to hear: none the worse for wear.

«He certainly didn't seem hungry», said Peter Paris, a spokesman for the association. «We believe he did actually manage to make it to some food during the week».

It certainly wasn't takeout. No one, whether tenants, letter carriers or delivery people, had been allowed in all week. The rescue came after The New York Times described Mr. Curran's frustration at not being able to see or free his cat.

After Mr. Curran had taken Madison to a friend's apartment on East 85th Street, city officials said that they would have sent someone in on Thursday had Mr. Curran been there with his keys.

«Whoever he was told to see, he didn't see», said Bruce Brodoff, a spokesman for the city's Emergency Management Office.

Mr. Curran disputed that, saying that he was never given such instructions and that the officials he had spoken with at the command post on 54th Street did not have clearance to enter the building.

It turned out that Madison was not the only cat stuck on the block, or even in his building. Holed up in the ground-floor restaurant in Mr. Curran's building was Mera, a white cat with a camel-colored tail and a fondness for tuna. Never mind that his owner, Steve Tsirnikas, described Mera as «a cheeseburger cat».

Mr. Tsirnikas had left food for Mera on Tuesday, when he entered the restaurant through a basement entrance. But he could not find her. Yesterday, when he went in again, «she was all over me».

«The New York Times», December 13, 1997

Ozzy Osbourne With Family In New York

10 months later. Ozzy Osbourne…

Shoddy Bricklaying Cited in Madison Ave. Hazard

by Charles V Bagli

New York's top building official said yesterday that shoddy workmanship was to blame for the bricks that tumbled from a Madison Avenue office tower more than a week ago, and that the street would remain closed for at least four more days as workers gingerly remove bricks from the defective wall.

read more…

Gaston Silva, the city's Building Commissioner, said the builder of 540 Madison, at 55th Street, failed to install some inexpensive pieces of metal intended to bind the facade to the building's internal frame. Over time, the bricks in some areas fell out of alignment on the south facade, spilling onto the street below.

«It's inconceivable to me that somebody can build a building this tall, with this type of construction, without enough lateral ties», the Commissioner said. «Clearly, they didn't do the job properly».

Mr. Silva also said that cracks in the bricks and mortar in the south wall had been covered up. «There were cosmetic repairs done to make it look as if there wasn't a problem, including painting over the cracks and using caulking to make it look good without repairing it».

He said the construction problems were apparently aggravated earlier this year, when the new owner, Harry Macklowe, began carving 94 windows into what had been a sheer face on the south side.

But, he said, the origins of the problems lie in «either shoddy workmanship, criminal negligence, or any combination of the two» during the original construction of the tower.

The 39-story office tower was built in 1970 by Francis Kleban, a Manhattan developer and landlord who died in November 1995 at 86. City officials said yesterday they didn't know who the general contractor was or what company did the brickwork, but hoped to find those records today.

During construction of such a building with a brick facade, workers place corrugated metal strips into the mortar every six layers of brick, spaced four feet across, securing the brickwork to the cinder-block wall of the building. Engineers have since discovered that many of the brick ties were never put in place at 540 Madison. The brick facade had bulged out as much five inches from the cinder block; it should not have exceeded one and a half inches, experts say.

«If the builder cheated, he did it for 13 cents», said one builder who requested anonymity. «Brick ties are nothing».

Mr. Silva said that under a controlled demolition process during the next four days, workers would remove all the brickwork between the 35th and 37th floors of the south wall. Crews will weld steel rods to the relieving angles, or shelves, that hold up sections of brickwork, creating a permanent vertical grid from the bottom to the top of the tower.

Fearing they might cause another collapse, engineers had stayed away from the south wall until last weekend, when they slung a fiber optic cable into the narrow space between the brick facade and the cinder-block wall of the building to look for cracks and bulges in the brickwork. The engineers completed the examination of the entire south wall yesterday and determined that only a 5,000-square-foot section between the 34th and 37th floors was in imminent danger of collapse.

A survey of the south facade yesterday did not indicate that any other section of the wall was in imminent danger of collapse, Mr. Silva said.

Workers had used scaffolding to create a tunnel for traffic last week on Madison between 54th and 55th Streets, but officials closed the avenue again on Sunday after determining that the building was in worse condition than they had thought.

Because of the continuing work, Madison will be closed to vehicles between 52d and 55th Streets for the next four days, while businesses on the east side of the avenue between 54th and 55th Streets will be closed.

«We're going to have to close the avenue», Mr. Silva said. «The situation is just too dangerous».

Mr. Macklowe, who did not return calls requesting comment, bought the building from the Kleban estate in fall 1996 for $35 million, said a person involved in the deal. He immediately set about making it more profitable. Beginning in May, workers began installing the windows on the south side, providing natural light for the first time in 27 years. He also increased the size of retail space on the first and second floors.

«Punching in the windows did not help», Commissioner Silva said. «Even small amounts of vibration might exacerbate the problem. The windows didn't cause it, but they could contribute to the problem».

Mr. Macklowe recently hired Horn Exterior Restoration of Long Island City to work on the facade, the Buildings Department said. But department officials were unable last night to identify the company that had installed the windows on the south facade.

The building's facade was last inspected in 1991, in compliance with a city law that was passed after a woman was killed by a piece of falling masonry on the Upper West Side. But that inspection only involved the front of the building and a small part of the two sides.

I. Leonard Messer, a consulting engineer who inspected the facade of 540 Madison in 1991 for the original owner, said in an interview yesterday that the workmen who installed the windows should have detected that the brick ties were missing and that there was a danger that sections of the brickwork might collapse.

«Punching those windows out really caused the thing to let go», Mr. Messer said. «You had a wall on the verge of an unstable condition. They should've been able to see there weren't sufficient ties in the wall when they punched out those windows».

Mr. Messer's 1991 report on the exterior wall at the front of 540 Madison said that he did not find any significant problems, although the engineer noted that in 1982 some «precautionary work» had been done involving «the vertical cracks in the brickwork at the southeast and northwest corners at various floors» and «minor wall movement at the 34th floor».

In a 1991 report to the Buildings Department, Mr. Messer recommended that a licensed engineer, hired by the owner, conduct annual inspections to «monitor conditions throughout the building».

But the city has no mechanism to enforce such a recommendation, and Mr. Silva said the annual inspections had not been done. Under the law, Mr. Macklowe should have had the facade inspected by February 1997 and was cited by the Buildings Department for failure to do so. But it is unclear what that inspection might have uncovered, because its intent is only to protect pedestrians in front of the building.

«There's a lot of money being spent to upgrade this building», he said. «How we get to where we are today without somebody noticing it, I don't know».

Last week, Mayor Rudolph W. Giuliani said the Department of Investigations had opened an investigation into the problems at 540 Madison.

«The New York Times», December 16, 1997

On Madison, A History Of Problems

by Charles V Bagli

Almost from the day it opened 27 years ago, the office tower at 540 Madison Avenue has been the subject of fierce disputes involving the owner, the contractor and the architect over flaws in the brick wall that tumbled into the street last week and is now being repaired at a cost of millions.

read more…

The exterior walls on the south and west sides of the 39-story tower «began to collapse, crack, spall and otherwise deteriorate» shortly after it opened in 1970, according to a 1973 lawsuit filed in State Supreme Court that engulfed the owner, Francis Kleban, the contractor, Diesel Construction, the architect, Kahn & Jacobs, and various subcontractors.

At one point, Mr. Kleban charged that the «wall will have to be dismantled and entirely reconstructed» because «severe leaks» persisted, despite several repairs.

It is unclear how the lawsuits were resolved, but the charges in that case are echoed in the current investigation into why part of the tower's south wall broke apart on Dec. 7 and spilled into the street.

The current owner, Harry Macklowe, and the city's Buildings Department both said Diesel Construction, one of the city's largest contractors had erected the tower largely without the thousands of brick ties that bind the brick facade, or sheer wall, on the south side to the building's internal masonry.

That finding has raised concerns about the condition of other sides of the building, which workers will soon begin inspecting.

«There were no brick ties in the sheer wall and very few in the masonry wall», Mr. Macklowe said yesterday during a hastily called press conference outside 540 Madison. «We think there was dereliction in the setting of the brick. And somebody may have omitted the testing and inspection of the brick» during construction.

Whether that happened may be impossible to find out. In the world of New York development, 1970 is ancient history. The firm that designed the building no longer exists, and Mr. Kleban and his lawyer are dead. Records of inspections are sketchy.

In addition, Carl A. Morse Inc., the parent company of the general contractor, Diesel Construction, sold the rights to its name in 1990 to a British company, which formed Morse Diesel International. A spokeswoman for Morse Diesel, Nancy Erickson, declined comment on 540 Madison, saying there was no longer a connection to the original firm.

But court papers offer a strong indication that the quality and stability of the exterior walls were suspect from the start. At one point in the early 1970's, Mr. Kleban charged in court papers that the building's problems had become «public knowledge in the real estate and financial communities».

«The building is currently unmarketable», the court statement continued.

About 10 years later, additional problems were discovered. A report filed with the city's Buildings Department said a 1982 inspection of the facade found «minor wall movement on the 34th floor» and «cracks in the brickwork at the southeast and northwest corners».

But as time passed those concerns seem to have been forgotten, and 18 months ago, as Manhattan's real estate market surged, Mr. Macklowe paid $35 million for the 39-story office tower.

After a news conference yesterday, Mr. Macklowe said he was unaware of the lawsuits and seemed surprised to learn of them.

Mr. Macklowe spoke yesterday as workers began the tedious process of removing all the bricks from a 5,000-square-foot section between the 35th and 37th floors of the south wall. As a result of the work, officials have closed Madison Avenue to traffic from 52d to 55th Streets until Friday. Businesses on the east side between 54th and 55th have been forced to close as well.

Acknowledging the inconvenience to residents and businesses, Mr. Macklowe said he had offered apartments in buildings he owns to eight tenants whose buildings were closed during repairs, and he agreed to «pick up all the expenses they are incurring». The developer also said he has offered to relocate merchants.

«We have told all the residents and the businesses to bring us their receipts», Mr. Macklowe said. «We'll pick up the expenses».

Mr. Macklowe declined to estimate the cost of repairs, adding that he expected many lawsuits. Real estate experts said the repair costs would run into millions.

Ira M. Goldstone, the owner of the Horn Exterior Restoration Corporation, which has been brought in to stabilize and repair the walls at 540 Madison, said his engineers would begin looking at the west wall because of the deficiencies in the brickwork.

«As soon as this is stabilized, the west wall will be inspected», Mr. Goldstone said yesterday. «We'll put up scaffolds. We're also correcting the southeast corner».

The Buildings Department and the city's Department of Investigation are continuing to look into the problems at 540 Madison. Gaston Silva, the Buildings Commissioner, said he wanted to know whether Mr. Macklowe and the workers who have been cutting windows into the south wall since the spring knew about the defective brickwork before the wall started crumbling.

Mr. Silva pointed to what appeared to be fresh brickwork surrounding two windows one-third of the way up the south side of the tower. A building expert interviewed this week said it would have been impossible for the contractor that created the windows not to notice that the metal pieces intended to attach the facade to the rest of the building had not been installed.

Mr. Silva said the underlying problems with the building lay in shoddy construction work done in 1970. But, he added, the work to cut the windows into the south wall may have worsened the problem.

Mr. Macklowe, however, said the wall would have collapsed whether or not the windows were cut. «This wall was going to give this winter, in the first freeze-thaw», he said.

Under the city code, inspectors are not authorized to examine the construction of exterior walls. Mr. Silva said the original contractor «was responsible for insuring that the wall was built according to code and according to specifications».

Mr. Silva said he was considering seeking legislation that would require building owners to hire structural engineers to inspect high-rise brick and curtain-wall construction.

The City Council is expected to pass legislation today that would require landlords to conduct periodic inspections of all the exterior walls of a building, rather than just the sections that face public pathways. A 1991 facade inspection of 540 Madison did not include the south wall.

«There's a need to amend this law to encompass all facades of the building», Mr. Silva said.

«The New York Times», December 17, 1997

Owner to Dismantle Flawed Madison Ave. Facade

by Charles V Bagli

The developer Harry Macklowe said yesterday that he would dismantle the entire south facade of his 39-story tower at 540 Madison Avenue, brick by brick, rather than risk having another section of the wall break away from the building and tumble into the street.

read more…

The painstaking job of removing the brick from the south wall of the tower at the southwest corner of Madison Avenue and 55th Street is expected to start next week and to take weeks to complete. Engineers involved in the repairs say that it will cost $1.5 million to take down the facade and erect a new one, although, they say, the work should not force a further shutdown of Madison Avenue.

Yesterday, for the first time in days, officials reopened part of Madison Avenue to buses and pedestrians, after engineers and workers spent the last four days on scaffolds removing brick from a a broad section of the wall between the 35th and 37th floors of the tower and installing pins and metal straps at eight spots that needed bracing.

Officials said the avenue would remain closed to automobiles, at least until Monday night.

City officials say the building is now structurally stable, but the developer has decided not to try to salvage the remaining brickwork.

«Who knows what the jeopardy is», Mr. Macklowe said in an interview yesterday. «The work is so shoddy that not to take it down would be irresponsible. It's not even a close call». Earlier in the week, engineers had determined that the original builder had failed to install thousands of inexpensive pieces of metal needed to attach the brick facade to the interior wall.

City officials said the problem was probably aggravated by recent work to cut scores of windows into the south wall, but Mr. Macklowe has disputed that assertion, saying the wall was apparently so unstable when he bought the building that it would have crumbled anyway.

Engineers involved in the work to cut the windows first discovered that there were serious problems with the brickwork around the end of October, the Macklowe Organization said. Fearing that bricks might come loose, workers began putting up safety nets several weeks later, and the contractor obtained a permit on Nov. 25 for a sidewalk shed along Madison Avenue.

But under the city's building code, the owner has no obligation to notify officials of a problem, and the Building Department did not learn of the danger at 540 Madison until Dec. 7, when a section of the wall collapsed.

Mr. Macklowe said he had not decided whether to erect a new masonry wall, or to fasten an aluminum skin to the side of the tower; the east and north sides of the building are clad in glass. Mr. Macklowe said that engineers had inspected the west facade, which is also made of brick, and found it to be structurally sound.

Public relations and marketing, as well as public safety, played a role in Mr. Macklowe's decision, said city officials and executives involved in the repairs. Engineers had initially planned to erect a steel grid on the side of the building to support the brickwork when it began crumbling, causing an intermittent shutdown of Madison.

But the officials said Mr. Macklowe was concerned that a highly visible grid would be a stigma, hobbling his efforts to rent space at high prices.

«For a whole lot of reasons other than structural ones, it makes sense to take down all the brick», Buildings Commissioner Gaston Silva said.

Engineers will spend the weekend bracing about eight sections of the south wall, between the 18th and 39th floors.

Also yesterday, the first in what is expected to be a host of lawsuits stemming from the problems at 540 Madison was filed in State Supreme Court in Manhattan. The owners of Dino Baldini, a men's clothing store, Michel's Bags, which sells wallets and handbags, and 5th Avenue Chocolatiere brought a class action suit seeking damages against Mr. Macklowe for lost business, asserting that he had been negligent in buying and renovating the building. As a result, they say, bricks and mortar fell into the street, causing the closing of Madison Avenue and a sudden drop in the number of shoppers and sales.

«Absent natural disasters, the merchants of Madison Avenue don't think it's unreasonable to ask landlords prevent their building from crumbling into the streets, thereby making passage unsafe along the city's roadways», said Kenneth J. Ashman of Ashman & Griffin, a lawyer for the merchants.

Mr. Macklowe has anticipated a flurry of suits and is considering several of his own, said one person close to the developer, including suits against the estate of a previous owner and Mr. Macklowe's title company.

«I'm sure there are going to be many lawsuits», Mr. Macklowe said. «You can't blame people».

Mr. Macklowe bought the building 15 months ago for $35 million from the estate of the developer Francis Kleban. He immediately set about raising rents and polishing what had been a rather dowdy office building by refinishing the lobby, expanding the retail space and cutting 94 windows into the south wall of the building, allowing natural light into the office space.

«The New York Times», December 20, 1997

Behind Facade of Calamity, Life Goes On

by Glenn Collins

The great paradox of The Building is that it may be safer to be inside it than outside it.

«Once you're inside, you'd never suspect that anything was wrong», Peter Sprague said yesterday, indicating with a sweep of his arm the tranquil view from his office on the 17th floor of 540 Madison Avenue.

Peter Sprague

Peter Sprague

«I've been thinking of the Ogden Nash poem», added Mr. Sprague, chairman of Wave Systems Corporation, a telecommunications company. «It goes: «My face I don't mind it, for I am behind it — it is the people in front that I jar». Well, if you change the word «face» to «facade», it seems singularly appropriate to this building».

The now famous building is, of course, the 39-story Madison Avenue office tower whose southern wall began raining bricks on Dec. 7, shutting many stores between 54th and 55th Streets for the past 10 days and hobbling traffic along a major midtown artery.

But the building itself remains open, and despite nearly two weeks of high-profile commotion, the isolated office regulars in 540 Madison seem to have constructed a fragile normality at the summit of potential calamity, continuing their workaday routines in the eye of what the world views as a slow-motion crisis. Yesterday, like a torpedoed liner on automatic pilot, or the Flying Dutchman on its quest for landfall, the good ship 540 Madison tried to hold a steady course.

Although Madison Avenue is closed off with police barricades, the building's workday inhabitants enter through a brilliantly lighted, glassed-in entrance on 55th Street near Fifth Avenue, incongruously bedecked yesterday with a holiday wreath, a white-bowed Christmas tree and pots of red poinsettias. Workers departed for lunch, and returned. Messengers threaded past the security desk to offices upstairs. Visiting salesmen made their calls, riding up in the four elevators, which have been internally sheathed in plywood to protect them from construction materials as workers renovate the building.

Of course, actually getting to the building yesterday was something of a trial, since office workers and their visitors had to fight past a street blockade on Madison Avenue, through holiday gridlock on surrounding streets, and make their way among hordes of Christmas shoppers who turned out for yesterday's balmy, sunny weather.

«The streets are blocked off, so it's hard to get here», said Manchi Yau, a postal worker who was making her rounds inside 540 Madison. «But once you get inside, it's easy to get around. It's really very quiet».

Yesterday, Gaston Silva, the city's Buildings Commissioner, said that workers were continuing to remove bricks from the exterior wall on the top floors of the building. As the work proceeds, Madison Avenue is closed to vehicles between 52d and 55th Streets, and businesses on the east side of Madison between 54th and 55th Streets are closed.

For the moment, engineers have deemed the interior of 540 Madison structurally sound. And throughout the problems of the past 10 days, the building, which is about 70 percent occupied, has been shuttered to employees only once. That was on the morning of Dec. 8, the day after the bricks fell, said William Broudy, a lawyer who works on the 20th floor.

Since then, said Carla Jewett, the office manager of Wave Systems, «We don't even have to see the mess on Madison Avenue. We've been able to enter the building at 55th Street».

«In fact», said Ms. Jewett, «I don't even think about it anymore».

Complacency was rampant yesterday on other floors, as well. «People were definitely worried when the bricks came tumbling down», said Darrell Springer, an administrative assistant at Banco Itau on the 24th floor. «But now we've gotten used to it. We're one of the fortunate floors not affected by the little mishap».

Initially, said Joanne Liguori, the office manager for Circle of Beauty, a cosmetics company on the 28th floor, «we were all talking about the building. But now nobody talks about it. It's business as usual. And please excuse me, I have to go back to a meeting».

Edward Limonov «His Butler's Story»

«The Great Gatsby. My employer. My boss. My oppressor. Obviously I don't call him Gatsby to his face. Steven Grey*, Multimillionaire, Chairman of the Board of Directors, Principal Stockholder, and President of Corporations, has no idea I call him that» © «His butler's story», 1980–1981

* Peter Sprague

Until August, when his office moved to the 17th floor, Mr. Sprague had been on the 37th floor, one of the floors where bricks peeled off the exterior of the building. The 35th, 36th and 37th floors of the building have been closed.

«I guess we dodged a bullet», Mr. Sprague said. «Good thing we didn't stay upstairs in that Potemkin village. It didn't make it through Christmas».

Others dodged the bullet by moving from the building before the present crisis. «We feel very badly for the tenants and the merchants who are out of work, but we're pleased not to be there anymore», said John Aloisio, an executive vice president of Sterling National Bank, which moved its headquarters to 430 Park Avenue a year ago.

Sterling had filled two office floors as well as the retail space on the street level of 540 Madison, which is currently tenantless and swathed in large «Retail Space» vacancy signs. «We are happy that no one was injured», Mr. Aloisio said, «and we're offering the bank's help to the retail merchants who had to shut down».

One tenant on the 17th floor, an executive for Promon International who refused to give her name, praised the building management's actions during the crisis, saying, «We've been in this building for 20 years and we're very happy here».

But other tenants who refused to be identified had no shortage of complaints. «They spent a lot of money making the lobby very pretty, but they should worry about the safety of people in the building», said one secretary who refused to give her name. The building manager for 540 Madison did not return calls for comment.

Others faulted the elevator service. «Sometimes three of the four elevators are out of commission», said another tenant who refused to give his name. «And no one is happy about the loud drilling that's constantly going on. They're running pipes and cables from floor to floor».

Mr. Sprague said the ongoing construction had been a problem. «And the elevator service in the building is a joke», he said. «They've been working on it for eight months now».

Yesterday, some of the tenants were expecting the best while preparing for the worst. «We have an off-site office that's ready to go, in case of future disaster», said Mr. Springer of Banco Itau. «If anything else happens, we're prepared for it».

Mr. Sprague said it was too soon to say whether he would renew his lease, which expires in a year. Meanwhile, «my advice to management is to pull the bricks down», he said. «Or fix it by using big bands of duct tape».

«The New York Times», December 18, 1997

Corrected: An article last Thursday about the tenants of 540 Madison Avenue, the Manhattan building with structural defects, included a tenant's incorrect attribution for the paraphrase «My face I don't mind it, for I am behind it — it is the people in front that I jar». The verse derives from a limerick by the artist and poet Anthony Euwer, published in 1917; it was not from a poem by Ogden Nash.

«The New York Times», December 25, 1997

My Face

As a beauty I am not a star.
There are others more handsome by far;
  But my face I don't mind it
  For I am behind it;
It's the people in front get the jar.

Anthony Euwer, 1917

Flaws Known Decades Ago at Madison Ave. Tower Where Bricks Fell

by Charles V Bagli

After a ton of bricks rained onto Madison Avenue from the wall of an office tower last month, it took just a day for engineers to determine that the 39-story facade was missing thousands of masonry anchors that tie it to the building.

read more…

While city officials and the tower's new owner were shocked to learn of the shoddy and dangerous workmanship at 540 Madison, another unsettling surprise awaited them: the precise flaw had been revealed in a lawsuit that sat unnoticed for more than 20 years in a public file at the State Supreme Court in Manhattan.

In fact, the tower's troubled but largely unexamined 27-year history is rife with red flags that went unnoticed by city building officials, the tower's original investors and its current owner, Harry Macklowe. Warning signs showed up in city inspection reports filed in 1982 and 1987. And cracks in the brickwork appear to have been covered over with cosmetic work, according to city officials and executives involved in stabilizing the building. Yet, none of this came to light earlier this year when Mr. Macklowe's contractors punched 94 windows into the wall, which Gaston Silva, the city's Buildings Commissioner, said probably aggravated problems with the brickwork.

The trouble with the building was reckoned with only when it became unavoidable. The shower of bricks on the afternoon of Dec. 7 has disrupted life ever since along Madison Avenue from 52d to 55th Streets, with vehicle traffic fully restored only last week.

The cause of the collapse is unrelated to the hunk of ornamental masonry that fell from the Belleclaire Hotel on the Upper West Side Dec. 29, or the chunk of concrete that tumbled from a building on 46th Street the next day followed quickly by the partial collapse of a six-story building on West 42d Street, near Eighth Avenue. But all the concrete and masonry suddenly raining down on New York does highlight the weaknesses or loopholes in the city's building inspection process.

Landlords have no obligation to notify the Buildings Department of serious structural problems that might lead to a collapse, Commissioner Silva said. And the facade inspection reports that the city does require landlords to submit every five years often leave many problems undetected.

In the case of 540 Madison, the lack of a rigorous inspection and reporting program had devastating effects — a major thoroughfare partly closed for weeks, business derailed, lives exposed to risk. The wall is being dismantled and replaced at the cost of several million dollars.

The trail of unheeded problems began with a 1973 lawsuit in which Francis J. Kleban, who built and originally owned the tower, said it was serious flawed. He claimed that the brick mason — the J. Harry McNally Corporation — had failed to install the dovetail anchors, brick ties and expansion joints that are intended to bind the brick facade on the south and west walls to the building's frame.

«It provides some background to what's happening today», Commissioner Silva said recently. «It's very troubling that this guy had known about these problems for 20-odd years».

One engineer involved in dismantling the south facade of 540 Madison said that two-thirds of the 14,000 brick ties — corrugated metal strips — that should have been laid into the mortar during construction were missing. And, he said, there were no anchors in the dovetail joints that hook the brick facade to the interior concrete walls of the building. Further, he said, only two expansion joints were found to be «operable».

Mr. Macklowe, who bought the building for $35 million from the Kleban estate in September 1996, said he had been unaware of Mr. Kleban's allegations in the 1970's and of a 1991 report on the building's facade.

«If we had been given any information, we would have immediately investigated it with the seller and the proper authorities», Mr. Macklowe said.

But unwinding the history of the tower is difficult. The firm that designed the building is defunct, as is the McNally Corporation, and Diesel Construction, the general contractor, has gone through various corporate permutations. Irwin Miller, a former top executive at Diesel Construction whose name is on the original building permit for 540 Madison, was not the only person to say, «I can't remember back that far».

In 1968, Mr. Kleban, who had already developed office towers and apartment houses on Park Avenue, set out to put up his tallest building, on a Madison Avenue parcel owned by the Government of Finland.

His friends say Mr. Kleban, a descendant of a real estate family that had built apartment houses along the Grand Concourse in the Bronx, took special pride in 540 Madison, designing a luxurious apartment for himself atop the tower. A meticulous person who gained construction experience with the Navy's Civil Engineer Corps during World War II, Mr. Kleban oversaw many details of the project.

«I'm surprised to see what happened because he really knew construction», said Arthur Rosenbloom, vice chairman of Newmark & Company and a longtime friend of Mr. Kleban.

According to court records, Diesel sued Mr. Kleban in 1973, three years after the building opened, alleging that he owed it $66,851.39. Mr. Kleban fired back, stating that Diesel had not properly supervised subcontractors on the job, resulting in «severe leaks» in the glass walls and the «collapse, cracking, spalling and other deterioration» of the bricks walls on the south and west sides of the building shortly after it opened in 1970. He also sued the architect and the engineer.

As the lawsuit dragged on, Diesel sued the subcontractors and extensive repairs were made to the glass walls in the 1970's, though it appears that the brick walls were left largely untouched. It is unclear how the litigation ended because no record of a settlement can be found.

«My best recollection is that the overall litigation was settled», said Douglas R. Hoyt, a lawyer who then represented the bricklayer, J. Harry McNally. Diesel, he said, «would continue to make repairs».

Asked about the litigation, Nathan Goldman, one of Mr. Kleban's partners at 540 Madison, said: «It's news to me». Mr. Goldman, a founding partner at Sonnenblick-Goldman Corporation, a real estate investment bank, said the tower had always been a «well-paying»investment.

Profitable or not, the tower continued to have problems. I. Leonard Messer, a consulting engineer, inspected its facade in 1982 and 1991, in accordance with a city law passed after a student was killed by falling masonry. According to his 1991 report, repairs were made in 1982 that involved «vertical cracks in the brickwork at the southeast and northwest corners at various floors». Vertical cracks and flaking brickwork were found in 1987 by another engineer, his 1991 report said. He found no unsafe conditions in 1991, but did suggest annual inspections by a licensed engineer, a nonbinding recommendation that the owner did not adopt, Commissioner Silva said.

The city requires landlords to file building facade inspection reports every five years, but there is no guarantee those inspections will detect serious problems, since they cover only the front of a building and usually involve only a visual inspection from the street.

About one year after Mr. Kleban died in 1995, Mr. Macklowe bought the tower. He quickly raised rents, renovated the lobby, enlarged the retail space and cut windows into the south wall.

The tower was a step in a comeback attempt for Mr. Macklowe, who had developed more than $1 billion worth of properties in the 1980's but lost several of them in the recession that followed. Mr. Macklowe revived his real estate career last year and was moving on to his next deal — a tower on Madison between 41st and 42d Streets — when things went awry at 540 Madison.

According to a top executive at the Macklowe organization, it was around Halloween when the company first noticed a serious problem: bulging brickwork near the new windows on the 34th floor, the same section that gave way on Dec. 7.

The discovery was a surprise, said another Macklowe executive who spoke on condition of anonymity, adding that the company had found no problems with the brick walls during a physical inspection at the time of the purchase, nor did the title company come across the Kleban lawsuit.

But Mr. Messer, the engineer, said that workers and engineers who installed the windows in the south wall should have noticed the cracks and the lack of brick ties securing the facade to the interior wall. «Punching those windows out really caused the thing to let go,»he said.

Jacob Grossman, a partner at Rosenwasser/Grossman Consulting Engineers, said the contractor called him on Nov. 7, asking him to come to the building «because there are some problems in the wall».

«Our inspector immediately identified the problem: the wall was bulging out», Mr. Grossman said. «He told them to raise the safety net. We also told them masonry walls are not our expertise».

The next day workers hoisted safety nets along the south wall. On Nov. 12, Mr. Macklowe's company notified the owners of the low-slung buildings to the south of the tower that it had «discovered some shifting of the brick on the south side of the building» and wanted to install protective measures during repairs. Mr. Macklowe is still being fined $150 a month, as he has been since February for failing to file the required facade inspection report.

Two weeks later on Nov. 25, the contractor obtained a permit for a sidewalk shed along Madison Avenue.

But once again, the Buildings Department remained in the dark until the bulging bricks gave way on Dec. 7.

«If the engineer and the owner were aware of the seriousness of the bulge they should have notified us», Commissioner Silva said, though he added that they were not legally required to do so. «They did the right thing in setting up the nets and the shed, but it would have been better if we had known».

«The New York Times», January 4, 1998

Faulty Towers

by Karrie Jacobs

When bricks peeled off the side of 540 Madison Avenue and tumbled to the pavement last December, the office tower was portrayed in the press as an architectural Bad Seed, a building destined to wreak havoc from the moment it was born. Though the southern façade of 540 Madison gave way only after workers hired by the new owner, Harry Macklowe, punched windows into a previously unbroken expanse of brick, blame was heaped on the negligence of the contractors who erected the tower in the late sixties. They had left out two thirds of what should've been 14,500 brick ties, strips of cosrrugated metal that anchor the thin brick exterior wall to the layer of cinder block that sits snugly on the building's frame.

read more…

Certainly, 540 Madison represents a worst-case scenario, but its troubles are not unique. The building's deficiencies are rooted in the fact that modern architecture allows only a thin margin of error. Our faith in structural engineering and computer simulations has led to a «lack of redundancy». That's the phrase used by architectural engineers Matthys P. Levy and the late Mario Salvadori in their book Why Buildings Fall Down to explain disasters such as the 1979 collapse of the Kemper Arena in Kansas City, triggered by rain, wind, and miscalculation.

Generally, when we think of buildings being dangerous, we think of old ones, all covered with parapets, balustrades, and gargoyles. But many of these structures are in fact much stronger than newer ones. Structural engineer Donald Friedman, author of Historical Building Construction, tells a story about working on a 1917 office building in lower Manhattan that was supported by steel columns clad in brick. «We opened up a column, and there was no column there», Friedman recalls. «There was a hollow space in the brick pier in the shape of the column, and a little red staining on the brick where there was rust. But the column was gone. It had rusted to the point where it was gone. For four stories, from the roof down, there was no column worth talking about». But because the old building had twelve-inch-thick walls, it didn't fall down. That's redundancy. Modern buildings don't work that way.

Five forty Madison uses brick the same way it uses glass, as a veneer that bears no load. Picture it: a wall 39 stories tall but only one brick thick. What keeps the skinny wall standing is its connection to the frame of the building. But that connection is remarkably tenuous: a strip of corrugated steel one tenth of an inch thick and perhaps eight inches long — the construction-industry equivalent of those plastic ties that come with jumbo trash bags — planted in the wall every four square feet of brick. If the contractor skimps on brick ties, all bets are off. Most modern architecture depends, if not on brick ties, then on bolts, or steel angles, little pieces of hardware.

About a month before the bricks began tumbling on Madison Avenue, the Whitney Museum finished reinstalling the 1,500 six-hundred-pound granite slabs that make up its façade. The Whitney, a sleek powerhouse of a building, was a mess behind the granite. Architect Marcel Breuer made one bold statement, but the building's original contractors apparently built it with whatever metal fasteners they could find: «When we took off the skin here», says the project's restoration architect, Diane Kaese of Wiss, Janney, Elstner Associates, «we found galvanized steel, we found brass, we found stainless steel, we found regular carbon steel. We found painted steel. We found unpainted steel. You name it, we found it. It was crazy. It was wacko».

The problem that afflicted both the Whitney and 540 Madison — inadequate or improper anchoring of the façade — is commonplace. Every structural engineer or restoration architect, it seems, has an anecdote. Some of the scarier stories involve marble, an opulent material that suggests permanence but is actually quite brittle when it's sliced an inch or two thin, as it is on many contemporary buildings. In Chicago, the owners of the 82-story Amoco Building waged a decade-long battle to keep the slabs of Carrara marble, weakened by humidity and pollution, from slipping right off the side of the building. Finally, they gave up and re-sheathed the tower in granite. Meanwhile, at the General Motors Building on Fifth Avenue, the owners have instituted an «Ongoing Marble Panel Repair Program» to secure or replace marble slabs, which, according to building-inspection reports, fall apart on a regular basis.

«Marble is not a good material, especially in an atmosphere like New York, where you have high acidity in the air», notes Matthys Levy. «It doesn't do that well in Rome, either».

Landmark towers may not be immune to failure, but boring, ubiquitous buildings, the ones we take for granted, often cause the most trouble. Before 540 Madison came along, one of the most troubled buildings in New York was the Vermeer, a 1964 co-op at Seventh Avenue and 14th Street. Six years ago, its original layer of white glazed brick had to be completely removed and replaced. Though nothing tumbled to the street, the façade was bulging conspicuously. The reason is that the concrete that forms the building's frame tends to shrink, while brick walls remain constant. Restoration architect Walter Melvin discovered that the steel angles that were supposed to support the brick wall and lock it to the frame had either shifted, because of the shrinkage, or were missing altogether. This meant that the brick wall was only loosely attached to the building and was beginning to crumble under its own weight, crushing the ground-level storefronts. Architects and engineers say this is a very common situation for buildings of this era.

«We're just working through every building built in New York in that time period», says Melvin. «There are no movement joints whatsoever in the buildings. The concrete frames shrink, crushing the brick on the outside and disconnecting the wedge anchors that hold the brick shelves on the side of the building. And then they had the problem where they didn't have enough anchors in anyway. Every one that I've opened up has had too few anchors». So if you look carefully at any glazed-brick building surrounded by a sidewalk shed — and there are plenty of them — you will see bulging spots, cracks, and, occasionally, sections of the siding pulling away from the façade.

Here's an unsettling idea: Besides the fact that a shoddy construction job or a poorly thought-out design can sit quietly for decades and then one day, like a volcano, erupt, our knowledge about the design and construction of buildings isn't cumulative. We don't exactly learn from our mistakes, because the technology keeps changing.

Buildings, especially in the postwar era, especially signature skyscrapers, are experiments, one-offs. While the brick-and-tie method of building is positively anachronistic — colonial architecture in the sky — more technologically assertive methods of building design and construction are also problematic. Signature buildings of every decade have pushed the envelope of engineering knowledge and construction techniques, and the most elaborate designs can be undone by very small things. As the space-shuttle Challenger explosion could be pinned on faulty O-rings, problems with big glass office towers can often be attributed to sealants. Glass office towers, mighty statements of corporate and architectural power, have to be caulked, like bathtubs, or they'll leak.

«It's the archenemy, water», says Kaese.

«Water is the single most destructive thing, even sitting there doing nothing, just being water», adds architect Page Ayres Cowley of the Cowley Duenow Partnership.

Water proved to be the undoing of one of New York's most significant architectural landmarks. Lever House, the 1953 Skidmore, Owings and Merrill building, began the city's romance with the glass-curtain wall. «The architects' design was to make it almost a prism, so that it almost floats», notes Alex Herrera, director of preservation at the city's Landmarks Preservation Commission. «They designed it with the best technology they had available at the time».

Unfortunately, while the building has gleaming stainless steel framing the glass on the exterior, the steel inside, the lattice that actually supports the glass, was not stainless. And because the sealants, made of a linseed-oil-based putty — state-of-the-art, 1953 — failed, the steel structure of the curtain wall rusted. The rust caused the steel to expand, dislodging or breaking many of the building's glass panels. For years, maintenance crews replaced glass panels whenever they broke. SOM has devised a plan to rescue Lever House that involves re-skinning the whole building and replacing the rusty steel with stainless.

The architects and engineers who inspect façades for structural flaws are like the oncologists of the building trades, telling us things we don't really want to hear. Kaese, who is currently finishing up the restoration of the Whitney Museum's façade, mentions a trait of the World Trade Center's that is less overtly frightening but still unnerving: «If you sit on the east side in the morning when the sun hits the building», she says, «you can hear the whole thing pop. You can hear the movement of the structure».

She then points out that this is true of any building «if it's quiet enough». Buildings, like people, harbor little idiosyncrasies and pathologies that occasionally cause them to behave destructively, dumping a ton of bricks onto Madison Avenue during peak holiday-shopping season, say, or caving in on 42nd Street just as New Year's Eve approaches. And rainy spells bring out the worst in buildings. This winter's parade of northeasters has turned some masonry façades into cottage cheese.

Friedman, for his part, is marginally reassuring. «Nothing collapses», he says, «until a lot of things are wrong simultaneously. It takes a lot for brick to actually start falling off a building».

And if that is not comforting enough, Friedman adds that a building on the verge of collapse will likely issue some sort of warning. «Before everything falls down, there are a lot of ugly noises», he says. «There'll be a rain of mortar before the bricks themselves actually start falling out, so it's like, «Why am I getting pelted by sand?» That would be your first reaction».

And your second reaction? What should you do if you're walking down the street and you feel a trickle of sand falling on your head?

Friedman, the structural engineer, offers a pragmatic answer: «Run».

«New York», March 16, 1998

Picking Up the Pieces On Madison Avenue

by David W. Chen

8 Months After a Ton of Bricks Fell, Lives Are Still Being Repaired.

A skyscraper in midtown Manhattan rains debris on the buildings and streets below. Emergency workers evacuate residents and divert traffic as public officials promise action and the news media switch into high gear. Construction crews wrap the building with protective netting.

read more…

This, of course, is a summary of recent events at the Conde Nast building in Times Square, in which a temporary elevator tower collapsed, dumping tons of steel and killing one person. It is also what occurred in December at 540 Madison Avenue, near 55th Street, when a ton of bricks peeled off the building's facade, injuring two people and bringing life on the block to a screeching halt.

The difference, however, is that while city officials are still trying to restore Times Square to normal, 540 Madison has essentially become old news, the first of several building accidents to dog the city since December. Yet if 540 Madison offers a lesson for those displaced by recent, current and future mishaps, it is that reassembling one's life after such a calamity can be much more difficult than first imagined, well after the initial surge of publicity and sympathy has petered out.

«Although you might get promises, my advice is: Do not count on anyone», said Andrew Terzis, who is still reeling financially after being forced from his business, the Persian Shop, and his apartment, both at 534 Madison, for a month. «Save your energy, because you don't know how long it's going to last».

Though it has been eight months since the bricks fell and five months since the last of those displaced returned to their apartments, most of the dozen or so residents of Madison's west side between East 54th and 55th Streets have only been reimbursed a fraction of their out-of-pocket expenses. Many are deeply in debt. At least two businesses have closed for good and three others have yet to reopen.

The impact has been more than financial. Those who were displaced have lost time and energy, while scrambling to rebuild the architecture of their lives.

A couple postponed plans to adopt a child. A businessman who had reveled as his new restaurant earned rave reviews last winter recoiled as falling bricks forced him to close temporarily. The Vermont Teddy Bear Store, where stuffed animals floated face down in rainwater that had trickled down from the shattered roof, called it quits, its momentum destroyed by the uncertainty.

The victims felt their loss in small ways, too. Like canceling plans for a share in a summer vacation house. Or declining, repeatedly, to join friends for a night on the town. Losing the will, in other words, to do anything spontaneous in a city that breeds spontaneity.

«Psychologically, it's been devastating on us», said Wendy Gering, a real estate agent. She and her husband, Eric, an architect, could not return to their home and office at 536 Madison for two months. «It's taken an emotional and physical toll».

The financial hardships, at least, were supposed to be erased quickly, but it hasn't turned out that way. While affected business owners have sought relief from their own insurance companies, few of the residential tenants were insured.

In December, Harry Macklowe, the developer who has owned 540 Madison since 1996, promised residents that he would «pick up all the expenses they are incurring». Jerome M. Hauer, the director of the Mayor's Office of Emergency Management, vowed that he would hold Mr. Macklowe to his word.

By the time the residents returned in January and February to their apartments in the five-story brownstones at 534 and 536 Madison, they had accumulated debts of $1,000 to $40,000, for a total of about $162,000.

A few expenses raised eyebrows: designer clothing, expensive meals and other items that did not seem to qualify as emergency provisions. But in any case, the residents have received only about $36,000 in emergency advances, in lieu of actual reimbursements.

The explanation, Mr. Macklowe's representatives say, is that Inter-Reco of Jericho, N.Y., Mr. Macklowe's insurer, has determined that Mr. Macklowe is not responsible for the shoddily constructed brick facade. As a result, Inter-Reco has solicited other companies involved with the 28-year-old building.

«It's an unpleasant situation for everyone», said Gerald McKelvey, a spokesman for the Macklowe Organization. «Unfortunately for the people who are displaced, this takes time».

When that time comes, each claim will be processed judiciously, Mr. McKelvey said, with the understanding that «any advance from the Macklowe Organization is an admission of nothing other than, «Here's an advance on your claim»».

For many New Yorkers, the amounts involved may not seem like much. But most of the Madison Avenue residents are young professionals in their 20's and early 30's, worker bees on Wall Street or in midtown with little in savings and no concept of renter's insurance.

«To Mr. Macklowe, it's chump change», said Richard Kennedy of 536 Madison, a buyer for an industrial corporation, who has been the residents' liaison with officialdom. «To us, it's our credit history».

Inevitably, the fallout from 540 Madison has entered the legal arena. One class-action lawsuit contends that the accident crippled businesses on surrounding blocks during the make-or-break Christmas season, said Kenneth J. Ashman, a lawyer for the merchants. Mr. Macklowe's lawyers have moved to dismiss that suit.

Meanwhile, life goes on. Sort of.

Dr. Frederick Kahn, who has been out of his dental office at 538 Madison since December, estimates that contractors will need two more months to repair his offices.

In the interim, he has been toiling at a friend's office in a bare, bathroom-size space. But referrals have plummeted, and he said his patients missed the small touches from his old office, like his underwater photographs of banded coral shrimp from the Cayman Islands.

«Initially, all the patients were understanding», Dr. Kahn said. «Now I'm seeing patients the second time around, and they're saying, «Hey, what's happening?» There's a bit of hostility».

Last October, M. David Magnotta opened his cozy, ornate Caviar Russe restaurant at 538 Madison to glowing reviews. But the restaurant was badly damaged by the accident. Now, Labor Day is the projected reopening date.

Maybe.

«It's just been so frustrating», Mr. Magnotta said. «If I were to be granted a wish, other than the fairy who grants me health and eternal money, I would just ask to be given back Dec. 7 with no occurrence like this».

Even those businesses that did reopen are suffering, especially since the scaffolding caging the block still stands.

Anna Antal, co-owner of Advanced Skin Care Day Spa, at 532 Madison, reopened her business in January. But the hiatus was devastating, because it occurred during the holiday season, when the spa anticipated selling 200 gift certificates. It sold none.

Personal plans, meanwhile, have been scratched or held in abeyance. Mr. Terzis and Conrad van Tienhoven, an equity research analyst for a mutual fund, are among those who have had their charge cards canceled by American Express.

Barbara Spiegel, an actress, whose apartment at 534 Madison suffered the worst damage from the falling bricks, was unable to return home for four months. She was so distraught, she said, that she was unable even to look for work until recently.

«I felt so vulnerable and threatened», Ms. Spiegel said. «My nerves were shot from this whole thing».

Tim Curran, whose tabby, Madison, made news in December when it was rescued from his apartment at 536 Madison, is now faring worse than his cat. He still owes more than $5,000 on his credit card, and has had to put off his plans for business school.

The Gerings had planned to adopt a child. But after the accident, neither could work for months. Adoption went from present to future tense.

Some residents have pleaded their case at City Council and Community Board 5 meetings. Some have leaned increasingly on Mr. Hauer's Office of Emergency Management to pressure Mr. Macklowe.

«It's broken promises, on both parts», said an embittered Mr. Kennedy about Mr. Macklowe and Mr. Hauer.

Sunny Mindel, a spokeswoman for Mr. Hauer, said the city has worked diligently on the matter, but that it can only do so much. «We can't untie the knots of red tape that Macklowe and the insurance company have tied around their necks», Ms. Mindel said.

But just last week, she added, the city filed a complaint about 540 Madison with the State Insurance Department to demand answers. Yesterday, Allison Klimerman, a spokeswoman for the department, said, «We have already started to conduct a full investigation».

On some days, the residents don't want to hear another word about their 40-story next-door neighbor, or about any other building mishap, for that matter. Accident fatigue, perhaps.

In the next two or three weeks, construction workers are expected to start removing the south wall of 540 Madison, brick by brick, said Mr. McKelvey, the Macklowe spokesman. Another brick facade will then be constructed, a project that could take another six months.

It won't come soon enough, the residents say.

About a month ago, several residents were awakened by a loud thud in the small hours of the night. Was it a brick? Mass hallucination? They never found out.

Mr. van Tienhoven said: «It was almost as though someone said: «Keep going, guys. Here's another reminder». I was like, «Am I underreacting if I play it cool and then I die? Or am I overreacting if I get a hotel room again and I know I'm not going to be reimbursed?»»

«The New York Times», August 5, 1998


Corrected on Aug. 6, 1998: A picture caption yesterday about missing bricks on the facade of 540 Madison Avenue misstated the timing of the photograph. It was taken on Dec. 12, 1997, not on Tuesday morning.

«Assignment Homicide»

Jeanne Toomey

«Assignment Homicide: Behind the Headlines»
// Santa Fe, NM: «Sunstone Press», 1998,
hardcover, 160 p.
ISBN: 0-86534-271-7

⟨…⟩ Mrs. Riis was playing the piano at the community center of the church and we waited for her to finish playing before the interview. Children gathered around her, singing, «Oh, What a Beautiful Morning» from «Oklahoma». I have always identified the tune with Bird and a wild romance. I had thought I was immune to passion and love at first sight. I was wrong.

It wasn't long before I was in bed with him at the Hotel Winslow where he lived. We both drank too much for sustained romance. He finally joined AA* and met and married a Brooklyn Heights socialite. ⟨…⟩

«Assignment Homicide: Behind the Headlines»

* Alcoholics Anonymous

«Crux: The Letters of James Dickey»

James Dickey

«Crux: The Letters of James Dickey»
/ editors: Matthew J. Bruccoli + Judith S. Baughman
// New York: «Alfred A. Knopf», 1999,
hardcover, XXX+576 p.,
ISBN: 0-375-40419-8

To: Maxine Dickey
8 April, 1956
New York

Dearest Ones,

The main thing is that I've moved. In case you didn't get the address «for sure» over the phone, it is Hotel Winslow, 55th and Madison. It is not a bad place, as I said; I have a little room on the 13th floor overlooking a wonderful industrial slum, and am now engaged (as I write) in watching it made over by snow, which certainly does something for it, though I haven't as yet decided what. At any rate, the room is fine for my needs, such as they are; it is warm and comfortable and small, and I can get my hands on anything in the room without raising them from my sides. ⟨…⟩

All my love.
I love you,
Jim

To: Maxine Dickey
14 May, 1956
NYC
⟨…⟩ Things are not so bad up here any more, for I have met a good many people who have the poor bachelor around to dinner every now and then. And, now that I am «on expenses», I can get around and see a few shows. Here at the Winslow I am drawing 77 dollars and 51 cents a week (without laundry) and about 83 or 4 with laundry. (I just sent some out today.) I don't want to move from the Winslow until I hear from Sidney Phillips (Criterion Press) and get my laundry back. Oscar says that Criterion is terrific. ⟨…⟩

More love, Jim

To: Richard Howard
10 January, 1966
Northridge, California

⟨…⟩ A couple of things. One, I shall be in New York for a couple of days—January 18th through the 20th—to pick up a lit'ry prize of some sort given by the Poetry Society of America, an outfit I had always vaguely associated with maiden lady geniuses in country newspapers. Anyway, I'll be at the Hotel Winslow, and I'll hope to see you and Sandy when I'm in town. ⟨…⟩

All yours,
Jim

«Crux: The Letters of James Dickey»

Wikipedia: James Dickey (February 2, 1923 — January 19, 1997)

New York City, Fifth Avenue

«Baedeker's New York»
// Basingstoke: «AA Publishing» (The Automobile Association), 1999,
paperback, 256 p.,
ISBN: 0-7495-1990-8

Rockefeller Center

  1. International Building
  2. British Empire Building
  3. Maison Française
  4. Sinclair Oil Building
  5. One Rockefeller Center
  6. U.S. Rubber Company
  7. General Electric Bldg. West
  8. General Electric Bldg. (RCA Bldg.)
  9. Rockefeller Plaza/ Prometheus
  10. Associated Press Building
  11. Radio City Music Hall
  12. Amer. Metal Climax Building
  13. 15 W. 51st St. Building
  14. Sperry Rand Building
  15. Time & Life Building
  16. Exxon Building
  17. McGraw Hill Building
  18. Celanese Building
  19. Swiss Center
  20. 640 Fifth Avenue Building
  21. Olympic Tower
  22. Cartier (Juwelier)
  23. Tishman (666 5th Ave.) Building
  24. Rolex Building
  25. St. Thomas Episcopal Church
  26. Museum of Modern Art
  27. American Craft Museum
  28. Museum of Television & Radio
  29. Hotel Dorset
  30. A.A. Rockefeller Garden
  31. Elizabeth Arden (Beauty)
  32. St. Regis Sheraton Hotel
  33. Hotel Gotham
  34. Fifth Ave. Presbyterian Church
  35. Corning Glass Building
  36. Sony Building (ehem.AT &T)
  37. Doubleday (Buchhandlung)
  38. Tiffany's (Juwelier)
  39. Trump Tower
  40. Van Cleef (Juwelier)
  41. Bergdorf Goodman (Mode)
  42. Bergdorf Goodman (Mode)
  43. Galeries Lafayette
  44. Escada (Mode)
  45. Hermès (Mode)
  46. F.A.O. Schwarz (Spielwaren)
  47. Pulitzer Memorial Fountain
  48. Hotel Winslow
  49. Hotel Inter-Continental
  50. Palace Hotel
  51. Newsweek Building
  52. Colgate Palmolive Building
  53. St. Bartholomew's Church
  54. General Electric Building
  55. Manuf. Hanover Bank Building
  56. Racquet & Tennis Club
  57. Citibank Building
  58. Mercedes-Benz
  59. Standard Brands Building
«Baedeker's New York»

Маленький Сальвадор

Эдуард Лимонов

«Книга мёртвых»
// Санкт-Петербург: «Лимбус Пресс», 2000,
твёрдый переплёт, иллюстрации, 286 стр.,
тираж: 10.000 экз.,
ISBN: 5-8370-0247-2

Эдуард Лимонов «Книга мёртвых»

⟨…⟩ В марте того же 1976 года я поселился на Мэдисон-авеню в отеле «Винслоу». Это парадокс того времени — времени Большой Депрессии Нью-Йорка: отель в центре города был так баснословно дёшев: 130 долларов в месяц! Как я позднее узнал от режиссера Душана Маковеева, уже живя в Париже, он, Маковеев, неоднократно останавливался в этом отеле, когда бывал в 70-е годы в Нью-Йорке. И якобы там останавливались ещё другие важные люди искусства. Сейчас этого здания на углу 55-й улицы и Мэдисон-авеню не существует, оно не разрушено, но давным-давно инкорпорировано в состав небоскрёба со всеми шестнадцатью этажами и крышей с портиками. Будучи в Нью-Йорке последний раз в 1990 году, я пришел поклониться обители моих стонов, печалей, на место моей «иллюминации и второго рождения». О, чудо, они сохранили даже три балкончика гостиницы «Винслоу», и мой средний в том числе. Не знаю, что там с внутренностями, вряд ли жива моя крошечная клетка, но пространство есть. В 1990 году всё это великолепие называлось «Melon Fondation». Мелоны, напоминаю — известная фамилия миллионеров, так же как Форды, Рокфеллеры или Гетти.

Поселившись в 1976 году в «Винслоу», я однажды стоял поздно вечером у подъезда отеля вместе с эмигрантами. Точной даты я не помню, но полагаю, это было в середине марта, так как уже в апреле я перестал водиться с эмигрантами. Мимо подъезда, а он был один, вход с 55-й улицы, вдруг прошла странная группа людей: двое мужчин и женщина. В мужчине я безошибочно узнал Дали. Эмигранты не знали, что это Дали, но сказали мне, что после двенадцати ночи эту группу нередко можно увидеть идущую по 55-й с Иста, а проходят они вон туда — и эмигранты указали на отель «Сент-Реджис Шератон». Постепенно, путём небольшой слежки я выяснил, что Дали, Гала и их шофёр, он же телохранитель, оставляют машину в подземном паркинге на 55-й у Первой авеню и возвращаются в «Сент-Реджис Шератон» пешком. Впоследствии я несколько раз за цену бутылки водки приводил желающих поглазеть на живого Дали эмигрантов к подъезду «Винслоу». Тех, у кого хватало терпения дождаться, ожидало удовольствие на всю жизнь. «А вот однажды, внучек, будучи в Нью-Йорке, Лимонов водил меня посмотреть на Сальвадора Дали» — так, я полагаю, это будет звучать. ⟨…⟩

«Violencia!»

Bruce Jay Friedman

«Violencia!: a musical novel»
// New York: «Grove Press», 2001,
paperback, 224 p.,
ISBN: 978-0-8021-3875-0

⟨…⟩

But all of this paled beside the misfortune that hit the group midweek.

With the playing of a chord on the piano, Han Nihsu stopped the rehearsal one day to make the following announcement:

«It is my sad duty to inform everyone that Mr. Mortimer has been found hanging in the clothing closet of his suite at the Hotel Winslow».

Everyone was both shocked and sickened by the news. Clement Hartog, of course, canceled rehearsals for the rest of the day, even though there was precious little time to get the show in shape, the lost hours representing a big loss to the production.

⟨…⟩

«Violencia!»

Reconnaissance

Gordon Van Ness

«The One Voice of James Dickey:
His Letters and Life, 1942–1969»
/ Edited with Commentary by Gordon Van Ness
// Columbia + London: «University of Missouri Press», 2003,
hardcover + dust jacket, XVI+2+500 p.,
ISBN: 0-8262-1441-X

«The One Voice of James Dickey»

⟨…⟩ As spring did come to New York, Dickey increasingly believed his decision to have been right. Initially his parents continued to forward him money, but the company offered him $8,600, more than twice what he had earned teaching at the University of Florida, and he soon found himself fully involved in the advertising trade, writing copy and participating in production. He wrote Lytle, endeavoring to make amends, but to Maxine he quipped, «I'm glad I don't have to depend on getting along with him, for my livelihood! He comes somewhere near being the biggest fake I've ever known». As he better understood the business mentality and as his superiors at McCann Erickson complimented his efforts, Dickey believed he had permanently separated himself from academe. His new calling required variations in perspective, a change in how he saw the world. The work itself, composing ads first for magazines and then for radio and television, offered him the larger salary he wanted, but the pressure of meeting deadlines gave him headaches and reduced the time available to write poetry. Lytle had cautioned him about the dangers, declaring that «it is a dangerous job for a poet… I'm told it is fast, compettitive [sic], and brutal». Dickey remained ambivalent. On the one hand, he was learning, as he observed, to consider products from a «commercial standpoint, or from a design standpoint, as to what would be effective in the design». On the other hand, New York's imposing skyline and executive lifestyle were far removed from the southern provinciality of his childhood in Atlanta and his teaching sojourns in Houston and Gainesville, and he felt alienated. The job offered no real glory. «I had no illusions», he later stated, «about being full of integrity as far as the advertising business was concerned; I was in it for the money, to make a living. The integrity came at night, on weekends, at sales meetings, on holidays, or whenever I could get to write my «own thing»». After endeavoring to please copy chiefs and assistant creative directors all day, he returned in the evenings to his room at the Winslow Hotel on Madison and Fifty-fifth Street and worked on poems, in particular a long, ambitious effort entitled «The First Morning of Cancer». The poem depicts the visionary flights of a man who has developed brain cancer; the subsequent chemical changes cause him to identify with Christ:

In his light, inside the light
Of the first morning, he stood by the stone, and could hear,
Beyond, the death from the nearest of flesh,
In its basket of hands, nailing one
To another, and deadly, self,
Up and down and crossing from within. ⟨…⟩

«Lonely Avenue»

Alex Halberstadt

«Lonely Avenue:
The Unlikely Life and Times of Doc Pomus»
// Cambridge, MA: «Da Capo Press», 2007,
hardcover + dust jacket, 264 p.,
ISBN: 978-0-306-81300-9

«Lonely Avenue»

⟨…⟩ Doc moved out of Loew's a few months after he moved in. He'd enjoyed watching the fights and the Knicks' games at the Garden, and his occasional tableside interviews with contenders had been a blast, but the hotel was dead, an anonymous midtown stopover for sightseers from Omaha and St. Louis. Doc's friend, the comic Nipsey Russell, recommended the Henry Hudson Hotel on West Fifty-seventh Street between Eighth and Ninth avenues. Russell took Doc and Shirlee to his penthouse apartment there, a huge, well-lighted loft lined floor-to-ceiling with books. The Henry Hudson was quiet and nondescript. Nearby theater companies rented most of its meeting spaces for rehearsals; the building stood amid a two-block stretch of restaurants and clubs. Shirlee began to understand that, for Doc, the details of the surrounding block—the location of the steps, the height of the curbs, the proximity of food, coffee and cigarettes, and other things ablebodied men rarely noticed—determined his days. Doc now went out only in his wheelchair. He got around his room on crutches, but one day he told Shirlee that he was through with them. The muscles in his arms had atrophied during his stay at the hospital, and he'd gained even more weight. Using the crutches was now simply too painful. Shirlee encouraged him to keep trying. «Don't you want to face the world standing up?» she asked. «Forget it, baby», Doc told her. «I just can't do it anymore».

When her roommate Fran gave up on Manhattan and went home, Shirlee moved to the Winslow, another anonymous hotel, on Madison Avenue. The distance only made her want to see Doc more. She still wasn't sure how deeply her feelings ran; it had taken nearly a year for their kisses to evolve into sex. Still, she visited him at the Henry Hudson nearly every day. ⟨…⟩


Wikipedia: Doc Pomus (Jerome Solon Felder) (June 27, 1925 — March 14, 1991)

Fabulous Dead People | Alexis, Baron de Rede

by Christopher Petkanas

⟨…⟩

In the old days, a bratty and obscure pinkie-raiser like Alexis, Baron de Rede would have stopped breathing, had his estate auctioned off at Sotheby's (for $9.5 million) and that would have been that. Save for the odd mention in social histories of Paris, he would never have been heard from again. But thanks to Mark Zuckerberg (who would have struck the baron as an utter alien), Alexis lives on. His «Admirers Of» on Facebook number 239.

By his own reckoning, de Rede (1922–2004) was self-centered, impatient, indifferent to affection, unimpressed by royalty and always, as he famously told the wife of the mayor of Paris one night at dinner at the Elysee Palace, très occupé doing nothing. His life was dedicated to manners, protocol, museum-quality collecting and entertaining on a huge and hugely imaginative scale. As de Rede had the money to support his pastimes and was not shy about spending it, doing rien wasn't an empty threat.

In 1956 he hosted the Bal des Têtes, introducing an unknown assistant at Dior named Yves Mathieu Saint Laurent to Paris society through the decorations and confectionary headpieces of plumes and paillettes that the baron had commissioned. Thirteen years later he bested himself, by all accounts, with the Bal Oriental, designed by the brilliant but forgotten team of Valerian Rybar and Jean-Francois Daigre, complete with life-size papier-mâché elephants, a cabaret à la Turc and bare-chested bodybuilders brandishing flaming torches and costumed as Nubian slaves.

«All I want is the best of everything, and there's very little of that left», de Rede once said, helping himself to that marvelous line minted by Lucius Beebe, the society columnist for the New York Herald. Among his other peccadilloes, the baron was severely repulsed by men who crossed their legs to expose a sun-starved length of calf; he pooh-poohed dining rooms («I set up a table wherever it suits me»); he thought it bad taste to speculate as to who might or might not have good taste; and he held that nothing less than a whole rose head per finger bowl would do, petals being for concierges.

Even more astonishing was his insistence that platters of food look the same at the close of a soiree as at the beginning. No picked-over fish frames, gouged mounds of pilaf or, heaven forbid, drooling aspics. «It does not matter if people do not eat the food at the end of the evening, as there are always people you can give it to», he explained somewhat vaguely in «Alexis, the Memoirs of the Baron De Rede», an amusing if sloppy and frequently appalling album of photographs and reminiscences written the year he died. Recounting a dinner given by the South American ballet impresario Marquis de Cuevas, the baron notes the presence of a «coloured» orchestra. Elsewhere his attention is diverted by a «good-looking but boring man, remembered for a diminutive posterior». As Alexis had a nearly negative sex drive, it must have really been something.

As always, Taki, in his Spectator obit of de Rede, was there to tell us what really went down: «Alexis did not go around grabbing people's behinds». Taki is not the first person you'd expect to defend the baron's virtue and title, but this he does, maintaining that jealousy, homophobia and anti-Semitism gave rise to charges that Alexis was a faux baron and a «bumboy», i.e., the gay version of a skirt chaser. De Rede's own position, and there is no reason to disbelieve him, was that the only person he ever loved was a randy Polish classmate at his prep school Le Rosey who bedded every boy and farm girl he could lure into the hayloft. The baron never acted on his love, which seems sad, but he did keep good company. Prince Rainier and the future Shah of Persia were fellow pupils.

De Rede was born in Zurich to a Jewish father, a banker from Austria-Hungary, and a German-Jewish mother who died of leukemia when he was 9, and whose ancestors had been 50–50 owners of the Royal Bank of Wurttemberg. As Alexis, who was raised a Protestant, observed with no excess of elegance (he was not a very lyrical writer), «to get a title you had to have a lot of land». Papa was awarded his in 1916 by Emperor Franz-Joseph upon purchasing an estate in Transylvania with the name Rede. But somehow the honorific, though absolutely legit, never made it into the Almanach de Gotha, leaving Alexis vulnerable to snipers, like his embittered nemesis Nancy Mitford, who questioned his authenticity. La Mitford on de Rede: «He looks like a tie-pin, thin… & correct with a weeny immovable head on a long stiff neck».

The baron, his brother and a sister who was born crippled and «not quite normal in the head» grew up in the Dolder Grand Hotel in Zurich, attended by an army of maids, valets, nannies, waiters, grooms and porters. But as the family's fortunes diminished so did its lodgings, from a high of 16 rooms, including one designated solely for arranging flowers, to just two. In 1939 de Rede pere took his life after learning he was bankrupt. With no one to tell him he couldn't, Alexis, all of 17, took himself first to New York, then to Hollywood, where he worked in an antiques shop, befriending clients like Dali and his wife Gala.

«Alexis: The Memoirs of the Baron De Redé»

It sounds almost too cheesey to be true, but having returned to New York in 1941, de Rede was dining at the fashionable restaurant Les Bruxelles when he literally turned the head of Arturo Lopez-Wilshaw, a Chilean whose staggering wealth was derived from guano. (The irony of bird excrement enabling the lives of two of the greatest aesthetes of the 20th century is beyond the scope of this article.) The baron had been saving himself, and now he knew why. The deed was done not amid the brocade splendor of the St. Regis, where Arturo was staying with his wife Patricia, but at the «sleazy» (a breathtaking word on de Rede's lips) hotel Winslow on East 55th Street.

⟨…⟩

Alexis, as we know, was not in love with Arturo, who was 22 years his senior, reasoning, «I needed protection and I was aware that he could provide this. I think it is hard to love someone on whom you rely financially». Not even when, in 1946, he gives you $1 million — roughly $11 million today — to set yourself up in Paris. But the baron wasn't entirely the toy boy he liked to portray himself as. In 1963, along with Prince Rupert Lowenstein and other investors, he bought control of Joseph Leopold & Sons, the London merchant bank, retiring in 1978 as vice chairman. And when Lowenstein became the Rolling Stones's financial adviser, he made de Rede president of the group' s management companies. Though the Stones's music was obviously not his cup of tea, he did go on tour with them (you can just picture him backstage in Singapore with an all-access badge around his neck) and was at least able to talk shoes with Charlie Watts.

Alexis was prouder of nothing more than his unstinting restoration of the Hotel Lambert, the 17th-century landmark he occupied on the prow of Ile St. Louis for more than five decades starting in 1949. Commissioned by Jean-Baptiste Lambert, the private secretary to Louis XIII, the palace was built by Le Vau, with interiors by Le Brun and Le Sueur, all of whom would go on to work on Versailles. For his trouble the baron was very late in life appointed a Commandeur in the Ordre des Arts et des Lettres. «Never ask for an honor, never refuse an honor and never wear one», he was advised by his good friend Guy De Rothschild, who acquired the Lambert in 1975. By then de Rede and Rothschild's wife Marie-Helene, «the Queen of Paris», had become BFF's, so he stayed on, one third of a menage that was as curious as it was successful.

A reader of Alexis's memoirs is left with the impression that, along with the Lambert, it was his practice of misting the flowers just before sitting down to dine — «It makes them look as though the dew is on them» — that formed the most meaningful part of his legacy. It's hard to imagine anyone really believing that squirting a bunch of roses required special skill, or a fancy silver-plate vaporizer from Puiforcat. But the Baron was insistent. «Others have tried to copy» his habit, he wrote, «but usually fail».

«The New York Times», April 8, 2011


Wikipedia: Alexis von Rosenberg, Baron de Redé (February 4, 1922 — July 8, 2004)

Wikipedia: Arturo Lopez-Wilshaw (20 juin 1900 — 17 mars 1962)

«Mad Men» Draws On an Original

by Randy Kennedy

In the five seasons that «Mad Men» has been on television that celebrated series set in the art-directed world of 1960s advertising has never marketed itself the way a '60s ad man most certainly would have: by calling in a hotshot illustrator to do the job.

Brian Sanders

Brian Sanders working on his illustration to be used to market the new season of «Mad Men».

© Guy Sanders

But as the show prepared for its new season, which begins April 7, its creator, Matthew Weiner, inspired by a childhood memory of lush, painterly illustrations on T.W.A. flight menus, decided to turn back the promotional clock. He pored over commercial illustration books from the 1960s and '70s and sent images to the show's marketing team, which couldn't quite recreate the look he was after.

«Finally»,

he said,

«they just looked up the person who had done all these drawings that I really loved, and they said: «Hey, we've got the guy who did them. And he's still working. His name is Brian Sanders»».

read more…

Which explains how a 75-year-old illustrator living outside of Cambridge, England — highly regarded in his own country but little known in the United States — came to create the image that beginning this week will be emblazoned on buses, billboards, magazine pages, Web sites and TV. The ad, depicting Don Draper, the show's lead character, in a vertiginous pose on a New York City street corner that seems to be collapsing on him like the decade he is living in, looks as if it has time-traveled from the pages of an old copy of Reader's Digest.

«What it did was take me right back, about 50 years»,

said Mr. Sanders, who added that he was familiar enough with «Mad Men» to be in a bit of disbelief when the show came calling for his drawing board and brushes. The impressionistic image he created uses a scumbled acrylic technique that in its jazzy, textured effects instantly conjures 1960s illustration.

«It's a style we refer to over here in England as bubble and streak»,

he said in a telephone interview from his home in Essex.

«I don't work in that manner now, and I was surprised how quickly it came back, the ability to use it in that particular way».

Brian Sanders

Brian Sanders, a veteran of the golden era of magazine illustration, with his «Mad Men» drawing.

© Guy Sanders

The image recalls work that Mr. Sanders did for an even more famous screen project. In 1966 he was asked by Stanley Kubrick, who had seen some of his experimental, noncommercial collages, to spend months with unfettered access to the set of «2001: A Space Odyssey» and illustrate scenes from the filming. Most of the images remained unpublished for decades. (Kubrick, famously averse to set photographers, seemed to have been ambivalent even about drawings.) But the experience was a formative one for Mr. Sanders in honing an illustration style that balanced slightly trippy abstraction with a concrete feeling of reportage.

«For that job I just drew what was in front of me, and what Stanley did was bizarre enough for me not to have to worry much about what I was doing»,

he said.

He came of age in the waning days of the golden era of magazine illustration, a transformation that has hovered in the background of «Mad Men».

«The show is telling the history of advertising, and part of that story is about photography completely eclipsing illustration»,

Mr. Weiner said. After his commissions for editorial and advertising illustrations, mostly in British publications, dwindled in the 1970s, Mr. Sanders managed to sustain a busy career illustrating paperback jackets for titles by authors like Steinbeck, Solzhenitsyn, J.B. Priestly and John Fante. He did work for calendars and wine labels and on British postage stamps and specialized in military subjects.

In the era that «Mad Men» depicts, Mr. Sanders said, his illustration «gods» were mostly Americans — Bernie Fuchs, whose work defined much of the 1960s' look of magazines like McCall's and TV Guide and who was perhaps Mr. Sanders' strongest influence; Lynn Buckham, known for a clean, Norman Rockwell-like style; Jack Potter, who dropped out of advertising in the '50s and became a renowned teacher; and Joe De Mers, whose impossibly curvy pin-up-type women helped set the template for a character like Joan Harris on «Mad Men».

Illustrating for and watching the series was doubly meaningful for him, Mr. Sanders said, because «Mad Men» depicts a world he was once very much a part of.

«The first one I saw, I had such a déjà vu feeling of place and time»,

he said.

«It wasn't just in New York that that was happening. It was here too. I almost wanted to reach for a cigarette, and I haven't had one for 30-odd years».

«The New York Times», March 10, 2013


Эдуард Лимонов

E.55 × Madison Ave.

see more…
Brian Sanders
Mad Man Season 6

🎧 Limonov

Activités communicatives

Emmanuel Carrère (Paris, 1957)

Emmanuel Carrère est un romancier, essayiste, scénariste très connu en France. Il a reçu de nombreux prix littéraires, dont le Femina en 1995 pour «La Classe de neige», et le Renaudot en 2011 pour «Limonov», roman-biographique d'Édouard Limonov, écrivain de l'Union Soviétique (Russie).

Nous sommes à New York, dans les années 1975–1980. Edouard Limonov est un écrivain russe exilé aux États-Unis.

L'hôtel Winslow est un repaire de ces Russes, juifs pour la plupart, qui font comme lui partie de la « troisième émigration », celle des années soixante-dix, et qu'il est capable de reconnaître dans la rue, même de dos, à l'aura de lassitude et de malheur qui émane d'eux. C'est à eux qu'il pensait en écrivant l'article qui lui a coûté son job. À Moscou ou Leningrad, ils étaient poètes, peintres, musiciens, de vaillants under qui se tenaient chaud dans leurs cuisines, et maintenant, à New York ils sont plongeurs, peintres en bâtiment, déménageurs, et ils ont beau s'efforcer de croire encore ce qu'ils croyaient au début, que c'est provisoire, qu'un jour on reconnaîtra leurs vrais talents, ils savent bien que ce n'est pas vrai. Alors, toujours entre eux, toujours en russe, ils se soûlent, se lamentent, parlent du pays, rêvent qu'on les laisse y retourner, mais on ne les laissera pas y retourner : ils mourront piégés et floués.

Il y en a un, comme ça, au Winslow, chaque fois qu'Édouard vient le voir dans sa chambre, pour boire un coup ou lui taper un dollar, il croit qu'il a un chien parce que ça sent le chien, qu'il y a des os rongés dans un coin et même des crottes de chien sur le lino, mais non, il n'a pas de chien, il n'a même pas de chien, il est seul à crever, il relit à longueur de journées les quelques lettres qu'il a reçues de sa mère.

Emmanuel Carrère, «Limonov», Paris, P.O.L.

Vocabulaire

  • un repaire : un endroit qui sert de refuge, un abri.
  • lui a coûté son job : il a perdu son travail.
  • under : diminutif de « underground », avant-garde artistique.
  • floués : trompés.
  • lui taper un dollar : (familier) lui demander un dollar, emprunter de l'argent.

Parlons-en

  • De quels émigrés est-il question ?
  • Qu'étaient-ils à Moscou/Leningrad et que sont-ils à New York ? Commentez ces différences.
  • Quelle image illustre leur solitude ? Qu'en pensez-vous ?
  • Pour le narrateur, quel est le destin de ces personnes ? Et vous, quels sont vos constats, vos expériences, vos analyses concernant l'immigration ou l'exil ?

Nicole Blondeau + Ferroudja Allouache + Marie-Françoise Né
«Littérature Progressive du Français»
/ 2e édition
// Paris: «CLE International», 2013,
broché, 176 p.,
ISBN: 978-2-09-038147-4 (+CD-audio)

L'hôtel Winslow

«The Ape has Stabbed Me»

Vincent Poklewski Koziell

«The Ape has Stabbed Me:
A Cocktail of Reminiscences»
// London: «The Write Factor», 2014,
hardcover + dust jacket, 254 p.,
ISBN: 978-0-9568735-7-6

⟨…⟩ I booked into the Winslow Hotel on the corner of 52nd and Madison Avenue where I got a bedroom for $3 a night on the top floor, which must have originally been a room for travelling servants, as it was tiny and not en suite. However, the phone and lift worked, as did the bathroom at the end of the corridor, albeit with many steamy and leaky protests. ⟨…⟩

«The Ape has Stabbed Me»

Emmanuel Carrère:
the most important French writer you've never heard of

Robert McCrum

As his latest «non-fiction novel», Limonov, comes out in English, the acclaimed and bestselling author discusses his extreme personal candour and why he likes to court danger.

⟨…⟩ As a refugee in 70s Manhattan, contemporary with the poet Joseph Brodsky, Limonov took a cheap room in the squalid Winslow hotel, living on cabbage soup, and writing about his life with the simple, raw energy of a Russian Jack London. ⟨…⟩

«The Guardian», September 21, 2014


Joseph Brodsky ⟩ June 4, 1972
Eduard Limonov ⟩ September 30, 1974

«Floating islands»

Mike Doyle

«Floating islands: a writer's early life»
// Victoria, BC: «Ekstasis Editions», 2015,
paperback, 240 p.,
ISBN: 978-1-77171-099-2

«Floating islands»

⟨…⟩ About that time I met the English poet George Barker. One evening I joined him at the Hotel Winslow (East 50s?), had a few drinks, then spent hours trailing around with him, joining his friends, listening to him read from a book of plays newly published, which in his voicing sounded very much like «Under Milk Wood». My image of Barker had been influenced by a sepia photo of him, laconic and mysterious behind a veil of blue smoke from a nonchalantly dangled cigarette. I had always pictured him a small wiry man with a gypsy sort of face, spare, knowing, and tough. His long poem «The True Confession of George Barker» reinforced that image as did the memory of a photo in «Penguin New Writing», his face curtained by spirals of cigarette smoke. Instead, I found a tall man with water-blue eyes, modest in manner, easy to get on with. That night we went to several bars before fetching up at the apartment of a redheaded woman-friend of his. Though too tipsy to register much, through her I found a space to bunk down for the night when momentarily I could not easily fend for myself. Early next morning, I left without encountering Barker or our hostess. ⟨…⟩

Lexin pays $155M for Barings' 551 Madison

by Mark Maurer

Principal Life upped existing loan on 17-story Midtown office building to $85M.

Metin Negrin's Lexin Capital closed last week on the $155 million purchase of a 17-story Midtown office building at 551 Madison Avenue from Barings, formerly known as Cornerstone Real Estate Advisers, sources told «The Real Deal».

The price for the 151,000-square-foot property came out to $1,030 per square foot, sources said.

The building, located between East 55th and 56th streets, according to sources is 94 percent occupied and also has a roughly 17,000-square-foot retail component. Office tenants include French clothing company Lacoste and Omni Hotels and Resorts.

Metin Negrin

551 Madison Avenue and Metin Negrin

Lexin, which is developing a 40-story Financial District rental tower at 75 Nassau Street, is planning a long-term hold of the Madison Avenue building, sources said.

As for the financing, sources said Lexin increased the existing $63 million loan from Principal Life Insurance Company on the property to $85 million, sources said. Cornerstone had bought the building from LaSalle Investment Management for $128 million in 2012 and then secured that $63 million loan the following year, property records show.

«We have focused on stabilizing the building occupancy while simultaneously capturing the rising tide in the office rental rate environment», said Barings' Kevin Miller, confirming the sale.

The landlord put the building on the market in September. Around the same time, Cornerstone, Barings Asset Management and two other subsidiaries of Massachusetts Mutual Life Insurance Company merged to form one company known as Barings with $275 billion in combined assets.

CBRE's [TRDataCustom] Darcy Stacom, Bill Shanahan and Eric Negrin represented the seller in the deal. CBRE's Shawn Rosenthal and Jason Gaccione brokered the financing. Representatives for Lexin and CBRE declined to comment.

Commercial Real Estate Direct first reported in December that the deal was under contract.

Across the street is the Sony Building at 550 Madison Avenue, which Olayan Group and Chelsfield acquired for $1.4 billion, or $1,647 per square foot, last year after Chetrit Group and Clipper Equities scrapped plans for a condominium conversion. CBRE is marketing the 850,000 square feet of vacant office space there.

«The Real Deal», January 23, 2017

«The general's women»

Susan Wittig Albert

«The general's women»
// Bertram, TX: «Persevero Press», 2017,
hardcover + dust jacket, 412 p.,
ISBN: 978-0-9892035-8-6

⟨…⟩ Kay had sent Ike (who was just beginning to settle into his presidency at Columbia University) a prepublication copy of her book*, and on September 30, 1948, he replied with a dictated thank-you note. In New York, she was staying at the Hotel Winslow at Madison Avenue and Fifty-Fifth Street, but she spent the autumn and part of the spring of 1949 on the lecture circuit, speaking on college campuses and at women's clubs, libraries, and bookstores. She also appeared on radio and on the popular quiz show «Twenty Questions». In July 1949, she flew to England, where the UK edition of the book had been published by T. Werner Laurie Ltd. ⟨…⟩

«The general's women»

Wikipedia: Kay Summersby (23 November 1908 — 20 January 1975)

* «Eisenhower Was My Boss» (1948)

* * *

Лев Новожёнов

⟨…⟩ В 98-м году, на Новый год, я с друзьями жил в Нью-Йорке в отеле «Сент-Реджис», на который Лимонов взирал с балкона дома неподалёку, хлебая борщ из кастрюли. ⟨…⟩

«Facebook», 18 марта 2020 года

limonka

New York Songlines

Virtual Walking Tours of Manhattan Streets

www.nysonglines.com/…

[St. Regis Hotel — 160 m — The Winslow Hotel]

Among the St. Regis' many famous guests and residents are Joseph Pulitzer, John Jacob Astor, Ernest Hemingway, Salvador Dali, John Lennon, Yoko Ono, Alfred Hitchcock, Rex Harrison, Humphrey Bogart, John Huston and Marlene Dietrich. When Marilyn Monroe stayed here during the filming of The Seven Year Itch, her fight with soon-to-be ex-husband Joe DiMaggio over the famous subway grate scene reportly woke up the whole floor.

• Robert De Niro picks up Cybill Shepherd here in «Taxi Driver»;
• Mia Farrow is a cigarette girl here in «Radio Days»;
• Michael Caine and Barbara Hershey tryst here in «Hannah and Her Sisters».

«Taxi Driver»

Martin Scorsese «Taxi Driver» (1976)

The Winslow 551 Madison disappeared behind the flags.

Columbia University Libraries

The Winslow

Title: The Winslow Madison Ave. at 55th St. New York City

Published: Lumitone

Physical Description: Monochromatic

Subjects: Hotel, Hotels, Midtown Manhattan (New York, N.Y.)

Format: postcards

Location: Avery Classics Collection, Seymour B. Durst Old York Library Collection, Box no. 13, Item no. 234.6.

The Winslow

Everything's for sale!

The Winslow Hotel
The Winslow Hotel New York City, USA

Available for Editorial use only. $23.00

Contributor:Chronicle
File size:43.6 MB (2.5 MB Compressed download)
Dimensions: 3.083×4.947 px | 26.1×41.9 cm | 300dpi

www.alamy.com/…

The Winslow Bar
The Winslow Bar in the Winslow Hotel.

Available for Editorial use only. $23.00

Contributor:Chronicle
File size:43.9 MB (1.8 MB Compressed download)
Dimensions: 4.941×3.102 px | 41.8×26.3 cm | 300dpi

www.alamy.com/…

«Alamy»

The Winslow Hotel
The Winslow Hotel New York City, USA

Editorial Use Only. Single use in context.

The Winslow Hotel at Madison Avenue at 55th Street New York City Usa. Postcard Published by Lumitone Photoprint, New York

Image Formats: 3.083×4.947 pixels • JPG

www.shutterstock.com/…

The Winslow Bar
The Winslow Bar in New York City, Usa

A Round of Guests Relaxing at the Winslow Bar of the Hotel by the Same Name at the Intersection Between Madison Avenue and 55th Street in New York City Usa. Postcard Published by Lumitone Photoprint, New York

Image Formats: 4.941×3.102 pixels • JPG

Important information: Editorial Use Only. Single use in context.

www.shutterstock.com/…

«Shutterstock»

The Winslow Hotel New York City Print 1930s
The Winslow Hotel

The Winslow Hotel at Madison Avenue at 55th Street New York City, USA Date: 1930s. Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries. © Mary Evans / Pharcide

Artwork supplied by Mary Evans

15×10 — €13.40
18×13 — €15.88
30×20 — €22.88
47×30 — €42.28
60×40 — €77.28
75×50 — €87.28
90×60 — €127.28

«Media Storehouse»

The Winslow Hotel & Matchbook Collection

via eBay

The Winslow Hotel, Matchbook

The Winslow Bar, New York City, Madison avenue at 55th street

⟨…⟩
The Winslow Hotel, Matchbook

The Winslow Hotel, New York City, 45 East 55th st.

The Winslow Hotel, Matchbook

The Winslow Hotel, New York City, Madison avenue at 55th st.

The Winslow Hotel, Matchbook

The Winslow Hotel, New York City, Madison avenue at 55th st.

The Winslow Hotel, Matchbook

Cafe Winslow, New York City, Madison avenue & 55th st.

The Winslow Hotel, Matchbook

The Winslow Hotel, New York City, Madison & 55th street + Hotel Paramount, New York City, 235 West 46th street

The Winslow Hotel, Matchbook

Allerton House, New York City, 45 East 55th St.

Knott Hotels

via eBay

read more…
limonka

The Winslow 551 Madison

Homes Dark and Lifeless, Kept by Out-of-Towners

by Sam Roberts

New Yorkers who stay in town during summer and holiday weekends know the empty-streets, Potemkin-village look that parts of the city take on.

551 Madison Avenue

Much of 551 Madison Avenue is dark, reflecting the part-time occupancy of thousands of apartments in Manhattan. © Mylan Cannon/The New York Times

But some Manhattan neighborhoods are assuming that vacant feeling the year round, because the people who own or rent apartments there actually live somewhere else most of the time. This explains why, in a city of bright lights, so many windows dotting the imposing facades of Fifth, Madison and Park Avenue apartment buildings are pitch dark every evening.

Wealthy out-of-towners have always had pieds-à-terre and unused investment properties in the city. What is new is how many.

In a large swath of the East Side bounded by Fifth and Park Avenues and East 49th and 70th Streets, about 30 percent of the more than 5,000 apartments are routinely vacant more than 10 months a year because their owners or renters have permanent homes elsewhere, according to the Census Bureau's latest American Community Survey.

⟨…⟩

In one part of that stretch, between East 53rd and 59th Streets, more than half of the 500 apartments are occupied for two months or less. That is a higher proportion than in resort and second-home communities like Aspen, Colo.; Palm Beach, Fla.; Virginia Beach; and Litchfield, Conn.

And the ranks of part-timers are growing. Since 2000, the number of Manhattan apartments occupied by absentee owners and renters swelled by more than 70 percent, to nearly 34,000, from 19,000. They proliferated in virtually every census tract south of 110th Street, with the most pronounced surges in the East Village, SoHo, Greenwich Village, Gramercy Park, Midtown East and the Upper East Side.

«My block is like a ghost town», said Gay Talese, the author and keen urban observer, who has lived on East 61st off Park Avenue for a half-century. «It's dark on this street at night, and I'm not talking about summer people in the Hamptons and people who have apartments here but spend a lot of time out of town for tax reasons».

He described the part-timers as «skim-milk New Yorkers — only 2 percent».

Reasons abound. The construction of luxury housing, especially condominiums, has exploded in the last decade, and the market for high-end apartments has rebounded. Manhattan continues to attract foreign investors seeking a haven.

More out-of-towners contemplating retirement in the city are trying Manhattan on for size, with an apartment they visit now and then. Globalization has more executives sleeping less often in what is ostensibly their hometown. And many New Yorkers have long spent most of their time elsewhere and claimed permanent domicile there to avoid the city's higher resident income tax.

Some other cities are concerned that too many out-of-towners buying up desirable homes will deaden neighborhoods and deplete any street life: Charleston, S.C., has subjected second homes to higher property taxes than primary residences. New York City does not, taxing second and permanent homes at the same rate, but a state tribunal this year suggested that city apartments owned by commuters could be included in the definition of a permanent abode, subjecting them to New York taxes even on income earned out of state.

Still, fears of creating dead zones have been muted in Manhattan, where congestion routinely trumps desolation as an urban crisis and where, as a result, some residents actually prefer the sense of solitude.

«I love getting up in the morning and seeing Park Avenue empty», said Abby Leigh, an artist who lives with her husband, Mitch, the composer and real estate developer, on East 68th Street.

Among all of the 845,000 apartments and houses in Manhattan, 102,000 were identified as vacant in the 2005-9 American Community Survey. Of those, about 33,000 — or about 1 in every 25 Manhattan homes — had an owner or renter who lived there less than two months of the year.

The proportion of part-time apartments in the borough peaked at nearly 4 in 10 in 2007, then dipped with the recession and has been rising again.

Trump Tower, at Fifth Avenue and East 56th Street, is in many ways typical of the trend. Rhona Graff, vice president of the Trump Organization, estimates that only about half of those who own the building's 263 apartments live there full time.

«It's a good mix, but primarily Europeans, South Americans, Asians and, of course, Americans», she said. «I would say the vast majority of these people are active in business, although there are some retirees».

Whether such a building seems half empty or half full depends on the dweller.

«Some people might feel they rather live in a building with more of a social environment», said Gary Malin, president of Citi Habitats, a real estate brokerage firm. «Other people might say, «Less people in my building means less wear and tear on the facilities»».

Among the latter is Michael Gross, who wrote the book «740 Park», about one of those apartment buildings, he explained, where every owner «has five homes» someplace else.

«It's lovely», said Mr. Gross, who lives on a block of West 58th Street where about 1 in 6 people lives only part time. «A fully staffed building, empty elevators and you never run out of hot water».

Co-ops are typically more likely to limit the number of pieds-à-terre than condominiums. «They're not looking for people who are going to treat their apartments like a hotel and let friends come and go», said Pamela Liebman, chief executive of the Corcoran Group Real Estate.

Mr. Malin said apartments have gained appeal as investments, «with hotel rates being as crazy as they are and rental rates going through the roof».

«A lot of foreign buyers are coming in», he said. «They think the finances make sense. An apartment is more convenient than a hotel, and they would rather have the investment».

Because some people have mixed feelings about sparsely occupied buildings, agents and owners are often reluctant to publicly reveal their full-time population. The proportion at the Excelsior at 303 East 57th Street is probably about the same as Trump Tower's, said Elayne Reimer, executive vice president of Halstead Property. So is 470 Park's at East 58th Street, another broker said.

Doormen know. So do mail carriers. And building superintendents.

A few years ago, a leak in an apartment at Olympic Tower, on Fifth Avenue at 51st Street, caused $500,000 in damage to several apartments below it. A building newsletter noted that the mess «could have been completely avoided if a set of working keys for that apartment were maintained» at the concierge desk.

The notice did not say, however, whether the apartment was occupied full time. But another notice advised residents, «If you do not plan to receive mail at the apartment, please specify where monthly common charge bill and correspondence should go».

«The New York Times», July 6, 2011

Cornerstone puts tower at 551 Madison Avenue up for sale

by Rich Bockmann

Asset manager could expect it to fetch at least $180M: sources.

Asset management firm Cornerstone Real Estate Advisers, now known as Barings following a $275 billion merger Monday, is looking to sell the 150,000-square-foot office-and-retail building it owns at 551 Madison Avenue, sources told «The Real Deal».

The asking price wasn't clear, but sources said Barings could be looking to get north of $180 million at a minimum.

Connecticut-based Cornerstone paid $128 million in 2012 to buy the 17-story building at 551 Madison Avenue from LaSalle Investment Management.

551 Madison

The building, located at the corner of East 55th Street, was 91 percent occupied at the time of purchase, and since then Cornerstone [TRDataCustom] has inked a handful of small leases with office tenants on the upper floors.

But an outsized portion of the property's value is weighted toward its retail, which boasts 75 feet of frontage along Madison Avenue and counts tenants such as shoemaker Allen Edmonds and eyewear shop Robert Marc.

CBRE's Darcy Stacom and Bill Shanahan, who brokered the sale four years ago, are currently marketing the property, sources told «The Real Deal». Representatives for Cornerstone and CBRE declined to comment.

The 2012 purchase price works out to about $850 per square foot. A source not affiliated with the property said Cornerstone, seeking a healthy internal rate of return, could be looking to sell for somewhere between $1,200 and $1,500 per square foot. That would work out to a purchase price of roughly $180 million to $225 million.

The French clothing company Lacoste anchors the office floors with a little more than 25,000 square feet. Other tenants include Omni Hotels and Resorts, owner of the 398-room Omni Berkshire Hotel at Madison Avenue and 52nd Street, as well as various financial-services companies and law firms.

In addition to The Plaza District building, Cornerstone also owns the 520,000-square-foot office property at 100 Wall Street and hotels including the Algonquin on West 44th Street and the Muse on West 46th Street.

Institutional asset manager Babson Capital Management announced Monday it had completed the merger of Cornerstone Real Estate, Barings Asset Management and two other subsidiaries of Massachusetts Mutual Life Insurance Company to form one company operating under the name Barings with $275 billion worth of global assets under management.

«The Real Deal», September 12, 2016

Deutsche Pfandbriefbank Refis 551 Madison With $78M Loan

by Andrew Coen

Lexin Capital has secured a $78 million debt package to refinance a Midtown office building it acquired five years ago, according to property records.

551 Madison Avenue

551 Madison Avenue. Photo: Lexin Capital

Deutsche Pfandbriefbank provided the loan on Lexin's 551 Madison Avenue, a 17-story asset in the Plaza District. Lexin purchased the 151,000-square-foot property in January 2017 from Barings for $155 million, «The Real Deal» reported at the time. The transaction marks the second for Deutsche Pfandbriefbank on behalf of Lexin after also closing a loan its property on 220 West 28th Street.

«With the refinancing, we paid back the previous lender and also increased our investment and with the additional proceeds we will continue to invest into our property and improve and add amenities for our tenants like our new lounge», said Metin Negrin, president of Lexin Capital.

Barings, which was formerly known as Cornerstone Real Estate Advisers, initially bought the building from LaSalle Investment Management for $128 million in 2012 and secured a $63 million loan from Principal Life Insurance a year later, per TRD.

The 1922-built 551 Madison houses corporate offices for Omni Hotels and Resorts and French clothing company Lacoste, among other office tenants. It also features 17,000 square feet of retail space.

Representatives for Deutsche Bank and Lexin Capital did not immediately return requests for comment.

«Commercial Observer», July 7, 2022

* * *

«551 Madison», 17th floor

«551 Madison», 17th floor

551 Madison

workat551.com

551 Madison is a 17-story boutique building located in the heart of Madison Avenue's coveted commercial and retail corridor, with close proximity to everything your business needs to thrive.

«551 Madison»
The LoopNet
551 Madison

551 Madison Ave

551 Madison
551 Madison
16th Floor:
551 Madison
551 Madison
551 Madison
551 Madison
12th Floor:
551 Madison
see more…
551 Madison
551 Madison
551 Madison
551 Madison
551 Madison

«Noah & Co.»

JLL Leases 20K-SF at Newly Repositioned Plaza District Boutique Building Owned by Lexin Capital

Esports firm, venture capitalists among five new tenants to ink deals at 551 Madison Ave.

JLL announced today that it has leased 20,763 square feet in a series of transactions at 551 Madison Ave., a 17-story, Class A office tower located in Manhattan's Plaza District and owned by Lexin Capital.

551 Madison Ave. is an owner-occupied property that features a renovated lobby with 24/7 concierge, a private tenant lounge and event space, and a soon-to-open fitness and wellness center operated by Foresight Health Coaching.

551 Madison Avenue

«We're delighted to welcome our new office tenants as part of our growing community», said Metin Negrin, President of Lexin Capital. «Our goal has been to create a workplace where professionals genuinely want to come every day — one that combines the intimacy and service of a boutique building, where the doorman knows your name. We're also excited to introduce a new wellness and fitness center on the lower level, operated by Foresight Health Coaching, offering customized programs tailored to each individual».

The new leases include:

read more…
  • ESL Gaming, a global esports and gaming entertainment company, signed a five-year lease for the entire 14th floor totaling 8,330 square feet. The tenant was represented by Sheena Gohill and Jack Senske of Colliers.
  • North Bridge, a commercial real estate financing and C-PACE provider, signed a five-year lease for 6,492 square feet on a portion of the 13th floor. The tenant was represented by Sarah Pontius and Carleigh Bettiol of Artisan.
  • Crivelli USA, the American arm of Italian fine jeweler Crivelli, signed a seven-year lease for 2,259 square feet on the 11th floor. The tenant was represented by Jonathan Anapol and Jasmine Quiroz of Prime Manhattan Realty.
  • Recharge Capital leased 1,844 square feet on the 8th floor of 551 Madison Ave. The venture capital firm signed a three-year lease.
  • Han Kun Law Offices, an international law firm headquartered in Beijing with offices across China and Singapore, leased 1,838 square feet on the 13th floor for four years. The tenant was represented by Brad Gerla and Keegan Schenk of CBRE.

JLL serves as exclusive agent for the property and a team led by Executive Managing Director Greg Wang, Managing Director Rob Wizenberg, Vice President Kate Roush and Associate Nicole Danyi represented ownership in all of the transactions.

«Lexin Capital's investment in maintaining a boutique, high-quality environment resonates strongly with firms that want a Midtown presence with a personalized scale», said Wang. «551 Madison Ave. continues to attract top-tier tenants across industries who value the building's location, design and ownership».

551 Madison Ave. hosts a distinguished tenant roster of premier financial, professional services and legal firms, including Glassbridge Enterprises, Connect One Bank and Santoni N.A. JLL is currently marketing leasing opportunities that include two contiguous 8,300 square feet full floors and a 6,625-square-foot penthouse floor with two terraces.

Foresight Health Coaching will operate the new fitness and wellness center on the building's lower level. The facility will offer customized fitness programs designed to help members prioritize both their physical and mental well-being. Zach Nathan of KSR represented Lexin Capital in the lease with Foresight.

Located between 55th and 56th streets, 551 Madison Ave. sits at the heart of the country's largest office concentration and is a major hub for media, entertainment and financial businesses. The building offers accessibility to multiple transit lines, luxury retail and dining destinations, as well as leading cultural institutions such as the Museum of Modern Art (MoMA), and St. Patrick's Cathedral.

JLL is a leader in the New York tri-state commercial real estate market, with more than 2,600 of the most recognized industry experts offering brokerage, capital markets, property/facilities management, consulting, and project and development services.

About Lexin Capital

Founded in 2002 by Metin Negrin, Lexin Capital is an investment firm that invests its own capital along with a global client base and makes direct investments in real estate. The firm has expertise in areas such as distressed debt, real estate developments, and income-producing assets. Lexin also provides property management services through an affiliated company, Lexin Realty, which handles various aspects of property operations, from maintenance to marketing. For more information, visit www.workat551.com.

551 Madison Avenue

About JLL

For over 200 years, JLL (NYSE: JLL), a leading global commercial real estate and investment management company, has helped clients buy, build, occupy, manage and invest in a variety of commercial, industrial, hotel, residential and retail properties. A Fortune 500® company with annual revenue of $23.4 billion and operations in over 80 countries around the world, our more than 112,000 employees bring the power of a global platform combined with local expertise. Driven by our purpose to shape the future of real estate for a better world, we help our clients, people and communities SEE A BRIGHTER WAYSM. JLL is the brand name, and a registered trademark, of Jones Lang LaSalle Incorporated. For further information, visit jll.com.

«CityBiz», November 17, 2025

* * *

Traded: New York🗽 • @tradedny

SALE
IMAGE: Marc Holliday
DATE: 03/31/2026
ADDRESS: 551 Madison Avenue
MARKET: Midtown East
ASSET TYPE: Note / Loan

BUYER: Marc Holliday — SL Green (@SLGreen_Realty)
SELLER: Deutsche Pfandbriefbank AG

AMOUNT: $78,000,000

NOTE: SL Green Realty bought a $78 million loan secured by Lexin Capital'sidt 125,495-square-foot office building at 551 Madison Avenue in Midtown East from Deutsche Pfandbriefbank.

551 Madison Avenue
551 Madison Avenue

«Instagram», August 11, 2026

* * *

Aerial view of Central Park, NYC
Aerial view of Central Park

Aerial view of the Southern half of Central Park, New York. The perspective is unusual because the photo is taken from a helicopter. Midtown towers in the background. On the left, Park Avenue and Madison Avenue. See other of my photos of New York.

© «Ich sehe was, was du nicht siehst und das ist…»

The Winslow 2024

© Jakob Sandberg

Golden Eagles on the facade of The Winslow Hotel

Скульптуры орлов на 16-м этаже по краям того самого балкона.

screenshot + © DALL·E via ChatGPT (OpenAI)

Adlerhorst

Wikipedia: Das Kehlsteinhaus auf dem Kehlstein ist ein 1937 bis 1938 im Auftrag der NSDAP nach Plänen von Roderich Fick errichtetes ehemaliges Repräsentationsgebäude im oberbayerischen Landkreis Berchtesgadener Land. ⟨…⟩ Nicht mehr eindeutig zu belegen sind weitere Bezeichnungen für das Kehlsteinhaus, das während der Zeit des Nationalsozialismus auch Teehaus (2. Teehaus), D-Haus (Diplomatenhaus) oder T-Haus (Haus T) genannt worden sein soll. Der französische Botschafter André François-Poncet, der am 18. Oktober 1938 Hitler im Kehlsteinhaus besuchte, bezeichnete den Ort erstmals als Adlerhorst (frz. Nid d'Aigle). Poncet war der einzige ausländische Besucher von Rang, den Hitler im Kehlsteinhaus empfing. Die englische Entsprechung Eagle's Nest wurde spätestens nach Kriegsende in der ganzen englischsprachigen Welt zum stehenden Begriff für dieses Haus und hat übersetzt auch in andere Sprachen Einzug gehalten. Im Deutschen bezeichnet man mit Adlerhorst dagegen das Führerhauptquartier Adlerhorst in Hessen.

Führerhauptquartier Adlerhorst
Eagle Sculptures on East 55th Street
near The Winslow Hotel
William Ziegler residence

William Ziegler residence.
Detail front entrance.
Located at 116 East 55th Street.
(Photo by Gottscho-Schleisner)


711 5th Avenue × East 55th Street

The Eagles: «Take It Easy»
⟨…⟩

[Verse 1]
Well, I'm running down the road, tryin' to loosen my load.
I've got seven women on my mind.
Four that wanna own me, two that wanna stone me,
One says she's a friend of mine.

[Chorus]
Take it easy, take it easy.
Don't let the sound of your own wheels drive you crazy.
Lighten up while you still can.
Don't even try to understand.
Just find a place to make your stand and take it easy.

[Verse 2]
Well, I'm standing on a corner in Winslow, Arizona.
And such a fine sight to see.
It's a girl, my Lord, in a flatbed Ford,
Slowin' down to take a look at me.

⟨…⟩

[Chorus]
Come on, baby, don't say maybe.
I gotta know if your sweet love is gonna save me.
We may lose and we may win,
Though we will never be here again.
So open up, I'm climbin' in.
So take it easy.

[Guitar Solo]

[Verse 3]
Well, I'm running down the road, trying to loosen my load.
Got a world of trouble on my mind.
Lookin' for a lover who won't blow my cover.
She's so hard to find.

[Chorus]
Take it easy, take it easy.
Don't let the sound of your own wheels make you crazy.
Come on, baby, don't say maybe.
I gotta know if your sweet love is gonna save me.

[Outro]
(Oh-oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh,
Oh-oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh,
Oh-oh-oh, oh-oh-oh.)
Oh, we got it easy.
We oughta take it easy.

© Jackson Browne + Glenn Frey, 1972

550 Madison Avenue

Photo by Michael Young

«New York Yimby», July 20, 2022

551 Madison

George G. Kihiczak, M.D. @drgeorge.derm: As Thanksgiving approaches, I'm grateful to announce the upcoming launch of my Dermatology practice — George Gregory Kihiczak, M.D., P.C. Located at 551 Madison Avenue, Floor 10. I look forward to seeing patients in the coming months. Call 212-935-7700.

«Instagram», November 26, 2025

Madison Avenue

New York Beauty

«Facebook», May 16, 2026

West 55th Street

15 W 55th St, New York, NY 10019

«Apartments.com»

Hidden Object Game 😎 HOG

550 Madison Avenue Officially Unveils New Lobby in Midtown East, Manhattan
Solid Sky

© Fred Charles

[View of the façade of 551 Madison Avenue from the lobby of 550 Madison Avenue]

550 vs 551 Madison Avenue

© Michael Young

«New York Yimby», October 2, 2021

Delman

www.delmanshoes.com

Building for the Delman shoe company

Building for the Delman shoe company at 558 Madison Avenue, New York • William Van Alen, architect

«Pencil Points», August 1929

A History of Delman Shoes

Herman Delman started his company in 1919. After incorporating in 1925, it grew rapidly. Although Delman Shoes created custom-made footwear, the company's reputation for style and comfort was built on its high-end, ready-to-wear line. Many of Delman's advertising and branding strategies were ahead of their time. Shoes had previously been marked with the names of stores, such as Saks Fifth Avenue, but Delman Shoes were among the first to carry a designer label. Mr. Delman was expanding his business and licensing stores in many cities to sell his shoes. He wanted to make sure that customers knew they were buying his brand.

Herman Delman

As he built his company's reputation, Mr. Delman crafted an image of refinement and glamour. In 1926, he opened a store at 558 Madison Avenue, near the residences of many of New York's most fashionable and wealthy women. Suggesting an aristocratic environment, Delman's shoe «salon» was distinctive. Women were graciously welcomed into a Louis XVI-style gallery, where shoes were displayed like works of art. A review in The Shoe Retailer describes «the special evening slipper room, intimate as a boudoir, where only evening slippers are sold and exclusive fittings are given to bridal parties». In 1933, Delman Shoes closed its Madison Avenue doors and entered into an exclusive retail agreement with Saks Fifth Avenue. Three years later, however, Delman formed a new partnership with Bergdorf Goodman, an affiliation that continues to this day. At both locations, Delman essentially replicated the design of the Madison Avenue salon, thereby creating early versions of the «store-within-a-store» concept that remains the prevalent model in today's high-end department stores.

«sites.fitnyc.edu», 2010

558 Madison Avenue

Title: 1940s Tax Department photographs

Description: Block 1291 Lot 156

Building for the Delman shoe company

NYC Department of Records and Information Services (DORIS)

A.T.&T. building

«Noticing a resemblance between the Winslow, built several decades ago, and the A.T.&T. building under construction across the avenue, they decided to make a conscious reference to it» © «The New York Times», July 5, 1981

Philip Johnson

Philip Johnson

Read more…
Philip Johnson
Philip Johnson
The Winslow Hotel beneath 550 Madison Avenue

The Winslow Hotel beneath 550 Madison Avenue

Wikipedia:

Construction started: November 1978
Topped out: November 18, 1981
Completed: 1984

One of the previous buildings on the site, the Delman Building at 558 Madison Avenue, had a similar broken pediment, although Johnson denied claims it influenced 550 Madison Avenue's rooftop.

broken pediment
illuminator
The Winslow Hotel beneath 550 Madison Avenue
The Winslow Hotel beneath 550 Madison Avenue

© Marshall Gerometta (Center of Tall Buildings and Urban Habitat — CTBUH)

AT&Tビル/フィリップ・ジョンソン チッペンデル様式 表象
Sony Building by Matthew Bisanz

© Matthew Bisanz

This Building Could Be a Landmark. Should Its Lobby Be One, Too?

by James Barron

Maybe they loved it. Maybe they hated it. But to many New Yorkers, the granite office building at 550 Madison Avenue was a landmark from the moment it was unveiled almost 40 years ago. Now some preservationists are upset that only the exterior might become an official one.

read more…

With a Chippendale-inspired broken pediment at the top and a Renaissance-inspired colonnade at the bottom, the building was instantly identifiable, a shape as firmly fixed in the public imagination as the shapes of the Citicorp Center and the Chrysler Building. It was completed in the 1980s as the city marked 50 years of another instantly identifiable element of modern Manhattan, Rockefeller Center.

The building on Madison Avenue, at East 55th Street, was designed by the architect Philip Johnson and his partner John Burgee. Mr. Johnson called it «a symbolic shift from the flat top» look of postwar office buildings like the Seagram Building, where Mr. Johnson had designed the original interiors of the Four Seasons and Brasserie restaurants.

Last month, the Landmarks Preservation Commission decided that the interior of 550 Madison Avenue did not deserve landmark designation. It said the building's lobby was not in original condition, mainly because a statue had been taken out in the 1990s when the building's original occupant, the American Telephone and Telegraph Company, moved away and the Sony Corporation moved in.

Sony, in turn, left several years ago, and the new owners are renovating. They support designating the exterior as a landmark, and the commission has put that possible designation on its calendar, meaning that it will vote on the matter, probably in a few weeks.

Interior landmark designations are rarer than exterior designations. The city has 1,405 individual landmarks — buildings or the exteriors of buildings — but only 120 interior landmarks, among them the lobby of the Empire State Building, the Rainbow Room in Rockefeller Center and the dining room of the Gage & Tollner restaurant in Brooklyn.

Preservationists are unhappy that the commission rejected interior landmark status for 550 Madison Avenue, especially the soaring lobby. «There is not an interior and an exterior of the AT&T Building, there is the AT&T Building», said Nathan Eddy, a documentary filmmaker who helped organize a demonstration outside the building last month. «As Philip Johnson would put it, it is a complete work. It should be preserved in its entirety».

But a commission spokeswoman said by email that «the lobby does not hold the same level of broad significance as the exterior». She said the lobby did not qualify as an interior landmark because of «the removal of «Golden Boy» as a focal point, alterations within the lobby itself and its diminished relationship to the overall design of the base».

Golden Boy

commons.wikimedia.org/…

«Golden Boy» was the statue that was removed when AT&T left and the lobby underwent what preservationists said were minor changes. The statue, commissioned before World War I when AT&T's headquarters were in Lower Manhattan, went by a number of names — first «Genius of Telegraphy», then «Genius of Electricity» after AT&T shed Western Union, then «Spirit of Communication». After stops in New Jersey in the 1990s, it is now at the company's headquarters in Dallas, all 16 tons of it.

Thomas Collins, a preservationist who asked the commission to consider landmark status for the interior as well as the exterior after becoming «alarmed by the renderings» from the new owners, called the landmarks commission's rationale «flimsy».

«The lobby is quite refined», he said. «It's a beautiful interior, clad in the same granite that covers the exterior. It's replete with historical motifs and sources that Johnson had mined throughout history. The same themes he was exploring on the exterior are magnified on the interior. The two are really inseparable».

Elizabeth Goldstein, the president of the Municipal Art Society of New York, echoed that idea.

«The arcades, the open space, all of that was really designed with a single aesthetic vision in mind», she said last week, «and that includes the lobby, no question about it».

The preservationists are upset that work has begun in the lobby. Liz Waytkus, the executive director of Docomomo US, a nationwide organization that works to preserve modernist buildings, said, «We were of the understanding that no work would be done, including in the lobby, until the exterior designation has been made and that more was needed to be known about the lobby area».

A spokesman for the developers said by email that «all work being performed is in accordance with appropriate permits and approvals».

Tara Kelly, the vice president for policy and programs of the Municipal Art Society, described meetings with the developers and said that the work that is going on «is very much contrary to the good-faith conversations that we had with them».

The spokesman for the developers, Jeremy Soffin, said he «vehemently disagreed» with that characterization.

The preservationists say the lobby should have been left untouched.

«Johnson knew exactly what he was trying to do», said Mr. Eddy, who is working on a documentary about Mr. Johnson, «which was to create a monumental space made out of half-foot-thick panels of Stony Creek granite, the same material as Grand Central Terminal, the same material as base of the Statue of Liberty. You don't have to like the architecture, but you have to respect the thought that went into the corporate headquarters of, and this sounds insane now, what was then the largest company in the world».

«The New York Times», January 15, 2018

The Hidden Feats That Built New York's Towering Skyscrapers

by Michael Kimmelman

The ingenuity of engineers helped build landmarks like Black Rock and the new supertalls. Our critic takes a virtual tour with Guy Nordenson.

⟨…⟩

AT&T Building

Under construction in 1981, the former AT&T Building, now called 550 Madison Avenue, was designed by Philip Johnson and John Burgee. The structure was by Leslie Robertson.

© Marilynn K. Yee

— Authority takes different forms. Philip Johnson, with his partner John Burgee, cooked up what's now called 550 Madison for AT&T. The weighty granite facade, the towering, pulled-taffy proportions and supersized Italianate portico were all meant to project AT&T's heft and permanence. Then the building opened in the midst of the telephone company's breakup.

— People don't realize hiding inside that Chippendale exterior is a remarkable structure by Leslie Robertson, our greatest living structural engineer, who was the engineer of the Twin Towers. He's creative in a way comparable to Eiffel. As you know, Gustave Eiffel's structure for the Statue of Liberty suspends Frédéric Auguste Bartholdi's copper sculpture from a central spine, much like the construction of a sailboat. Robertson does something similar here. Basically the way the AT&T Building works is that there is a spine going up the building that is the core, stiffened with steel plate and diagonal bracing to parry the majority of the forces due to the wind. In addition to that, there is a horizontal truss at the top of the building, and that ties the central spine to the columns of the building.

In essence, the building is like a sailboat, where you have a mast up the center, and then you have outriggers tied by cables to the hull of the boat, so when the wind blows, the outriggers and stays stiffen the mast. It's an incredibly efficient and elegant way of stabilizing the building.

— Invisible from the outside. I play the piano and I know how certain things, which an audience may not focus on, are meaningful to pianists, because they know what went into them.

— To me Robertson is a virtuoso.

— Detractors think the building is jokey because of the Chippendale top.

— The best jokes require craft.

AT&T Building

The former AT&T Building with a Chippendale crown and a truss by Leslie Robertson underneath.

© William Sauro

⟨…⟩

AT&T Building

Vincent Tullo for The New York Times

«The New York Times», April 29, 2020


[2 comments on this article cross-posted from another site:]

languagehat (April 30, 2020): Wow, that's a really interesting article — thanks for that. I remember they were putting up the AT&T Building my first year in NYC and everybody was making fun of the Chippendale crown. Too bad you can't see the old Winslow Hotel across Madison in that photo; the next year it was completely redone as a boring office building. (For Russian lit folks, it's the hotel Limonov stayed in and made famous in «Это я — Эдичка» [It's Me, Eddie].)

AJP Crown (April 30, 2020): It was the Chippendale top and then Philip Johnson [never popular among NY architects] said the base was er… based on the Pazzi Chapel in Florence, which it clearly is but still it was a bit of an Oh, Pleease moment at the time, what with the PoMo and the AT&T being twenty times the size. Nowadays they don't even think the Pazzi Chapel was designed by Brunelleschi, so PJ would have got fewer points. That's horrible how they ruined the windows on the poor old Winslow Hotel.

550 Madison Avenue

© Katherine Marks [from the rooftop of the Winslow Hotel]

555 Madison Avenue

www.555madison.com

555 Madison Avenue
555 Madison Avenue
555 Madison Avenue
555 Madison Avenue

555.madison («Instagram», 25.06.2021): Swipe ➡️ to view the first offering plan for 555 Madison Avenue when it opened its doors in 1962.

To quote Cross & Browns' marketing prose «…designed by its architects to be in every way a worthy addition to the great galaxy of the newest and finest office buildings…»

Three generations later, we continue to offer the highest quality of hands-on service and an impeccably maintained building, whilst nurturing a strong sense of community.

Our legacy is important but our future lies in the positive space we create.

555 Madison Avenue
555 Madison Avenue
555 Madison Avenue
555 Madison Avenue
Coates Brothers Buy Skyscraper

Building at 555 Madison Ave Bought From Kulukundis Kulukundis Assets Frozen.

Coates Brothers announced yesterday the acquisition of the 32-story office building at 555 Madison Avenue at 56th Street from Manuel E. Kulukundis, the shipping leader who filed a petition for bankruptcy recently.

read more…

Benjamin Coates, president and owner of the real estate, banking, shipping and manufacturing company here, said the sales price was more than $15,000,000.

The transaction required the approval of the Department of Justice because the Government has a lien on the property. Coates has satisfied the creditors and assumed a $9,000,000 mortgage with Penn Mutual Life Insurance Company.

The building contains about 400,000 square feet of floor space and its occupants include the International Business Machines Corporation, the Midland Trust Company of New York, the New England Mutual Life Insurance Company and the United Artists Corporation.

The acquisition is the latest in a series of real estate transactions by Coates Brothers. In September the company completed a 21-story apartment building at the corner of Third Avenue and 75th Street and about a year ago purchased a 35,000-square-foot site at Second Avenue and 57th Street, where it plans to build a 34-story apartment house.

Kulukundis Assets Frozen

In April the Department of Agriculture told a Federal bankruptcy court that it would boycott Mr. Kulukundis's shipping line until the line demonstrated an ability to fulfill its obligations.

Earlier, creditors of the crumbling shipping empire had met here to seek ways of salvaging the vast operation after a temporary injunction had frozen the assets of Kulukundis Maritime Industries, Inc., and those of several affiliated companies.

The injunction was issued in Federal Court on a motion of the Government when the Maritime Administration moved to protect $32,000,000 in outstanding ship mortgages that it had insured.

Carl C. Davis, deputy chief of admiralty and shipping, civil division, represented the Department of Justice in the transaction of the office building.

Murray Gurfein of Goldstein, Judd & Gurfein represented the buyer in the sale, and Harold Treanor of Cox, Treanor & Shaugnessy represented the seller.

«The New York Times», June 14, 1963

432 Park Avenue

This shot of 432 Park Avenue in New York City was captured from a helicopter by our founder Benjamin Grant. At a height of 1,396 feet (426 m), the building contains 104 condominium apartments and is one of the tallest and wealthiest residential buildings in the world. Recent reports of plumbing, mechanical, and noise issues at the luxury condo tower — likely related to its excessive height — highlight a broader issue with super-tall residential towers, which have been sprouting up worldwide in recent years. © over-view.com

«На фоне Пушкина снимается семейство…» ©

Meet Hospitality now Arch Meetings & Events

Meet Hospitality now Arch Meetings & Events («Instagram», 14.07.2023):

Get to work high above the busy city streets. Meet Hospitality specializes in designing outdoor spaces that provide an inviting, and comfortable area for our guests to enjoy while visiting our properties. Ask about our outdoor meeting spaces and how they can be customized for your next offiste meeting.

Edward Limonov

via ChatGPT

«If you're walking past the corner of Madison Avenue and Fifty-fifth Street between one and three in the afternoon, take the trouble to tip back your head and look up—at the unwashed windows of the black Hotel Winslow. There on the topmost, sixteenth floor, on the centermost of the hotel's three balconies, I sit half naked. Usually I am eating shchi and at the same time working on my tan, I'm a great sun lover. Shchi, or sauerkraut soup, is my usual fare; I eat pot after pot of it, day after day, and eat almost nothing else. The spoon I eat the shchi with is wooden and was brought from Russia. It is decorated with flowers of scarlet, gold, and black» © «It's Me — Eddie», 1976

55th and Mad

551 Madison Avenue, New York, NY 10022

Gregorys Coffee

At 551 Madison Ave, Gregorys Coffee delivers your daily boost with a smile. Whether it's a classic drip or an indulgent treat, we serve it all with flair. Take a moment, relax, and let the Madison Ave energy mingle with your coffee buzz.

Store Hours
Sunday 08:00 am — 04:00 pm
Monday 06:00 am — 07:00 pm
Tuesday 06:00 am — 07:00 pm
Wednesday 06:00 am — 07:00 pm
Thursday 06:00 am — 07:00 pm
Friday 06:00 am — 07:00 pm
Saturday 08:00 am — 04:00 pm

Gregorys Coffee


55th and Mad

Wikipedia: Gregorys Coffee

The Winslow Bar

The Winslow Bar Print, New York City, 1930s

A round of guests relaxing at The Winslow Bar of the hotel by the same name at the intersection between Madison Avenue and 55th Street in New York City, USA Date: 1930s. Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries. © Mary Evans / Pharcide

«Media Storehouse»

Brother & Sister

Брат The Allerton House (The Winslow Hotel)
и сестра The Allerton Hotel for Women
находятся в 300 метрах друг от друга…

The Allerton Hotel for Women

The Allerton House at 45 East 55th Street / 551 Madison Avenue was originally opened for men only as permanent residents. It was completed in mid-1922, when it opened its doors. It was also known as The Winslow [now Madison 551]. This 17-story Allerton House for bachelors… The fireproof building was designed by Arthur Loomis Harmon… © Geographic Guide, Historic Buildings in NYC

The Allerton Hotel for Women, today known as Hotel 57, is a hotel located at 130 East 57th Street in the New York City. It is a 17-story brick, limestone, and terra cotta building designed by Arthur Loomis Harmon in 1920… © Wikipedia


Allerton House for Women at 130 East 57th Street
// «Geographic Guide»

551 Madison Avenue New York

SIME books

Alberto Damian
«551 Madison Avenue, New York»
/ lingua: bilingue Italiano e Inglese
// Conegliano: «SIME books», 2020,
copertina rigida, 144 p.,
ISBN: 978-88-31403-03-0,
dimensioni: 210×180×20 mm

Alberto Damian «551 Madison Avenue, New York»

Le fotografie di questo libro sono state realizzate a New York tra le 12:44 e le 12:59 del 28 settembre 2017, sul marciapiede del 551 di Madison Avenue. Ho fotografato quasi tutte le persone che, in quei 15 minuti, sono passate velocemente tra me — che stavo a mezzo metro dal bordo del marciapiede — e l'edificio, tranne quelle passate mentre cambiavo la batteria della macchina fotografica. Il libro raccoglie praticamente tutti gli scatti fatti, nella loro originale sequenza cronologica.

⟨…⟩

Questo libro, anzi questo diario, racchiude un'immagine colta in una porzione di estraneità, la ripresa di persone in cammino, corpi e volti inattivi e sconnessi, scivolati lungo una strada, sussurrando silenzi propri dell'andare, della relazione tra il corpo che si muove e il ruolo di cui la strada è investita; sia esso simbolico o simulato. Una soglia o, per meglio dire, una sorta di interzona attraverso la quale il corpo è protagonista del caso come motore invisibile degli intrecci delle nostre vite e del potere evocativo dell'immagine, capace di fare scattare le istantanee dell'immaginazione.

Attraverso il suo obiettivo fotografico, Alberto Damian sembra voler scoprire una coordinata esatta come punto di osservazione, scegliendo di lasciarsi andare ignorando il grado di latitudine nord o quello di longitudine ovest nei quali è intrappolato. Il «suo» guardare, in questa avventura, è un guardare volti e genti e persone che non guardano, guarda e riprende persone che passano, da un unico luogo, un'unica frazione di tempo, e guarda senza essere guardato. Vede senza essere visto. Quello che propone, dunque, è una sorta di «furto»: riprende l'esposizione indifesa e senza possibilità di posa di chi passa.

«Quando tutto quello che si chiama Arte fu pieno di reumatismi, il fotografo accese le mille candele della sua lampada, e la carta sensibile assorbì a poco a poco il nero ritagliato da qualche oggetto d'uso comune. Aveva inventato la forza di un tenero fresco lampo che superava in importanza tutte le costellazioni destinate ai nostri piaceri visivi».

Tristan Tzara

via Gemini (Google)

— Можешь объяснить происхождение слова Winslow?

— Слово Winslow (Уинслоу) имеет древнеанглийские (англосаксонские) корни и изначально возникло как географическое название (топоним) в Англии.

Его этимология складывается из двух староанглийских элементов:

⟨…⟩

1. Первая часть: Имя владельца

Слово происходит от личного древнеанглийского имени Wine (в родительном падеже — Wines).

• На староанглийском языке слово wine буквально означало «друг» (отсюда же родственное современное немецкое слово Freund). Скорее всего, Уинслоу изначально принадлежал человеку, которого звали Уайн (Друг).

2. Вторая часть: Особенность ландшафта

Второй элемент — это староанглийское слово hlāw (или hlæw).

• Оно переводится как «холм», «курган» или «погребальный земляной насыпь».

Общее значение

Соединив эти части (Wines + hlāw), лингвисты переводят историческое значение как «Холм Уайна» или «Погребальный курган Друга».

Как слово развивалось в истории

Город в Англии: Изначально это имя закрепилось за конкретным местом — городом Уинслоу в графстве Бакингемшир, Англия. В древних хрониках 849 года это место упоминается как Wineshlauu, а в знаменитой Книге Страшного суда (1086 год) — как Weneslai.

Переход в фамилию: В XIV веке, когда в Англии начали массово вводить налоги, людям потребовались фамилии. Жители этого региона стали называть себя «де Уинслоу» (из Уинслоу), что позже превратилось в привычную фамилию. Одним из самых известных исторических носителей был Эдвард Уинслоу — один из пассажиров знаменитого корабля «Мейфлауэр» и отцов-основателей Плимутской колонии в Америке.

Современное использование: Сегодня Winslow используется не только как фамилия или название городов (например, в штате Аризона, США), но и как редкое, благозвучное личное имя (как мужское, так и женское).


— Меня интересует Winslow в контексте нью-йоркского отеля «The Winslow», который нынче называется «551 Madison»

— История названия нью-йоркского отеля «The Winslow» (ныне офисное здание 551 Madison Avenue, на углу 55-й улицы и Мэдисон-авеню) — это классический пример того, как застройщики Нью-Йорка начала XX века использовали исторический романтизм для привлечения респектабельной публики.

Происхождение названия этого конкретного здания имеет совершенно четкий, «американский» след.

Главный секрет: Проект «Allerton» и пассажиры «Мейфлауэра»

Здание на Мэдисон 551 было построено в 1920–1922 годах компанией Allerton House Company, которой владел девелопер Джеймс С. Кушман (James S. Cushman).

Кушман строил сеть так называемых «клубных отелей» (Allerton Houses) — доступного, но крайне респектабельного жилья для молодых и амбициозных выпускников колледжей, приезжавших покорять Нью-Йорк. В этих гостиницах были общие гостиные, библиотеки, спортзалы и строгие правила приличия.

Сам Джеймс Кушман был страстным историком, членом и одним из руководителей престижного «Общества потомков Мейфлауэра» (Society of Mayflower Descendants). Он гордился первыми колонистами, прибывшими в Америку в 1620 году. Давая названия своим отелям, он увековечивал имена этих первопроходцев:

• Саму компанию и первые отели он назвал Allerton — в честь Мэри Аллертон (пассажирки «Мейфлауэра»).

• А когда в 1920 году компания выкупила землю у Епископальной церкви на углу 55-й улицы и Мэдисон-авеню под строительство нового 17-этажного отеля для холостяков, Кушман решил назвать его The Winslow.

Название было дано в честь Эдварда Уинслоу (Edward Winslow, 1595–1655) — одного из ключевых «отцов-пилигримов» с корабля «Мейфлауэр» и третьего губернатора Плимутской колонии. Для нью-йоркской элиты 1920-х годов такие имена ассоциировались с безупречным происхождением, аристократизмом и «старой доброй Америкой».

Судьба здания: От отеля к «551 Madison»

Эпоха «The Winslow» (1920-е — 1950-е): Отель пользовался огромной популярностью в межвоенный период. Особой известностью в Нью-Йорке пользовался его легендарный бар — The Winslow Bar, где в 1930-е собиралась модная публика Мидтауна.

Перепрофилирование: Со временем формат клубных отелей-общежитий устарел. Во второй половине XX века здание пережило несколько реконструкций, постепенно превратившись из гостиницы в классический офисный центр в престижном деловом районе Плаза (Plaza District).

Современность: Сегодня от интерьеров отеля «Уинслоу» почти ничего не осталось. Здание полностью модернизировано, управляется крупными инвестиционными фондами и известно исключительно под своим коммерческим адресом — 551 Madison. Это изящный 17-этажный бутик-офис, где первый этаж отдан под премиальный ритейл, а верхние уровни занимают финансовые, юридические и технологические компании.

Таким образом, имя Winslow на углу 55-й и Мэдисон — это не географический холм из Англии, а прямая дань уважения лидеру первых американских колонистов, зашифрованная нью-йоркским застройщиком сто лет назад.

Close Uranium Room at Winslow

Freeport, Ill. (AP)—A uranium room which attracted ailing persons to nearby Winslow for a month has closed. Residents said equipment operated in a 6 by 20 feet store, was carried off Tuesday in a van.

Reportedly operated by an unnamed Wisconsin couple, the place was known as the Self Service Uranium Tunnel. Afflicted persons obtained keys to the place at a Winslow hotel and sat between walls lined with low grade uranium ore supposedly having curative qualities.

A Winslow woman who managed the tunnel declined to name the Wisconsin operators.

«Dixon Evening Telegraph», December 22, 1954

limonka

The Wareham
1905

Edward Limonov at The Wareham

Date Address Location / Event People
Fabruary 1975

Fabruary 1976
231–233 Lexington Avenue
Midtown Manhattan,
New York City,
NY 10016
Apartment Eduard Limonov
Yelena Shchapova
40.74606224825254,
-73.97968723963311

Substitutes A-Plenty For Missing Angora

But the Wareham Hallboy Turns Them All Away. CAT'S FRIEND, THE DOG, DEAD. The Hallboy Is Sure He Committed Suicide — Mr. Leigh's «Ad» Gives Him a Lively Sunday.

«Yes, it's true, all right. Nigger, the cat, has been gone since Thursday, and now, to make matters worse, Jimmy, the dog, has gone and committed suicide». Thus spoke the hall boy at the Wareham, 231 to 235 Lexington Avenue, yesterday afternoon. He was explaining why so many boys and women, each carrying a bag, the sounds from which indicated a cat inside, were visiting the Wareham. Charles Neal Leigh, with his wife, lives In the Wareham, and the people with bags in their arms were all looking for him. They had read his advertisement in the papers offering $5 reward for a missing «tortoise shell Angora cat», and each brought a beast which they hoped would prove to be the missing cat.

Angelo Antonio Rizzuto

© Angelo Antonio Rizzuto (1958)

But Nigger was not inside any of the bags brought to the Wareham yesterday, and last night the report spread through the neighborhood that Nigger was either dead or had deserted his home for good and all.

As for Nigger, the missing cat, he was named that on account of his kinky hair. He was a chestnut-brown animal in color, and had the reputation of being the smartest cat on Lexington Avenue, while as for Jimmy, the fox terrier, he was not only famous throughout the neighborhood as one of its brightest animals, but was also the envy of all the other dogs thereabout, on account of the fine Persian lamb blanket that protected him from the cold when he was taken out for his daily walk in cold weather.

Thursday afternoon Nigger was apparently the most contented cat in all New York. He had his usual afternoon nap, and afterward was as playful as he always was after he had rested mind and body. When dinner time came, however, Nigger was gone. The house was searched from cellar to top, but nowhere was the missing Nigger.

What the «Ad» Brought.

All day Friday everybody who knew Nigger noticed every stray cat they saw and looked up the hiding place of every cat that they heard howl. But none of the animals proved to be the Leigh pet. Saturday came, but brought no tidings of Nigger. Then Mr. Leigh put his advertisement in the paper offering the reward. The advertisement appeared yesterday and soon brought fruit, but it was of the wrong kind. A lot of people read the «ad» and knew where stray strange cats were hiding. They did not know whether any of these cats were tortoise-shell Angoras or not, but they were certain that they were homeless animals, and concluded that it wasn't a bad gamble to take them around to the Wareham in the hope that one might prove to be the truant Nigger.

A little boy was the first to reach the apartment house with a strange cat. The animal was in a crocus bag and was putting up a fearful howl.

«What yer got?» asked the boy at the door.

«Got a cat. What'd you think it wuz-lion? Let me see him?»

The boy untied the mouth of the bag and the hall boy looked down upon the howling beast within.

The Hall Boy Discerning.

«That ain't our cat; that's just a common every-day tramp cat. Our's was a regular diamond turtle-back Angora goat cat», explained the hall boy as he waved the youngster and his bag out of the hall and into the street. In a few minutes another small boy appeared. Then another, and finally a third. Both had bags that contained cats.

«He's not our nigga…» ©

«No, they ain't the cats we's looking for», said the hall boy; «that one there is too black, and the other one's hair is too smooth and shiny. Our cat was kinky haired, and only howled in the night time. Them you've got is howling now, and it ain't yet 4 o'clock».

«Your cat's spotted», the hall boy said to the first woman visitor; «our'n was more of a blond, and, besides, that one's old enough to be our cat's father».

The other woman brought a cat that was about two years too young to be taken for Nigger, while the last visitor, a ten-year-old boy, had one that apparently had not had a square meal in a month.

While everybody was looking for Nigger the dog Jimmy, according to the best evidence obtainable, was pining away with grief. Yesterday morning he was so downcast that he wouldn't touch even the most tempting morsal. In his grief he ran across some strange-looking pills. He did not know what they were, but he evidently thought they would be good for a broken heart, for it is said that he devoured three of them. An hour later he was dead.

What really killed «Jimmy» was said to be an overdose of medicine. given to him in the hope of reviving his drooping spirits.

«The New York Times», January 7, 1907

Late Rival of the Cat Show

On view and in voice in and about the Wareham.

Brought in Answer to Mr. Leigh's Offer of a Reward for a Lost Kitten Whose Disappearance Plunged the Household Into Grief—The Dog That Loved Her Dead.

Charles Neal Leigh, a druggist, who has apartments in the Wareham, at 331 Lexington avenue, called up a newspaper office on Saturday night and gave it an advertisement offering a reward—$5—for a tortoiseshell long haired kitten that strayed from the Leigh apartments on Thursday. Mr. Leigh was surprised to read in the newspapers yesterday that he had offered $500 reward. Several reporters went to see Mr. Leigh about it. He refused to answer questions but wanted to know who in thunder could believe that any cat was worth $500.

The elevator men of the Wareham, who are colored, volunteered some information about the kitten, which they say had almost reached cathood, also some gossip about a fox terrier owned by the Leighs. One of the men said that when the kitten disappeared the dog, which was much attached to the tabby (or tablet), fell ill from grief, or something, and died. One of the men said that the dog had really committed suicide. A young colored woman said that the terrier was simply ill and that its death, which occurred in the bathtub of the Leigh apartments, was due to an overdose of medicine administered by Mr. Leigh. The West Indian maid of the Leighs, according to the colored men, was as much affected over the double bereavement as her mistress and cried much.

The gossip of the Wareham was that the dog, known as Jim and well liked by everybody in the house, was treated with more consideration than most children. He wore a coat of Persian lamb's wool and little boots to keep his feet dry and warm in inclement weather.

A few hours after Mr. Leigh had observed the mistake in the advertisement a boy called at the Wareham with something in a bag. It was a long haired cat that looked as if it had seen better days and many of them. It was about as far from kittenhood as it could get and be alive. The janitor turned the boy out and the boy let the cat loose.

Several other boys came in later with bags which they assured the janitor contained the missing kitten. The boys said they ought to receive carfare at least for their trouble in capturing the cats. They also released the creatures at the door.

Two spinsters arrived almost simultaneously, each with a long haired cat. They tried to convince the janitor that the cats were the missing one, but the janitor declared that the Leigh kitten was not twins and that he guessed they would have to take the cats away again. They did, protesting that if they could show their cats the Leighs surely would take them for consolation. The spinsters did not turn their cats loose. They remarked that a man who could afford to offer $500 reward for a kitten ought to be able to pay a hundred for the fine specimens they had.

Boys with cats were still coming to the Wareham when the first edition of «The Sun» went to press. An employee was posted outside finally to keep the cat line moving. No boy took his cat away with him, and the Sunday night concert in the neighborhood was unusually strong.

«The Sun» (New York), January 7, 1907

The 1905 Wareham Apts — No.231 Lexington Avenue

Tom Miller

At the turn of the last century massive apartment buildings dripping with French-style ornamentation rose throughout the city—many on the Upper West Side. The expansive apartments—some including up to 15 rooms—were outfitted much like private homes. The era of 20th century apartment living had arrived not with a bang, but with an explosion.

For the past two decades architect James E. Ware had busied himself with uptown commissions, designing mansions, rowhouses and other buildings like his monumental 12th Regiment Armory. But in May 1904 Ware looked to the Murray Hill neighborhood to design and erect an apartment building without the middle man developer.

The Wareham

Delicate leaded glass filled the oriel windows. The scrolled keystone of the opening below was an architectural surprise.

On May 7 the «Real Estate Record & Builders' Guide» reported that James E. Ware & Sons were making plans for a six-story «flat building» for the Ware Realty Co. Exactly one week later, the journal noted that the two old structures at Nos. 231 and 233 Lexington Avenue were in the process of being demolished.

Unlike the lavish apartment buildings rising along Upper Broadway, Ware's more modest structure would target the professional upper middle class. Completed within the year, the building was an interesting marriage of two currently-popular architectural styles.

The five upper stories, clad in red brick, were accented by neo-Federal window treatments—quoined surrounds at the outer openings; and splayed lintels and layered keystones. Ware then splashed the façade with Beaux Arts elements—a stone balcony above the entrance supported by festooned brackets, and unexpected scrolled keystones with dripping carved garlands above four of the outer windows. The openings along the side received deep, angled metal bays filled with handsome leaded glass. These not only added a third dimension to the façade; but caught wafting summer breezes.

The Ware family congratulated itself on the new $40,000 apartment building, complete with elevator, by naming it The Wareham. There were three apartments per floor in the building, and potential residents could choose from three, four or five rooms with rents ranging from $600 to $900 per year. The rent on the most expensive apartment would equal just over $2,000 a month in 2015.

An advertisement in the «New-York Tribune» on August 13, 1905 called attention to The Wareham, a «new apartment house». The ad's description of the apartments as «housekeeping», distinguished them from «non-housekeeping» apartments which had no kitchens. Those more upscale, or sometimes bachelor, apartment houses provided common dining rooms in the building for the residents. The advertisement boasted that The Wareham had «everything modern».

The Wareham

«New-York Daily Tribune»,
Vol.LXXI, No.23.716, October 22, 1911

As intended, The Wareham filled with financially comfortable professionals. Among the first was pharmacist Charles Neal Leigh and his family. He had earned his pharmaceutical degree in 1896 with a thesis entitled «The Model Drug Clerk».

The Leigh family had several pets in the Wareham; but one in particular caused a stir in January 1907. On Thursday January 3, a kitten strayed from the apartment. When it was still missing on Saturday, Charles Leigh placed an advertisement in a newspaper offering a $5 reward «for a tortoiseshell long haired kitten».

But on Sunday morning when he opened his newspaper he was shocked to see that a typo resulted in his reward being $500. «The Sun» reported «Several reporters went to see Mr. Leigh about it. He refused to answer questions but wanted to know who in thunder could believe that any cat was worth $500».

The tangled, involved story did not stop there. The elevator men volunteered more information to the reporters. The Leighs also had owned a fox terrier but «One of the men said that when the kitten disappeared the dog, which was much attached to the tabby (or tablet), fell ill from grief, or something, and died». Another elevator man deemed it canine suicide.

A female employee of The Wareham chimed in, saying that the terrier was simply ill and that its death, «which occurred in the bathtub of the Leigh apartments, was due to an overdose of medicine administered by Mr. Leigh». The elevator men then said that the Leighs' West Indian maid, «was a much affected over the double bereavement as her mistress and cried much».

Temporarily, news reports were more focused on the dead dog, Jim, than on the lost kitten. «The Sun» reported «The gossip of the Wareham was that the dog…was treated with more consideration than most children. He wore a coat of Persian lamb's wool and little boots to keep his feet dry and warm in inclement weather».

But Charles Neal Leigh and the building staff soon had more important things to deal with than how the press reported on the pampered, deceased terrier. The first of the young boys seeking $500 arrived at the apartment house only a few hours after the newspaper hit the streets.

He brought along a cat in a bag. «It was a long haired cat that looked as if it had seen better days and many of them», said «The Sun». «It was about as far from kittenhood as it could get and be alive». The janitor sent the boy away and the cat was let out of the bag.

Not far behind were two other boys, each with a cat in a bag which they insisted was the missing feline. Once again the janitor ousted them; although these boys complained that they should at least receive car fare for their trouble. «They also released the creatures at the door».

Almost before the janitor could close the door two elderly women appeared, each with a cat. «They tried to convince the janitor that the cats were the missing one, but the janitor declared that the Leigh kitten was not twins and that he guessed they would have to take the cats away again». The spinsters did so, but not before protesting that if they could just show the cats to the Leighs they would no doubt accept them «for consolation».

The disgruntled women remarked that anyone who could afford to pay $500 for a missing cat surely ought to be able to pay $100 for «the fine specimens they had».

Lexington Avenue soon had what was deemed by one newspaper «the cat line». A Wareham employee was stationed at the door to keep the line moving along. By nightfall the neighborhood was filled with a cat population released by young boys hoping to reap a windfall. «The Sun» noted «No boy took his cat away with him, and the Sunday night concert in the neighborhood was unusually strong».

Another respected resident was Dr. Charles H. Duncan, who came from a family of physicians. His grandfather and two of his uncles were doctors. Duncan's professional career was astonishingly broad. Before he moved into The Wareham he had been Mechanical Engineer of the Illinois Steel Company; a co-founder of the Volunteer Hospital; and was now an Attending Surgeon and Genito-Urinary Specialist in the Volunteer Hospital of New York City.

He was most noted, however, for developing Autotherapy, a rather remarkable precursor to the modern day inoculation process developed by Pasteur. Duncan's approach to «curing disease with its own poison» involved removing bacteria from a patient and developing a vaccine to be used only in that patient. «Similar bacteria taken from another patient may be useless», he explained.

In 1924 The Wareham underwent «alterations». The arcane documentation for the work is unspecific; however surviving interiors suggest that some apartments received a 1920s update.

Tragedy struck The Wareham on February 9, 1926 when Mildred Russell, who was working as the elevator operator, accidentally fell down the shaft. She died instantly of a fractured skull.

The horrible accident led to a bizarre court battle that dragged on for years. Mildred's father received $5,000 in Workmen's Compensation benefits and $750 from the owners of the building, the 231 Lexington Avenue Corporation. But he was not satisfied and filed three suits against the building and two employees.

The owners' defense was surprising. They simply declared they had no idea who Mildred Russell was, and she was not employed by them. It appeared that the building superintendent had made a side agreement with her. The president of the corporation proclaimed «I never hired the girl, and never told him to hire the girl. I didn't need anybody. In fact, I never wanted any help. The house was run very nicely without help».

A far happier incident occurred on February 16, 1939 when resident Elsie Compton's automobile headed across the Henry Hudson Bridge just after noon. At the wheel was Mary Kindrick, «a salesgirl». The women were gleefully surprised when the car was stopped on the opposite side of the span by the New York City Parkway Authority. Elsie's vehicle was the 18 millionth car to cross the bridge and she was awarded a 50-trip book of toll tickets.

As the Lexington Avenue blocks changed drastically throughout the rest of the century, The Wareham apartments did not. Today there are still three apartments per floor, other than the top floor where duplexes extend to a penthouse level. And James E. Ware's handsome building survives as a reminder of a time when upper middle-class families filled the gap between tenements and lavish flats.

«Daytonian in Manhattan», November 26, 2015

1907: The $500 Reward for a Kips Bay Kitten

by The Hatching Cat

The Leigh family's tortoiseshell Angora kitten disappeared from the Wareham apartment building in the Kips Bay neighborhood in January 1907. (This is not the missing cat; this cat was named Foxy.)

Missing Kitten Creates a «Cat Line» Down Lexington Avenue in Kips Bay

Two days after the pet kitten of Dr. Charles Neal Leigh and his wife Mollie Carpenter disappeared from their Kips Bay apartment at the Wareham on Lexington Avenue, Charles placed an ad in the newspaper. The ad was supposed to say that he was offering a $5 reward «for a tortoiseshell long haired kitten».

Angora cat

Imagine his surprise when he opened his newspaper the following day to find that he was offering a $500 reward! That's some expensive typo.

Several reporters went to see Charles about the grand reward. Not only did he refuse to answer questions, but he also wanted to know «who in thunder could believe that any cat was worth $500». (Charles was obviously not a true cat man.)

The kitten may not have been worth $500, but in 1907, but she was living in middle-class style at the new Wareham apartments at 231–233 Lexington Avenue, on the northern edge of Manhattan's Kips Bay neighborhood.

Designed by architect James E. Ware and built in 1905, the Wareham attracted the professional upper middle class who were priced out of the more luxury buildings rising up in mid-town Manhattan. The $40,000, six-story, red brick building featured an elevator and three flats per floor, for which residents could pay about $600 to $900 a year for three, four, or five rooms.

Charles Leigh was a druggist and chemist who specialized in perfumes and women's toiletries. In 1890, he founded his own company, Leigh's Cosmetics, which was acquired by the Shulton Company around 1943. According to Cosmetics and Skin, Charles' company may have developed the fragrances used in Shulton's Early American Old Spice, Early American Friendship's Garden and Desert Flower lines.

Aside from his perfume company, Charles' other «claim to fame» was losing a lawsuit in 1902, when Poland Spring Water charged him with re-filling their bottles with tap water and re-selling them in his Park Avenue Hotel drug store. He received a $250 fine and lot of publicity for this incident, which is perhaps why he shunned the reporters who tried to interview him about his missing kitten.

The Angora kitten, described as a chestnut-brown cat with kinky fur, shared the family's apartment with a fox terrier named Jimmy (the Leighs, who married in 1891, did not have any human children).

According to the New York Sun, «The gossip of the Wareham was that the dog…was treated with more consideration than most children. He wore a coat of Persian lamb's wool and little boots to keep his feet dry and warm in inclement weather».

The Angora kitty was reportedly the smartest cat on Lexington Avenue. And Jimmy was also famous throughout the neighborhood. One of the pets' biggest fans was the family's West Indian housemaid.

The Leighs' kitten disappeared on a Thursday, after failing to respond to her dinner bell. The next day, family and friends searched high and low for the cat throughout the neighborhood. They checked every stray cat and looked in every hiding place from where they had ever heard a cat yowl.

With all hope of finding the cat on their own, Charles placed the ad on Saturday. (He may have gotten the idea to place an idea by reading an old story about Snooperkatz, a shop cat whose owner had offered a $1 reward for the cat's safe return.)

The first of the many gold diggers seeking $500 arrived at the apartment house carrying a cat in a bag. The New York Sun described it this way: «It was a long haired cat that looked as if it had seen better days and many of them. It was about as far from kittenhood as it could get and be alive».

«That ain't our cat», the Warham's janitor told the young reward seeker. «That's just a common everyday tramp cat. Ours was a regular diamond turtle-back Angora goat cat».

The dejected boy let the cat out of the bag and walked away without any reward money.

Two older woman, described by the New York Sun as «spinsters», tried to pawn off two long-haired cats as the missing Angora. The janitor told them that the Leigh kitten was not twins, so they would have to take their cats away. The women commented that any man who could pay $500 for a kitten could pay $100 «for the fine specimens they had».

Many more people tried to claim the reward throughout the day, creating a «cat line» down Lexington Avenue. As one newspaper noted, everyone simply left their dejected cats in front of the Wareham, «and the Sunday night concert in the neighborhood was unusually strong».

While everyone's attention was focused on finding the missing kitten, poor Jimmy moped about the apartment in dismay over losing his feline friend. He was so distraught, he wouldn't even touch his food.

On Sunday evening, Jimmy died in a bathtub in the apartment. The Wareham elevator men surmise that Charles had given the dog a bit too much medicine in the hope of reviving his spirits.

Ironically, if true, the druggist's dog died of an overdose. The press did not report on the outcome of the missing Angora kitten.

Charles died only 9 years later, at the age of 49, on April 10, 1916. The cause of death was listed as a brain hemorrhage.

Apparently, Charles had eaten a large dinner the night before, and then returned to his shop at 158 Madison Avenue to review some paperwork. His associate and fellow chemist, Patrick A. Fox, found him dead at his desk when he opened the shop the following morning.

Funeral services for Charles Leigh were held at his residence at 122 East 34th Street. He was buried at the Pine Hill Cemetery in Middletown, New York.

Incidentally, one year later, Patrick was issued a restraining order to prevent him from using the Leigh name on his products.

According to a 1920 article in the Middletown Daily Herald, Patrick, who was now the company's secretary, was the only other person who had access to all the company's product formulas. After Charles died and Mollie had taken over the company, Patrick copied the formulas and used the «Leigh» label without the family's permission.

Makes you wonder about Charles' death…

⟨…⟩

«The Hatching Cat of Gotham»
(True and Unusual Animal Tales of Old New York),
March 13, 2023

J. Romaine Brown & Co.

Offer you the choice of the following High Grade Apartments, ready October 1st

⟨…⟩

«The Wareham»
231–3 Lexington Ave., (Near 34th Street.) 3, 4 and 5 rooms, elevator, etc.
$45, $60 and $75

⟨…⟩

Apply at Our Office, 105-109 West 40th St., or Superintendent on Premises.

«The New York Times», Vol.60, No.19.582, September 5, 1911

«The Wareham»

231–233 Lexington Avenue

Title: 1940s Tax Department photographs

Start Date: 1939
End Date: 1941

Description: Block 889 Lot 65

231–233 Lexington Avenue

NYC Department of Records and Information Services (DORIS)

231–233 Lexington Avenue

Title: 1940s Tax Department photographs

Start Date: 1939
End Date: 1941

Description: Block 889 Lot 65

231–233 Lexington Avenue

NYC Department of Records and Information Services (DORIS)

141 East 33rd Street

[Looking north on Lexington Avenue from East 33rd Street.]

1975

231 Lexington Avenue

«urbanarchive.org»

Слева, напротив дома 231 Lexington Avenue в доме 120 East 34th Street с 1965-го по 1982-й год, где и скончалась в возрасте 77 лет, жила Алиса Зиновьевна Розенбаум (она же — Ayn Rand)

Эдуард Лимонов

Alan Greenspan's mother Rose Goldsmith, President Gerald R. Ford, Alan Greenspan, writer Ayn Rand, and her husband Charles Francis «Frank» O'Connor, after Greenspan's swearing in as Chairman of the Council of Economic Advisors in the Oval Office, September 4, 1974, Washington, D.C.

© by David Hume Kennerly

[View of the street from the building entrance:]

Lexington Avenue & East 34th Street

Joe Testagrose • April 17, 1971

Lexington Avenue & East 34th Street
see more…
Lexington Avenue & East 34th Street
Lexington Avenue & East 34th Street
Lexington Avenue & East 34th Street

Steve Zabel • July 2, 1972

Lexington Avenue & East 34th Street
Lexington Avenue & East 33rd Street

Steve Zabel • June 6, 1973

Lexington Avenue & East 34th Street

«PastVu»

Gilbey's Vodka
limonka

Sour Schchi, the Essence of Russian Food

Julia

Sour Schchi, the Essence of Russian Food

[«Эд Савенко высадился в Москве на Курском вокзале 30-го сентября 1967-го года в возрасте двадцати четырёх лет. Вместе с ним из поезда был извлечён и поставлен на перрон большой чёрный чемодан» © Эдуард Лимонов, «Москва майская», 1986]

From the mostly autobiographical novel «This is Me — Edichka» by Eduard Limonov which protagonist is a Russian immigrant abandoned by his wife living on welfare in New York (translation is mine — forgive me, Edichka):

«If, between 1 and 3 pm, you happen to be walking along Madison Avenue where it's cut by 55th street, don't be lazy, lift your face up and look at the dirty windows of the black Winslow Hotel. There, on the middle balcony of the last 16th floor is half naked me. Usually, I am sitting there, roasting under the sun which I love, and eating schchi. Schchi with sauerkraut is my usual diet, I'm consuming it pot after pot, day in and day out, I really don't eat anything besides schchi. The spoon I use to eat schchi is wooden and brought straight from Russia. It is covered with golden, scarlet, and black flowers.

Surrounding buildings and their smoky glassy walls stare at me with thousands of eyes of their clerks, administrative assistants, and managers. Almost — sometimes completely — naked man is eating schchi from a pot. They, however, don't know that it is schchi. What they see is, every other day, a man on a balcony cooking on his electric hot plate in a huge pot something barbaric exuding smoke. There were times I used to eat chicken but then I stopped. There are five advantages to schchi: 1. Schchi is cheap — two or three dollars per pot and one pot lasts for two days. 2. Schchi doesn't go bad even without a refrigerator, even when it's hot outside. 3. Schchi can be made quickly — in an hour and a half. 4. You can and you should eat it cold. 5. There's no better summer food than schchi as schchi is sour».

Schchi is a traditional Russian cabbage soup favored by Ivan the Terrible, Peter the Great, Nicholas II, Lenin, Stalin, Grigory Rasputin, my parents, me — you name it. My mom used to make a large pot of it on a weekend to last through the rest of the week for our lunches. I don't know why borscht is considered traditional Russian soup. Borscht is Ukrainian. Schchi is Russian.

The roots of this soup go back to the ninth century when Russians got their hands on cabbage for the first time. For the frugal ones, the best part of schchi is that neither heat nor cold can ruin it. For the highfalutin — to impress, you can pump it up in so many ways.

By the 17th century, Russians learned to freeze schchi in big ice rounds when going on a journey. Chip a piece off, heat it up, and you've got a meal. And just like Edichka said, summer heat cannot ruin it either. Schchi only gets better with time.

In the soup chapter of the classic Soviet cookbook published in 1953 — the one and only and Stalin-approved — right after the basic bouillon section, the first soup that appears is schchi. The varieties of this dish are endless. There's anything and everything to accommodate the wallet, health, weather, mood, terrain — anything: schchi with fresh cabbage, schchi with sauerkraut, with fish, with root vegetables, mushroom schchi, summer schchi, sour schchi, green schchi, yes meat, no meat…

Every Russian family has its own schchi recipe. This one is derived from the scarcity of my mother's life and expanded by my life of abundance.

Brisket and bones are the foundation. Basic vegetables and bouquet garni: I do not bother peeling anything — just scrub it, rinse, cut it in chunks. Done.

Don't go crazy with measurements — choose the largest pot you have, put all what you've got in it, and cover with water to the brim. Don't worry about overflow. Some of the liquid will evaporate and bones, fat, and aromatics will be later discarded leaving the room for more.

As the broth is simmering, prep your vegetables for schchi: shred cabbage, chop onions and celery, julienne carrots and parsnip, peel and seed tomatoes.

Mushrooms, of course. Soak them but don't throw out the water as some suggest — add it to the broth once the broth is ready.

Give some time for the cabbage and sauerkraut to soften. Do not go by time — go by texture — it should feel soft, like you would want it in your soup.

When cooking vegetables, go by color. You should see some browning to know that you're getting your umami. Don't panic when they stick to the pan — vary the heat to get them unstuck and stuck again. You want some char.

Once you feel the meat is fork tender, take it out and let it cool. You should be able to handle it with bare hands so you don't lose to utensils all the morsels of flavor. Shake out the marrow and save. Throw out aromatics, bones and fat — they've done their job. Shred the meat. In my parents' family, this duty was delegated to my dad as a prize for being a good boy — he got to clean up and sop up some of the goodness along the way.

Finally, in a clean pot, there's clean broth, and the vegetables, and the meat, and fresh herbs. And garlic! In Russia we say: in good schchi, a spoon should stand. Here it is — standing!

read more…
Equipment

7 1/2—8 qt Dutch oven or stockpot
large sauté pan
large frying pan
fat separator
cheese cloth
paper towels

For the beef broth

about 3 lb beef brisket
about 3 lb beef bones — marrow and ribs
1 large onion, quartered
2 carrots, cut in chunks
2 celery ribs, cut in chunks
1 parsnip, cut in chunks
1 garlic clove, crushed
1/3 large bunch of parsley
1/3 large bunch of dill
a sprig of thyme
3 bay leaves
1 Tbsp black peppercorns
1 tsp salt

For schchi

1 oz dried porcini, soaked, drained, soaking liquid reserved
1 stick of butter (8 Tbsp), divided
2—2 1/2 lb green cabbage, shredded
2 lb sauerkraut, rinsed, water squeezed
3 Tbsp tomato paste
2 carrots, peeled and julienned
1 large onion, chopped
2 ribs celery, chopped
1 large turnip, peeled and julienned
1 lb plum tomatoes, peeled, seeded, chopped (canned tomatoes are ok, too)
salt, to taste
black pepper, to taste
1/3 large bunch of parsley, leaves only, chopped
1/3 large bunch of dill, leaves only, chopped
1 large garlic clove, minced
sour cream, for serving
1/3 large bunch of dill and 1/3 large bunch of parsley, chopped, for serving

1. In a large stockpot, combine all the ingredients for the broth, cover them with water, bring to a boil, and simmer for about 2-3 hours, until the brisket is falling apart fork tender. There's no need to bother much with skimming the foam — the broth will be strained once it's ready.

2. As the broth is simmering away, melt 1/2 stick of the butter in a large sauce pan, add cabbage, sauerkraut, tomato paste, and a cup of stock that has been simmering for at least 30 min or more, cover and let stew over a very low flame for about 45 min, mixing once in a while.

3. While the stock is simmering and the cabbage is stewing, melt the rest of the butter in a large skillet. Add carrots, onion, celery, turnip, mushrooms and sauté until the vegetables start to brown. It could take 15-25 min.

4. Once the broth is ready, take out the meat and bones and let them cool on a large plate. When they are cool enough to handle, shake the bone marrow out, separate meat from the ribs, and shred the brisket. Discard bones and fat. Strain the broth through a cheese cloth and defat it, if preferred. Julia Child once gave good advice to use paper towels to blot the fat off. It works great.

5. To the now clean broth, add the sautéed cabbages and vegetables, tomatoes, salt and pepper and simmer this for about 30 minutes.

6. Add shredded meat, bone marrow, minced garlic and herbs to the pot. Remove from heat.

You can eat schchi with a dollop of sour cream and sprinkling of fresh herbs right away, but the soup tastes much better the next day. It tastes even better on the second day, and the third.

«Julia with a Good Appetite», December 29, 2022

limonka

Прототипы литературных персонажей
романа «Это я — Эдичка»
в книжных изданиях

персонаж прототип годы жизни
Гликерманы Александр (Алекс) Либерман и
Татьяна Алексеевна Яковлева Либерман дю Плесси
04.09.1912 — 19.11.1999
24.04.(07.05).1906 — 28.04.1991
Моисей Яковлевич Бородатых Цвибак Яков Моисеевич,
лит. псевдоним Андрей Седых,
гл. ред. газеты «Новое Русское Слово» в 1973–1993 гг.
01(14).08.1902 — 08.01.1994
Леопольд Сенгор Сенгор Леопольд Седар,
президент Респ. Сенегал 1960–1980
09.10.1906 — 20.12.2001
Губанов Леонид Георгиевич Губанов 20.07.1946 — 08.09.1983
Игорь Холин Игорь Сергеевич Холин 21.01.1920 — 15.06.1999
Генрих Сапгир Генрих Вениаминович Сапгир 20.11.1928 — 07.10.1999
художник Хачатурян Вагрич Акопович Бахчанян 23.05.1938 — 12.11.2009
фотограф Александр Жигулин Александр Львович Бородулин 25.07.1952
фотограф Лёнька Лубеницкий Леонид Лубяницкий 19.04.1938 — 26.04.2020
фотограф Сева Зеленич Лев Нисневич 01.01.1940 — 28.12.2012
Лёня Косогор Леонид Александрович Комогор,
сын репрессированного,
боец-окруженец 2-й Ударной армии,
з/к и ссыльный (1942–1956),
с 1972 г. в эмиграции
??.??.1922
(Алма-Ата, СССР)

26.10.1997
(Miami-Dade, FL, USA)
Алёшка Шнеерзон Алексей Туммерман ??.??.???? — ??.??.????
безымянный Ян Евзлин ??.??.???? — ??.??.????
Александр, Алька Львовский Валентин Анатольевич Пруссаков 11.08.1943 — 09.07.2016
Володя Шмакофф Геннадий Григорьевич Шмаков 27.03.1940 — 21.08.1988
Алёшка Славков поэт Алексей Петрович Цветков 02.02.1947 — 12.05.2022
Лёка, Лёва Старский Лев Борисович Збарский 12.11.1931 — 22.02.2016
писатель-преподаватель Юрий Витальевич Мамлеев 11.12.1931 — 25.10.2015
крещёная узбечка Маша Мария (Фируза) Александровна Мамлеева 25.04.1935 — 10.05.2025
Лёня Чаплин Леонид Мильруд ??.??.???? — ??.??.????
Розанна Susan Heuman
aka Susan Eva Heuman, Susan E. Heuman, Sue Heuman
??.??.1943

380 Riverside Drive, UNIT B, New York City, NY 10025

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Susan Eva Heuman «Bogdan Kistiakovskii and the problem of human rights in the Russian Empire, 1899–1917» (Ph.D. dissertation) // New York City: Columbia University, 1977, 256 p.
Кирилл Андрей Владимирович Поляков-Мейлунас ??.??.1952 — 21.03.2022
Пётр Ливанов Павел Михайлович Литвинов 06.07.1940
Леонид Иванович Плющ 26.04.1939 — 04.06.2015
Кэрол Marilyn Vogt-Downey ??.??.1943

Расхождения в написании имён

Benjamin
Бэнжамэн «Руссика» 1979, 1982, 1989
Бэнджамэн «Глагол» 1990, 1991, 1991
Бэнжамэн «Ренессанс» 1991
Бэнжамэн «Конец Века» 1992
Бэнджамэн Омское кн. изд-во 1992
Бэнжамэн Центр.-Черн. кн. изд-во 1993
Бенджамен «МОКА» 1993
Бенджамен «Вагриус» 1998
Бэнжамэн «Альпина нон-фикшн» 2021 — вернулись в написании к 1-й версии
Эдуард Лимонов

Эдуард Лимонов:
«Встреча художника Поля Шемета в Москве на Курском вокзале.
Встречают: В. Бахчанян, И. Бахчанян (Савинова), А. Рубинштейн и А. Морозов»

Павел Шеметов (Поль Шемет)
Поль Шеммет
©1974
«Аполлон-77» (1977)
Павел Шеметов
©1976
«Это я — Эдичка» (1979, 1982)
Павел Шемметов
©1985
«Молодой негодяй» (1986)
изд-во «Синтаксис»
Павел Шемметов
©1985
«Молодой негодяй» (1992)
изд-во «Глагол»)
Кописаров
©1974
«Аполлон-77» (1977)
Юрий Комиссаров
©1976
«Это я — Эдичка» (1979, 1982)
Михаил Кописсаров
©1985
«Молодой негодяй» (1986)
изд-во «Синтаксис»
Михаил Иссаров
©1985
«Молодой негодяй» (1992)
изд-во «Глагол»)

* * *

Lilya Pann («Facebook», 20.03.2020): Вспоминала, как Лимонов низвергал кумиров третьей волны эмиграции. ⟨…⟩


из комментариев:

Pavel Litvinov: Лиля, а какое у тебя издание Эдички — журнальное или книжка? Там присутствую я, в журнале под своим именем, а в книге под псевдонимом.

Lilya Pann: У меня книжка. А какой псевдоним, если не секрет?

Pavel Litvinov: Lilya Pann если не ошибаюсь, Пётр Ливанов, это в главе, которая называется Кэрол, ее настоящее имя Мэрилин. Там в целом все правда и одновременно все жалкая, хотя и искренняя, ложь по существу. Меня уговаривали подать на него в суд, разумеется, я отказался, но он испугался и в отдельном издании меня зашифровал.

That's all Folks!

Everything You Always Wanted to Know About Sex
* But Were Afraid to Ask

«Le Poète russe préfère les grands nègres»

Woody Allen + Tamara Dobson, New York City
© Bruce Laurance, 1971

«Le Poète russe préfère les grands nègres»

New York City
© Burt Glinn, 1971

«De Russische Dichter Houdt Van Grote Negers»

Петров и Боширов

Forty-Deuce Near «Hectors Cafeteria», New York City
© Sepp Werkmeister, 1968

«Ένας ρώσος ποιητής προτιμά τούς μεγάλους νέγρους»

James Brown, Broadway, New York City
© Allan Tannenbaum, 1979

Фрагмент из дневниковой тетради №7 Эдуарда Лимонова от 29-го апреля 2010 года:

Я никогда не был геем. Это наши руководители, среди которых немало индивидуалов нетрадиционной ориентации, принимают желаемое за действительное. Я опрометчиво провокативно дал герою моего первого романа мой литературный псевдоним, и поскольку под этим псевдонимом я тогда был известен лишь десятку людей, я допустил таким образом огромную ошибку по нескольким сразу аспектам: 1) Я не предполагал, что в будущем уеду жить на мою скифскую родину и стану жить под моим псевдонимом вместо реальной фамилии, 2) Тем более не предполагал, что стану скифским политиком в Скифии, а здесь круче нравы, чем в [Древнем] Риме, скифы дичее. Кем я предполагал стать — в 1976 году — спросите Вы? Пророком в [Древнем] Риме, но в начале следовало стать великим писателем.

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